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John Gabriel Borkman, once an illustrious entrepreneur, has been brought low by a prison sentence for fraud. As he paces alone in an upstairs room, bankrupt and disgraced, he is obsessed by dreams of his comeback. Downstairs, his estranged wife plots the restoration of the family name. When her sister arrives unannounced, she triggers a desperate showdown with the past. Henrik Ibsen's most contemporary play and his penultimate, John Gabriel Borkman is gripping, penetrating and savagely funny. This version by Lucinda Coxon premiered at the Bridge Theatre, London, in September 2022, directed by Nicholas Hytner, with a cast led by Clare Higgins, Simon Russell Beale and Lia Williams.
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Henrik Ibsen
JOHN GABRIEL BORKMAN
in a new version by
Lucinda Coxon
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production Details
Dedication
Characters
John Gabriel Borkman
About the Author
Copyright and Performing Rights Information
This version of John Gabriel Borkman was first performed at the Bridge Theatre, London, on 24 September 2022. The cast (in order of speaking) was as follows:
GUNHILD BORKMAN
Clare Higgins
ELLA RENTHEIM
Lia Williams
FANNY WILTON
Ony Uhiara
ERHART BORKMAN
Sebastian De Souza
JOHN GABRIEL BORKMAN
Simon Russell Beale
FRIDA FOLDAL
Daisy Ou
VILHELM FOLDAL
Michael Simkins
UNDERSTUDIES
JOHN GABRIEL BORKMAN/VILHELM FOLDAL
Nick Barclay
ERHART BORKMAN
James Coutsavlis
GUNHILD BORKMAN
Hilary Derrett
FRIDA FOLDAL
Antonia Huang
ELLA RENTHEIM/FANNY WILTON
Catharine Humphrys
Director
Nicholas Hytner
Set Designer
Anna Fleischle
Costume Designer & Associate Set Designer
Liam Bunster
Lighting Designer
James Farncombe
Sound Designer
Gareth Fry
Casting Director
Robert Sterne
Associate Director
Isabel Marr
Costume Supervisor
Olivia Ward
Props Supervisor
Lily Mollgaard
Production Manager
Kate West
For my mother, Sheila
Characters
JOHN GABRIEL BORKMAN, a former bank CEO GUNHILD BORKMAN, his wife ERHART BORKMAN, their son, a student ELLA RENTHEIM, Mrs Borkman’s sister FANNY WILTON, a neighbour VILHELM FOLDAL, a former colleague at the bank FRIDA FOLDAL, his daughter
The action takes place over a single winter evening at the Borkmans’ house, in a wealthy suburb on the outskirts of Oslo.
The house itself is an impressive Modernist concrete construction, but the interior is faded, cheaply and sparsely furnished now.
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
ACT ONE
The sitting room. GUNHILD BORKMAN sits on the sofa watching Norwegian daytime television. A few mismatched electric heaters warm the space around her.
Offstage, a jangling sound, the crump of tyres on snow and the passing beam of a car’s headlights glimpsed through a window.
GUNHILD. Erhart! Finally…
GUNHILD turns off the television, hurries to look out. But she sees someone unexpected. She backs away from the window. Waits.
ELLA RENTHEIM enters the room. The sisters stand motionless, scrutinising one another.
ELLA. Yes, you must be surprised to see me, Gunhild.
GUNHILD. I’m sorry, I think you’ve taken a wrong turn, arrived at the wrong address.
ELLA. Not at all.
GUNHILD. So, you actually meant to come here?
ELLA. There’s something we need to discuss.
GUNHILD. Well then. You’d better sit down.
GUNHILD gestures –
ELLA. Thank you, I’m fine standing.
GUNHILD. Have it your own way. You might at least unbutton your coat.
ELLA. Yes, it is hot in here.
GUNHILD. I’m cold – all the time.
ELLA unbuttons her coat.
ELLA. Well. It’s been quite a while since we saw one another.
GUNHILD. Eight years.
ELLA. That’s right.
GUNHILD. Right here, in this room. It was the week before he was… released.
ELLA. I know when it was, Gunhild.
GUNHILD. The great banker… set free.
ELLA. Yes. I’d hardly forgotten… I just try not to dwell on it. Even now, thinking about it all leaves me… very low.
GUNHILD. But how can one think about anything else? I mean, I can’t stop. It beggars belief. That something so appalling could happen to anyone. But that it should happen to us?
ELLA. Plenty of people beyond our family were ruined by what happened.
GUNHILD. I couldn’t care less about them. For people like that, it’s just money. But for me… And for Erhart? He was only a child… To be burdened with the shame of it. Then left bankrupt into the bargain.
ELLA. How is he bearing it?
GUNHILD. Erhart?
ELLA. No – him. How is he bearing it?
GUNHILD. How should I know?
ELLA. You must have some impression…