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When Dr Stockmann makes a disturbing discovery about the healing waters in his local baths, he holds the future of the whole town in his hands. But doubt spreads faster than disease, and those with everything to lose refuse to accept his word. Soon, a battle is raging – and it goes far beyond contaminated water… Ibsen's provocative play about truth in a society driven by power and money is given a startling contemporary spin in Thomas Ostermeier and Florian Borchmeyer's acclaimed version, which premiered at the Avignon Festival followed by the Schaubühne in Berlin in 2012. It has since toured to more than thirty cities around the world. This edition of An Enemy of the People was published alongside the first English-language production, in a version by Duncan Macmillan. It opened at the Duke of York's Theatre in the West End in 2024, starring Matt Smith and Jessica Brown Findlay. Thomas Ostermeier is a German theatre director, acclaimed for his innovative and often iconoclastic productions of classic and contemporary plays. He is the Artistic Director of the Schaubühne. 'Thrilling… Ibsen's drama scales new heights of excitement and fascination' - Guardian 'Ostermeier is the most important theater director of his generation' - New Republic 'Electrifying… an impassioned examination of society and the powerlessness of democracy to check an abuse of power… Ostermeier is using theatre as a political rallying place, somewhere to ask what we really think' - WhatsOnStage 'Surreal, provocative and very funny… deliciously spikey… fascinating and bracingly direct… Ostermeier blows the themes of the play up in the most thrilling way' - Time Out 'Blistering… full of contemporary resonances' - Financial Times
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Henrik Ibsen
AN ENEMY OF THE PEOPLE
Adapted by
Thomas Ostermeier and Florian Borchmeyer
English-language version by
Duncan Macmillan
NICK HERN BOOKS
London
Contents
Original Production Details
An Enemy of the People
About the Authors
Copyright and Performing Rights Information
This adaptation of An Enemy of the People was first performed in German at the Avignon Festival, France, on 18 July 2012, before opening at the Schaubühne, Berlin, Germany, on 8 September 2012. The cast was as follows:
DR THOMAS STOCKMANN
Stefan Stern
PETER STOCKMANN
Ingo Hülsmann
MRS STOCKMANN
Eva Meckbach
HOVSTAD
Christoph Gawenda
ASLAKSEN
David Ruland
BILLING
Moritz Gottwald
MORTEN KIIL
Thomas Bading
Director
Thomas Ostermeier
Set Designer
Jan Pappelbaum
Costume Designer
Nina Wetzel
Music
Malte Beckenbach and Daniel Freitag
Dramaturg
Florian Borchmeyer
Lighting Designer
Erich Schneider
Wall Paintings
Katharina Ziemke
The production toured to Melbourne (October 2012), Lyon (January/February 2013), Montreal (May 2013), Quebec (May 2013), Athens (July 2013), Venice (August 2013), São Paulo (September 2013), Buenos Aires (October 2013), New York (November 2013), Paris (January/February 2014), Rennes (March 2014), Siegen (May 2014), Istanbul (May 2014), Oslo (September 2014), London (September 2014), Moscow (October 2014), Belfast (October 2014), Cluj-Napoca (November 2014), Lausanne (February 2015), Delhi, Kolkata and Chennai (February 2015), Naples (June 2015), Pilsen (September 2015), Tbilisi (October 2015), Minsk (October 2015), Bogotá (March 2016), Torún (May 2016), Seoul (May 2016), Copenhagen (June 2016), Santiago de Chile (January 2017), Shizuoka (April 2018), Singapore (May 2018), Gothenburg (August 2018), Beijing (September 2018), Nanjing (September 2018), Chapel Hill and Berkeley (October 2018), Zagreb (October 2019) and Barcelona (June 2022).
This English-language version was first performed at the Duke of York’s Theatre, London, on 20 February 2024 (previews from 6 February), produced by David Binder Productions and Wessex Grove. The cast was as follows:
DR THOMAS STOCKMANN
Matt Smith
KATHARINA STOCKMANN
Jessica Brown Findlay
ASLAKSEN
Priyanga Burford
BILLING
Zachary Hart
PETER STOCKMANN
Paul Hilton
MORTEN KIIL
Nigel Lindsay
HOVSTAD
Shubham Saraf
Understudies
DR THOMAS STOCKMANN
Samuel Armfield
KATHARINA STOCKMANN / ASLAKSEN
Saskia Ashdown
BILLING / HOVSTAD
Vilberg Andri Pállson
PETER STOCKMANN / MORTEN KIIL
Chris Porter
Director
Thomas Ostermeier
Adaptors
Thomas Ostermeier & Florian Borchmeyer
Set Designer
Jan Pappelbaum
Costume Designer
Natasha Jenkins
Lighting Designer
Urs Schönebaum
Sound Designer & Composer
Ben & Max Ringham
Wall Paintings
Katharina Ziemke
Casting Director
Jim Carnahan CSA
English Version
Duncan Macmillan
Dramaturgs
Florian Borchmeyer & Maja Zade
Associate Director
Jaz Woodcock-Stewart
Musical Director
Candida Caldicott
Associate Musical Director
Nick Pinchbeck
Associate Lighting Designer
Ryan Joseph Stafford
Characters
KATHARINA STOCKMANN
BILLING
MAYOR PETER STOCKMANN
HOVSTAD
THOMAS STOCKMANN
MORTEN KIIL
NINA ASLAKSEN
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
FIRST ACT
The Stockmanns’ living room. BILLING sits at the table. KATHARINA STOCKMANN brings food from the kitchen.
KATHARINA. Food’s cold. But if you will show up an hour late –
BILLING. Thank you, Katharina, I’m sure it’s wonderful.
KATHARINA. We’ve been eating earlier since the baby –
BILLING. It’s fine. I like to eat alone. When we eat together it’s like feeding time at the zoo.
Doorbell.
KATHARINA. That must be Hovstad.
BILLING. Finally!
KATHARINA. There’s cheese, too, if you –
BILLING. Tell him – band practice should’ve been half an hour ago.
KATHARINA. Yep.
MAYOR PETER STOCKMANN enters.
PETER. Katharina.
KATHARINA. Peter! Nice of you to drop by!
PETER. I was in the area so I thought I’d – oh, sorry, you have company.
KATHARINA. Oh, no, that’s not anybody. Stay for dinner!
PETER. No thank you, I never eat late.
KATHARINA. Oh, break the rules this once! Billing has been persuaded –
PETER. I have issues with my digestion, so I… Is Thomas not at home?
KATHARINA. He’s circling the block, getting the little one to sleep.
The door, off.
PETER. That must be him now.
HOVSTAD enters.
HOVSTAD. Sorry! I was delayed at the paper.
KATHARINA whispers to him that PETER is here.
Mr Mayor!
PETER. Mr Hovstad! Is this a work meeting?
HOVSTAD. Just band practice. Though I do want to speak with Thomas about an article he’s written.
PETER. It’s a wonder he finds time with all his other responsibilities. Medical officer, new parent – now… amateur journalist?
HOVSTAD. I think he writes to unburden his mind. And to connect with the community.
PETER. Yes, he’s always craved an audience.
KATHARINA. Hovstad – would you like some wine?
HOVSTAD. Yes, thank you.
PETER. It must be frustrating, at your tabloid, Hovstad. You became editor-in-chief promising to expose corruption in local government, to ‘drain the swamp’…
HOVSTAD. Those aren’t the words I would’ve –
PETER.…but all you’ve had to report on is rising house prices, falling unemployment! Finally the council has tax revenues for something better than purely social spending…
HOVSTAD. A free and fair press cares only for the truth, Mayor Stockmann! But I’m not sure you can claim all the credit for the reversal in our town’s fortunes. The spa was your brother’s idea, after all.
PETER. He may have conceived of the project but I initiated it. I executed it. My brother has no shortage of ideas but, without men of action such as myself, they seldom amount to much.
HOVSTAD. And what of the paper? How much credit should we claim? Some of our articles have been syndicated to the national press, linked globally. There’d be no ‘wellness tourism’ here if people hadn’t heard about the baths.
KATHARINA. Thomas gives all his time to the baths.
PETER. One would hope so. It is his employer.
HOVSTAD. He wrote a great piece earlier this year that will have the spa booked out for years! It just wasn’t the right time to put it out. I felt now would be better, what with people planning their summer holidays –
PETER. Yes! Good! We need to have a busy summer! I’m glad we have a common goal, Mr Hovstad. The prosperity of this town! You see, this is Thomas’s problem – he’s a lone wolf! A law unto himself, always taking matters into his own hands! We have a marketing team, a PR strategy – and he just blunders ahead without consultation.
KATHARINA. Hovstad, have something to eat. Peter, can’t you and Thomas share the glory, as brothers?
PETER. Happily, Katharina! But it takes two to share.
THOMAS STOCKMANN enters, pushing a pram.
STOCKMANN. He’s asleep!
KATHARINA. Thomas, look who’s here!
STOCKMANN. Peter? Hi!
PETER. Thomas. How are you?
STOCKMANN. This is unexpected! A drink! Let’s –
PETER. I can’t stay long.
STOCKMANN. I’ll open some red.
PETER. No, please –
STOCKMANN. Anyone seen the corkscrew?
KATHARINA. No.
PETER. Thomas, please. I’m not a huge fan of boozing.
STOCKMANN. We’re not boozing. We’re ‘having a drink’.
PETER. The looks of them – I wouldn’t be so sure.
STOCKMANN. Oh relax! It’s nice for us to host – we could never do that before! Can’t you take a moment to acknowledge how good things are? This is the first time in my life I’ve felt this way – that I can make a positive impact. Work for the common good. There’s nothing I can do about the biggest problems facing the world but here, in our little, provincial town, I can make a difference. Change is possible!
PETER. Change?
STOCKMANN. Yes! Has there been any post, Katharina?
KATHARINA. I haven’t checked.
STOCKMANN. All those long, brutal years of medical school, living off instant noodles and student loans, the world going to shit – it all seemed so bleak! Then we came back here, Katharina got pregnant, I became medical officer for the baths… there’s nothing like living through hardship to make you appreciate finally getting a decent salary!
PETER. And nothing will make you feel hopeful about the world quite like an uptick in your own personal circumstances. Perhaps, with your new-found fortunes, you could hire a cleaner once in a while.
STOCKMANN. Not now, Peter. I would really like you to get to know Hovstad a little better –
PETER and HOVSTAD. We’ve met.
PETER. He tells me he intends to publish another of your articles. About the baths. Look, Thomas –
KATHARINA. Look, Peter!
She brings the baby over to PETER.
PETER. He’s asleep, is he? Does he always clench his fists like that?
KATHARINA. Always!
STOCKMANN. And he snores!
PETER. This article you’ve written – it sounds like it would be a great advert for the baths –
STOCKMANN. Oh, right – that one. Of course. Yes – but – I don’t think it’s best moment right now.
PETER. Why not? Now is the perfect time!
STOCKMANN. Yes – under normal circumstances –
PETER. What isn’t normal about now?
STOCKMANN. I can’t really say, Peter, not just yet. Maybe it’s nothing at all. I might just be imagining things.
PETER. That sounds cryptic. Is something up? Let’s not play games, Thomas. As Chairman of the Bath Committee I insist that things come through the proper channels.
STOCKMANN. Can we not argue?
PETER. I’m not arguing, Thomas! I promise!
But…
There’s a way things are done! Rules that must be obeyed.
STOCKMANN. What does that have to do with me?