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In 'Magic,' G. K. Chesterton explores the intersection of the mundane and the mystical, weaving together essays that illuminate the enchantment hidden within everyday life. Through a blend of whimsical prose and profound philosophical inquiry, Chesterton delves into the nature of magic as it manifests in various cultural contexts, examining its capacity to reveal the wonder in the ordinary. The literary style is distinctly Chestertonian—richly rhetorical, filled with paradoxes, and imbued with a playful tone that invites the reader to reconsider familiar assumptions, making it a compelling read amidst the early 20th-century backdrop of skepticism and scientific rationalism. G. K. Chesterton, a prominent English writer, and thinker, was known for his keen observations on faith, society, and the human experience. His own background in journalism and literary criticism, along with a lifelong fascination with the supernatural and the absurd, informed his approach to 'Magic.' His conversion to Christianity and deep appreciation for tradition lend a unique perspective on the concept of magic, intertwining it with themes of spirituality and wonder. This book is highly recommended for readers intrigued by the intersection of philosophy and literature. Chesterton's rich language and insightful observations will resonate with those seeking to rediscover the magic in their own lives, urging them to look beyond the veil of the ordinary and embrace the fantastical elements often overlooked in modern society.
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Veröffentlichungsjahr: 2022
G.P. PUTNAM'S SONS NEW YORK AND LONDON The Knickerbocker Press 1913
The Knickerbocker Press, New York
This play was presented under the management of Kenelm Foss at The Little Theatre, London, on November 7, 1913, with the following cast:
Scene: A plantation of thin young trees, in a misty and rainy twilight; some woodland blossom showing the patches on the earth between the stems.
The Strangeris discovered, a cloaked figure with a pointed hood. His costume might belong to modern or any other time, and the conical hood is so drawn over the head that little can be seen of the face.
A distant voice, a woman's, is heard, half-singing, half-chanting, unintelligible words. The cloaked figure raises its head and listens with interest. The song draws nearer andPatricia Carleonenters. She is dark and slight, and has a dreamy expression. Though she is artistically dressed, her hair is a little wild. She has a broken branch of some flowering tree in her hand. She does not notice the stranger, and though he has watched her with interest, makes no sign. Suddenly she perceives him and starts back.
Patricia. Oh! Who are you?
Stranger. Ah! Who am I? [Commences to mutter to himself, and maps out the ground with his staff.]
Patricia. What are you? What are you saying?
Stranger. It is the language of the fairies, O daughter of Eve.