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- Herausgeber: libreka classics
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
- Veröffentlichungsjahr: 2019
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Titel: Catherine De Medici
von William Shakespeare, H. G. Wells, Henry Van Dyke, Thomas Carlyle, Oscar Wilde, Joseph Conrad, Henry James, Anthony Hope, Henry Fielding, Giraldus Cambrensis, Daniel Defoe, Grammaticus Saxo, Edgar Rice Burroughs, Hugh Lofting, Agatha Christie, Sinclair Lewis, Eugène Brieux, Upton Sinclair, Booth Tarkington, Sax Rohmer, Jack London, Anna Katharine Green, Sara Jeannette Duncan, Xenophon, Alexandre Dumas père, John William Draper, Alice Christiana Thompson Meynell, Bram Stoker, Honoré de Balzac, William Congreve, Louis de Rougemont, Nikolai Vasilievich Gogol, Rolf Boldrewood, François Rabelais, Lysander Spooner, B. M. Bower, Henry Rider Haggard, William Hickling Prescott, Lafcadio Hearn, Robert Herrick, Jane Austen, Mark Twain, Mary Roberts Rinehart, Charles Babbage, Kate Douglas Smith Wiggin, Frank L. Packard, George Meredith, John Merle Coulter, Irvin S. Cobb, Edwin Mims, John Tyndall, Various, Charles Darwin, Sidney Lanier, Henry Lawson, Niccolò Machiavelli, George W. Crile, Théophile Gautier, Noah Brooks, James Thomson, Zane Grey, J. M. Synge, Virginia Woolf, Conrad Aiken, Edna St. Vincent Millay, Helen Cody Wetmore, Ayn Rand, Sir Thomas Malory, Gustave Flaubert, Edmond Rostand, Charlotte Brontë, Edith Wharton, Giles Lytton Strachey, Myrtle Reed, Ernest Bramah, Jules Verne, H. L. Mencken, H. Stanley Redgrove, Victor Lefebure, Edna Lyall, John Masefield, Charles Kingsley, Robert Burns, Edgar Lee Masters, Victor [pseud.] Appleton, Ellis Parker Butler, Mary Lamb, Charles Lamb, Johann Wolfgang von Goethe, Kenneth Grahame, Charles Dickens, John Ruskin, John Galt, James J. Davis, Owen Wister, William Blades, Sir Hall Caine, Sir Max Beerbohm, Baron Edward John Moreton Drax Plunkett Dunsany, Bret Harte, E. Phillips Oppenheim, Thomas Henry Huxley, A. B. Paterson, John N. Reynolds, Walter Dill Scott, Hans Gustav Adolf Gross, T. S. Eliot, Walt Whitman, Arthur Ransome, Jane Addams, Elizabeth, David Lindsay, Helen Bannerman, Charles A. Oliver, J. M. Barrie, Robert F. Murray, Andrew Lang, Jerome K. Jerome, Francis Thompson, Sydney Waterlow, Andrew Dickson White, Benjamin N. Cardozo, Karl Marx, Edouard Louis Emmanuel Julien Le Roy, Margaret Hill McCarter, Sir Donald Mackenzie Wallace, Howard Trueman, L. M. Montgomery, Frank T. Bullen, Baron Alfred Tennyson Tennyson, Jonathan Nield, Henry Wadsworth Longfellow, Charles Reade, Ouida, Washington Irving, Benjamin Louis Eulalie de Bonneville, Sir Walter Scott, Stewart Edward White, Arthur Hugh Clough, Baron Edward Bulwer Lytton Lytton, C.-F. Volney, T. Troward, graf Leo Tolstoy, Christopher Morley, James Madison, Alexander Hamilton, John Jay, Gilbert White, Percival Lowell, Frederick Marryat, Robert Graves, Thomas Holmes, Wilkie Collins, Maria Edgeworth, Katherine Mansfield, E. Nesbit, Olive Schreiner, Jeronimo Lobo, O. Henry, James Slough Zerbe, Donald Ogden Stewart, Johanna Spyri, Eleanor H. Porter, William Tatem Tilden, Sol Plaatje, Rafael Sabatini, William Makepeace Thackeray, George Gissing, Maksim Gorky, Baron Thomas Babington Macaulay Macaulay, H. G. Keene, Saki, R. B. Cunninghame Graham, Thomas Hughes, David Nunes Carvalho, Vicente Blasco Ibáñez, Carry Amelia Nation, John Fiske, Bernard Shaw, Elbridge Streeter Brooks, William Holmes McGuffey, Edward Everett Hale, Louis Ginzberg, Chester K. Steele, Christopher Marlowe, Plato, John Lord, Shakespeare, Martin Luther, Frances Hodgson Burnett, Howard Pyle, Charles Morris, Edward Carpenter, Maurice Leblanc, James Boswell, William Osler, William Ernest Henley, Theron Q. Dumont, Horatio Alger, Abraham Myerson, Joel Benton, Eden Phillpotts, Anonymous, Robert Louis Stevenson, Lloyd Osbourne, Cleland Boyd McAfee, Robert Williams Wood, H. C. Andersen, Edna Ferber, James Stephens, John Jacob Astor, Alexandre Dumas fils, Hilda Conkling, J. Storer Clouston, Julian Hawthorne, Ernest Albert Savage, Mary Eleanor Wilkins Freeman, Fernando de Rojas, Richard Harding Davis, Charles Whibley, Thomas Dixon, Sir Arthur Conan Doyle, George MacDonald, Thomas H. Burgoyne, Belle M. Wagner, Émile Gaboriau, à Kempis Thomas, United States. Central Intelligence Agency, Herbert Darling Foster, John Chipman Farrar, Lucius Apuleius, Olive Gilbert, Sojourner Truth, Arthur Judson Brown, Burbank L. Todd, Gaston Leroux, Margaret Sanger, Jr. Martin Luther King, Mary Johnston, S. A. Reilly, G. K. Chesterton, Elizabeth Cleghorn Gaskell, George Iles, E. W. Hornung, Edward Huntington Williams, Henry Smith Williams, Nathaniel W. Stephenson, Ellen Marriage, Homer, Anton Pavlovich Chekhov, J. F. C. Hecker, John Milton, Natalie Sumner Lincoln, Baroness Emmuska Orczy Orczy, Thomas Bailey Aldrich, Mary Esther Miller MacGregor, William MacLeod Raine, Earl Derr Biggers, Helen Nicolay, Ruth Ogden, Thornton W. Burgess, Mary Murdoch Mason, Auguste Groner, John Lawson, Emma Wolf, Theodore Dreiser, Roger Ascham, John Charles McNeill, Owen Meredith, L. Adams Beck
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CATHERINE DE' MEDICI
By Honore de Balzac
Translated by Katherine Prescott Wormeley
Contents
CATHERINE DE' MEDICI
INTRODUCTION
There is a general cry of paradox when scholars, struck by some historical error, attempt to correct it; but, for whoever studies modern history to its depths, it is plain that historians are privileged liars, who lend their pen to popular beliefs precisely as the newspapers of the day, or most of them, express the opinions of their readers.
Historical independence has shown itself much less among lay writers than among those of the Church. It is from the Benedictines, one of the glories of France, that the purest light has come to us in the matter of history,—so long, of course, as the interests of the order were not involved. About the middle of the eighteenth century great and learned controversialists, struck by the necessity of correcting popular errors endorsed by historians, made and published to the world very remarkable works. Thus Monsieur de Launoy, nicknamed the "Expeller of Saints," made cruel war upon the saints surreptitiously smuggled into the Church. Thus the emulators of the Benedictines, the members (too little recognized) of the Academie des Inscriptions et Belles-lettres, began on many obscure historical points a series of monographs, which are admirable for patience, erudition, and logical consistency. Thus Voltaire, for a mistaken purpose and with ill-judged passion, frequently cast the light of his mind on historical prejudices. Diderot undertook in this direction a book (much too long) on the era of imperial Rome. If it had not been for the French Revolution, criticism applied to history might then have prepared the elements of a good and true history of France, the proofs for which had long been gathered by the Benedictines. Louis XVI., a just mind, himself translated the English work in which Walpole endeavored to explain Richard III.,—a work much talked of in the last century.
Why do personages so celebrated as kings and queens, so important as the generals of armies, become objects of horror or derision? Half the world hesitates between the famous song on Marlborough and the history of England, and it also hesitates between history and popular tradition as to Charles IX. At all epochs when great struggles take place between the masses and authority, the populace creates for itself an ogre-esque personage—if it is allowable to coin a word to convey a just idea. Thus, to take an example in our own time, if it had not been for the "Memorial of Saint Helena," and the controversies between the Royalists and the Bonapartists, there was every probability that the character of Napoleon would have been misunderstood. A few more Abbe de Pradits, a few more newspaper articles, and from being an emperor, Napoleon would have turned into an ogre.
How does error propagate itself? The mystery is accomplished under our very eyes without our perceiving it. No one suspects how much solidity the art of printing has given both to the envy which pursues greatness, and to the popular ridicule which fastens a contrary sense on a grand historical act. Thus, the name of the Prince de Polignac is given throughout the length and breadth of France to all bad horses that require whipping; and who knows how that will affect the opinion of the future as to the coup d'Etat of the Prince de Polignac himself? In consequence of a whim of Shakespeare—or perhaps it may have been a revenge, like that of Beaumarchais on Bergasse (Bergearss)—Falstaff is, in England, a type of the ridiculous; his very name provokes laughter; he is the king of clowns. Now, instead of being enormously pot-bellied, absurdly amorous, vain, drunken, old, and corrupted, Falstaff was one of the most distinguished men of his time, a Knight of the Garter, holding a high command in the army. At the accession of Henry V. Sir John Falstaff was only thirty-four years old. This general, who distinguished himself at the battle of Agincourt, and there took prisoner the Duc d'Alencon, captured, in 1420, the town of Montereau, which was vigorously defended. Moreover, under Henry VI. he defeated ten thousand French troops with fifteen hundred weary and famished men.
So much for war. Now let us pass to literature, and see our own Rabelais, a sober man who drank nothing but water, but is held to be, nevertheless, an extravagant lover of good cheer and a resolute drinker. A thousand ridiculous stories are told about the author of one of the finest books in French literature,—"Pantagruel." Aretino, the friend of Titian, and the Voltaire of his century, has, in our day, a reputation the exact opposite of his works and of his character; a reputation which he owes to a grossness of wit in keeping with the writings of his age, when broad farce was held in honor, and queens and cardinals wrote tales which would be called, in these days, licentious. One might go on multiplying such instances indefinitely.
In France, and that, too, during the most serious epoch of modern history, no woman, unless it be Brunehaut or Fredegonde, has suffered from popular error so much as Catherine de' Medici; whereas Marie de' Medici, all of whose actions were prejudicial to France, has escaped the shame which ought to cover her name. Marie de' Medici wasted the wealth amassed by Henri IV.; she never purged herself of the charge of having known of the king's assassination; her intimate was d'Epernon, who did not ward off Ravaillac's blow, and who was proved to have known the murderer personally for a long time. Marie's conduct was such that she forced her son to banish her from France, where she was encouraging her other son, Gaston, to rebel; and the victory Richelieu at last won over her (on the Day of the Dupes) was due solely to the discovery the cardinal made, and imparted to Louis XIII., of secret documents relating to the death of Henri IV.
Catherine de' Medici, on the contrary, saved the crown of France; she maintained the royal authority in the midst of circumstances under which more than one great prince would have succumbed. Having to make head against factions and ambitions like those of the Guises and the house of Bourbon, against men such as the two Cardinals of Lorraine, the two Balafres, and the two Condes, against the queen Jeanne d'Albret, Henri IV., the Connetable de Montmorency, Calvin, the three Colignys, Theodore de Beze, she needed to possess and to display the rare qualities and precious gifts of a statesman under the mocking fire of the Calvinist press.
Those facts are incontestable. Therefore, to whosoever burrows into the history of the sixteenth century in France, the figure of Catherine de' Medici will seem like that of a great king. When calumny is once dissipated by facts, recovered with difficulty from among the contradictions of pamphlets and false anecdotes, all explains itself to the fame of this extraordinary woman, who had none of the weaknesses of her sex, who lived chaste amid the license of the most dissolute court in Europe, and who, in spite of her lack of money, erected noble public buildings, as if to repair the loss caused by the iconoclasms of the Calvinists, who did as much harm to art as to the body politic. Hemmed in between the Guises who claimed to be the heirs of Charlemagne and the factious younger branch who sought to screen the treachery of the Connetable de Bourbon behind the throne, Catherine, forced to combat heresy which was seeking to annihilate the monarchy, without friends, aware of treachery among the leaders of the Catholic party, foreseeing a republic in the Calvinist party, Catherine employed the most dangerous but the surest weapon of public policy,—craft. She resolved to trick and so defeat, successively, the Guises who were seeking the ruin of the house of Valois, the Bourbons who sought the crown, and the Reformers (the Radicals of those days) who dreamed of an impossible republic—like those of our time; who have, however, nothing to reform. Consequently, so long as she lived, the Valois kept the throne of France. The great historian of that time, de Thou, knew well the value of this woman when, on hearing of her death, he exclaimed: "It is not a woman, it is monarchy itself that has died!"
Catherine had, in the highest degree, the sense of royalty, and she defended it with admirable courage and persistency. The reproaches which Calvinist writers have cast upon her are to her glory; she incurred them by reason only of her triumphs. Could she, placed as she was, triumph otherwise than by craft? The whole question lies there.
As for violence, that means is one of the most disputed questions of public policy; in our time it has been answered on the Place Louis XV., where they have now set up an Egyptian stone, as if to obliterate regicide and offer a symbol of the system of materialistic policy which governs us; it was answered at the Carmes and at the Abbaye; answered on the steps of Saint-Roch; answered once more by the people against the king before the Louvre in 1830, as it has since been answered by Lafayette's best of all possible republics against the republican insurrection at Saint-Merri and the rue Transnonnain. All power, legitimate or illegitimate, must defend itself when attacked; but the strange thing is that where the people are held heroic in their victory over the nobility, power is called murderous in its duel with the people. If it succumbs after its appeal to force, power is then called imbecile. The present government is attempting to save itself by two laws from the same evil Charles X. tried to escape by two ordinances; is it not a bitter derision? Is craft permissible in the hands of power against craft? may it kill those who seek to kill it? The massacres of the Revolution have replied to the massacres of Saint-Bartholomew. The people, become king, have done against the king and the nobility what the king and the nobility did against the insurgents of the sixteenth century. Therefore the popular historians, who know very well that in a like case the people will do the same thing over again, have no excuse for blaming Catherine de' Medici and Charles IX.
"All power," said Casimir Perier, on learning what power ought to be, "is a permanent conspiracy." We admire the anti-social maxims put forth by daring writers; why, then, this disapproval which, in France, attaches to all social truths when boldly proclaimed? This question will explain, in itself alone, historical errors. Apply the answer to the destructive doctrines which flatter popular passions, and to the conservative doctrines which repress the mad efforts of the people, and you will find the reason of the unpopularity and also the popularity of certain personages. Laubardemont and Laffemas were, like some men of to-day, devoted to the defence of power in which they believed. Soldiers or judges, they all obeyed royalty. In these days d'Orthez would be dismissed for having misunderstood the orders of the ministry, but Charles X. left him governor of a province. The power of the many is accountable to no one; the power of one is compelled to render account to its subjects, to the great as well as to the small.
Catherine, like Philip the Second and the Duke of Alba, like the Guises and Cardinal Granvelle, saw plainly the future that the Reformation was bringing upon Europe. She and they saw monarchies, religion, authority shaken. Catherine wrote, from the cabinet of the kings of France, a sentence of death to that spirit of inquiry which then began to threaten modern society; a sentence which Louis XIV. ended by executing. The revocation of the Edict of Nantes was an unfortunate measure only so far as it caused the irritation of all Europe against Louis XIV. At another period England, Holland, and the Holy Roman Empire would not have welcomed banished Frenchmen and encouraged revolt in France.
Why refuse, in these days, to the majestic adversary of the most barren of heresies the grandeur she derived from the struggle itself? Calvinists have written much against the "craftiness" of Charles IX.; but travel through France, see the ruins of noble churches, estimate the fearful wounds given by the religionists to the social body, learn what vengeance they inflicted, and you will ask yourself, as you deplore the evils of individualism (the disease of our present France, the germ of which was in the questions of liberty of conscience then agitated),—you will ask yourself, I say, on which side were the executioners. There are, unfortunately, as Catherine herself says in the third division of this Study of her career, "in all ages hypocritical writers always ready to weep over the fate of two hundred scoundrels killed necessarily." Caesar, who tried to move the senate to pity the attempt of Catiline, might perhaps have got the better of Cicero could he have had an Opposition and its newspapers at his command.
Another consideration explains the historical and popular disfavor in which Catherine is held. The Opposition in France has always been Protestant, because it has had no policy but that of negation; it inherits the theories of Lutherans, Calvinists, and Protestants on the terrible words "liberty," "tolerance," "progress," and "philosophy." Two centuries have been employed by the opponents of power in establishing the doubtful doctrine of the libre arbitre,—liberty of will. Two other centuries were employed in developing the first corollary of liberty of will, namely, liberty of conscience. Our century is endeavoring to establish the second, namely, political liberty.
Placed between the ground already lost and the ground still to be defended, Catherine and the Church proclaimed the salutary principle of modern societies, una fides, unus dominus, using their power of life and death upon the innovators. Though Catherine was vanquished, succeeding centuries have proved her justification. The product of liberty of will, religious liberty, and political liberty (not, observe this, to be confounded with civil liberty) is the France of to-day. What is the France of 1840? A country occupied exclusively with material interests,—without patriotism, without conscience; where power has no vigor; where election, the fruit of liberty of will and political liberty, lifts to the surface none but commonplace men; where brute force has now become a necessity against popular violence; where discussion, spreading into everything, stifles the action of legislative bodies; where money rules all questions; where individualism—the dreadful product of the division of property ad infinitum—will suppress the family and devour all, even the nation, which egoism will some day deliver over to invasion. Men will say, "Why not the Czar?" just as they said, "Why not the Duc d'Orleans?" We don't cling to many things even now; but fifty years hence we shall cling to nothing.
Thus, according to Catherine de' Medici and according to all those who believe in a well-ordered society, in social man, the subject cannot have liberty of will, ought not to teach the dogma of liberty of conscience, or demand political liberty. But, as no society can exist without guarantees granted to the subject against the sovereign, there results for the subject liberties subject to restriction. Liberty, no; liberties, yes,—precise and well-defined liberties. That is in harmony with the nature of things.
It is, assuredly, beyond the reach of human power to prevent the liberty of thought; and no sovereign can interfere with money. The great statesmen who were vanquished in the long struggle (it lasted five centuries) recognized the right of subjects to great liberties; but they did not admit their right to publish anti-social thoughts, nor did they admit the indefinite liberty of the subject. To them the words "subject" and "liberty" were terms that contradicted each other; just as the theory of citizens being all equal constitutes an absurdity which nature contradicts at every moment. To recognize the necessity of a religion, the necessity of authority, and then to leave to subjects the right to deny religion, attack its worship, oppose the exercise of power by public expression communicable and communicated by thought, was an impossibility which the Catholics of the sixteenth century would not hear of.
Alas! the victory of Calvinism will cost France more in the future than it has yet cost her; for religious sects and humanitarian, equality-levelling politics are, to-day, the tail of Calvinism; and, judging by the mistakes of the present power, its contempt for intellect, its love for material interests, in which it seeks the basis of its support (though material interests are the most treacherous of all supports), we may predict that unless some providence intervenes, the genius of destruction will again carry the day over the genius of preservation. The assailants, who have nothing to lose and all to gain, understand each other thoroughly; whereas their rich adversaries will not make any sacrifice either of money or self-love to draw to themselves supporters.
The art of printing came to the aid of the opposition begun by the Vaudois and the Albigenses. As soon as human thought, instead of condensing itself, as it was formerly forced to do to remain in communicable form, took on a multitude of garments and became, as it were, the people itself, instead of remaining a sort of axiomatic divinity, there were two multitudes to combat,—the multitude of ideas, and the multitude of men. The royal power succumbed in that warfare, and we are now assisting, in France, at its last combination with elements which render its existence difficult, not to say impossible. Power is action, and the elective principle is discussion. There is no policy, no statesmanship possible where discussion is permanent.
Therefore we ought to recognize the grandeur of the woman who had the eyes to see this future and fought it bravely. That the house of Bourbon was able to succeed to the house of Valois, that it found a crown preserved to it, was due solely to Catherine de' Medici. Suppose the second Balafre had lived? No matter how strong the Bearnais was, it is doubtful whether he could have seized the crown, seeing how dearly the Duc de Mayenne and the remains of the Guise party sold it to him. The means employed by Catherine, who certainly had to reproach herself with the deaths of Francois II. and Charles IX., whose lives might have been saved in time, were never, it is observable, made the subject of accusations by either the Calvinists or modern historians. Though there was no poisoning, as some grave writers have said, there was other conduct almost as criminal; there is no doubt she hindered Pare from saving one, and allowed the other to accomplish his own doom by moral assassination. But the sudden death of Francois II., and that of Charles IX., were no injury to the Calvinists, and therefore the causes of these two events remained in their secret sphere, and were never suspected either by the writers of the people of that day; they were not divined except by de Thou, l'Hopital, and minds of that calibre, or by the leaders of the two parties who were coveting or defending the throne, and believed such means necessary to their end.
Popular songs attacked, strangely enough, Catherine's morals. Every one knows the anecdote of the soldier who was roasting a goose in the courtyard of the chateau de Tours during the conference between Catherine and Henri IV., singing, as he did so, a song in which the queen was grossly insulted. Henri IV. drew his sword to go out and kill the man; but Catherine stopped him and contented herself with calling from the window to her insulter:—
"Eh! but it was Catherine who gave you the goose."
Though the executions at Amboise were attributed to Catherine, and though the Calvinists made her responsible for all the inevitable evils of that struggle, it was with her as it was, later, with Robespierre, who is still waiting to be justly judged. Catherine was, moreover, rightly punished for her preference for the Duc d'Anjou, to whose interests the two elder brothers were sacrificed. Henri III., like all spoilt children, ended in becoming absolutely indifferent to his mother, and he plunged voluntarily into the life of debauchery which made of him what his mother had made of Charles IX., a husband without sons, a king without heirs. Unhappily the Duc d'Alencon, Catherine's last male child, had already died, a natural death.
The last words of the great queen were like a summing up of her lifelong policy, which was, moreover, so plain in its common-sense that all cabinets are seen under similar circumstances to put it in practice.
"Enough cut off, my son," she said when Henri III. came to her death-bed to tell her that the great enemy of the crown was dead, "now piece together."
By which she meant that the throne should at once reconcile itself with the house of Lorraine and make use of it, as the only means of preventing evil results from the hatred of the Guises,—by holding out to them the hope of surrounding the king. But the persistent craft and dissimulation of the woman and the Italian, which she had never failed to employ, was incompatible with the debauched life of her son. Catherine de' Medici once dead, the policy of the Valois died also.
Before undertaking to write the history of the manners and morals of this period in action, the author of this Study has patiently and minutely examined the principal reigns in the history of France, the quarrel of the Burgundians and the Armagnacs, that of the Guises and the Valois, each of which covers a century. His first intention was to write a picturesque history of France. Three women—Isabella of Bavaria, Catharine and Marie de' Medici—hold an enormous place in it, their sway reaching from the fourteenth to the seventeenth century, ending in Louis XIV. Of these three queens, Catherine is the finer and more interesting. Hers was virile power, dishonored neither by the terrible amours of Isabella nor by those, even more terrible, though less known, of Marie de' Medici. Isabella summoned the English into France against her son, and loved her brother-in-law, the Duc d'Orleans. The record of Marie de' Medici is heavier still. Neither had political genius.
It was in the course of these studies that the writer acquired the conviction of Catherine's greatness; as he became initiated into the constantly renewed difficulties of her position, he saw with what injustice historians—all influenced by Protestants—had treated this queen. Out of this conviction grew the three sketches which here follow; in which some erroneous opinions formed upon Catherine, also upon the persons who surrounded her, and on the events of her time, are refuted. If this book is placed among the Philosophical Studies, it is because it shows the Spirit of a Time, and because we may clearly see in it the influence of thought.
But before entering the political arena, where Catherine will be seen facing the two great difficulties of her career, it is necessary to give a succinct account of her preceding life, from the point of view of impartial criticism, in order to take in as much as possible of this vast and regal existence up to the moment when the first part of the present Study begins.
Never was there any period, in any land, in any sovereign family, a greater contempt for legitimacy than in the famous house of the Medici. On the subject of power they held the same doctrine now professed by Russia, namely: to whichever head the crown goes, he is the true, the legitimate sovereign. Mirabeau had reason to say: "There has been but one mesalliance in my family,—that of the Medici"; for in spite of the paid efforts of genealogists, it is certain that the Medici, before Everardo de' Medici, gonfaloniero of Florence in 1314, were simple Florentine merchants who became very rich. The first personage in this family who occupies an important place in the history of the famous Tuscan republic is Silvestro de' Medici, gonfaloniero in 1378. This Silvestro had two sons, Cosmo and Lorenzo de' Medici.
From Cosmo are descended Lorenzo the Magnificent, the Duc de Nemours, the Duc d'Urbino, father of Catherine, Pope Leo X., Pope Clement VII., and Alessandro, not Duke of Florence, as historians call him, but Duke della citta di Penna, a title given by Pope Clement VII., as a half-way station to that of Grand-duke of Tuscany.
From Lorenzo are descended the Florentine Brutus Lorenzino, who killed Alessandro, Cosmo, the first grand-duke, and all the sovereigns of Tuscany till 1737, at which period the house became extinct.
But neither of the two branches—the branch Cosmo and the branch Lorenzo—reigned through their direct and legitimate lines until the close of the sixteenth century, when the grand-dukes of Tuscany began to succeed each other peacefully. Alessandro de' Medici, he to whom the title of Duke della citta di Penna was given, was the son of the Duke d'Urbino, Catherine's father, by a Moorish slave. For this reason Lorenzino claimed a double right to kill Alessandro,—as a usurper in his house, as well as an oppressor of the city. Some historians believe that Alessandro was the son of Clement VII. The fact that led to the recognition of this bastard as chief of the republic and head of the house of the Medici was his marriage with Margaret of Austria, natural daughter of Charles V.
Francesco de' Medici, husband of Bianca Capello, accepted as his son a child of poor parents bought by the celebrated Venetian; and, strange to say, Ferdinando, on succeeding Francesco, maintained the substituted child in all his rights. That child, called Antonio de' Medici, was considered during four reigns as belonging to the family; he won the affection of everybody, rendered important services to the family, and died universally regretted.
Nearly all the first Medici had natural children, whose careers were invariably brilliant. For instance, the Cardinal Giulio de' Medici, afterwards Pope under the name of Clement VII., was the illegitimate son of Giuliano I. Cardinal Ippolito de' Medici was also a bastard, and came very near being Pope and the head of the family.
Lorenzo II., the father of Catherine, married in 1518, for his second wife, Madeleine de la Tour de Boulogne, in Auvergne, and died April 25, 1519, a few days after his wife, who died in giving birth to Catherine. Catherine was therefore orphaned of father and mother as soon as she drew breath. Hence the strange adventures of her childhood, mixed up as they were with the bloody efforts of the Florentines, then seeking to recover their liberty from the Medici. The latter, desirous of continuing to reign in Florence, behaved with such circumspection that Lorenzo, Catherine's father, had taken the name of Duke d'Urbino.
At Lorenzo's death, the head of the house of the Medici was Pope Leo X., who sent the illegitimate son of Giuliano, Giulio de' Medici, then cardinal, to govern Florence. Leo X. was great-uncle to Catherine, and this Cardinal Giulio, afterward Clement VII., was her uncle by the left hand.
It was during the siege of Florence, undertaken by the Medici to force their return there, that the Republican party, not content with having shut Catherine, then nine years old, into a convent, after robbing her of all her property, actually proposed, on the suggestion of one named Batista Cei, to expose her between two battlements on the walls to the artillery of the Medici. Bernardo Castiglione went further in a council held to determine how matters should be ended: he was of opinion that, so far from returning her to the Pope as the latter requested, she ought to be given to the soldiers for dishonor. This will show how all popular revolutions resemble each other. Catherine's subsequent policy, which upheld so firmly the royal power, may well have been instigated in part by such scenes, of which an Italian girl of nine years of age was assuredly not ignorant.
The rise of Alessandro de' Medici, to which the bastard Pope Clement VII. powerfully contributed, was no doubt chiefly caused by the affection of Charles V. for his famous illegitimate daughter Margaret. Thus Pope and emperor were prompted by the same sentiment. At this epoch Venice had the commerce of the world; Rome had its moral government; Italy still reigned supreme through the poets, the generals, the statesmen born to her. At no period of the world's history, in any land, was there ever seen so remarkable, so abundant a collection of men of genius. There were so many, in fact, that even the lesser princes were superior men. Italy was crammed with talent, enterprise, knowledge, science, poesy, wealth, and gallantry, all the while torn by intestinal warfare and overrun with conquerors struggling for possession of her finest provinces. When men are so strong, they do not fear to admit their weaknesses. Hence, no doubt, this golden age for bastards. We must, moreover, do the illegitimate children of the house of the Medici the justice to say that they were ardently devoted to the glory, power, and increase of wealth of that famous family. Thus as soon as the Duca della citta di Penna, son of the Moorish woman, was installed as tyrant of Florence, he espoused the interest of Pope Clement VII., and gave a home to the daughter of Lorenzo II., then eleven years of age.
When we study the march of events and that of men in this curious sixteenth century, we ought never to forget that public policy had for its element a perpetual craftiness and a dissimulation which destroyed, in all characters, the straightforward, upright bearing our imaginations demand of eminent personages. In this, above all, is Catherine's absolution. It disposes of the vulgar and foolish accusations of treachery launched against her by the writers of the Reformation. This was the great age of that statesmanship the code of which was written by Macchiavelli as well as by Spinosa, by Hobbes as well as by Montesquieu,—for the dialogue between Sylla and Eucrates contains Montesquieu's true thought, which his connection with the Encyclopedists did not permit him to develop otherwise than as he did.
These principles are to-day the secret law of all cabinets in which plans for the conquest and maintenance of great power are laid. In France we blamed Napoleon when he made use of that Italian genius for craft which was bred in his bone,—though in his case it did not always succeed. But Charles V., Catherine, Philip II., and Pope Julius would not have acted otherwise than as he did in the affair of Spain. History, in the days when Catherine was born, if judged from the point of view of honesty, would seem an impossible tale. Charles V., obliged to sustain Catholicism against the attacks of Luther, who threatened the Throne in threatening the Tiara, allowed the siege of Rome and held Pope Clement VII. in prison! This same Clement, who had no bitterer enemy than Charles V., courted him in order to make Alessandro de' Medici ruler of Florence, and obtained his favorite daughter for that bastard. No sooner was Alessandro established than he, conjointly with Clement VII., endeavored to injure Charles V. by allying himself with Francois I., king of France, by means of Catherine de' Medici; and both of them promised to assist Francois in reconquering Italy. Lorenzino de' Medici made himself the companion of Alessandro's debaucheries for the express purpose of finding an opportunity to kill him. Filippo Strozzi, one of the great minds of that day, held this murder in such respect that he swore that his sons should each marry a daughter of the murderer; and each son religiously fulfilled his father's oath when they might all have made, under Catherine's protection, brilliant marriages; for one was the rival of Doria, the other a marshal of France. Cosmo de' Medici, successor of Alessandro, with whom he had no relationship, avenged the death of that tyrant in the cruellest manner, with a persistency lasting twelve years; during which time his hatred continued keen against the persons who had, as a matter of fact, given him the power. He was eighteen years old when called to the sovereignty; his first act was to declare the rights of Alessandro's legitimate sons null and void,—all the while avenging their father's death! Charles V. confirmed the disinheriting of his grandsons, and recognized Cosmo instead of the son of Alessandro and his daughter Margaret. Cosmo, placed on the throne by Cardinal Cibo, instantly exiled the latter; and the cardinal revenged himself by accusing Cosmo (who was the first grand-duke) of murdering Alessandro's son. Cosmo, as jealous of his power as Charles V. was of his, abdicated in favor of his son Francesco, after causing the death of his other son, Garcia, to avenge the death of Cardinal Giovanni de' Medici, whom Garcia had assassinated. Cosmo the First and his son Francesco, who ought to have been devoted, body and soul, to the house of France, the only power on which they might really have relied, made themselves the lacqueys of Charles V. and Philip II., and were consequently the secret, base, and perfidious enemies of Catherine de' Medici, one of the glories of their house.
Such were the leading contradictory and illogical traits, the treachery, knavery, and black intrigues of a single house, that of the Medici. From this sketch, we may judge of the other princes of Italy and Europe. All the envoys of Cosmos I. to the court of France had, in their secret instructions, an order to poison Strozzi, Catherine's relation, when he arrived. Charles V. had already assassinated three of the ambassadors of Francois I.
It was early in the month of October, 1533, that the Duca della citta di Penna started from Florence for Livorno, accompanied by the sole heiress of Lorenzo II., namely, Catherine de' Medici. The duke and the Princess of Florence, for that was the title by which the young girl, then fourteen years of age, was known, left the city surrounded by a large retinue of servants, officers, and secretaries, preceded by armed men, and followed by an escort of cavalry. The young princess knew nothing as yet of what her fate was to be, except that the Pope was to have an interview at Livorno with the Duke Alessandro; but her uncle, Filippo Strozzi, very soon informed her of the future before her.
Filippo Strozzi had married Clarice de' Medici, half-sister on the father's side of Lorenzo de' Medici, Duke of Urbino, father of Catherine; but this marriage, which was brought about as much to convert one of the firmest supporters of the popular party to the cause of the Medici as to facilitate the recall of that family, then banished from Florence, never shook the stern champion from his course, though he was persecuted by his own party for making it. In spite of all apparent changes in his conduct (for this alliance naturally affected it somewhat) he remained faithful to the popular party, and declared himself openly against the Medici as soon as he foresaw their intention to enslave Florence. This great man even refused the offer of a principality made to him by Leo X.
At the time of which we are now writing Filippo Strozzi was a victim to the policy of the Medici, so vacillating in its means, so fixed and inflexible in its object. After sharing the misfortunes and the captivity of Clement VII. when the latter, surprised by the Colonna, took refuge in the Castle of Saint-Angelo, Strozzi was delivered up by Clement as a hostage and taken to Naples. As the Pope, when he got his liberty, turned savagely on his enemies, Strozzi came very near losing his life, and was forced to pay an enormous sum to be released from a prison where he was closely confined. When he found himself at liberty he had, with an instinct of kindness natural to an honest man, the simplicity to present himself before Clement VII., who had perhaps congratulated himself on being well rid of him. The Pope had such good cause to blush for his own conduct that he received Strozzi extremely ill.
Strozzi thus began, early in life, his apprenticeship in the misfortunes of an honest man in politics,—a man whose conscience cannot lend itself to the capriciousness of events; whose actions are acceptable only to the virtuous; and who is therefore persecuted by the world,—by the people, for opposing their blind passions; by power for opposing its usurpations. The life of such great citizens is a martyrdom, in which they are sustained only by the voice of their conscience and an heroic sense of social duty, which dictates their course in all things. There were many such men in the republic of Florence, all as great as Strozzi, and as able as their adversaries the Medici, though vanquished by the superior craft and wiliness of the latter. What could be more worthy of admiration than the conduct of the chief of the Pazzi at the time of the conspiracy of his house, when, his commerce being at that time enormous, he settled all his accounts with Asia, the Levant, and Europe before beginning that great attempt; so that, if it failed, his correspondents should lose nothing.
The history of the establishment of the house of the Medici in the fourteenth and fifteenth centuries is a magnificent tale which still remains to be written, though men of genius have already put their hands to it. It is not the history of a republic, nor of a society, nor of any special civilization; it is the history of statesmen, the eternal history of Politics,—that of usurpers, that of conquerors.
As soon as Filippo Strozzi returned to Florence he re-established the preceding form of government and ousted Ippolito de' Medici, another bastard, and the very Alessandro with whom, at the later period of which we are now writing, he was travelling to Livorno. Having completed this change of government, he became alarmed at the evident inconstancy of the people of Florence, and, fearing the vengeance of Clement VII., he went to Lyon to superintend a vast house of business he owned there, which corresponded with other banking-houses of his own in Venice, Rome, France, and Spain. Here we find a strange thing. These men who bore the weight of public affairs and of such a struggle as that with the Medici (not to speak of contentions with their own party) found time and strength to bear the burden of a vast business and all its speculations, also of banks and their complications, which the multiplicity of coinages and their falsification rendered even more difficult than it is in our day. The name "banker" comes from the banc (Anglice, bench) upon which the banker sat, and on which he rang the gold and silver pieces to try their quality. After a time Filippo found in the death of his wife, whom he adored, a pretext for renewing his relations with the Republican party, whose secret police becomes the more terrible in all republics, because every one makes himself a spy in the name of a liberty which justifies everything.
Filippo returned to Florence at the very moment when that city was compelled to adopt the yoke of Alessandro; but he had previously gone to Rome and seen Pope Clement VII., whose affairs were now so prosperous that his disposition toward Strozzi was much changed. In the hour of triumph the Medici were so much in need of a man like Filippo—were it only to smooth the return of Alessandro—that Clement urged him to take a seat at the Council of the bastard who was about to oppress the city; and Strozzi consented to accept the diploma of a senator.
But, for the last two years and more, he had seen, like Seneca and Burrhus, the beginnings of tyranny in his Nero. He felt himself, at the moment of which we write, an object of so much distrust on the part of the people and so suspected by the Medici whom he was constantly resisting, that he was confident of some impending catastrophe. Consequently, as soon as he heard from Alessandro of the negotiation for Catherine's marriage with the son of Francois I., the final arrangements for which were to be made at Livorno, where the negotiators had appointed to meet, he formed the plan of going to France, and attaching himself to the fortunes of his niece, who needed a guardian.
Alessandro, delighted to rid himself of a man so unaccommodating in the affairs of Florence, furthered a plan which relieved him of one murder at least, and advised Strozzi to put himself at the head of Catherine's household. In order to dazzle the eyes of France the Medici had selected a brilliant suite for her whom they styled, very unwarrantably, the Princess of Florence, and who also went by the name of the little Duchess d'Urbino. The cortege, at the head of which rode Alessandro, Catherine, and Strozzi, was composed of more than a thousand persons, not including the escort and servants. When the last of it issued from the gates of Florence the head had passed that first village beyond the city where they now braid the Tuscan straw hats. It was beginning to be rumored among the people that Catherine was to marry a son of Francois I.; but the rumor did not obtain much belief until the Tuscans beheld with their own eyes this triumphal procession from Florence to Livorno.
Catherine herself, judging by all the preparations she beheld, began to suspect that her marriage was in question, and her uncle then revealed to her the fact that the first ambitious project of his house had aborted, and that the hand of the dauphin had been refused to her. Alessandro still hoped that the Duke of Albany would succeed in changing this decision of the king of France who, willing as he was to buy the support of the Medici in Italy, would only grant them his second son, the Duc d'Orleans. This petty blunder lost Italy to France, and did not prevent Catherine from becoming queen.
The Duke of Albany, son of Alexander Stuart, brother of James III., king of Scotland, had married Anne de la Tour de Boulogne, sister of Madeleine de la Tour de Boulogne, Catherine's mother; he was therefore her maternal uncle. It was through her mother that Catherine was so rich and allied to so many great families; for, strangely enough, her rival, Diane de Poitiers, was also her cousin. Jean de Poitiers, father of Diane, was son of Jeanne de Boulogne, aunt of the Duchess d'Urbino. Catherine was also a cousin of Mary Stuart, her daughter-in-law.
Catherine now learned that her dowry in money was a hundred thousand ducats. A ducat was a gold piece of the size of an old French louis, though less thick. (The old louis was worth twenty-four francs—the present one is worth twenty). The Comtes of Auvergne and Lauraguais were also made a part of the dowry, and Pope Clement added one hundred thousand ducats in jewels, precious stones, and other wedding gifts; to which Alessandro likewise contributed his share.
On arriving at Livorno, Catherine, still so young, must have been flattered by the extreme magnificence displayed by Pope Clement ("her uncle in Notre-Dame," then head of the house of the Medici), in order to outdo the court of France. He had already arrived at Livorno in one of his galleys, which was lined with crimson satin fringed with gold, and covered with a tent-like awning in cloth of gold. This galley, the decoration of which cost twenty thousand ducats, contained several apartments destined for the bride of Henri of France, all of which were furnished with the richest treasures of art the Medici could collect. The rowers, magnificently apparelled, and the crew were under the command of a prior of the order of the Knights of Rhodes. The household of the Pope were in three other galleys. The galleys of the Duke of Albany, anchored near those of Clement VII., added to the size and dignity of the flotilla.
Duke Alessandro presented the officers of Catherine's household to the Pope, with whom he had a secret conference, in which, it would appear, he presented to his Holiness Count Sebastiano Montecuculi, who had just left, somewhat abruptly, the service of Charles V. and that of his two generals, Antonio di Leyva and Ferdinando di Gonzago. Was there between the two bastards, Giulio and Alessandro, a premeditated intention of making the Duc d'Orleans dauphin? What reward was promised to Sebastiano Montecuculi, who, before entering the service of Charles V. had studied medicine? History is silent on that point. We shall see presently what clouds hang round that fact. The obscurity is so great that, quite recently, grave and conscientious historians have admitted Montecuculi's innocence.
Catherine then heard officially from the Pope's own lips of the alliance reserved for her. The Duke of Albany had been able to do no more than hold the king of France, and that with difficulty, to his promise of giving Catherine the hand of his second son, the Duc d'Orleans. The Pope's impatience was so great, and he was so afraid that his plans would be thwarted either by some intrigue of the emperor, or by the refusal of France, or by the grandees of the kingdom looking with evil eye upon the marriage, that he gave orders to embark at once, and sailed for Marseille, where he arrived toward the end of October, 1533.
Notwithstanding its wealth, the house of the Medici was eclipsed on this occasion by the court of France. To show the lengths to which the Medici pushed their magnificence, it is enough to say that the "dozen" put into the bride's purse by the Pope were twelve gold medals of priceless historical value, which were then unique. But Francois I., who loved the display of festivals, distinguished himself on this occasion. The wedding festivities of Henri de Valois and Catherine de' Medici lasted thirty-four days.
It is useless to repeat the details, which have been given in all the histories of Provence and Marseille, as to this celebrated interview between the Pope and the king of France, which was opened by a jest of the Duke of Albany as to the duty of keeping fasts,—a jest mentioned by Brantome and much enjoyed by the court, which shows the tone of the manners of that day.
Many conjectures have been made as to Catherine's barrenness, which lasted ten years. Strange calumnies still rest upon this queen, all of whose actions were fated to be misjudged. It is sufficient to say that the cause was solely in Henri II. After the difficulty was removed, Catherine had ten children. The delay was, in one respect, fortunate for France. If Henri II. had had children by Diane de Poitiers the politics of the kingdom would have been dangerously complicated. When the difficulty was removed the Duchesse de Valentinois had reached the period of a woman's second youth. This matter alone will show that the true life of Catherine de' Medici is still to be written, and also—as Napoleon said with profound wisdom—that the history of France should be either in one volume only, or one thousand.
Here is a contemporaneous and succinct account of the meeting of Clement VII. and the king of France:
When Strozzi delivered the dowry in presence of the court he noticed some surprise on the part of the French seigneurs; they even said aloud that it was little enough for such a mesalliance (what would they have said in these days?). Cardinal Ippolito replied, saying:—
"You must be ill-informed as to the secrets of your king. His Holiness has bound himself to give to France three pearls of inestimable value, namely: Genoa, Milan, and Naples."
The Pope left Sebastiano Montecuculi to present himself to the court of France, to which the count offered his services, complaining of his treatment by Antonio di Leyva and Ferdinando di Gonzago, for which reason his services were accepted. Montecuculi was not made a part of Catherine's household, which was wholly composed of French men and women, for, by a law of the monarchy, the execution of which the Pope saw with great satisfaction, Catherine was naturalized by letters-patent as a Frenchwoman before the marriage. Montecuculi was appointed in the first instance to the household of the queen, the sister of Charles V. After a while he passed into the service of the dauphin as cup-bearer.
The new Duchesse d'Orleans soon found herself a nullity at the court of Francois I. Her young husband was in love with Diane de Poitiers, who certainly, in the matter of birth, could rival Catherine, and was far more of a great lady than the little Florentine. The daughter of the Medici was also outdone by Queen Eleonore, sister of Charles V., and by Madame d'Etampes, whose marriage with the head of the house of Brosse made her one of the most powerful and best titled women in France. Catherine's aunt the Duchess of Albany, the Queen of Navarre, the Duchesse de Guise, the Duchesse de Vendome, Madame la Connetable de Montmorency, and other women of like importance, eclipsed by birth and by their rights, as well as by their power at the most sumptuous court of France (not excepting that of Louis XIV.), the daughter of the Florentine grocers, who was richer and more illustrious through the house of the Tour de Boulogne than by her own family of Medici.
The position of his niece was so bad and difficult that the republican Filippo Strozzi, wholly incapable of guiding her in the midst of such conflicting interests, left her after the first year, being recalled to Italy by the death of Clement VII. Catherine's conduct, when we remember that she was scarcely fifteen years old, was a model of prudence. She attached herself closely to the king, her father-in-law; she left him as little as she could, following him on horseback both in hunting and in war. Her idolatry for Francois I. saved the house of the Medici from all suspicion when the dauphin was poisoned. Catherine was then, and so was her husband, at the headquarters of the king in Provence; for Charles V. had speedily invaded France and the late scene of the marriage festivities had become the theatre of a cruel war.
At the moment when Charles V. was put to flight, leaving the bones of his army in Provence, the dauphin was returning to Lyon by the Rhone. He stopped to sleep at Tournon, and, by way of pastime, practised some violent physical exercises,—which were nearly all the education his brother and he, in consequence of their detention as hostages, had ever received. The prince had the imprudence—it being the month of August, and the weather very hot—to ask for a glass of water, which Montecuculi, as his cup-bearer, gave to him, with ice in it. The dauphin died almost immediately. Francois I. adored his son. The dauphin was, according to all accounts, a charming young man. His father, in despair, gave the utmost publicity to the proceedings against Montecuculi, which he placed in the hands of the most able magistrates of that day. The count, after heroically enduring the first tortures without confessing anything, finally made admissions by which he implicated Charles V. and his two generals, Antonio di Leyva and Ferdinando di Gonzago. No affair was ever more solemnly debated. Here is what the king did, in the words of an ocular witness:—
The fidelity, devotion, and cautious skill of the Comte de Montecuculi may seem extraordinary in our time, when all the world, even ministers of State, tell everything about the least little event with which they have to do; but in those days princes could find devoted servants, or knew how to choose them. Monarchical Moreys existed because in those days there was faith. Never ask devotion of self-interest, because such interest may change; but expect all from sentiments, religious faith, monarchical faith, patriotic faith. Those three beliefs produced such men as the Berthereaus of Geneva, the Sydneys and Straffords of England, the murderers of Thomas a Becket, the Jacques Coeurs, the Jeanne d'Arcs, the Richelieus, Dantons, Bonchamps, Talmonts, and also the Clements, Chabots, and others.
The dauphin was poisoned in the same manner, and possibly by the same drug which afterwards served MADAME under Louis XIV. Pope Clement VII. had been dead two years; Duke Alessandro, plunged in debauchery, seemed to have no interest in the elevation of the Duc d'Orleans; Catherine, then seventeen, and full of admiration for her father-in-law, was with him at the time; Charles V. alone appeared to have an interest in his death, for Francois I. was negotiating for his son an alliance which would assuredly have aggrandized France. The count's confession was therefore very skilfully based on the passions and politics of the moment; Charles V. was then flying from France, leaving his armies buried in Provence with his happiness, his reputation, and his hopes of dominion. It is to be remarked that if torture had forced admissions from an innocent man, Francois I. gave Montecuculi full liberty to speak in presence of an imposing assembly, and before persons in whose eyes innocence had some chance to triumph. The king, who wanted the truth, sought it in good faith.
In spite of her now brilliant future, Catherine's situation at court was not changed by the death of the dauphin. Her barrenness gave reason to fear a divorce in case her husband should ascend the throne. The dauphin was under the spell of Diane de Poitiers, who assumed to rival Madame d'Etampes, the king's mistress. Catherine redoubled in care and cajolery of her father-in-law, being well aware that her sole support was in him. The first ten years of Catherine's married life were years of ever-renewed grief, caused by the failure, one by one, of her hopes of pregnancy, and the vexations of her rivalry with Diane. Imagine what must have been the life of a young princess, watched by a jealous mistress who was supported by a powerful party,—the Catholic party,—and by the two powerful alliances Diane had made in marrying one daughter to Robert de la Mark, Duc de Bouillon, Prince of Sedan, and the other to Claude de Lorraine, Duc d'Aumale.
Catherine, helpless between the party of Madame d'Etampes and the party of the Senechale (such was Diane's title during the reign of Francois I.), which divided the court and politics into factions for these mortal enemies, endeavored to make herself the friend of both Diane de Poitiers and Madame d'Etampes. She, who was destined to become so great a queen, played the part of a servant. Thus she served her apprenticeship in that double-faced policy which was ever the secret motor of her life. Later, the queen was to stand between Catholics and Calvinists, just as the woman
