Compendium of Wooden Wand Making Techniques -  - E-Book

Compendium of Wooden Wand Making Techniques E-Book

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Conjuring up wooden wands might seem like a magical and mysterious process, but the Compendium of Wooden Wand Making Techniques is here to show you how simple it can be! In the first-ever guide to making wands, you'll learn how to hand carve, power carve, wood turn, and scroll saw 20 unique projects that are sure to delight and manage mischief. Be inspired with a gallery of beloved staff-carrying and wand-wielding characters from the infamous Harry Potter and Lord of the Rings series – from Albus Dumbledore, Hermione Granger, and Severus Snape to Gandalf, Saruman, and several others. Woven throughout these gallery pages are images of wands you can make in the book that are thematically similar – but distinct from – these iconic wands and staffs! Also provided is a Wand Sketchbook section as a jump-off point for you to design wands of your own, along with areas to include your original wand's name, wood type, length, core, and special skills. From there, five wand projects for each woodworking technique are presented with step-by-step instructions, coordinating photography, and patterns. A complete project collection that's truly the first of its kind, this book is a must-have source of inspiration that belongs in any muggle's and woodworker's library who has a love for all things fiction and fantasy!

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© 2021 by Fox Chapel Publishing Company, Inc., 903 Square Street, Mount Joy, PA 17552.
Compendium of Wooden Wand Making Techniques
is an original work, first published in 2021 by Fox Chapel Publishing Company, Inc. The patterns
Introduction
Welcome to a wonderful world of magical wands! With their rich history and eye-catching style,
whether or not you are a “believer” in the magic, you can’t deny the power and aesthetic of a handmade
wooden wand. Wands can easily be customized for their recipient witches, wizards, and fans of favorite
magical stories, and this book presents twenty enchanting designs to cover all kinds of tastes and
woodworking techniques!
The wands in this book are divided up into four sections based on the technique used to create them:
hand carving, scroll saw, turning, and power carving. If you already have experience in one of these
methods, you may feel drawn to start in that section. But the great thing is, each of the four sections
includes a quick primer on the basics of the technique, so if you’ve never tried the method before, you
can easily learn the essentials and start experimenting with wands in a new woodworking style.
Each wand is presented with a full materials and tools list and step-by-step instructions to guide you
through the crafting process, and patterns are provided when needed. You can have fun choosing the
woods you want to use, tweaking the paint or gem colors, and otherwise customizing each design to
maximize its magical potential.
It’s time to tap into your spellcasting skills and conjure up some unique wooden wands!
Wand Wood Properties & Personalities
. . 10
Wand Inspiration .
..............14
Wand Sketchbook .
. . . . . . . . . . . . . . 20
The Wands
Hand Carving . . . . . . . . . . . . . . . . . 30
Novitiate Wand .
. . . . . . . . . . . . . . . . . . . . .36
Dawn Frost Wand . . . . . . . . . . . . . . . . . . .40
Tenderfoot Wand . . . . . . . . . . . . . . . . . . . .46
Roots of the Mountain Wand . . . . . . . . . . .52
Earthsong Wand . . . . . . . . . . . . . . . . . . . . .58
ontents
36
46
58
52
40
Scroll Saw . . . . . . . . . . . . . . . . . . . . 64
Luminous Illusions Wand . . . . . . . . . . . . . .70
Diluvium Wand . . . . . . . . . . . . . . . . . . . . . 76
Transfiguration Wand . . . . . . . . . . . . . . . . .82
Cloak of Shadows Wand . . . . . . . . . . . . . . .86
Oracle’s Wand . . . . . . . . . . . . . . . . . . . . . . .92
82
92
86
76
70
The Wands
Turning .
.....................98
Ancient Voices Wand . . . . . . . . . . . . . . . .104
Arcana Wand . . . . . . . . . . . . . . . . . . . . . .110
Alchemist’s Wand . . . . . . . . . . . . . . . . . . .114
Adventurer’s Boon Wand . . . . . . . . . . . . .118
Secret Compartment Wand . . . . . . . . . . . .122
110
104
114
118
122
Power Carving . . . . . . . . . . . . . . . . 128
Faerie Footsteps Wand . . . . . . . . . . . . . . .134
Susurration Wand . . . . . . . . . . . . . . . . . . .142
Noctambulant Wand . . . . . . . . . . . . . . . . .150
Blessed Bower Wand . . . . . . . . . . . . . . . . .158
Beastcharmer Wand . . . . . . . . . . . . . . . . . 166
Wizard’s Sketchbook . . . . . . .179
Wandmakers . . . . . . . . . . . . .190
Index . . . . . . . . . . . . . . . . . . .192
166
158
142
134
150
10
W
AND
W
OOD
P
ROPERTIES
& P
ERSONALITIES
Wand Wood Properties
& Personalities
Every project and woodworker is different. Many of the projects in this book include recommendations for types of wood to
use, but you don’t have to follow those to the letter—you can choose a wand wood to suit the magical purpose of the wand or
the person who will be wielding it! Read on for a selection of woods and their “magical” properties.
Ash
Hardy and dense with a pronounced grain similar to oak,
ash meshes best with wizards who are strong but don’t like
to brag about it. Integrity, bravery, and patience are all
qualities found in owners of these wands.
Aspen
Pale and springy, this material is well suited to a variety of
finishes. Likewise, the aspen wand is drawn to those with
strong communication skills who adapt well to a range of
circumstances. Diplomatic and quick on their feet, these
wizards often find their mediation and public speaking
skills strengthened in aspen’s presence.
Alder
11
Basswood (Linden)
Soft yet dense with a light, consistent grain, this wood
looks particularly attractive when carved. Adaptable, just,
peaceful, and measured, it will make a wand that is truly a
worthy companion.
Birch
Light-colored, medium in weight, and widely available,
birch is an admirable choice for the wizard who has a plan
for everything. This wood is ideal for list-makers and
visionaries who strive to instill hope in those around them.
Blackthorn
Dense and tough with a complex grain structure, blackthorn
is not a material to mess with—and the same is true for the
wizards it is drawn to. Fierce, independent, and maybe a
little stubborn, the holder of this wand has been through
trials and come out the other side even stronger.
Basswood:
Novitiate
Wand
Torrified ash:
Transfiguration
Wand
Birch:
Earthsong
Wand
The beautiful flowering blackthorn produces fruits used to make sloe gin, and its wood is frequently used to make walking sticks.
12
Cherry
Moderately hard with a rich, reddish color, cherry is a
trustworthy wood preferred by trustworthy wizards. You
dedicate yourself to every task and see it through to the end;
some might accuse you of being predictable, but you wear
that as a badge of honor. It takes all kinds to make a world!
Chestnut
An elegant, reddish-brown hardwood,
chestnut suits the wizard who has endured
great loss but continues to thrive. Persistent
and work-oriented, those who handle
chestnut may discover inner strength they
weren’t previously aware they had.
Elder
Pale and brittle, this wood is not your average,
run-of-the-mill choice for wand making—
and it’s not for your average wizard. Wielders
of elder wands embrace the dark and the light
in themselves, sometimes making choices
others find strange. Ever ambitious, these
wily characters are always trying to reinvent
themselves, for better or for worse.
Fir
This mildly durable softwood has a strong character that
13
Oak
Dense with a distinct grain you can spot
from a mile away, oak is a favorite of brash
wizards who aren’t afraid to speak their
minds. Authoritative and honest to a fault,
these individuals pair well with an oak
wand, as its presence has been known to
take the edge off an otherwise harsh word.
Rosewood
Tough and dense with dramatic veins,
rosewood really puts on a show. A favorite
of wizards who err on the high-maintenance
side—sumptuous silk robes, the best crystal
goblets—this wood variety has a secret
humble side, too. Given time and plenty of
thoughtful spellwork, its users may reveal their
better angels to the few who know them best.
Black walnut: Blessed
Bower Wand
Walnut
This durable wood is prized for its workability and deep,
chocolatey color. Strong-willed, confident, and full of vim
and vigor, those drawn to this material can tend toward
selfishness in their worst moments. With a walnut wand
at their side, wizards often learn to direct that fiery energy
outward, toward philanthropic pursuits that help humanity
at large.
Willow
Light and flexible, willow does its best in the hands of
thinkers rather than doers. Preferring to spend most of their
time in quiet contemplation, these farseeing wizards make
ready advisers, gently guiding the movers and shakers of the
world from the shadows.
Yew
Firm with a mesmerizing, mottled grain, yew wood typically
warms up to wizards who don’t consider themselves bound
by the past. Desiring to plumb life’s mysteries as deeply
as possible, wielders of these wands can sometimes reject
tradition to a worrying degree, impeding the very growth
they so earnestly seek.
Two yew trees flank the door of St. Edward’s Church in Stow-on-the-Wold, England. Parts of the church date back to the 11th century, and
the trees themselves are at least several centuries old.
14
HARRY POTTER, characters, names and related indicia are trademarks of and ©Warner Bros.
Entertainment Inc.
Harry Potter Publishing Rights ©JKR.
HARRY POTTER, characters, names and related indicia are trademarks of and ©Warner Bros.
Entertainment Inc.
Harry Potter Publishing Rights ©JKR.
Wand Inspiration
What wizard doesn’t
need a little inspiration
now and then? As you
consider which project
to try first in this
volume, let this gallery
of magical instruments
motivate you to design
your own original
wand. All wands
pictured next to the
famous film props can
be found in this book.
Hermione Granger’s wand is vine wood with a dragon heartstring core, 10". She uses
it to conjure a portable blue flame at several points throughout the series.
Luna Lovegood’s wand is made of an unknown material. Ollivander, the famous wandmaker,
designs it to thank her for cheering him up during his imprisonment at Malfoy Manor in Book 7.
15
HARRY POTTER, characters, names and related indicia are trademarks of and ©Warner Bros.
Entertainment Inc.
Harry Potter Publishing Rights ©JKR.
HARRY POTTER, characters, names and related indicia are trademarks of and ©Warner Bros.
Entertainment Inc.
Harry Potter Publishing Rights ©JKR.
Harry Potter’s wand is holly with a phoenix tail feather core, 11". He uses it to defeat a monstrous
troll in Book 1.
Ron Weasley’s wand is willow with a unicorn hair core, 14". He uses it to fix an office
plagued by rain in Book 7.
To order Harry Potter Wands - please visit www.noblecollection.=om
16
Albus Dumbledore’s wand is elder with a thestral tail
hair core, 15". He uses it to rescue Harry from Voldemort
in the Atrium of the Ministry of Magic in Book 5.
Voldemort’s wand is yew with a phoenix tail feather core, 13". He uses it to duel
with Harry in the graveyard after coming back to power in Book 4.
HARRY POTTER, characters, names and related indicia are trademarks of and ©Warner Bros.
Entertainment Inc.
Harry Potter Publishing Rights ©JKR.
HARRY POTTER, characters, names and related indicia are trademarks of and ©Warner Bros.
Entertainment Inc.
17
Severus Snape’s wand is made of an unknown material. He uses it to teach the frivolous Gilderoy
Lockhart a lesson during dueling class in Book 2.
Draco Malfoy’s wand is hawthorn with a unicorn hair core, 10". He uses it on Harry in
Book 2, cursing him with perpetually dancing feet until the spell is lifted.
HARRY POTTER, characters, names and related indicia are trademarks of and ©Warner Bros.
Entertainment Inc.
Harry Potter Publishing Rights ©JKR.
HARRY POTTER, characters, names and related indicia are trademarks of and ©Warner Bros.
Entertainment Inc.
Harry Potter Publishing Rights ©JKR.
To order Harry Potter Wands - please visit
18
Gandalf the Grey bears a gnarled wooden staff
with the ability to scratch runes into surfaces
and light up in the dark. He uses this tool to
break the Bridge of Khazad-dûm in his battle
with the Balrog in
The Fellowship of the Ring
.
Characters, names, and other related details from The Lord of the Rings are trademarks of and
© The Saul Zaentz Company and New Line Cinema Corporation. Images © Weta Workshop.
To order Lord of the Ring collectibles please visit www.wetanz.com
19
Saruman the White wields a dark,
metallic staff with sharp edges
encircling a bright crystal reminiscent
of a Seer’s Stone. He uses this tool to
trap Gandalf on the Tower of Orthanc
in
The Fellowship of the Ring
.
Characters, names, and other related details from The Lord of the Rings are trademarks of and
© The Saul Zaentz Company and New Line Cinema Corporation. Images © Weta Workshop.
20
Wand Sketchbook
Once you’ve mastered the projects in this book, use
the following pages to design enchanting wands
of your very own! Combine the handle of one
project with the end of another for a brand new
shape, or use your imagination to create an entirely
unique design. After you commit to a design, give
your wand a name, and write down its defining
qualities; for tips on choosing the wand wood best
21
Wand Name
Wood Type
Length
Core
Special Skills
22
Wand Name
Wood Type
Length
Core
Special Skills
23
Wand Name
Wood Type
Length
Core
Special Skills
24
Wand Name
Wood Type
Length
Core
Special Skills
25
Wand Name
Wood Type
Length
Core
Special Skills
26
Wand Name
Wood Type
Length
Core
Special Skills
27
Wand Name
Wood Type
Length
Core
Special Skills
28
Wand Name
Wood Type
Length
Core
Special Skills
29
Wand Name
Wood Type
Length
Core
Special Skills
Hand Carving
Wands
arving by hand has existed as
Advantages
• Tools are affordable
• Quiet and portable
• Small
storage footprint
• No breathing
protection needed
during the
carving process
32
H
33
H
AND
C
ARVING
W
ANDS
you. My favorite painting tool is actually a toothpick, which
I use for adding fine details such as decorative dots.
I always apply some kind of finish either after the paint
dries (if I have painted a project) or directly to unpainted
wood. This livens up the colors and brings out the grain,
since acrylic paints, especially the inexpensive ones I use,
dry rather dull.
For the wands in this book, I recommend finishing with
either linseed oil, mineral oil, Danish oil, or an oil-based
finishing wax such as Howard Feed-N-Wax®, which is a
great-smelling mixture of mainly beeswax and orange oil.
Linseed oil is a favorite of many carvers and was once my oil
of choice, but it does have a strong odor and tends to greatly
yellow wood as it ages, so take that into consideration before
choosing it. Any wood finish will work for any wand, but
keep in mind that not all wood finishes are food-safe.
Each of these finishes is easy to apply. To apply a wax
finish product, use a toothbrush to cover the wand in wax.
Let the wax sit for a few minutes, then wipe off any excess
with a lint-free rag. To apply an oil finish, submerge the
wand in a bath of oil or brush the oil on, then use a lint-free
rag to apply oil to harder-to-reach areas. Wear rubber gloves
to avoid making contact with the oil. Let dry for as long as
the finish requires. Make sure to deal with hazardous oils in
a well-ventilated area, and dispose of any rags in an airtight
container to avoid combustion.
A toothpick makes a great detail tool.
Applying a wax finish with a toothbrush.
Applying an oil finish with a rag.
Every carver will tell you that a sharp knife is safer than
a dull knife. It’s true! To keep your knife sharp, strop the
blade about every half hour to hour throughout the carving
process. You’ll need a
strop
strop
, which can be purchased or
made from a piece of leather attached to a board, and some
stropping compound
stropping compound
. First, cover the strop in the stropping
compound. Then, press the blade flat onto the strop and
push it away from the cutting edge, keeping the edge of the
blade flat so that you do not stab into the leather. Repeat
this motion until the blade is honed and your knife leaves a
polished surface in carved areas.
After a month or two of regular stropping, you may
find your bevel begin to round in toward the edge, so
that no matter how much you strop, your knife does not
slide through wood as easily as it should. At this point,
actual sharpening is necessary. The process is similar but
does not necessarily require a compound; instead, repeat
the procedures while laying your knife flat on
fine-grit
fine-grit
sandpaper
sandpaper
(800-grit or more) or using
diamond hones
diamond hones
.
When a thin, wiry edge begins to form at the edge, transition
to finer sandpaper followed by some stropping with the back
edge of the blade elevated (about a dime’s thickness).
Whenever you carve, wear a
safety glove
safety glove
on the hand you do
not hold your knife with. Some
carvers like to also use a
thumb
thumb
guard
guard
on the hand they hold the knife with. Even when
wearing protective gear, make sure to note which side of the
blade is sharp every time you pick up a carving tool. When
carving the wands in this book, you should almost always