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- Herausgeber: Musaicum Books
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2017
In 'The Miller's Daughter' by Émile Zola, the reader is immersed in a vivid and realistic depiction of rural life in 19th-century France. The novel explores themes of class struggle, societal constraints, and the quest for personal freedom. Zola's literary style combines naturalism and social commentary, making the characters and their conflicts feel authentic and thought-provoking. The narrative is compelling and emotionally engaging, drawing the reader into the protagonist's journey of self-discovery and defiance against societal norms. Zola's meticulous attention to detail and powerful storytelling create a rich tapestry of life in the French countryside, making 'The Miller's Daughter' a timeless masterpiece of French literature. The novel is a reflection of Zola's commitment to portraying the harsh realities of his time and shedding light on the injustices faced by ordinary people. Written with passion and insight, 'The Miller's Daughter' stands as a testament to Zola's enduring literary legacy and his profound understanding of human nature.
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THE MILLER'S DAUGHTER
Published by
Books
Table of Contents
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTERI
THE BETROTHAL
Pere Merlier’s mill, one beautiful summer evening, was arranged for a grand fete. In the courtyard were three tables, placed end to end, which awaited the guests. Everyone knew that Francoise, Merlier’s daughter, was that night to be betrothed to Dominique, a young man who was accused of idleness but whom the fair sex for three leagues around gazed at with sparkling eyes, such a fine appearance had he.
Pere Merlier’s mill was pleasing to look upon. It stood exactly in the center of Rocreuse, where the highway made an elbow. The village had but one street, with two rows of huts, a row on each side of the road; but at the elbow meadows spread out, and huge trees which lined the banks of the Morelle covered the extremity of the valley with lordly shade. There was not, in all Lorraine, a corner of nature more adorable. To the right and to the left thick woods, centenarian forests, towered up from gentle slopes, filling the horizon with a sea of verdure, while toward the south the plain stretched away, of marvelous fertility, displaying as far as the eye could reach patches of ground divided by green hedges. But what constituted the special charm of Rocreuse was the coolness of that cut of verdure in the most sultry days of July and August. The Morelle descended from the forests of Gagny and seemed to have gathered the cold from the foliage beneath which it flowed for leagues; it brought with it the murmuring sounds, the icy and concentrated shade of the woods. And it was not the sole source of coolness: all sorts of flowing streams gurgled through the forest; at each step springs bubbled up; one felt, on following the narrow pathways, that there must exist subterranean lakes which pierced through beneath the moss and availed themselves of the smallest crevices at the feet of trees or between the rocks to burst forth in crystalline fountains. The whispering voices of these brooks were so numerous and so loud that they drowned the song of the bullfinches. It was like some enchanted park with cascades falling from every portion.
Below the meadows were damp. Gigantic chestnut trees cast dark shadows. On the borders of the meadows long hedges of poplars exhibited in lines their rustling branches. Two avenues of enormous plane trees stretched across the fields toward the ancient Chateau de Gagny, then a mass of ruins. In this constantly watered district the grass grew to an extraordinary height. It resembled a garden between two wooded hills, a natural garden, of which the meadows were the lawns, the giant trees marking the colossal flower beds. When the sun’s rays at noon poured straight downward the shadows assumed a bluish tint; scorched grass slept in the heat, while an icy shiver passed beneath the foliage.
And there it was that Pere Merlier’s mill enlivened with its ticktack a corner of wild verdure. The structure, built of plaster and planks, seemed as old as the world. It dipped partially in the Morelle, which rounded at that point into a transparent basin. A sluice had been made, and the water fell from a height of several meters upon the mill wheel, which cracked as it turned, with the asthmatic cough of a faithful servant grown old in the house. When Pere Merlier was advised to change it he shook his head, saying that a new wheel would be lazier and would not so well understand the work, and he mended the old one with whatever he could put his hands on: cask staves, rusty iron, zinc and lead. The wheel appeared gayer than ever for it, with its profile grown odd, all plumed with grass and moss. When the water beat upon it with its silvery flood it was covered with pearls; its strange carcass wore a sparkling attire of necklaces of mother-of-pearl.
The part of the mill which dipped in the Morelle had the air of a barbaric arch stranded there. A full half of the structure was built on piles. The water flowed beneath the floor, and deep places were there, renowned throughout the district for the enormous eels and crayfish caught in them. Below the fall the basin was as clear as a mirror, and when the wheel did not cover it with foam schools of huge fish could be seen swimming with the slowness of a squadron. Broken steps led down to the river near a stake to which a boat was moored. A wooden gallery passed above the wheel. Windows opened, pierced irregularly. It was a pellmell of corners, of little walls, of constructions added too late, of beams and of roofs, which gave the mill the aspect of an old, dismantled citadel. But ivy had grown; all sorts of clinging plants stopped the too-wide chinks and threw a green cloak over the ancient building. The young ladies who passed by sketched Pere Merlier’s mill in their albums.
On the side facing the highway the structure was more solid. A stone gateway opened upon the wide courtyard, which was bordered to the right and to the left by sheds and stables. Beside a well an immense elm covered half the courtyard with its shadow. In the background the building displayed the four windows of its second story, surmounted by a pigeon house. Pere Merlier’s sole vanity was to have this front plastered every ten years. It had just received a new coating and dazzled the village when the sun shone on it at noon.
For twenty years Pere Merlier had been mayor of Rocreuse. He was esteemed for the fortune he had acquired. His wealth was estimated at something like eighty thousand francs, amassed sou by sou. When he married Madeleine Guillard, who brought him the mill as her dowry, he possessed only his two arms. But Madeleine never repented of her choice, so briskly did he manage the business. Now his wife was dead, and he remained a widower with his daughter Francoise. Certainly he might have rested, allowed the mill wheel to slumber in the moss, but that would have been too dull for him, and in his eyes the building would have seemed dead. He toiled on for pleasure.
Pere Merlier was a tall old man with a long, still face, who never laughed but who possessed, notwithstanding, a very gay heart. He had been chosen mayor because of his money and also on account of the imposing air he could assume during a marriage ceremony.
Francoise Merlier was just eighteen. She did not pass for one of the handsome girls of the district, as she was not robust. Up to her fifteenth year she had been even ugly.
