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In "Uncle Josh's Punkin Centre Stories," Cal Stewart presents a delightful collection of humorous tales steeped in the rural American experience at the turn of the 20th century. The book is distinguished by its unique use of dialect and personification of Midwestern life, capturing the essence of humor found in the everyday occurrences of small-town existence. Through the voice of Uncle Josh, Stewart weaves a tapestry of anecdotes that reflect the social milieu of his time, offering both entertainment and subtle social commentary while employing a genial, conversational literary style that invites readers into a charming local world. Cal Stewart, a pivotal figure in the early days of American entertainment, was known for his work as a vaudeville performer and recorded numerous phonograph records. His upbringing in a rural setting deeply influenced his writing, as he sought to encapsulate the folk culture and sentiments of his youth. Stewart's desire to create a lasting tribute to his hometown experiences fueled his storytelling and performance, ultimately leading to the creation of this beloved collection. I wholeheartedly recommend "Uncle Josh's Punkin Centre Stories" for readers seeking to explore the rich tapestry of American folklore through humor and heart. Stewart's narratives are not only entertaining but also provide keen insights into the lives of those who navigated the cultural landscape of America in simpler times, making it a timeless read for anyone connected to the rural narrative.
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Veröffentlichungsjahr: 2019
The one particular object in writing this book is to furnish you with an occasional laugh, and the writer with an occasional dollar. If you get the laugh you have your equivalent, and the writer has his.
In Uncle Josh Weathersby you have a purely imaginary character, yet one true to life. A character chuck full of sunshine and rural simplicity. Take him as you find him, and in his experiences you will observe there is a bright side to everything.
Sincerely Yours
Cal Stewart
THE author was born in Virginia, on a little patch of land, so poor we had to fertilize it to make brick. Our family, while having cast their fortunes with the South, was not a family ruined by the war; we did not have anything when the war commenced, and so we held our own. I secured a common school education, and at the age of twelve I left home, or rather home left me—things just petered out. I was slush cook on an Ohio River Packet; check clerk in a stave and heading camp in the knobs of Tennessee, Virginia and Georgia; I helped lay the track of the M. K. & T. R. R., and was chambermaid in a livery stable. Made my first appearance on the stage at the National Theatre in Cincinnati, Ohio, and have since then chopped cord wood, worked in a coal mine, made cross ties (and walked them), worked on a farm, taught a district school (made love to the big girls), run a threshing machine, cut bands, fed the machine and ran the engine. Have been a freight and passenger brakeman, fired and ran a locomotive; also a freight train conductor and check clerk in a freight house; worked on the section; have been a shot gun messenger for the Wells, Fargo Company. Have been with a circus, minstrels, farce comedy, burlesque and dramatic productions; have been with good shows, bad shows, medicine shows, and worse, and some shows where we had landlords singing in the chorus. Have played variety houses and vaudeville houses; have slept in a box car one night, and a swell hotel the next; have been a traveling salesman (could spin as many yarns as any of them). For the past four years have made the Uncle Josh stories for the talking machine. The Lord only knows what next!