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Everyone thinks of noon as being a split second as the clock's hands draw together, the bell tolls twelve times - but there is so much more to it than that - Solar noon happens as much as half an hour either side of what the clock tells you, deadlines are met, or passed, shadows vanish, vampires hide - or do they? Stories and Poems from 2018's Solstice Shorts festival, read live in Aberdeen, Edinburgh, Ynys Mon, Carlisle, London and Cork on the stroke of... or nearly, Noon. Featuring stories from Barbara Renel, Clare Shaw, Diana Powell, Elaine Hughes, Karen Ankers, Karen Boissonneault-Gauthier, Liam Hogan, Lily Peters, Marka Rifat, Patience Mackarness, Roppotucha Greenberg, Su Yin Yap; and poems from Alison Gerhard, Alison Lock, Anne Elizabeth Bevan, Catriona Yule, Elinor Brooks, Gareth Culshaw, Graham Burchell, Ian Grosz, Jane Aldous, Laila Sumpton.
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First published in UK 2019 by Arachne Press Limited
100 Grierson Road, London SE23 1NX
www.arachnepress.com
© Arachne Press Limited
ISBNs:
print: 978-1-909208-69-8
ePub: 978-1-909208-70-4
mobi/kindle: 978-1-909208-71-1
The moral rights of the authors have been asserted.
All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher’s prior written consent in any form or binding or cover other than that in which it is published and without similar condition including this condition being imposed on the subsequent purchaser.
Except for short passages for review purposes no part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of Arachne Press.
Thanks to Muireann Grealy for her proofing.
Printed on wood-free paper in the UK by TJ International, Padstow.
#Noon © Su Yin Yap 2019
A Vampire at Noon © Patience Mackarness 2019
After Hours © Stuart McKenzie 2019
An Autumn Noon © Ian Grosz 2019
Angelus at Noon © Patricia McCaw 2019
Arthur Streeton Advises his Students © Mandy Macdonald 2019
By the Obelisk Sundial, Drummond Castle © Jane Aldous 2019
Farewell my Father © Anne Elizabeth Bevan 2019
Fire at Midday © Susan Cartwright-Smith 2019
High Noon © Marka Rifat 2019
I am not Beautiful at Noon © Elinor Brooks 2019
Jackdaw © Elaine Hughes 2019
Mad Dogs and English Men © Laila Sumpton 2019
Moon Jellyfish © Ness Owen 2019
Mother Hand © Karen Ankers 2019
Noon Child Unknown © Diana Powell 2019
Noon Son © Alison Lock 2019
Noon Talk © Graham Burchell 2019
On Kings and Falling © Roppotucha Greenberg 2019
On the First Calculation of the Circumference of the Earth
© Alison Gerhard 2019
Pocket Watch © Catriona Yule 2019
precarious © Michelle Penn 2019
Still No Name © Marika Josef 2019
Sun Beats over New Orleans © Natalie Gasper 2019
Toast Crumbs © Karen Boissonneault-Gauthier 2019
Twelve o’Clock from the House © Nicholas McGaughey 2019
Under the L © Liam Hogan 2019
Unleashed © Paul Foy 2019
Up on the Roof © Lily Peters 2019
Veranda © Clare Shaw 2019
Winter Ritual © Sara Elgerot 2019
Winter Solstice © Gareth Culshaw 2019
Woman and Child © Barbara Renel 2019
Farewell my Father
Anne Elizabeth Bevan
I am not Beautiful at Noon
Elinor Brooks
Noon Talk
Graham Burchell
Fire at Midday
Susan Cartwright-Smith
By the Obelisk Sundial, Drummond Castle
Jane Aldous
Winter Solstice
Gareth Culshaw
Unleashed
Paul Foy
Sun Beats over New Orleans
Natalie Gasper
On the First Calculation of the Circumference of the Earth
Alison Gerhard
An Autumn Noon
Ian Grosz
Noon Son
Alison Lock
Arthur Streeton Advises his Students
Mandy Macdonald
Angelus at Noon
Patricia McCaw
Twelve o’Clock from the House
Nicholas McGaughey
After Hours
Stuart McKenzie
Moon Jellyfish
Ness Owen
precarious
Michelle Penn
Winter Ritual
Sara Elgerot
Pocket Watch
Catriona Yule
Mad Dogs and English Men
Laila Sumpton
Still No Name
Marika Josef
A Vampire at Noon
Patience Mackarness
Woman and Child
Barbara Renel
#Noon
Su Yin Yap
Jackdaw
Elaine Hughes
Toast Crumbs
Karen Boissonneault-Gauthier
High Noon
Marka Rifat
Veranda
Clare Shaw
Mother Hand
Karen Ankers
On Kings and Falling
Roppotucha Greenberg
Under the L
Liam Hogan
Noon Child Unknown
Diana Powell
Up on the Roof
Lily Peters
Anne Elizabeth Bevan
The voice of my father reached me
From the height of the salt water spray,
Glancing the rocks with his simple accent,
More distant now than in my childhood;
I listened with jaded heart to his tune
Swaying to the familiar melody. At my feet
A dog daisy reached from beneath a bolder,
Fairer than its sisters who dusted the soft sands.
Twice I tasted a salty drop, and knowing
It was not the wild Atlantic spray
That stung my lips, I accepted the daisy
Flourishing in a barren, faded life.
A cormorant straddled the rushing water,
Feathers fluffed to the western wind
And I felt a surge of life within me
That matched the bravery of the daisy.
On the wooded hill behind me, the church
Bell toned with noontime call to prayer
And I released your thrashing spirit
To the foaming winter water.
Elinor Brooks
At noon you think you have me
where you want me
hold me at bay
high on the tips of my own spears.
I hang like a naked light bulb
burning my prisoner’s blinded eye
harangue and harry you
hot and angry.
Maddened I make you face
the white spaces of my ire
or flee into shadows
that dwindle to a dot and disappear.
I am not beautiful at noon.
But when the dark arrows of birds
pierce the hedgerows at dusk along the lanes
and you untie me from the sky
I run down the sloping fields
and launch myself out over the plain
beyond the reach of the children
and their handfuls of wet grass.
Glorious I slip beneath your horizon.
Graham Burchell
is vulnerable, like December daylight.
There’s not enough of it.
On this shortest of days, it shows me a slant of fine rain
in the gap between my window and the wall of laurel opposite.
There must be a word for such a condition,
one more pewter than merely gloomy.
In Senegal where it is the same time,
There’ll be no talk of precipitation, of middays
compared with metals (except perhaps gold or copper),
or of it getting dark soon. In the city of Thiès
where it is also the shortest day, who will speak of it,
sat in the shade of a giant baobab tree?
They’ll have other things to laugh and cry about,
to string in sentences full of sand, pre-nasalised occlusives
and geminate consonants.
Noon is a Cangin language of Senegal spoken in the Thiès region
Susan Cartwright-Smith
We have built our solstice bonfire,
stabbing sturdy sticks into the pliant pile
to beckon back our god
with goddess waiting patiently – is she mother now or crone?
Does she lean upon an arm or link it rapturously?
This sun has weak fingers in the midpoint of the day
and the shadows cast are short.
We test for hedgehogs,
smell the autumn smell where once there would
be snow.
The tang of blood, wet metal, leaf mould, – gone
are days when blood ran on this ground,
gone the days when my blood ran: the ripening sun
like a swelling belly;
dormancy resurfacing – the wheel once stopped in motion
creaks, as all trees breathe…
As I shield my eyes against the sun; my son moves
from my shadow.
satisfied that the fire is free of hibernation, we bird
nest up the tinder, light the beacon, pass the mead.
Around this midpoint;
I dance like fire, know freedom as the year, the day,
my self; teeter on the wave, crest the dying.
This is the dead time of the year and I,
I am alive. My old self dead,
the next life opens up – I burn away.
Jane Aldous
Picking Camomile and Thyme,
she was out in the garden,
close to the Sundial,
when she heard a kerfuffle,
up at the Castle.
All the explosions and fighting
were over by Noon.
She knew this by the way
sunlight fell across the hollows
and dials of the Obelisk.
She’d never noticed before
how the carved hearts
and triangles held such deep
shadows and that the dials
resembled deadly swords.
Soon she’d have to return
to the kitchen but for now
she watched as Noon darkened
the sandstone and wondered