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Sophie Hannah is one of Britain's best-loved poets, a disarmingly witty, sharp-eyed chronicler of everyday life and its peculiarities. Her writing ranges across poetry, short fiction, children's literature, works of translation, and edited anthologies, including the 2014 The Poetry of Sex. She is also an internationally bestselling author of psychological crime fiction, and has written the first new Hercule Poirot novel to be authorised by the Agatha Christie estate. This book bring together for the first time all of Hannah's previous collection of verse, drawing on over 20 years of writing; accompanied by 27 new and uncollected poems, it will appeal to both the familiar reader and those discovering her work for the first time.
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SOPHIE HANNAH
for Dan, Phoebe, Guy and Brewster, with love
‘If You Were Standing Where His Shadow Fell’ was commissioned for and first published in Thirteen Poems of Revenge (Candlestick Press). Some of the other new poems were first published in PN Review. ‘Unbalanced’ was first published in the The Fountain, the quarterly magazine of Trinity College, Cambridge
New Poems
Unbalanced
The Whole World Knows
Hodder Sales Conference
Gratitude
The Little Cushion and the Empty Chair
The Dalai Lama on Twitter
I Cannot In All Conscience Share a Platform With The Train
The Storming
The One Who Should Be Crying
Multiple Warning Survivors Anonymous
Two Poems about the Alternative Voting System (AV)
A Limerick
A Haiku
A Christmas Truce
Frumpy Secret
If You Were Standing Where His Shadow Fell
Frequently Asked Questions
Growing Up Fast
Secondary Gain
Moderation
Crowd Pleaser
New Leaf
Let’s
Party Wall
Injustice
A Besooned Thank-You
Not Miss Havisham
Risk a Verse
FromEarly Bird Blues
Cooking Lessons
Useless
Thoughts on a Tree
The Floozy in the Jacuzzi
Breaking Free
Townie
Multiple Choice
The Burden
No Wonder
FromSecond Helping of Your Heart
Ballade
Incompetence
Something You Should Know
The Lazy Student’s Song
The Twinkliness of Stars
The Pink Egg Dances
The Sort of Film I Hate
Nightmare
Mind the Gap
Peculiar Praise
The Hero and the Girl Next Door
Soft Companion
Summary of a Western
Symptoms
The Affair
Six Sonnets
When I Am Famous
Wrong Again
The Philanderer’s Ansaphone Message
A Shallow End
One-Track Mind
A Fairly Universal Set
Before Sherratt & Hughes Became Waterstone’s
Two-Headed Dog Street
The Gift
Mad Queen Hospital for Electrifying the Heart
Minding his Boots
Something Coming
A Day Too Late
Trainers All Turn Grey
Another Filling
Introducing Vanity
Second Helping of Your Heart
For the Following Reasons
Two Rondels
The End of Love
More Trouble Than Fun
Call Yourself a Poet
Amusing Myself
Differences
The Answer
No Competition
Friends Again
The Mystery of the Missing
Miracles Start like This
Nostalgia
Two Love Poems
Poem for a Valentine Card
Red Mist
Early Bird Blues
Your Street Again
Three Short Poems
A Soul
Categories
The Three Come-Uppances
The Trouble with Keeping in Touch
Ghazal
Superstitions
The Usherette
Love Me Slender
Morning Has Broken
Skipping Rhyme for Graduates
Mountains out of Small Hills
Reconstruction
The Hero and the Girl Next Door
An Aerial View
Absence Makes the Heart Grow Henry
The Only Point is Decimal
A Really Tacky Tourist Beach
The Fairy Never Came to Get My Teeth
Fish Tony’s Chips
Bafield Load
The Keyboard and the Mouse
The Safest Place
Triskaidekaphobia
When Will You Come and Identify My Body?
Hotels Like Houses
Three Hundred Years for Me
Where is Talcott Parsons Now?
Do I Look Sick?
In the Bone Densitometry Room
Neither Home nor Dry
Hotels like Houses
From A to B (when B is Miles from A)
Do Detached Houses Want to be Detached?
Altering the Angle
When He’s at Home
Slow Start, Weak End
Two Sonnets
Darling Sweatheart
Credit for the Card
Fair to Say
The During Months
Three Poems about Cars and Driving
In the Blind Spot
Slow It Right Down
For B440 UBU
The Learner
The Treasurer
Lusting after Walter Knife
To Whom it May Concern at the Whalley Range Driving Test Centre
The Pros and the Cons
Into His Plans
On the Silver Side
Preventative Elegy
Person Specification
The Sight of Mares
Glass Eyebrow
Four Short Poems
The Mind I Lose
Break The Compass
To Wish on You
Find Him Gone
She Can Win Favour
Ms Quicksand is a Bitch
Running into Late
The Downfall of Her Oscillating Head
Two Poems about Music
Her Kind of Music
When a Poet Loves a Composer
Soft-Handed Man
Selling His Soul
Double That Amount
Ticket to Staines
Postcard from a Travel Snob
His Rising
Loss Adjuster
Two Hundred and Sixty-Five Words
I’ll Give Him This
My Enemies
The Subject and the Object
What You Deserve
All Wrong for Some
Nod and Smile
Pink and the Gang
The Man Who Wouldn’t Share His Garden with a Wolf
Liberation Day
In Layman’s Terms
The Good Loser
A Strong Black Coffee for the Sleeping Dog
Sleep Well
Leaving and Leaving You
I
Occupational Hazard
This Morning in a Black Jag
Your Dad Did What?
His First If Lady Only Just
Rondeau Redoublé
The Yellow and the Blue
Against Road-building
None of the Blood
Marrying the Ugly Millionaire
The Wise One
Ruining the Volunteer
Four Sonnets
Unsavoury (Could Almost Pass For Sweet)
Never His
Typecasting
Something Involving Us
Diminishing Returns
This Calculating Field
Leaving and Leaving You
II
A Division Fence
Next Door Despised
Barbecue!
Like Carnivals
The Burning Scheme
She Has Established Title
The Bridging Line
Your Darlings
His Bounceability on Knees
Over and Elm and I
Once When the Wind Blew
Hardly Dear
Nobody Said You Had to Come
If People Disapprove of You…
III
Tribute
The League of Saints
Steven’s Side
In Wokingham on Boxing Day at The Edinburgh Woollen Mill
Three Light Sign
Driving Me Away
Paint a Closed Window
Minus Fingers
Never Away from You
Men to Burn
The Norbert Dentressangle Van
First of the Last Chances
Long for This World
You Won’t Find a Bath in Leeds
Out of This World
Wells-Next-the-Sea
Six of One
Seasonal Dilemma
Second-hand Advice for a Friend
Dark Mechanic Mills
Martins Heron Heart
Tide to Land
The Shadow Tree
He is Now a Country Member
Silk Librarian
God’s Eleventh Rule
Where to Look
Brief Encounter
The Cycle
Black River
The Cancellation
The Guest Speaker
Everyone in the Changing Room
Away-day
Mother-to-be
Now and Then
Healing Powers
Homeopathy
Your Turn Next
To a Certain Person
0208
Leave
Ante-Natal
On Westminster Bridge
Ballade of the Rift
Wedding Poem
Royal Wedding Poem
GODISNOWHERE (Now Read Again)
Metaphysical Villanelle
Squirrel’s the Word
First of the Last Chances
A Woman’s Life and Loves
View
Equals
Postcard
Match
Bridesmaid
Test
Charge
Favourite
Pessimism for Beginners
I
On Her Tiredness
Mary Questions the Health Visitor
‘No Ball Games etc’
Round Robin
Discipline
The Plan
Letterland
Fifteen per cent of goodbye…
Deferred Gratification
Silly Mummy
One Little Wish
Astronomical
Pessimism for Beginners
II
Something and Nothing
Telling Strangers
How I Feel Now
Living Without You
From a Stranger
Exorcise
Friday 13th February 2004
The Onus
Manifest
Imaginary Friend
My Ideal Man
Send
III
The Cutting Dead
White Feathers
Peace Offering
In the Chill
After the Axe
The Way It Has to Be
Nothing to Hide
Let’s Put the Past in Front of Us
The Barring Arm
Homewrecker
Don’t Say I Said
Rubbish at Adultery
Anyone Can Draw a Line
Progress
Limited
A Note on the Text
Acknowledgements
Index of Titles
Index of First Lines
‘Cambridge has a very unbalanced demographic – there’s an unnaturally high concentration of intelligent people.’
There is a lot that’s wrong with Cambridge, yes:
Houses are too expensive and too thin,
The Clifton Leisure Park is nothing less
Than standing proof that a grave mortal sin
Can be committed by a multiscreen
Cinema allied with a Travelodge.
A Cambridge street is no idyllic scene:
Often, on King’s Parade, I have to dodge
Tourists who wish to bash me in the face
With their huge cameras. I contain my rage,
Remind myself that I don’t own the place –
I must play nice and share my Chronophage,
And thank my stars. Hemmed in by Hills Road traffic,
I savour the unbalanced demographic.
I wasn’t going to say this, but I will:
The Bourne Identity is on TV.
Hills Road is flat and nowhere near a hill.
I often wish that Woodlands Surgery
Would hire Greg House and his long-suffering team:
Foreman, Chase, Cuddy, Cameron, Wilson too.
Don’t tell me it’s an unrealistic dream.
They don’t exist, no, but the actors do
So something could be done, presumably
(Though I’ve heard Chase and Cameron make a bid
For freedom at the end of Season 3).
I wasn’t going to say that but I did.
I wasn’t going to say this but I will.
We hear that line and know what to expect:
Words that will shrivel us and drive a chill
Through our warm hearts. Why bother to protect
Someone as reckless/ignorant/deranged
As your grim self? You’ve asked for trouble now.
You started this. I’d tactfully arranged
To swallow my disgust, avoid a row,
Spare your frail ego all my killer blows,
But since your disrespect is off the grid
You can take this:you’re scum. The whole world knows.
I wasn’t going to say that but I did.
The introduction’s part of the attack:
Protection offered only when withdrawn.
Ought I to want the lesser insult back?
Oh, for our hey-day, when you hid your scorn!
Anyway, I intend to steal your line,
Use it to herald harmless observations,
Hopes, sometimes dreams. I’m turning it benign.
I adore living close to railway stations!
Less than five minutes’ walk to catch the train!
I wasn’t going to say this but I will,
Because I feel like sharing an inane
Fact with a friend. Reader, you fit the bill.
My favourite painting cost me forty quid!
Here’s looking at spontaneous outbursts, kid.
I wasn’t going to say that, but I did.
for Robyn Young, unsurprisingly
I stayed up far too late last night
With Robyn Young, again.
This morning, I don’t feel quite right.
We stayed up drinking all last night.
There we both were at dawn’s first light
Discussing love and men.
I stayed up far too late last night
With Robyn Young, again.
You’d think we had no books to write.
All those who left at ten
Woke up this morning feeling bright.
Perhaps they’d like our books to write.
My brain feels like it’s had a fight.
Now for some Nurofen.
We stayed up drinking all last night.
Mustn’t do that again.
Thank you so much for sending back my scarf!
Oh, right. You’re welcome. Er...you couldn’t just go and say thank you to my wife, could you? She was a bit upset that you didn’t send a card at the time.
(To wife) Thank you so much for sending back my scarf! I meant to write and thank you, but I probably forgot...
Yes. You did.
I left my scarf behind. You sent it on.
I meant to buy and send a Thank You card
But I forgot, and soon the year was gone
And the year after that. My life was hard
In those two years, not in a tragic sense –
Not trapped, like Chilean miners, underground
Nor starved behind a grim high-voltage fence –
Hard in an arty way: the endless round
Of thriller panels, signings, foreign tours,
Mixed in with children’s homework, costumes, lice.
I’ll show you my list if you’ll show me yours.
Mine’s longer. Take your pick: I’m either nice
And ludicrously busy, or a bitch
Who takes good deeds for granted, doesn’t care.
Here, have the stupid scarf back. Stitch by stitch,
Unpick, unpick. My neck prefers cold air.
I’m paying you to listen and I’m paying you to care.
I don’t have many problems. Well, let’s say I have my share.
Before we start this therapy, I think it would be fair
To warn you of my limits. You will need to be aware:
I cannot beat a cushion or accuse an empty chair.
The cushion’s looking innocent. It’s recently been plumped.
I’m having plaguing visions of it battered, torn and slumped.
Yes, it’s inanimate and therefore happy to be thumped.
I’m sure it has been, many times – by the depressed, the dumped,
The discombobulated. I’ll abstain. Say if you’re stumped –
I’ll understand. I’m stumped myself. I ought to know the drill.
It’s therapy. Why won’t my mind co-operate and fill
Your empty chair with someone who ideally fits the bill?
It’s not that I don’t want to; I entirely lack the skill.
I can’t berate a chair. I never could. I never will.
I also can’t write letters that I’m never going to send.
(Might as well tell you now – you’re going to find out in the end.)
Lies I do well, but I cannot cathartically pretend,
Which has a happy side effect that I did not intend:
The chair thinks I’m all right. The little cushion is my friend.
We do as much harm to ourselves and to others when we take offence as when we give offence.
I am following the Dalai Lama on Twitter
But the Dalai Lama is not yet following me.
That’s fine. Things are as they are. I do not feel bitter.
Enlightenment is his thing. Reciprocity?
Not so much. He is a spiritual big-hitter
And I write detective novels. It’s easy to see
Why I’m following the Dalai Lama on Twitter
And the Dalai Lama is not yet following me.
He doesn’t know how often I pick up litter,
How many signed books I have given away for free,
Not to Russell Brand, Wayne Rooney or Gary Glitter
But as raffle prizes for this or that charity,
And since I would hate to think of myself as a quitter –
Because I, at least, know it isn’t all about me –
I am following the Dalai Lama on Twitter
Even though he is self-absorbed to the nth degree.
You’d think a sage of his rank would know about karma,
About courtesy, and the decent thing to do.
Oh, follow me, follow me, follow me, Dalai Lama!
I’m an expert on House MD and crime fiction too.
I wouldn’t DM you outlandish theories of Dharma
Or make you retweet my latest good review.
I am following, on Twitter, the Dalai Lama
But the Dalai Lama has not thought to follow me too.
(PS – Eckhart Tolle, this also applies to you.)
I cannot in all conscience share a platform with the train.
It’s always overheated and refuses to explain.
Instead it scuttles off, as cowards do, to Audley End.
Condemn and shun the train or I’ll no longer be your friend.
It isn’t just the heat. You heard the buffet car admit
It has sold out of crisps. And that is not the worst of it.
The loos (the buffet’s allies) smell of hamsters, and the bloke
Who checked our tickets laughed – no doubt at an offensive joke.
Don’t tell me cars and planes pollute the air with noxious fumes.
Yes, the Titanic stashed the rich and poor in separate rooms.
Are you suggesting I’m to blame? Then why the veiled attack?
My point is that this train should have a better luggage rack –
One that would take my weight but not make stripe marks on my bum.
Before I disembark, I challenge everyone to come
And check my reputation for that nonexistent stain.
I cannot in all conscience share a platform with the train.
There are differences, one assumes,
between us and the people we know who storm out of rooms,
sometimes crying, but not every time;
sometimes muttering, sometimes an angry marching mime
is their exit mode. Where do they go,
all those people who storm out of rooms? Will we ever know?
Are there sandwiches there, and a flask
of hot tea? We won’t find out if we never ask.
Once they’ve fled the provoking scene,
do they all get together somewhere? Do they reconvene
in a basement, an attic, a flat?
Do they also reserve the right to storm out of that,
and if so, do they take turns to storm
or link arms and desert en masse in a furious swarm,
leaving nobody in their wake?
Would there be any point in the storming, for nobody’s sake?
There are differences, one fears,
between us and the people who storm out of rooms in tears,
as if, having ruined it all
in the snug, they imagine they’ll be better off in the hall,
and that anyone left in a chair
automatically gets to be wrong and to blame and unfair,
unaware of how bad stormers feel,
and quite lacking in feelings themselves. That is part of the deal.
Notice how I don’t leap to my feet,
how I nestle in cushions and curl myself into my seat.
Leave at once for the moral high ground.
I’ll stay here by the fire, mocking storms and just lounging around.
What are you crying for?
I’m the one who should be crying.
What are you writing a poem called
The One Who Should Be Crying for?
I’m the one who should be writing a poem
called Emotions Must Be Earned
And Exchanged, Like Vouchers, For Something Worth Having, Like Rules.
What are you dreaming about me for?
I have never staged a show trial in a hall
while you signed your books in a cramped room next door.
I’m not responsible for what you dream about.
I’ve forced your authentic self into hiding? Prove it,
or this conversation ends here.
Please don’t warn me of things that won’t happen,
Like: the man who just sold me some land
Might in fact have a vat
Of the plague in his hat
And a new black death minutely planned.
Please don’t mention unlikely disasters
That you think I’d be wise to avoid:
Getting stalked in a tent,
Or inhaling cement...
Yes, my life could be swiftly destroyed
But it won’t be, so no need to summon
Your great ally, the spectre of doom –
Babies, injured or dead!
Dearest friend, axe in head! –
While I’m safe, sitting still in a room.
I am sure I’ll avoid strangulation
By a dangling invisible thread,
But my life’s in bad shape
If I cannot escape
From these horrors you plant in my head.
Can I tell you what I think is likely?
And I hope this is not out of line:
Yes, there is a small chance
I’ll be stabbed by Charles Dance
But I strongly suspect I’ll be fine,
Or I would be, if only you’d zip it.
No, I won’t wear a bullet-proof vest
When I go to Ikea.
Don’t troll me with fear.
Here’s a warning: just give it a rest
Or I’ll certainly spend most of Sunday
Thinking you’re an assiduous scourge –
Sure as peas grow in pods.
Please consider those odds
When you next feel the dread-warning urge.
If one day I am crushed by a hippo
Then my agent will give you a ring.
If you like you can mourn me,
But please, please – don’t warn me.
Your warning’s my only bad thing.
1) A LIMERICK
‘Person X is my choice number one,
And my second choice...’
‘Don’t jump the gun!
Person X is still in. Wait, he’s out and can’t win.’
‘So my second choice...’
‘Sorry, we’re done.’
2) A HAIKU
1,2. 1,2,3.
1,2,3,4. 1,2,3.
1,2. 1,2. 1.
What would I like for Christmas?
A close friend wants to know.
Perfume? A clock? A spa day?
Some tickets for a show?
‘I need ideas by Monday,’
She huffs, as if I’m not
Sufficiently respectful
Of her present-buying slot,
Which will expire by Tuesday,
Her harried tone implies.
Art books? Posh wine? New teapot?
Brainstorm! Prioritise!
What do I want for Christmas?
I want you not to ask.
I’d rather get no gifts at all
Than be assigned the task
Of emailing a wish list
(One I must first create)
To all my friends and family
Before a certain date.
Can I propose a Christmas truce
To make my dreams come true?
Create no work for me and I’ll
Create no work for you.
I’ve got enough possessions –
Shoes, coats, a diamond ring –
I want not to be asked to do
A time-consuming thing.
Yes, that’s a proper present –
Abstract, but no less real.
What do you mean it seems as if
I don’t care how you feel?
ALL RIGHT! I’ll have a teapot.
What? Then wrap it in a fleece.
Yes, I will ring to say it got here
Safely, in one piece.
I have a frumpy secret,
Too stupid to withhold.
It’s practical, it’s legal,
And it must not be told.
I have been doing something
I’m not supposed to do,
So everyday, so humdrum,
You’d nod off if you knew.
It lacks the haggard glamour
That ought to go with sin.
It’s almost as dramatic
As emptying the bin
And yet, for crazy reasons
That I cannot explain
Without offending someone,
I’m stuck with this insane
And uninspiring secret
I’ve no desire to keep.
No, really. No, you wouldn’t.
I can’t. Go back to sleep.
The tyrant’s favourite chocolates are Maltesers.
We roll them at his toes, surround his feet.
They drop through grates; we pluck them out with tweezers.
He sulks. They are too round and brown and sweet.
The tyrant thinks a soppy armadillo
would make an ideal pet: tough shell, limp heart.
He keeps a doodle underneath his pillow.
The rest is down to us. He’s done his part;
we have to find it, buy it, love it, feed it,
teach it that we’re its slaves, ignore the swell
of indignation, since we’ll never need it.
If you were standing where his shadow fell
you’d willingly succumb to his distortions.
You’d contemplate revenge, then rule it out.
He’s living what he’s earned, in hefty portions:
each day, each year. Oh, he is in no doubt
that we confide in lamps, bond with umbrellas,
in preference to him. This is our fault,
or so he thinks, confining us to cellars.
He’ll remain unaware. Exalt! Exalt
when he releases you; embrace the terror
of his renewed attack before too long.
For your sake and for his, don’t make the error
of showing him he’s all the bad and wrong.
1. Is the lying the point, or are the disappearances the point?
2. Do you worry about being found out?
3. Or do you have an enormous trust fund, so it doesn’t really matter?
4. Why don’t you tell everyone the same story?
5. Or would that be as tedious as telling the truth?
6. If you found out that I’d started lying to you, would you mind?
7. Do you secretly want to get caught?
8. Would you consider making an exception for books? Never lie about which ones you like or dislike? Never say you’ve read ones that you haven’t?
9. Is it weird that if you answered ‘yes’ to question 8, I’d forgive you the rest?
10. Do you know that I know?
11. What’s your email password? I won’t use it, I promise. I’m only asking because Steven Spielberg said he’d never play badminton with me again if I didn’t.
Children grow up so madly fast.
My daughter, not yet eight,
Wants to know when a boyfriend will
Invite her on a date.
I’m all in favour of the trend.
At this rate, when she’s ten
She will discover herbal tea
And Monarch of the Glen
And snuggly early nights with books.
Her drug-fuelled nightclub phase
Will be behind her (finished in
A record seven days,
Containing one ‘I hate you’, one
‘God, that is so unfair’.)
By twelve, she’ll love my killjoy streak
Because it proves I care,
By thirteen she’ll have realised
She must suspect and doubt
Everything I have ever said.
At fourteen, she’ll move out,
Find an alternative world view,
Forgive the gaping flaw
In mine for what it put her through,
And then she’ll be mature.
If I have lost the sun, then I will need to keep the moon.
It’s in the sky for now, but I’ll collect it some time soon.
The universe has set to work without consulting me.
I will not let what can’t be changed become my enemy –
That’s because I’m a person who’s determined to succeed.
I’ll never say in public that I strongly disagreed,
Or that I fear the universe is a deranged buffoon,
And in return the universe will hand me down the moon.
I’ve given this some thought: the moon may still stay up all night.
It may continue to be round, high above ground, and white.
It must not be more like the sun than like a friend of mine.
It must decide that everything about me suits it fine.
When people try to tell me it’s a crazy thing I’ve done,
I plan to turn on them and scream, ‘All right, then – where’s the sun?’
I’m proud to be the fool who’ll never make the moon lie flat.
Also, I’m not the biggest fool. The universe is that.
All of the things you never heard,
Things that I wish I’d said,
Can be reduced to just one word
That didn’t leave my head
But sits, as if afraid to try,
On an embargoed shelf
Of vital messages that I
Sent only to myself
So I could stamp them unexpressed
And file them out of sight
In order that they pass the test
Of proving I’m polite,
That I can stand before a crowd
And still remain unseen
And speak a list of clues out loud –
Not half of what I mean –
That will be half misunderstood,
That listeners will recall
As safe, in that they did no good
For anyone at all.
‘Are you here for the Milne Craig event?’
Asked the girl on reception last night,
So I made a vague noise of assent
Since I thought she’d be pleased to be right,
Though this made things quite tricky, because
I was now set to gatecrash a do
At which no one would know who I was,
Populated by no one I knew.
The receptionist saw my perplexed
And embarrassed expression, and said
Just the words that I hoped she’d say next:
‘Or are you for the book thing instead?’
‘Yes, the book thing.’ I beamed. ‘Clever you.’
She was right once again. All was fine
And I added myself to the queue
For the bash that was rightfully mine,
And I worried about my bizarre,
Decades-old and irrational fear
Of explaining how I think things are,
When some people might not want to hear,
When it might cause a frown or a stir
If my words or my views are too strong.
Someone tell me, so I can concur:
Sometimes I’m right, and others are wrong.