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Famed playwright George Bernard Shaw's quirky version of the ancient Androcles fable deftly combines elements of satire and humor along with a surprisingly philosophically complex view of Christianity and religious belief systems in general. This playful take on the issues of persecution and martyrdom is as timely today as it was when initially published a century ago.
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ACT I
Evening. The end of three converging roads to Rome. Three triumphal arches span them where they debouch on a square at the gate of the city. Looking north through the arches one can see the campagna threaded by the three long dusty tracks. On the east and west sides of the square are long stone benches. An old beggar sits on the east side of the square, his bowl at his feet. Through the eastern arch a squad of Roman soldiers tramps along escorting a batch of Christian prisoners of both sexes and all ages, among them one Lavinia, a goodlooking resolute young woman, apparently of higher social standing than her fellow-prisoners. A centurion, carrying his vinewood cudgel, trudges alongside the squad, on its right, in command of it. All are tired and dusty; but the soldiers are dogged and indifferent, the Christians light-hearted and determined to treat their hardships as a joke and encourage one another.
A bugle is heard far behind on the road, where the rest of the cohort is following.
CENTURION (stopping) Halt! Orders from the Captain. (They halt and wait). Now then, you Christians, none of your larks. The captain's coming. Mind you behave yourselves. No singing. Look respectful. Look serious, if you're capable of it. See that big building over there? That's the Coliseum. That's where you'll be thrown to the lions or set to fight the gladiators presently. Think of that; and it'll help you to behave properly before the captain. (The Captain arrives). Attention! Salute! (The soldiers salute).
A CHRISTIAN (cheerfully) God bless you, Captain.
THE CENTURION (scandalised) Silence!
The Captain, a patrician, handsome, about thirty-five, very cold and distinguished, very superior and authoritative, steps up on a stone seat at the west side of the square, behind the centurion, so as to dominate the others more effectually.
THE CAPTAIN. Centurion.
THE CENTURION. (standing at attention and saluting) Sir?
THE CAPTAIN (speaking stiffly and officially) You will remind your men, Centurion, that we are now entering Rome. You will instruct them that once inside the gates of Rome they are in the presence of the Emperor. You will make them understand that the lax discipline of the march cannot be permitted here. You will instruct them to shave every day, not every week. You will impress on them particularly that there must be an end to the profanity and blasphemy of singing Christian hymns on the march. I have to reprimand you, Centurion, for not only allowing this, but actually doing it yourself.
THE CENTURION. The men march better, Captain.
THE CAPTAIN. No doubt. For that reason an exception is made in the case of the march called Onward Christian Soldiers. This may be sung, except when marching through the forum or within hearing of the Emperor's palace; but the words must be altered to "Throw them to the Lions."
The Christians burst into shrieks of uncontrollable laughter, to the great scandal of the Centurion.
CENTURION. Silence! Silen-n-n-n-nce! Where's your behavior? Is that the way to listen to an officer? (To the Captain) That's what we have to put up with from these Christians every day, sir. They're always laughing and joking something scandalous. They've no religion: that's how it is.
LAVINIA. But I think the Captain meant us to laugh, Centurion. It was so funny.
CENTURION. You'll find out how funny it is when you're thrown to the lions to-morrow. (To the Captain, who looks displeased) Beg pardon, Sir. (To the Christians) Silennnnce!
THE CAPTAIN. You are to instruct your men that all intimacy with Christian prisoners must now cease. The men have fallen into habits of dependence upon the prisoners, especially the female prisoners, for cooking, repairs to uniforms, writing letters, and advice in their private affairs. In a Roman soldier such dependence is inadmissible. Let me see no more of it whilst we are in the city. Further, your orders are that in addressing Christian prisoners, the manners and tone of your men must express abhorrence and contempt. Any shortcoming in this respect will be regarded as a breach of discipline.(He turns to the prisoners) Prisoners.
CENTURION (fiercely) Prisonerrrrrs! Tention! Silence!
THE CAPTAIN. I call your attention, prisoners, to the fact that you may be called on to appear in the Imperial Circus at any time from tomorrow onwards according to the requirements of the managers. I may inform you that as there is a shortage of Christians just now, you may expect to be called on very soon.
LAVINIA. What will they do to us, Captain?
CENTURION. Silence!
THE CAPTAIN. The women will be conducted into the arena with the wild beasts of the Imperial Menagerie, and will suffer the consequences. The men, if of an age to bear arms, will be given weapons to defend themselves, if they choose, against the Imperial Gladiators.
LAVINIA. Captain: is there no hope that this cruel persecution—
CENTURION (shocked) Silence! Hold your tongue, there. Persecution, indeed!
THE CAPTAIN (unmoved and somewhat sardonic) Persecution is not a term applicable to the acts of the Emperor. The Emperor is the Defender of the Faith. In throwing you to the lions he will be upholding the interests of religion in Rome. If you were to throw him to the lions, that would no doubt be persecution.
The Christians again laugh heartily.
CENTURION (horrified) Silence, I tell you! Keep silence there. Did anyone ever hear the like of this?
LAVINIA. Captain: there will be nobody to appreciate your jokes when we are gone.
THE CAPTAIN (unshaken in his official delivery) I call the attention of the female prisoner Lavinia to the fact that as the Emperor is a divine personage, her imputation of cruelty is not only treason, but sacrilege. I point out to her further that there is no foundation for the charge, as the Emperor does not desire that any prisoner should suffer; nor can any Christian be harmed save through his or her own obstinacy. All that is necessary is to sacrifice to the gods: a simple and convenient ceremony effected by dropping a pinch of incense on the altar, after which the prisoner is at once set free. Under such circumstances you have only your own perverse folly to blame if you suffer. I suggest to you that if you cannot burn a morsel of incense as a matter of conviction, you might at least do so as a matter of good taste, to avoid shocking the religious convictions of your fellow citizens. I am aware that these considerations do not weigh with Christians; but it is my duty to call your attention to them in order that you may have no ground for complaining of your treatment, or of accusing the Emperor of cruelty when he is showing you the most signal clemency. Looked at from this point of view, every Christian who has perished in the arena has really committed suicide.
LAVINIA. Captain: your jokes are too grim. Do not think it is easy for us to die. Our faith makes life far stronger and more wonderful in us than when we walked in darkness and had nothing to live for. Death is harder for us than for you: the martyr's agony is as bitter as his triumph is glorious.
THE CAPTAIN (rather troubled, addressing her personally and gravely) A martyr, Lavinia, is a fool. Your death will prove nothing.
LAVINIA. Then why kill me?
THE CAPTAIN. I mean that truth, if there be any truth, needs no martyrs.
LAVINIA. No; but my faith, like your sword, needs testing. Can you test your sword except by staking your life on it?
THE CAPTAIN (suddenly resuming his official tone) I call the attention of the female prisoner to the fact that Christians are not allowed to draw the Emperor's officers into arguments and put questions to them for which the military regulations provide no answer. (The Christians titter).
LAVINIA. Captain: how CAN you?
THE CAPTAIN. I call the female prisoner's attention specially to the fact that four comfortable homes have been offered her by officers of this regiment, of which she can have her choice the moment she chooses to sacrifice as all well-bred Roman ladies do. I have no more to say to the prisoners.