The Last Galley E-Book

Arthur Conan Doyle

• Herausgeber: Phoemixx Classics Ebooks
• Kategorie: Poesie und Drama
• Sprache: Englisch
• Veröffentlichungsjahr: 2021

Seitenzahl: 377

Beschreibung

The Last Galley Arthur Conan Doyle - Arthur Conan Doyle was a master of the detective story, but his literary prowess did not begin and end with the whodunit. This volume collects a wide array of the author's short works of fiction, spanning virtually every literary genre. Detective stories are featured, but genres such as historical fiction, romance, and even nautical adventure are represented, as well. The Last Galley is an engrossing grab-bag of tales from the pen of one of the greatest nineteenth-century writers.

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Arthur Conan Doyle

The Last Galley

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Preface

I have written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

The second half of the collection consists of eight stories, which explain themselves.

The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama of history and not the drama of invention should claim the attention of the reader. I have been tempted sometimes to try the effect upon a larger scale; but meanwhile these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction.

ARTHUR CONAN DOYLE.

WINDLESHAM, CROWBOROUGH, April, 1911.

PART 1

The Last Galley

"Mutato nomine, de te, Britannia, fabula narratur."

It was a spring morning, one hundred and forty-six years before the coming of Christ. The North African Coast, with its broad hem of golden sand, its green belt of feathery palm trees, and its background of barren, red-scarped hills, shimmered like a dream country in the opal light. Save for a narrow edge of snow-white surf, the Mediterranean lay blue and serene as far as the eye could reach. In all its vast expanse there was no break but for a single galley, which was slowly making its way from the direction of Sicily and heading for the distant harbour of Carthage.

Seen from afar it was a stately and beautiful vessel, deep red in colour, double-banked with scarlet oars, its broad, flapping sail stained with Tyrian purple, its bulwarks gleaming with brass work. A brazen, three-pronged ram projected in front, and a high golden figure of Baal, the God of the Phoenicians, children of Canaan, shone upon the after deck. From the single high mast above the huge sail streamed the tiger-striped flag of Carthage. So, like some stately scarlet bird, with golden beak and wings of purple, she swam upon the face of the waters—a thing of might and of beauty as seen from the distant shore.

But approach and look at her now! What are these dark streaks which foul her white decks and dapple her brazen shields? Why do the long red oars move out of time, irregular, convulsive? Why are some missing from the staring portholes, some snapped with jagged, yellow edges, some trailing inert against the side? Why are two prongs of the brazen ram twisted and broken? See, even the high image of Baal is battered and disfigured! By every sign this ship has passed through some grievous trial, some day of terror, which has left its heavy marks upon her.

And now stand upon the deck itself, and see more closely the men who man her! There are two decks forward and aft, while in the open waist are the double banks of seats, above and below, where the rowers, two to an oar, tug and bend at their endless task. Down the centre is a narrow platform, along which pace a line of warders, lash in hand, who cut cruelly at the slave who pauses, be it only for an instant, to sweep the sweat from his dripping brow. But these slaves—look at them! Some are captured Romans, some Sicilians, many black Libyans, but all are in the last exhaustion, their weary eyelids drooped over their eyes, their lips thick with black crusts, and pink with bloody froth, their arms and backs moving mechanically to the hoarse chant of the overseer. Their bodies of all tints from ivory to jet, are stripped to the waist, and every glistening back shows the angry stripes of the warders. But it is not from these that the blood comes which reddens the seats and tints the salt water washing beneath their manacled feet. Great gaping wounds, the marks of sword slash and spear stab, show crimson upon their naked chests and shoulders, while many lie huddled and senseless athwart the benches, careless for ever of the whips which still hiss above them. Now we can understand those empty portholes and those trailing oars.

Nor were the crew in better case than their slaves. The decks were littered with wounded and dying men. It was but a remnant who still remained upon their feet. The most lay exhausted upon the fore-deck, while a few of the more zealous were mending their shattered armour, restringing their bows, or cleaning the deck from the marks of combat. Upon a raised platform at the base of the mast stood the sailing-master who conned the ship, his eyes fixed upon the distant point of Megara which screened the eastern side of the Bay of Carthage. On the after-deck were gathered a number of officers, silent and brooding, glancing from time to time at two of their own class who stood apart deep in conversation. The one, tall, dark, and wiry, with pure, Semitic features, and the limbs of a giant, was Magro, the famous Carthaginian captain, whose name was still a terror on every shore, from Gaul to the Euxine. The other, a white-bearded, swarthy man, with indomitable courage and energy stamped upon every eager line of his keen, aquiline face, was Gisco the politician, a man of the highest Punic blood, a Suffete of the purple robe, and the leader of that party in the State which had watched and striven amid the selfishness and slothfulness of his fellow-countrymen to rouse the public spirit and waken the public conscience to the ever-increasing danger from Rome. As they talked, the two men glanced continually, with earnest anxious faces, towards the northern skyline.

"It is certain," said the older man, with gloom in his voice and bearing, "none have escaped save ourselves."

"I did not leave the press of the battle whilst I saw one ship which I could succour," Magro answered. "As it was, we came away, as you saw, like a wolf which has a hound hanging on to either haunch. The Roman dogs can show the wolf-bites which prove it. Had any other galley won clear, they would surely be with us by now, since they have no place of safety save Carthage."

The younger warrior glanced keenly ahead to the distant point which marked his native city. Already the low, leafy hill could be seen, dotted with the white villas of the wealthy Phoenician merchants. Above them, a gleaming dot against the pale blue morning sky, shone the brazen roof of the citadel of Byrsa, which capped the sloping town.

"Already they can see us from the watch-towers," he remarked. "Even from afar they may know the galley of Black Magro. But which of all of them will guess that we alone remain of all that goodly fleet which sailed out with blare of trumpet and roll of drum but one short month ago?"

The patrician smiled bitterly. "If it were not for our great ancestors and for our beloved country, the Queen of the Waters," said he, "I could find it in my heart to be glad at this destruction which has come upon this vain and feeble generation. You have spent your life upon the seas, Magro. You do not know of know how it has been with us on the land. But I have seen this canker grow upon us which now leads us to our death. I and others have gone down into the market-place to plead with the people, and been pelted with mud for our pains. Many a time have I pointed to Rome, and said, 'Behold these people, who bear arms themselves, each man for his own duty and pride. How can you who hide behind mercenaries hope to stand against them?'—a hundred times I have said it."

"And had they no answer?" asked the Rover.

"Rome was far off and they could not see it, so to them it was nothing," the old man answered. "Some thought of trade, and some of votes, and some of profits from the State, but none would see that the State itself, the mother of all things, was sinking to her end. So might the bees debate who should have wax or honey when the torch was blazing which would bring to ashes the hive and all therein. 'Are we not rulers of the sea?' 'Was not Hannibal a great man?' Such were their cries, living ever in the past and blind to the future. Before that sun sets there will be tearing of hair and rending of garments; what will that now avail us?"

"It is some sad comfort," said Magro, "to know that what Rome holds she cannot keep."

"Why say you that? When we go down, she is supreme in all the world."

"For a time, and only for a time," Magro answered, gravely. "Yet you will smile, perchance, when I tell you how it is that I know it. There was a wise woman who lived in that part of the Tin Islands which juts forth into the sea, and from her lips I have heard many things, but not one which has not come aright. Of the fall of our own country, and even of this battle, from which we now return, she told me clearly. There is much strange lore amongst these savage peoples in the west of the land of Tin."

"What said she of Rome?"

"That she also would fall, even as we, weakened by her riches and her factions."

Gisco rubbed his hands. "That at least makes our own fall less bitter," said he. "But since we have fallen, and Rome will fall, who in turn may hope to be Queen of the Waters?"

"That also I asked her," said Magro, "and gave her my Tyrian belt with the golden buckle as a guerdon for her answer. But, indeed, it was too high payment for the tale she told, which must be false if all else she said was true. She would have it that in coining days it was her own land, this fog-girt isle where painted savages can scarce row a wicker coracle from point to point, which shall at last take the trident which Carthage and Rome have dropped."

The smile which flickered upon the old patrician's keen features died away suddenly, and his fingers closed upon his companion's wrist. The other had set rigid, his head advanced, his hawk eyes upon the northern skyline. Its straight, blue horizon was broken by two low black dots.

"Galleys!" whispered Gisco.

The whole crew had seen them. They clustered along the starboard bulwarks, pointing and chattering. For a moment the gloom of defeat was lifted, and a buzz of joy ran from group to group at the thought that they were not alone—that some one had escaped the great carnage as well as themselves.

"By the spirit of Baal," said Black Magro, "I could not have believed that any could have fought clear from such a welter. Could it be young Hamilcar in the Africa, or is it Beneva in the blue Syrian ship? We three with others may form a squadron and make head against them yet. If we hold our course, they will join us ere we round the harbour mole."

Slowly the injured galley toiled on her way, and more swiftly the two newcomers swept down from the north. Only a few miles off lay the green point and the white houses which flanked the great African city. Already, upon the headland, could be seen a dark group of waiting townsmen. Gisco and Magro were still watching with puckered gaze the approaching galleys, when the brown Libyan boatswain, with flashing teeth and gleaming eyes, rushed upon the poop, his long thin arm stabbing to the north.

"Romans!" he cried. "Romans!"

A hush had fallen over the great vessel. Only the wash of the water and the measured rattle and beat of the oars broke in upon the silence.

"By the horns of God's altar, I believe the fellow is right!" cried old Gisco. "See how they swoop upon us like falcons. They are full-manned and full-oared."

"Plain wood, unpainted," said Magro. "See how it gleams yellow where the sun strikes it."

"And yonder thing beneath the mast. Is it not the cursed bridge they use for boarding?"

"So they grudge us even one," said Magro with a bitter laugh. "Not even one galley shall return to the old sea-mother. Well, for my part, I would as soon have it so. I am of a mind to stop the oars and await them."

"It is a man's thought," answered old Gisco; "but the city will need us in the days to come. What shall it profit us to make the Roman victory complete? Nay, Magro, let the slaves row as they never rowed before, not for our own safety, but for the profit of the State."

So the great red ship laboured and lurched onwards, like a weary panting stag which seeks shelter from his pursuers, while ever swifter and ever nearer sped the two lean fierce galleys from the north. Already the morning sun shone upon the lines of low Roman helmets above the bulwarks, and glistened on the silver wave where each sharp prow shot through the still blue water. Every moment the ships drew nearer, and the long thin scream of the Roman trumpets grew louder upon the ear.

Upon the high bluff of Megara there stood a great concourse of the people of Carthage who had hurried forth from the city upon the news that the galleys were in sight. They stood now, rich and poor, effete and plebeian, white Phoenician and dark Kabyle, gazing with breathless interest at the spectacle before them. Some hundreds of feet beneath them the Punic galley had drawn so close that with their naked eyes they could see those stains of battle which told their dismal tale. The Romans, too, were heading in such a way that it was before their very faces that their ship was about to be cut off; and yet of all this multitude not one could raise a hand in its defence. Some wept in impotent grief, some cursed with flashing eyes and knotted fists, some on their knees held up appealing hands to Baal; but neither prayer, tears, nor curses could undo the past nor mend the present. That broken, crawling galley meant that their fleet was gone. Those two fierce darting ships meant that the hands of Rome were already at their throat. Behind them would come others and others, the innumerable trained hosts of the great Republic, long mistress of the land, now dominant also upon the waters. In a month, two months, three at the most, their armies would be there, and what could all the untrained multitudes of Carthage do to stop them?

"Nay!" cried one, more hopeful than the rest, "at least we are brave men with arms in our hands."

"Fool!" said another, "is it not such talk which has brought us to our ruin? What is the brave man untrained to the brave man trained? When you stand before the sweep and rush of a Roman legion you may learn the difference."

"Then let us train!"

"Too late! A full year is needful to turn a man to a soldier. Where will you—where will your city be within the year? Nay, there is but one chance for us. If we give up our commerce and our colonies, if we strip ourselves of all that made us great, then perchance the Roman conqueror may hold his hand."

And already the last sea-fight of Carthage was coming swiftly to an end before them. Under their very eyes the two Roman galleys had shot in, one on either side of the vessel of Black Magro. They had grappled with him, and he, desperate in his despair, had cast the crooked flukes of his anchors over their gunwales, and bound them to him in an iron grip, whilst with hammer and crowbar he burst great holes in his own sheathing. The last Punic galley should never be rowed into Ostia, a sight for the holiday-makers of Rome. She would lie in her own waters. And the fierce, dark soul of her rover captain glowed as he thought that not alone should she sink into the depths of the mother sea.

Too late did the Romans understand the man with whom they had to deal. Their boarders who had flooded the Punic decks felt the planking sink and sway beneath them. They rushed to gain their own vessels; but they, too, were being drawn downwards, held in the dying grip of the great red galley. Over they went and ever over. Now the deck of Magro's ship is flush with the water, and the Romans, drawn towards it by the iron bonds which held them, are tilted downwards, one bulwark upon the waves, one reared high in the air. Madly they strain to cast off the death grip of the galley. She is under the surface now, and ever swifter, with the greater weight, the Roman ships heel after her. There is a rending crash. The wooden side is torn out of one, and mutilated, dismembered, she rights herself, and lies a helpless thing upon the water. But a last yellow gleam in the blue water shows where her consort has been dragged to her end in the iron death-grapple of her foemen. The tiger-striped flag of Carthage has sunk beneath the swirling surface, never more to be seen upon the face of the sea.

For in that year a great cloud hung for seventeen days over the African coast, a deep black cloud which was the dark shroud of the burning city. And when the seventeen days were over, Roman ploughs were driven from end to end of the charred ashes, and salt was scattered there as a sign that Carthage should be no more. And far off a huddle of naked, starving folk stood upon the distant mountains, and looked down upon the desolate plain which had once been the fairest and richest upon earth. And they understood too late that it is the law of heaven that the world is given to the hardy and to the self-denying, whilst he who would escape the duties of manhood will soon be stripped of the pride, the wealth, and the power, which are the prizes which manhood brings.

The Contest

In the year of our Lord 66, the Emperor Nero, being at that time in the twenty-ninth year of his life and the thirteenth of his reign, set sail for Greece with the strangest company and the most singular design that any monarch has ever entertained. With ten galleys he went forth from Puteoli, carrying with him great stores of painted scenery and theatrical properties, together with a number of knights and senators, whom he feared to leave behind him at Rome, and who were all marked for death in the course of his wanderings. In his train he took Natus, his singing coach; Cluvius, a man with a monstrous voice, who should bawl out his titles; and a thousand trained youths who had learned to applaud in unison whenever their master sang or played in public. So deftly had they been taught that each had his own role to play. Some did no more than give forth a low deep hum of speechless appreciation. Some clapped with enthusiasm. Some, rising from approbation into absolute frenzy, shrieked, stamped, and beat sticks upon the benches. Some—and they were the most effective—had learned from an Alexandrian a long droning musical note which they all uttered together, so that it boomed over the assembly. With the aid of these mercenary admirers, Nero had every hope, in spite of his indifferent voice and clumsy execution, to return to Rome, bearing with him the chaplets for song offered for free competition by the Greek cities. As his great gilded galley with two tiers of oars passed down the Mediterranean, the Emperor sat in his cabin all day, his teacher by his side, rehearsing from morning to night those compositions which he had selected, whilst every few hours a Nubian slave massaged the Imperial throat with oil and balsam, that it might be ready for the great ordeal which lay before it in the land of poetry and song. His food, his drink, and his exercise were prescribed for him as for an athlete who trains for a contest, and the twanging of his lyre, with the strident notes of his voice, resounded continually from the Imperial quarters.

Now it chanced that there lived in those days a Grecian goatherd named Policles, who tended and partly owned a great flock which grazed upon the long flanks of the hills near Heroea, which is five miles north of the river Alpheus, and no great distance from the famous Olympia. This person was noted all over the countryside as a man of strange gifts and singular character. He was a poet who had twice been crowned for his verses, and he was a musician to whom the use and sound of an instrument were so natural that one would more easily meet him without his staff than his harp. Even in his lonely vigils on the winter hills he would bear it always slung over his shoulder, and would pass the long hours by its aid, so that it had come to be part of his very self. He was beautiful also, swarthy and eager, with a head like Adonis, and in strength there was no one who could compete with him. But all was ruined by his disposition, which was so masterful that he would brook no opposition nor contradiction. For this reason he was continually at enmity with all his neighbours, and in his fits of temper he would spend months at a time in his stone hut among the mountains, hearing nothing from the world, and living only for his music and his goats.

One spring morning, in the year of 67, Policles, with the aid of his boy Dorus, had driven his goats over to a new pasturage which overlooked from afar the town of Olympia. Gazing down upon it from the mountain, the shepherd was surprised to see that a portion of the famous amphitheatre had been roofed in, as though some performance was being enacted. Living far from the world and from all news, Policles could not imagine what was afoot, for he was well aware that the Grecian games were not due for two years to come. Surely some poetic or musical contest must be proceeding of which he had heard nothing. If so, there would perhaps be some chance of his gaining the votes of the judges; and in any case he loved to hear the compositions and admire the execution of the great minstrels who assembled on such an occasion. Calling to Dorus, therefore, he left the goats to his charge, and strode swiftly away, his harp upon his back, to see what was going forward in the town.

When Policles came into the suburbs, he found them deserted; but he was still more surprised when he reached the main street to see no single human being in the place. He hastened his steps, therefore, and as he approached the theatre he was conscious of a low sustained hum which announced the concourse of a huge assembly. Never in all his dreams had he imagined any musical competition upon so vast a scale as this. There were some soldiers clustering outside the door; but Policles pushed his way swiftly through them, and found himself upon the outskirts of the multitude who filled the great space formed by roofing over a portion of the national stadium. Looking around him, Policles saw a great number of his neighbours, whom he knew by sight, tightly packed upon the benches, all with their eyes fixed upon the stage. He also observed that there were soldiers round the walls, and that a considerable part of the hall was filled by a body of youths of foreign aspect, with white gowns and long hair. All this he perceived; but what it meant he could not imagine. He bent over to a neighbour to ask him, but a soldier prodded him at once with the butt end of his spear, and commanded him fiercely to hold his peace. The man whom he had addressed, thinking that Policles had demanded a seat, pressed closer to his neighbour, and so the shepherd found himself sitting at the end of the bench which was nearest to the door. Thence he concentrated himself upon the stage, on which Metas, a well-known minstrel from Corinth and an old friend of Policles, was singing and playing without much encouragement from the audience. To Policles it seemed that Metas was having less than his due, so he applauded loudly, but he was surprised to observe that the soldiers frowned at him, and that all his neighbours regarded him with some surprise. Being a man of strong and obstinate character, he was the more inclined to persevere in his clapping when he perceived that the general sentiment was against him.

But what followed filled the shepherd poet with absolute amazement. When Metas of Corinth had made his bow and withdrawn to half-hearted and perfunctory applause, there appeared upon the stage, amid the wildest enthusiasm upon the part of the audience, a most extraordinary figure. He was a short fat man, neither old nor young, with a bull neck and a round, heavy face, which hung in creases in front like the dewlap of an ox. He was absurdly clad in a short blue tunic, braced at the waist with a golden belt. His neck and part of his chest were exposed, and his short, fat legs were bare from the buskins below to the middle of his thighs, which was as far as his tunic extended. In his hair were two golden wings, and the same upon his heels, after the fashion of the god Mercury. Behind him walked a negro bearing a harp, and beside him a richly dressed officer who bore rolls of music. This strange creature took the harp from the hands of the attendant, and advanced to the front of the stage, whence he bowed and smiled to the cheering audience. "This is some foppish singer from Athens," thought Policles to himself, but at the same time he understood that only a great master of song could receive such a reception from a Greek audience. This was evidently some wonderful performer whose reputation had preceded him. Policles settled down, therefore, and prepared to give his soul up to the music.

The blue-clad player struck several chords upon his lyre, and then burst suddenly out into the "Ode of Niobe." Policles sat straight up on his bench and gazed at the stage in amazement. The tune demanded a rapid transition from a low note to a high, and had been purposely chosen for this reason. The low note was a grunting, a rumble, the deep discordant growling of an ill-conditioned dog. Then suddenly the singer threw up his face, straightened his tubby figure, rose upon his tiptoes, and with wagging head and scarlet cheeks emitted such a howl as the same dog might have given had his growl been checked by a kick from his master. All the while the lyre twanged and thrummed, sometimes in front of and sometimes behind the voice of the singer. But what amazed Policles most of all was the effect of this performance upon the audience. Every Greek was a trained critic, and as unsparing in his hisses as he was lavish in his applause. Many a singer far better than this absurd fop had been driven amid execration and abuse from the platform. But now, as the man stopped and wiped the abundant sweat from his fat face, the whole assembly burst into a delirium of appreciation. The shepherd held his hands to his bursting head, and felt that his reason must be leaving him. It was surely a dreadful musical nightmare, and he would wake soon and laugh at the remembrance. But no; the figures were real, the faces were those of his neighbours, the cheers which resounded in his ears were indeed from an audience which filled the theatre of Olympia. The whole chorus was in full blast, the hummers humming, the shouters bellowing, the tappers hard at work upon the benches, while every now and then came a musical cyclone of "Incomparable! Divine!" from the trained phalanx who intoned their applause, their united voices sweeping over the tumult as the drone of the wind dominates the roar of the sea. It was madness—insufferable madness! If this were allowed to pass, there was an end of all musical justice in Greece. Policles' conscience would not permit him to be still. Standing upon his bench with waving hands and upraised voice, he protested with all the strength of his lungs against the mad judgment of the audience.

At first, amid the tumult, his action was hardly noticed. His voice was drowned in the universal roar which broke out afresh at each bow and smirk from the fatuous musician. But gradually the folk round Policles ceased clapping, and stared at him in astonishment. The silence grew in ever widening circles, until the whole great assembly sat mute, staring at this wild and magnificent creature who was storming at them from his perch near the door.

"Fools!" he cried. "What are you clapping at? What are you cheering? Is this what you call music? Is this cat-calling to earn an Olympian prize? The fellow has not a note in his voice. You are either deaf or mad, and I for one cry shame upon you for your folly."

Soldiers ran to pull him down, and the whole audience was in confusion, some of the bolder cheering the sentiments of the shepherd, and others crying that he should be cast out of the building. Meanwhile the successful singer having handed his lyre to his negro attendant, was inquiring from those around him on the stage as to the cause of the uproar. Finally a herald with an enormously powerful voice stepped forward to the front and proclaimed that if the foolish person at the back of the hall, who appeared to differ from the opinion of the rest of the audience, would come forward upon the platform, he might, if he dared, exhibit his own powers, and see if he could outdo the admirable and wonderful exhibition which they had just had the privilege of hearing.

Policles sprang readily to his feet at the challenge, and the great company making way for him to pass, he found himself a minute later standing in his unkempt garb, with his frayed and weather-beaten harp in his hand, before the expectant crowd. He stood for a moment tightening a string here and slackening another there until his chords rang true. Then, amid a murmur of laughter and jeers from the Roman benches immediately before him, he began to sing.

He had prepared no composition, but he had trained himself to improvise, singing out of his heart for the joy of the music. He told of the land of Elis, beloved of Jupiter, in which they were gathered that day, of the great bare mountain slopes, of the swift shadows of the clouds, of the winding blue river, of the keen air of the uplands, of the chill of the evenings, and the beauties of earth and sky. It was all simple and childlike, but it went to the hearts of the Olympians, for it spoke of the land which they knew and loved. Yet when he at last dropped his hand, few of them dared to applaud, and their feeble voices were drowned by a storm of hisses and groans from his opponents. He shrank back in horror from so unusual a reception, and in an instant his blue-clad rival was in his place. If he had sung badly before, his performance now was inconceivable. His screams, his grunts, his discords, and harsh jarring cacophanies were an outrage to the very name of music. And yet every time that he paused for breath or to wipe his streaming forehead a fresh thunder of applause came rolling back from the audience. Policles sank his face in his hands and prayed that he might not be insane. Then, when the dreadful performance ceased, and the uproar of admiration showed that the crown was certainly awarded to this impostor, a horror of the audience, a hatred of this race of fools, and a craving for the peace and silence of the pastures mastered every feeling in his mind. He dashed through the mass of people waiting at the wings, and emerged in the open air. His old rival and friend Metas of Corinth was waiting there with an anxious face.

"Quick, Policles, quick!" he cried. "My pony is tethered behind yonder grove. A grey he is, with red trappings. Get you gone as hard as hoof will bear you, for if you are taken you will have no easy death."

"No easy death! What mean you, Metas? Who is the fellow?"

"Great Jupiter! did you not know? Where have you lived? It is Nero the Emperor! Never would he pardon what you have said about his voice. Quick, man, quick, or the guards will be at your heels!"

An hour later the shepherd was well on his way to his mountain home, and about the same time the Emperor, having received the Chaplet of Olympia for the incomparable excellence of his performance, was making inquiries with a frowning brow as to who the insolent person might be who had dared to utter such contemptuous criticisms.

"Bring him to me here this instant," said he, "and let Marcus with his knife and branding-iron be in attendance."

"If it please you, great Caesar," said Arsenius Platus, the officer of attendance, "the man cannot be found, and there are some very strange rumours flying about."

"Rumours!" cried the angry Nero. "What do you mean, Arsenius? I tell you that the fellow was an ignorant upstart, with the bearing of a boor and the voice of a peacock. I tell you also that there are a good many who are as guilty as he among the people, for I heard them with my own ears raise cheers for him when he had sung his ridiculous ode. I have half a mind to burn their town about their ears so that they may remember my visit."

"It is not to be wondered at if he won their votes, Caesar," said the soldier, "for from what I hear it would have been no disgrace had you, even you, been conquered in this conquest."

"I conquered! You are mad, Arsenius. What do you mean?"

"None know him, great Caesar! He came from the mountains, and he disappeared into the mountains. You marked the wildness and strange beauty of his face. It is whispered that for once the great god Pan has condescended to measure himself against a mortal."

The cloud cleared from Nero's brow. "Of course, Arsenius! You are right! No man would have dared to brave me so. What a story for Rome! Let the messenger leave this very night, Arsenius, to tell them how their Emperor has upheld their honour in Olympia this day."

Through The Veil

He was a great shock-headed, freckle-faced Borderer, the lineal descendant of a cattle-thieving clan in Liddesdale. In spite of his ancestry he was as solid and sober a citizen as one would wish to see, a town councillor of Melrose, an elder of the Church, and the chairman of the local branch of the Young Men's Christian Association. Brown was his name—and you saw it printed up as "Brown and Handiside" over the great grocery stores in the High Street. His wife, Maggie Brown, was an Armstrong before her marriage, and came from an old farming stock in the wilds of Teviothead. She was small, swarthy, and dark-eyed, with a strangely nervous temperament for a Scotch woman. No greater contrast could be found than the big tawny man and the dark little woman; but both were of the soil as far back as any memory could extend.

One day—it was the first anniversary of their wedding—they had driven over together to see the excavations of the Roman Fort at Newstead. It was not a particularly picturesque spot. From the northern bank of the Tweed, just where the river forms a loop, there extends a gentle slope of arable land. Across it run the trenches of the excavators, with here and there an exposure of old stonework to show the foundations of the ancient walls. It had been a huge place, for the camp was fifty acres in extent, and the fort fifteen. However, it was all made easy for them since Mr. Brown knew the farmer to whom the land belonged. Under his guidance they spent a long summer evening inspecting the trenches, the pits, the ramparts, and all the strange variety of objects which were waiting to be transported to the Edinburgh Museum of Antiquities. The buckle of a woman's belt had been dug up that very day, and the farmer was discoursing upon it when his eyes fell upon Mrs. Brown's face.

"Your good leddy's tired," said he. "Maybe you'd best rest a wee before we gang further."

Brown looked at his wife. She was certainly very pale, and her dark eyes were bright and wild.

"What is it, Maggie? I've wearied you. I'm thinkin' it's time we went back."

"No, no, John, let us go on. It's wonderful! It's like a dreamland place. It all seems so close and so near to me. How long were the Romans here, Mr. Cunningham?"

"A fair time, mam. If you saw the kitchen midden-pits you would guess it took a long time to fill them."

"And why did they leave?"

"Well, mam, by all accounts they left because they had to. The folk round could thole them no longer, so they just up and burned the fort aboot their lugs. You can see the fire marks on the stanes."

The woman gave a quick little shudder. "A wild night—a fearsome night," said she. "The sky must have been red that night—and these grey stones, they may have been red also."

"Aye, I think they were red," said her husband. "It's a queer thing, Maggie, and it may be your words that have done it; but I seem to see that business aboot as clear as ever I saw anything in my life. The light shone on the water."

"Aye, the light shone on the water. And the smoke gripped you by the throat. And all the savages were yelling."

The old farmer began to laugh. "The leddy will be writin' a story aboot the old fort," said he. "I've shown many a one over it, but I never heard it put so clear afore. Some folk have the gift."

They had strolled along the edge of the foss, and a pit yawned upon the right of them.

"That pit was fourteen foot deep," said the farmer. "What d'ye think we dug oot from the bottom o't? Weel, it was just the skeleton of a man wi' a spear by his side. I'm thinkin' he was grippin' it when he died. Now, how cam' a man wi' a spear doon a hole fourteen foot deep? He wasna' buried there, for they aye burned their dead. What make ye o' that, mam?"

"He sprang doon to get clear of the savages," said the woman.

"Weel, it's likely enough, and a' the professors from Edinburgh couldna gie a better reason. I wish you were aye here, mam, to answer a' oor difficulties sae readily. Now, here's the altar that we foond last week. There's an inscreeption. They tell me it's Latin, and it means that the men o' this fort give thanks to God for their safety."

They examined the old worn stone. There was a large deeply-cut "VV" upon the top of it. "What does 'VV' stand for?" asked Brown.

"Naebody kens," the guide answered.

"Valeria Victrix," said the lady softly. Her face was paler than ever, her eyes far away, as one who peers down the dim aisles of overarching centuries.

"What's that?" asked her husband sharply.

She started as one who wakes from sleep. "What were we talking about?" she asked.

"About this 'VV' upon the stone."

"No doubt it was just the name of the Legion which put the altar up."

"Aye, but you gave some special name."

"Did I? How absurd! How should I ken what the name was?"

"You said something—'Victrix,' I think."

"I suppose I was guessing. It gives me the queerest feeling, this place, as if I were not myself, but someone else."

"Aye, it's an uncanny place," said her husband, looking round with an expression almost of fear in his bold grey eyes. "I feel it mysel'. I think we'll just be wishin' you good evenin', Mr. Cunningham, and get back to Melrose before the dark sets in."

Neither of them could shake off the strange impression which had been left upon them by their visit to the excavations. It was as if some miasma had risen from those damp trenches and passed into their blood. All the evening they were silent and thoughtful, but such remarks as they did make showed that the same subject was in the minds of each. Brown had a restless night, in which he dreamed a strange connected dream, so vivid that he woke sweating and shivering like a frightened horse. He tried to convey it all to his wife as they sat together at breakfast in the morning.

"It was the clearest thing, Maggie," said he. "Nothing that has ever come to me in my waking life has been more clear than that. I feel as if these hands were sticky with blood."

"Tell me of it—tell me slow," said she.

"When it began, I was oot on a braeside. I was laying flat on the ground. It was rough, and there were clumps of heather. All round me was just darkness, but I could hear the rustle and the breathin' of men. There seemed a great multitude on every side of me, but I could see no one. There was a low chink of steel sometimes, and then a number of voices would whisper 'Hush!' I had a ragged club in my hand, and it had spikes o' iron near the end of it. My heart was beatin' quickly, and I felt that a moment of great danger and excitement was at hand. Once I dropped my club, and again from all round me the voices in the darkness cried, 'Hush!' I put oot my hand, and it touched the foot of another man lying in front of me. There was some one at my very elbow on either side. But they said nothin'.