Erhalten Sie Zugang zu diesem und mehr als 300000 Büchern ab EUR 5,99 monatlich.
- Herausgeber: Musaicum Books
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
- Veröffentlichungsjahr: 2017
In Washington Irving's novel 'Bracebridge Hall (Illustrated Edition)', readers are transported to the quaint English countryside estate of Bracebridge Hall. Through a series of engagingly written stories and sketches, Irving combines wit, charm, and humor to paint a vivid picture of early nineteenth-century England. The book's breezy and conversational tone makes it a delightful read, suitable for both casual readers and scholars interested in the Romantic literary movement. 'Bracebridge Hall' serves as a charming example of the literary style of the times, showcasing Irving's skill in storytelling and character development. The inclusion of illustrations enhances the reader's immersive experience, bringing the setting and characters to life with visual detail. Readers will find themselves captivated by the whimsical tales that unfold within the walls of Bracebridge Hall. Washington Irving, known for his iconic works like 'Rip Van Winkle' and 'The Legend of Sleepy Hollow', drew inspiration from his travels in England to craft this engaging collection of stories. His keen observations of English society and customs are evident throughout the book, offering insight into both the author's perspective and the time period in which it was written. Fans of Irving's previous works will not be disappointed by the wit and charm displayed in 'Bracebridge Hall'. I highly recommend this illustrated edition to readers seeking an enchanting literary escape to the English countryside and a deeper appreciation for Irving's storytelling prowess.
Sie lesen das E-Book in den Legimi-Apps auf:
Seitenzahl: 487
Das E-Book (TTS) können Sie hören im Abo „Legimi Premium” in Legimi-Apps auf:
Ähnliche
Bracebridge Hall (Illustrated Edition)
Published by
Books
Table of Contents
"The chivalry of the Hall prepared to take the Field."—Frontispiece.
PREFACE
The success of “OLD CHRISTMAS” has suggested the republication of its sequel “BRACEBRIDGE HALL,” illustrated by the same able pencil, but condensed so as to bring it within reasonable size and price.
THE HALL.
The ancientest house, and the best for housekeeping in this county or the next, and though the master of it write but squire, I know no lord like him.
MERRY BEGGARS.
The reader, if he has perused the volumes of the Sketch Book, will probably recollect something of the Bracebridge family, with which I once passed a Christmas. I am now on another visit at the Hall, having been invited to a wedding which is shortly to take place. The squire’s second son, Guy, a fine, spirited young captain in the army, is about to be married to his father’s ward, the fair Julia Templeton. A gathering of relations and friends has already commenced, to celebrate the joyful occasion; for the old gentleman is an enemy to quiet, private weddings. “There is nothing,” he says, “like launching a young couple gaily, and cheering them from the shore; a good outset is half the voyage.”
Before proceeding any farther, I would beg that the squire might not be confounded with that class of hard-riding, fox-hunting gentlemen so often described, and, in fact, so nearly extinct in England. I use this rural title, partly because it is his universal appellation throughout the neighbourhood, and partly because it saves me the frequent repetition of his name, which is one of those rough old English names at which Frenchmen exclaim in despair.
The squire is, in fact, a lingering specimen of the old English country gentleman; rusticated a little by living almost entirely on his estate, and something of a humourist, as Englishmen are apt to become when they have an opportunity of living in their own way. I like his hobby passing well, however, which is, a bigoted devotion to old English manners and customs; it jumps a little with my own humour, having as yet a lively and unsated curiosity about the ancient and genuine characteristics of my “fatherland.”
There are some traits about the squire’s family also, which appear to me to be national. It is one of those old aristocratical families, which, I believe, are peculiar to England, and scarcely understood in other countries; that is to say, families of the ancient gentry, who, though destitute of titled rank, maintain a high ancestral pride; who look down upon all nobility of recent creation, and would consider it a sacrifice of dignity to merge the venerable name of their house in a modern title.
This feeling is very much fostered by the importance which they enjoy on their hereditary domains. The family mansion is an old manor-house, standing in a retired and beautiful part of Yorkshire. Its inhabitants have been always regarded through the surrounding country as “the great ones of the earth;” and the little village near the hall looks up to the squire with almost feudal homage. An old manor-house, and an old family of this kind, are rarely to be met with at the present day; and it is probably the peculiar humour of the squire that has retained this secluded specimen of English housekeeping in something like the genuine old style.
I am again quartered in the panelled chamber, in the antique wing of the house. The prospect from my window, however, has quite a different aspect from that which it wore on my winter visit. Though early in the month of April, yet a few warm, sunshiny days have drawn forth the beauties of the spring, which, I think, are always most captivating on their first opening. The parterres of the old-fashioned garden are gay with flowers; and the gardener has brought out his exotics, and placed them along the stone balustrades. The trees are clothed with green buds and tender leaves; when I throw open my jingling casement I smell the odour of mignonette, and hear the hum of the bees from the flowers against the sunny wall, with the varied song of the throstle, and the cheerful notes of the tuneful little wren.
While sojourning in this stronghold of old fashions, it is my intention to make occasional sketches of the scenes and characters before me. I would have it understood, however, that I am not writing a novel, and have nothing of intricate plot, or marvellous adventure, to promise the reader. The Hall of which I treat has, for aught I know, neither trap-door, nor sliding-panel, nor donjon-keep: and indeed appears to have no mystery about it. The family is a worthy, well-meaning family, that, in all probability, will eat and drink, and go to bed, and get up regularly, from one end of my work to the other; and the squire is so kindhearted an old gentleman, that I see no likelihood of his throwing any kind of distress in the way of the approaching nuptials. In a word, I cannot foresee a single extraordinary event that is likely to occur in the whole term of my sojourn at the Hall.
I tell this honestly to the reader, lest when he find me dallying along, through everyday English scenes, he may hurry ahead, in hopes of meeting with some marvellous adventure farther on. I invite him, on the contrary, to ramble gently on with me, as he would saunter out into the fields, stopping occasionally to gather a flower, or listen to a bird, or admire a prospect, without any anxiety to arrive at the end of his career. Should I, however, in the course of my loiterings about this old mansion, see or hear anything curious, that might serve to vary the monotony of this everyday life, I shall not fail to report it for the reader’s entertainment.
For freshest wits I know will soon be wearie Of any book, how grave so e’er it be, Except it have odd matter, strange and merrie, Well sauc’d with lies and glared all with glee.1
THE BUSY MAN.
A decayed gentleman, who lives most upon his own mirth and my master’s means, and much good do him with it. He does hold my master up with his stones, and songs, and catches, and such tricks, and jigs you would admire — he is with him now.
JOVIAL CREW.
By no one has my return to the Hall been more heartily greeted than by Mr. Simon Bracebridge, or Master Simon, as the squire most commonly calls him. I encountered him just as I entered the park, where he was breaking a pointer, and he received me with all the hospitable cordiality with which a man welcomes a friend to another one’s house. I have already introduced him to the reader as a brisk old bachelor-looking little man; the wit and superannuated beau of a large family connection, and the squire’s factotum. I found him, as usual, full of bustle; with a thousand petty things to do, and persons to attend to, and in chirping good-humour; for there are few happier beings than a busy idler; that is to say, a man who is eternally busy about nothing.
I visited him, the morning after my arrival, in his chamber, which is in a remote corner of the mansion, as he says he likes to be to himself, and out of the way. He has fitted it up in his own taste, so that it is a perfect epitome of an old bachelor’s notions of convenience and arrangement. The furniture is made up of odd pieces from all parts of the house, chosen on account of their suiting his notions, or fitting some corner of his apartment; and he is very eloquent in praise of an ancient elbow-chair, from which he takes occasion to digress into a censure on modern chairs, as having degenerated from the dignity and comfort of high-backed antiquity.
Adjoining to his room is a small cabinet, which he calls his study. Here are some hanging shelves, of his own construction, on which are several old works on hawking, hunting, and farriery, and a collection or two of poems and songs of the reign of Elizabeth, which he studies out of compliment to the squire; together with the Novelists’ Magazine, the Sporting Magazine, the Racing Calendar, a volume or two of the Newgate Calendar, a book of peerage, and another of heraldry.
His sporting dresses hang on pegs in a small closet; and about the walls of his apartment are hooks to hold his fishing-tackle, whips, spurs, and a favourite fowling-piece, curiously wrought and inlaid, which he inherits from his grandfather. He has also a couple of old single-keyed flutes, and a fiddle, which he has repeatedly patched and mended himself, affirming it to be a veritable Cremona: though I have never heard him extract a single note from it that was not enough to make one’s blood run cold.
From this little nest his fiddle will often be heard, in the stillness of mid-day, drowsily sawing some long-forgotten tune; for he prides himself on having a choice collection of good old English music, and will scarcely have anything to do with modern composers. The time, however, at which his musical powers are of most use is now and then of an evening, when he plays for the children to dance in the hall, and he passes among them and the servants for a perfect Orpheus.
His chamber also bears evidence of his various avocations; there are half copied sheets of music; designs for needlework; sketches of landscapes, very indifferently executed; a camera lucida; a magic lantern, for which he is endeavouring to paint glasses; in a word, it is the cabinet of a man of many accomplishments, who knows a little of everything, and does nothing well.
After I had spent some time in his apartment admiring the ingenuity of his small inventions, he took me about the establishment, to visit the stables, dog-kennel, and other dependencies, in which he appeared like a general visiting the different quarters of his camp; as the squire leaves the control of all these matters to him, when he is at the Hall. He inquired into the state of the horses; examined their feet; prescribed a drench for one, and bleeding for another; and then took me to look at his own horse, on the merits of which he dwelt with great prolixity, and which, I noticed, had the best stall in the stable.
After this I was taken to a new toy of his and the squire’s, which he termed the falconry, where there were several unhappy birds in durance, completing their education. Among the number was a fine falcon, which Master Simon had in especial training, and he told me that he would show me, in a few days, some rare sport of the good old-fashioned kind. In the course of our round, I noticed that the grooms, gamekeeper, whippers-in, and other retainers, seemed all to be on somewhat of a familiar footing with Master Simon, and fond of having a joke with him, though it was evident they had great deference for his opinion in matters relating to their functions.
There was one exception, however, in a testy old huntsman, as hot as a peppercorn; a meagre, wiry old fellow, in a threadbare velvet jockey-cap, and a pair of leather breeches, that, from much wear, shone as though they had been japanned. He was very contradictory and pragmatical, and apt, as I thought, to differ from Master Simon now and then out of mere captiousness. This was particularly the case with respect to the treatment of the hawk, which the old man seemed to have under his peculiar care, and, according to Master Simon, was in a fair way to ruin; the latter had a vast deal to say about casting, and imping, and gleaming, and enseaming, and giving the hawk the rangle, which I saw was all heathen Greek to old Christy; but he maintained his point notwithstanding, and seemed to hold all his technical lore in utter disrespect.
I was surprised at the good humour with which Master Simon bore his contradictions, till he explained the matter to me afterwards. Old Christy is the most ancient servant in the place, having lived among dogs and horses the greater part of a century, and been in the service of Mr. Bracebridge’s father. He knows the pedigree of every horse on the place, and has bestrid the great-great-grandsires of most of them. He can give a circumstantial detail of every fox-hunt for the last sixty or seventy years, and has a history of every stag’s head about the house, and every hunting trophy nailed to the door of the dog-kennel.
All the present race have grown up under his eye, and humour him in his old age. He once attended the squire to Oxford when he was a student there, and enlightened the whole university with his hunting lore. All this is enough to make the old man opinionated, since he finds, on all these matters of first-rate importance, he knows more than the rest of the world. Indeed, Master Simon had been his pupil, and acknowledges that he derived his first knowledge in hunting from the instructions of Christy; and I much question whether the old man does not still look upon him as rather a greenhorn.
On our return homewards, as we were crossing the lawn in front of the house, we heard the porter’s bell ring at the lodge, and shortly afterwards, a kind of cavalcade advanced slowly up the avenue. At sight of it my companion paused, considered for a moment, and then, making a sudden exclamation, hurried away to meet it. As it approached I discovered a fair, fresh-looking elderly lady, dressed in an old-fashioned riding-habit, with a broad-brimmed white beaver hat, such as may be seen in Sir Joshua Reynolds’ paintings. She rode a sleek white pony, and was followed by a footman in rich livery, mounted on an overfed hunter. At a little distance in the rear came an ancient cumbrous chariot, drawn by two very corpulent horses, driven by as corpulent a coachman, beside whom sat a page dressed in a fanciful green livery. Inside of the chariot was a starched prim personage, with a look somewhat between a lady’s companion and a lady’s maid; and two pampered curs that showed their ugly faces and barked out of each window.
There was a general turning out of the garrison to receive this new comer. The squire assisted her to alight, and saluted her affectionately; the fair Julia flew into her arms, and they embraced with the romantic fervour of boarding-school friends. She was escorted into the house by Julia’s lover, towards whom she showed distinguished favour; and a line of the old servants, who had collected in the hall, bowed most profoundly as she passed.
I observed that Master Simon was most assiduous and devout in his attentions upon this old lady. He walked by the side of her pony up the avenue; and while she was receiving the salutations of the rest of the family, he took occasion to notice the fat coachman, to pat the sleek carriage-horses, and, above all, to say a civil word to my lady’s gentlewoman, the prim, sour-looking vestal in the chariot.
I had no more of his company for the rest of the morning. He was swept off in the vortex that followed in the wake of this lady. Once indeed he paused for a moment, as he was hurrying on some errand of the good lady’s, to let me know that this was Lady Lillycraft, a sister of the squire’s, of large fortune, which the captain would inherit, and that her estate lay in one of the best sporting counties in all England.
FAMILY SERVANTS.
Verily old servants are the vouchers of worthy housekeeping. They are like rats in a mansion, or mites in a cheese, bespeaking the antiquity and fatness of their abode.
In my casual anecdotes of the Hall, I may often be tempted to dwell on circumstances of a trite and ordinary nature, from their appearing to me illustrative of genuine national character. It seems to be the study of the squire to adhere, as much as possible, to what he considers the old landmarks of English manners. His servants all understand his ways, and, for the most part, have been accustomed to them from infancy; so that, upon the whole, his household presents one of the few tolerable specimens that can now be met with, of the establishment of an English country gentleman of the old school. By the by, the servants are not the least characteristic part of the household; the housekeeper, for instance, has been born and brought up at the Hall, and has never been twenty miles from it; yet she has a stately air that would not disgrace a lady that had figured at the court of Queen Elizabeth.
I am half-inclined to think that she has caught it from living so much among the old family pictures. It may, however, be owing to a consciousness of her importance in the sphere in which she has always moved; for she is greatly respected in the neighbouring village, and among the farmers’ wives, and has high authority in the household, ruling over the servants with quiet but undisputed sway.
She is a thin old lady, with blue eyes, and pointed nose and chin. Her dress is always the same as to fashion. She wears a small, well-starched ruff, a laced stomacher, full petticoats, and a gown festooned and open in front, which, on particular occasions, is of ancient silk, the legacy of some former dame of the family, or an inheritance from her mother, who was housekeeper before her. I have a reverence for these old garments, as I make no doubt they have figured about these apartments in days long past, when they have set off the charms of some peerless family beauty; and I have sometimes looked from the old housekeeper to the neighbouring portraits, to see whether I could not recognise her antiquated brocade in the dress of some one of those long-waisted dames that smile on me from the walls.
Her hair, which is quite white, is frizzed out in front, and she wears over it a small cap, nicely plaited, and brought down under the chin. Her manners are simple and primitive, heightened a little by a proper dignity of station.
The Hall is her world, and the history of the family the only history she knows, excepting that which she has read in the Bible. She can give a biography of every portrait in the picture gallery, and is a complete family chronicle.
She is treated with great consideration by the squire. Indeed, Master Simon tells me that there is a traditional anecdote current among the servants, of the squire’s having been seen kissing her in the picture gallery, when they were both young. As, however, nothing further was ever noticed between them, the circumstance caused no great scandal; only she was observed to take to reading Pamela shortly afterwards, and refused the hand of the village innkeeper, whom she had previously smiled on.
The old butler, who was formerly footman, and a rejected admirer of hers, used to tell the anecdote now and then, at those little cabals that will occasionally take place among the most orderly servants, arising from the common propensity of the governed to talk against administration; but he has left it off, of late years, since he has risen into place, and shakes his head rebukingly when it is mentioned.
It is certain that the old lady will, to this day, dwell on the looks of the squire when he was a young man at college; and she maintains that none of his sons can compare with their father when he was of their age, and was dressed out in his full suit of scarlet, with his hair craped and powdered, and his three-cornered hat.
She has an orphan niece, a pretty, soft-hearted baggage, named Phoebe Wilkins, who has been transplanted to the Hall within a year or two, and been nearly spoiled for any condition of life. She is a kind of attendant and companion of the fair Julia’s; and from loitering about the young lady’s apartments, reading scraps of novels, and inheriting secondhand finery, has become something between a waiting-maid and a slipshod fine lady.
She is considered a kind of heiress among the servants, as she will inherit all her aunt’s property; which, if report be true, must be a round sum of good golden guineas, the accumulated wealth of two housekeepers’ savings; not to mention the hereditary wardrobe, and the many little valuables and knick-knacks treasured up in the housekeeper’s room. Indeed the old housekeeper has the reputation among the servants and the villagers of being passing rich; and there is a japanned chest of drawers and a large iron-bound coffer in her room, which are supposed by the housemaids to hold treasures of wealth.
The old lady is a great friend of Master Simon, who, indeed, pays a little court to her, as to a person high in authority: and they have many discussions on points of family history, in which, notwithstanding his extensive information, and pride of knowledge, he commonly admits her superior accuracy. He seldom returns to the Hall, after one of his visits to the other branches of the family, without bringing Mrs. Wilkins some remembrance from the ladies of the house where he has been staying.
Indeed all the children in the house look up to the old lady with habitual respect and attachment, and she seems almost to consider them as her own, from their having grown up under her eye. The Oxonian, however, is her favourite, probably from being the youngest, though he is the most mischievous, and has been apt to play tricks upon her from boyhood.
I cannot help mentioning one little ceremony which, I believe, is peculiar to the Hall. After the cloth is removed at dinner, the old housekeeper sails into the room and stands behind the squire’s chair, when he fills her a glass of wine with his own hands, in which she drinks the health of the company in a truly respectful yet dignified manner, and then retires. The squire received the custom from his father, and has always continued it.
There is a peculiar character about the servants of old English families that reside principally in the country. They have a quiet, orderly, respectful mode of doing their duties. They are always neat in their persons, and appropriately, and, if I may use the phrase, technically dressed; they move about the house without hurry or noise; there is nothing of the bustle of employment, or the voice of command; nothing of that obtrusive housewifery that amounts to a torment. You are not persecuted by the process of making you comfortable; yet everything is done, and is done well. The work of the house is performed as if by magic, but it is the magic of system. Nothing is done by fits and starts, nor at awkward seasons; the whole goes on like well-oiled clockwork, where there is no noise nor jarring in its operations.
English servants, in general, are not treated with great indulgence, nor rewarded by many commendations; for the English are laconic and reserved towards their domestics; but an approving nod and kind word from master or mistress, goes as far here, as an excess of praise or indulgence elsewhere. Neither do servants exhibit any animated marks of affection to their employers; yet, though quiet, they are strong in their attachments; and the reciprocal regard of masters or servants, though not ardently expressed, is powerful and lasting in old English families.
The title of “an old family servant” carries with it a thousand kind associations in all parts of the world; and there is no claim upon the homebred charities of the heart more irresistible than that of having been “born in the house.” It is common to see grey-headed domestics of this kind attached to an English family of the “old school,” who continue in it to the day of their death in the enjoyment of steady unaffected kindness, and the performance of faithful unofficious duty. I think such instances of attachment speak well for master and servant, and the frequency of them speaks well for national character.
These observations, however, hold good only with families of the description I have mentioned, and with such as are somewhat retired, and pass the greater part of their time in the country. As to the powdered menials that throng the walls of fashionable town residences, they equally reflect the character of the establishments to which they belong; and I know no more complete epitomes of dissolute heartlessness and pampered inutility.
But the good “old family servant!” — The one who has always been linked, in idea, with the home of our heart; who has led us to school in the days of prattling childhood; who has been the confidant of our boyish cares, and schemes, and enterprises; who has hailed us as we came home at vacations, and been the promoter of all our holiday sports; who, when we, in wandering manhood, have left the paternal roof, and only return thither at intervals, will welcome us with a joy inferior only to that of our parents; who, now grown grey and infirm with age, still totters about the house of our fathers in fond and faithful servitude; who claims us, in a manner, as his own; and hastens with querulous eagerness to anticipate his fellow-domestics in waiting upon us at table; and who, when we retire at night to the chamber that still goes by our name, will linger about the room to have one more kind look, and one more pleasant word about times that are past — who does not experience towards such a being a feeling of almost filial affection?
I have met with several instances of epitaphs on the gravestones of such valuable domestics, recorded with the simple truth of natural feeling. I have two before me at this moment; one copied from a tombstone of a churchyard in Warwickshire:
“Here lieth the body of Joseph Batte, confidential servant to George Birch, Esq. of Hampstead Hall. His grateful friend and master caused this inscription to be written in memory of his discretion, fidelity, diligence, and continence. He died (a bachelor) aged 84, having lived 44 years in the same family.”
The other was taken from a tombstone in Eltham churchyard:
“Here lie the remains of Mr. James Tappy, who departed this life on the 8th of September 1818, aged 84, after a faithful service of 60 years in one family; by each individual of which he lived respected, and died lamented by the sole survivor.”
Few monuments, even of the illustrious, have given me the glow about the heart that I felt while copying this honest epitaph in the churchyard of Eltham. I sympathised with this “sole survivor” of a family, mourning over the grave of the faithful follower of his race, who had been, no doubt, a living memento of times and friends that had passed away; and in considering this record of long and devoted services, I called to mind the touching speech of Old Adam in “As You Like It,” when tottering after the youthful son of his ancient master:
“Master, go on, and I will follow thee To the last gasp, with love and loyalty!”
NOTE. — I cannot but mention a tablet which I have seen somewhere in the chapel of Windsor Castle, put up by the late King to the memory of a family servant who had been a faithful attendant of his lamented daughter, the Princess Amelia. George III. possessed much of the strong domestic feeling of the old English country gentleman; and it is an incident curious in monumental history, and creditable to the human heart, — a monarch erecting a monument in honour of the humble virtues of a menial.
THE WIDOW.
She was so charitable and pitious She would weep if that she saw a mouse Caught in a trap, if it were dead or bled; Of small hounds had she, that she fed With rost flesh, milke, and wastel bread; But sore wept she if any of them were dead, Or if man smote them with a yard smart.
CHAUCER.
Notwithstanding the whimsical parade made by Lady Lillycraft on her arrival, she has none of the petty stateliness that I had imagined; but on the contrary she has a degree of nature, and simple-heartedness, if I may use the phrase, that mingles well with her old-fashioned manners and harmless ostentation. She dresses in rich silks, with long waist; she rouges considerably, and her hair, which is nearly white, is frizzled out, and put up with pins. Her face is pitted with the small-pox, but the delicacy of her features shows that she may once have been beautiful; and she has a very fair and well-shaped hand and arm, of which, if I mistake not, the good lady is still a little vain.
I have had the curiosity to gather a few particulars concerning her. She was a great belle in town between thirty and forty years since, and reigned for two seasons with all the insolence of beauty, refusing several excellent offers; when, unfortunately, she was robbed of her charms and her lovers by an attack of the small-pox. She retired immediately into the country, where she some time after inherited an estate, and married a baronet, a former admirer, whose passion had suddenly revived; “having,” as he said, “always loved her mind rather than her person.”
The baronet did not enjoy her mind and fortune above six months, and had scarcely grown very tired of her, when he broke his neck in a fox-chase and left her free, rich, and disconsolate. She has remained on her estate in the country ever since, and has never shown any desire to return to town, and revisit the scene of her early triumphs and fatal malady. All her favourite recollections, however, revert to that short period of her youthful beauty. She has no idea of town but as it was at that time; and continually forgets that the place and people must have changed materially in the course of nearly half a century. She will often speak of the toasts of those days as if still reigning; and, until very recently, used to talk with delight of the royal family, and the beauty of the young princes and princesses. She cannot be brought to think of the present king otherwise than as an elegant young man, rather wild, but who danced a minuet divinely; and before he came to the crown, would often mention him as the “sweet young prince.”
She talks also of the walks in Kensington Gardens, where the gentlemen appeared in gold-laced coats and cocked hats, and the ladies in hoops, and swept so proudly along the grassy avenues; and she thinks the ladies let themselves sadly down in their dignity, when they gave up cushioned head-dresses and high-heeled shoes. She has much to say too of the officers who were in the train of her admirers; and speaks familiarly of many wild young blades that are now, perhaps, hobbling about watering-places with crutches and gouty shoes.
Whether the taste the good lady had of matrimony discouraged her or not, I cannot say; but, though her merits and her riches have attracted many suitors, she has never been tempted to venture again into the happy state. This is singular too, for she seems of a most soft and susceptible heart: is always talking of love and connubial felicity; and is a great stickler for old-fashioned gallantry, devoted attentions, and eternal constancy, on the part of the gentlemen. She lives, however, after her own taste. Her house, I am told, must have been built and furnished about the time of Sir Charles Grandison: everything about it is somewhat formal and stately; but has been softened down into a degree of voluptuousness, characteristic of an old lady very tender-hearted and romantic, and that loves her ease. The cushions of the great armchairs, and wide sofas, almost bury you when you sit down on them. Flowers of the most rare and delicate kind are placed about the rooms and on little japanned stands; and sweet bags lie about the tables and mantelpieces. The house is full of pet dogs, Angola cats, and singing birds, who are as carefully waited upon as she is herself.
She is dainty in her living, and a little of an epicure, living on white meats, and little ladylike dishes, though her servants have substantial old English fare, as their looks bear witness. Indeed, they are so indulged, that they are all spoiled, and when they lose their present place they will be fit for no other. Her ladyship is one of those easy-tempered beings that are always doomed to be much liked, but ill served, by their domestics, and cheated by all the world.
Much of her time is passed in reading novels, of which she has a most extensive library, and has a constant supply from the publishers in town. Her erudition in this line of literature is immense: she has kept pace with the press for half a century. Her mind is stuffed with love-tales of all kinds, from the stately amours of the old books of Chivalry, down to the last blue-covered romance, reeking from the press: though she evidently gives the preference to those that came out in the days of her youth, and when she was first in love. She maintains that there are no novels written now-a-days equal to Pamela and Sir Charles Grandison; and she places the Castle of Otranto at the head of all romances.
She does a vast deal of good in her neighbourhood, and is imposed upon by every beggar in the county. She is the benefactress of a village adjoining to her estate, and takes a special interest in all its love affairs. She knows of every courtship that is going on; every lovelorn damsel is sure to find a patient listener and sage adviser in her ladyship. She takes great pains to reconcile all love quarrels, and should any faithless swain persist in his inconstancy, he is sure to draw on himself the good lady’s violent indignation.
I have learned these particulars partly from Frank Bracebridge, and partly from Master Simon. I am now able to account for the assiduous attention of the latter to her ladyship. Her house is one of his favourite resorts, where he is a very important personage. He makes her a visit of business once a year, when he looks into all her affairs; which, as she is no manager, are apt to get into confusion. He examines the books of the overseer, and shoots about the estate, which, he says, is well stocked with game, notwithstanding that it is poached by all the vagabonds in the neighbourhood.
It is thought, as I before hinted, that the captain will inherit the greater part of her property, having always been her chief favourite; for, in fact, she is partial to a red coat. She has now come to the Hall to be present at his nuptials, having a great disposition to interest herself in all matters of love and matrimony.
THE LOVERS.
Rise up, my love, my fair one, and come away; for lo the winter is past, the rain is over and gone; the flowers appear on the earth, the time of the singing of birds is come, and the voice of the turtle is heard in the land.
SONG OF SOLOMON.
To a man who is a little of a philosopher, and a bachelor to boot; and who, by dint of some experience in the follies of life, begins to look with a learned eye upon the ways of man, and eke of woman; to such a man, I say, there is something very entertaining in noticing the conduct of a pair of young lovers. It may not be as grave and scientific a study as the loves of the plants, but it is certainly as interesting.
I have therefore derived much pleasure, since my arrival at the Hall, from observing the fair Julia and her lover. She has all the delightful blushing consciousness of an artless girl, inexperienced in coquetry, who has made her first conquest; while the captain regards her with that mixture of fondness and exultation, with which a youthful lover is apt to contemplate so beauteous a prize.
I observed them yesterday in the garden, advancing along one of the retired walks. The sun was shining with delicious warmth, making great masses of bright verdure, and deep blue shade. The cuckoo, that “harbinger of spring,” was faintly heard from a distance; the thrush piped from the hawthorn, and the yellow butterflies sported, and toyed, and coquetted in the air.
The fair Julia was leaning on her lover’s arm, listening to his conversation, with her eyes cast down, a soft blush on her cheek, and a quiet smile on her lips, while in the hand that hung negligently by her side was a bunch of flowers. In this way they were sauntering slowly along, and when I considered them, and the scene in which they were moving, I could not but think it a thousand pities that the season should ever change, or that young people should ever grow older, or that blossoms should give way to fruit, or that lovers should ever get married.
From what I have gathered of family anecdote, I understand that the fair Julia is the daughter of a favourite college friend of the squire; who, after leaving Oxford, had entered the army, and served for many years in India, where he was mortally wounded in a skirmish with the natives. In his last moments he had, with a faltering pen, recommended his wife and daughter to the kindness of his early friend.
The widow and her child returned to England helpless, and almost hopeless. When Mr. Bracebridge received accounts of their situation, he hastened to their relief. He reached them just in time to soothe the last moments of the mother, who was dying of a consumption, and to make her happy in the assurance that her child should never want a protector.
The good squire returned with his prattling charge to his stronghold, where he has brought her up with a tenderness truly paternal. As he has taken some pains to superintend her education, and form her taste, she has grown up with many of his notions, and considers him the wisest as well as the best of men. Much of her time, too, has been passed with Lady Lillycraft, who has instructed her in the manners of the old school, and enriched her mind with all kinds of novels and romances. Indeed, her ladyship has had a great hand in promoting the match between Julia and the captain, having had them together at her country seat the moment she found there was an attachment growing up between them: the good lady being never so happy as when she has a pair of turtles cooing about her.
I have been pleased to see the fondness with which the fair Julia is regarded by the old servants of the Hall. She has been a pet with them from childhood, and every one seems to lay some claim to her education; so that it is no wonder that she should be extremely accomplished. The gardener taught her to rear flowers, of which she is extremely fond. Old Christy, the pragmatical huntsman, softens when she approaches; and as she sits lightly and gracefully in her saddle, claims the merit of having taught her to ride; while the housekeeper, who almost looks upon her as a daughter, intimates that she first gave her an insight into the mysteries of the toilet, having been dressing-maid in her young days to the late Mrs. Bracebridge. I am inclined to credit this last claim, as I have noticed that the dress of the young lady had an air of the old school, though managed with native taste, and that her hair was put up very much in the style of Sir Peter Lely’s portraits in the picture-gallery.
Her very musical attainments partake of this old-fashioned character, and most of her songs are such as are not at the present day to be found on the piano of a modern performer. I have, however, seen so much of modern fashions, modern accomplishments, and modern fine ladies, that I relish this tinge of antiquated style in so young and lovely a girl; and I have had as much pleasure in hearing her warble one of the old songs of Herrick, or Carew, or Suckling, adapted to some simple old melody, as I have had from listening to a lady amateur skylark it up and down through the finest bravura of Rossini or Mozart.
We have very pretty music in the evenings, occasionally, between her and the captain, assisted sometimes by Master Simon, who scrapes, dubiously, on his violin; being very apt to get out, and to halt a note or two in the rear. Sometimes he even thrums a little on the piano, and takes a part in a trio, in which his voice can generally be distinguished by a certain quavering tone, and an occasional false note.
I was praising the fair Julia’s performance to him after one of her songs, when I found he took to himself the whole credit of having formed her musical taste, assuring me that she was very apt; and, indeed, summing up her whole character in his knowing way, by adding, that “she was a very nice girl, and had no nonsense about her.”
FAMILY RELIQUES.
My Infelice’s face, her brow, her eye, The dimple on her cheek; and such sweet skill Hath from the cunning workman’s pencil flown, These lips look fresh and lovely as her own. False colours last after the true be dead. Of all the roses grafted on her cheeks, Of all the graces dancing in her eyes, Of all the music set upon her tongue, Of all that was past woman’s excellence In her white bosom; look, a painted board, Circumscribes all!
DEKKER.
An old English family mansion is a fertile subject for study. It abounds with illustrations of former times, and traces of the tastes, and humours, and manners of successive generations. The alterations and additions, in different styles of architecture; the furniture, plate, pictures, hangings; the warlike and sporting implements of different ages and fancies; all furnish food for curious and amusing speculation. As the squire is very careful in collecting and preserving all family reliques, the Hall is full of remembrances of this kind. In looking about the establishment, I can picture to myself the characters and habits that have prevailed at different eras of the family history. I have mentioned on a former occasion the armour of the crusader which hangs up in the Hall. There are also several jack-boots, with enormously thick soles and high heels, that belonged to a set of cavaliers, who filled the Hall with the din and stir of arms during the time of the Covenanters. A number of enormous drinking vessels of antique fashion, with huge Venice glasses, and green hock glasses, with the apostles in relief on them, remain as monuments of a generation or two of hard-livers, that led a life of roaring revelry, and first introduced the gout into the family.
I shall pass over several more such indications of temporary tastes of the squire’s predecessors; but I cannot forbear to notice a pair of antlers in the great hall, which is one of the trophies of a hard-riding squire of former times, who was the Nimrod of these parts. There are many traditions of his wonderful feats in hunting still existing, which are related by old Christy, the huntsman, who gets exceedingly nettled if they are in the least doubted. Indeed, there is a frightful chasm, a few miles from the Hall, which goes by the name of the Squire’s Leap, from his having cleared it in the ardour of the chase; there can be no doubt of the fact, for old Christy shows the very dints of the horse’s hoofs on the rocks on each side of the chasm.
Master Simon holds the memory of this squire in great veneration, and has a number of extraordinary stories to tell concerning him, which he repeats at all hunting dinners; and I am told that they wax more and more marvellous the older they grow. He has also a pair of Ripon spurs which belonged to this mighty hunter of yore, and which he only wears on particular occasions.
The place, however, which abounds most with mementoes of past times, is the picture-gallery; and there is something strangely pleasing, though melancholy, in considering the long rows of portraits which compose the greater part of the collection. They furnish a kind of narrative of the lives of the family worthies, which I am enabled to read with the assistance of the venerable housekeeper, who is the family chronicler, prompted occasionally by Master Simon. There is the progress of a fine lady, for instance, through a variety of portraits. One represents her as a little girl, with a long waist and hoop, holding a kitten in her arms, and ogling the spectator out of the corners of her eyes, as if she could not turn her head. In another we find her in the freshness of youthful beauty, when she was a celebrated belle, and so hard-hearted as to cause several unfortunate gentlemen to run desperate and write bad poetry. In another she is depicted as a stately dame, in the maturity of her charms; next to the portrait of her husband, a gallant colonel in full-bottomed wig and gold-laced hat, who was killed abroad; and, finally, her monument is in the church, the spire of which may be seen from the window, where her effigy is carved in marble, and represents her as a venerable dame of seventy-six.
In like manner I have followed some of the family great men, through a series of pictures, from early boyhood to the robe of dignity, or truncheon of command, and so on by degrees until they were gathered up in the common repository, the neighbouring church.
There is one group that particularly interested me. It consisted of four sisters of nearly the same age, who flourished about a century since, and, if I may judge from their portraits, were extremely beautiful. I can imagine what a scene of gaiety and romance this old mansion must have been, when they were in the heyday of their charms; when they passed like beautiful visions through its halls, or stepped daintily to music in the revels and dances of the cedar gallery; or printed, with delicate feet, the velvet verdure of these lawns. How must they have been looked up to with mingled love, and pride, and reverence, by the old family servants; and followed by almost painful admiration by the aching eyes of rival admirers! How must melody, and song, and tender serenade, have breathed about these courts, and their echoes whispered to the loitering tread of lovers! How must these very turrets have made the hearts of the young galliards thrill as they first discerned them from afar, rising from among the trees, and pictured to themselves the beauties casketed like gems within these walls! Indeed I have discovered about the place several faint records of this reign of love and romance, when the Hall was a kind of Court of Beauty. Several of the old romances in the library have marginal notes expressing sympathy and approbation, where there are long speeches extolling ladies’ charms, or protesting eternal fidelity, or bewailing the cruelty of some tyrannical fair one. The interviews, and declarations, and parting scenes of tender lovers, also bear the marks of having been frequently read, and are scored, and marked with notes of admiration, and have initials written on the margins; most of which annotations have the day of the month and year annexed to them. Several of the windows, too, have scraps of poetry engraved on them with diamonds, taken from the writings of the fair Mrs. Phillips, the once celebrated Orinda. Some of these seem to have been inscribed by lovers; and others, in a delicate and unsteady hand, and a little inaccurate in the spelling, have evidently been written by the young ladies themselves, or by female friends, who had been on visits to the Hall. Mrs. Phillips seems to have been their favourite author, and they have distributed the names of her heroes and heroines among their circle of intimacy. Sometimes, in a male hand, the verse bewails the cruelty of beauty and the sufferings of constant love; while in a female hand it prudishly confines itself to lamenting the parting of female friends. The bow-window of my bedroom, which has, doubtless, been inhabited by one of these beauties, has several of these inscriptions. I have one at this moment before my eyes, called “Camilla parting with Leonora:”
“How perished is the joy that’s past, The present how unsteady! What comfort can be great, and last, When this is gone already!”
And close by it is another, written, perhaps, by some adventurous lover, who had stolen into the lady’s chamber during her absence:
“THEODOSIUS TO CAMILLA.
“I’d rather in your favour live, Than in a lasting name; And much a greater rate would give For happiness than fame.
“THEODOSIUS. 1700.”
When I look at these faint records of gallantry and tenderness; when I contemplate the fading portraits of these beautiful girls, and think, too, that they have long since bloomed, reigned, grown old, died, and passed away, and with them all their graces, their triumphs, their rivalries, their admirers; the whole empire of love and pleasure in which they ruled—”all dead, all buried, all forgotten,” I find a cloud of melancholy stealing over the present gaieties around me. I was gazing, in a musing mood, this very morning, at the portrait of the lady whose husband was killed abroad, when the fair Julia entered the gallery, leaning on the arm of the captain. The sun shone through the row of windows on her as she passed along, and she seemed to beam out each time into brightness, and relapse into shade, until the door at the bottom of the gallery closed after her. I felt a sadness of heart at the idea that this was an emblem of her lot: a few more years of sunshine and shade, and all this life, and loveliness, and enjoyment, will have ceased, and nothing be left to commemorate this beautiful being but one more perishable portrait; to awaken, perhaps, the trite speculations of some future loiterer, like myself, when I and my scribblings shall have lived through our brief existence, and been forgotten.
AN OLD SOLDIER.
I’ve worn some leather out abroad; let out a heathen soul or two; fed this good sword with the black blood of pagan Christians; converted a few individuals with it. — But let that pass.
THE ORDINARY.
The Hall was thrown into some little agitation, a few days since, by the arrival of General Harbottle. He had been expected for several days, and had been looked for rather impatiently by several of the family. Master Simon assured me that I would like the general hugely, for he was a blade of the old school, and an excellent table companion. Lady Lillycraft, also, appeared to be somewhat fluttered, on the morning of the general’s arrival, for he had been one of her early admirers; and she recollected him only as a dashing young ensign, just come upon the town. She actually spent an hour longer at her toilet, and made her appearance with her hair uncommonly frizzled and powdered, and an additional quantity of rouge. She was evidently a little surprised and shocked, therefore, at finding the little dashing ensign transformed into a corpulent old general, with a double chin, though it was a perfect picture to witness their salutations; the graciousness of her profound curtsy, and the air of the old school with which the general took off his hat, swayed it gently in his hand, and bowed his powdered head.
All this bustle and anticipation has caused me to study the general with a little more attention than, perhaps, I should otherwise have done; and the few days that he has already passed at the Hall have enabled me, I think, to furnish a tolerable likeness of him to the reader.
He is, as Master Simon observed, a soldier of the old school, with powdered head, side locks, and pigtail. His face is shaped like the stern of a Dutch man-of-war, narrow at top, and wide at bottom, with full rosy cheeks and a double chin; so, that, to use the cant of the day, his organs of eating may be said to be powerfully developed.
The general, though a veteran, has seen very little active service, except the taking of Seringapatam, which forms an era in his history. He wears a large emerald in his bosom, and a diamond on his finger, which he got on that occasion, and whoever is unlucky enough to notice either, is sure to involve himself in the whole history of the siege. To judge from the general’s conversation, the taking of Seringapatam is the most important affair that has occurred for the last century.
On the approach of warlike times on the Continent, he was rapidly promoted to get him out of the way of younger officers of merit; until, having been hoisted to the rank of general, he was quietly laid on the shelf. Since that time his campaigns have been principally confined to watering-places; where he drinks the waters for a slight touch of the liver which he got in India; and plays whist with old dowagers, with whom he has flirted in his younger days. Indeed he talks of all the fine women of the last half-century, and, according to hints which he now and then drops, has enjoyed the particular smiles of many of them.
He has seen considerable garrison duty, and can speak of almost every place famous for good quarters, and where the inhabitants give good dinners. He is a diner-out of the first-rate currency, when in town; being invited to one place because he has been seen at another. In the same way he is invited about the country seats, and can describe half the seats in the kingdom, from actual observation; nor is any one better versed in court gossip, and the pedigrees and intermarriages of the nobility.
As the general is an old bachelor and an old beau, and there are several ladies at the Hall, especially his quondam flame Lady Jocelyne, he is put rather upon his gallantry. He commonly passes some time, therefore, at his toilet, and takes the field at a late hour every morning, with his hair dressed out and powdered, and a rose in his buttonhole. After he has breakfasted, he walks up and down the terrace in the sunshine, humming an air, and hemming between every stave, carrying one hand behind his back, and with the other touching his cane to the ground, and then raising it up to his shoulder. Should he, in these morning promenades, meet any of the elder ladies of the family, as he frequently does Lady Lillycraft, his hat is immediately in his hand, and it is enough to remind one of those courtly groups of ladies and gentlemen, in old prints of Windsor Terrace or Kensington Gardens.
He talks frequently about “the service,” and is fond of humming the old song,
“Why, soldiers, why, Should we be melancholy, boys? Why, soldiers, why, Whose business ’tis to die!”
I cannot discover, however, that the general has ever run any great risk of dying, excepting from an apoplexy, or indigestion. He criticises all the battles on the Continent, and discusses the merits of the commanders, but never fails to bring the conversation ultimately to Tippoo Saib and Seringapatam. I am told that the general was a perfect champion at drawing-rooms, parades, and watering-places, during the late war, and was looked to with hope and confidence by many an old lady, when labouring under the terror of Buonaparte’s invasion.
