Woodcarving Illustrated Issue 31 Summer 2005 - Editors of Woodcarving Illustrated - E-Book

Woodcarving Illustrated Issue 31 Summer 2005 E-Book

Editors of Woodcarving Illustrated

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Featured in this issue:Special woodburning issueCarve and detail a feather pinUsing wood inlays for color and contrastCarve and assemble a mechanical cork stopper

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In This Issue
In This Issue
Wood Carving Illustrated • Summer 2005
1
Issue no. 31 Summer 2005
Carve
and Paint
a Feather
Pin
34
Wood Carving Illustrated
’s Woodcarver of the Year
17
Chip carver Wayne Barton honored for his commitment to carving.
John C. Campbell Folk School
18
Is there a summer camp for carvers? Students and teachers alike
reminisce about the time they spent at the school.
Dimensional Woodburning
20
Add depth and contrast to your woodburning
with this lesson in tonal values.
A Day at the Beach
24
Innovative inlay techniques add interest
to this award-winning carving.
Carve a Spirit Lure
28
You don’t want to lose this lure in a snag! Combine
carving, woodburning, and painting to make your own fishing lure.
Modern Ivory Carving
33
From billiard balls to beef bone—Alternative sources for ivory
give carvers another material to work with.
Carve and Paint a Feather Pin
34
Increase your confidence with this project that’s designed
to build your detailing skills
Woodburn Realistic Fur
38
Add woodburned texture to a carved mouse for a realistic fur effect.
Painting a Realistic Duck Head Call
40
Add the perfect finishing touch to your carved duck call
by mixing your own paints.
Burning Realistic Texture
44
With the right nib—and technique—it’s easy to add
realistic texture to your carvings.
Woodburn
Realistic Fur
In this
ISSUE
A Day at
the Beach
24
38
2
Wood Carving Illustrated • Summer 2005
In This Issue
Flexcut’s RPC Put to the Test
51
Rough out carvings in half the time with the new addition
to the Flexcut product line.
Chip Carve a Border
52
Accent a multitude of projects with this traditional pattern.
Bald Eagle “Majesty”
54
Detail a carved eagle with power tools and a woodburner
for realistic texture. Part 2 of 3.
Stubai Carving Tools Put to the Test
60
When it comes to holding an edge, Swiss-manufactured
carving tools just keep cutting.
Songbirds
62
Make your own feet and learn proper paint blending techniques
to add realism to carved songbirds.
Stalking Wolf
66
Carve a classic wolf with this quality pattern from Gordon Stiller.
Carving an Mechanical Cork Stopper
68
Carve and assemble a head-bobbing, fiddle-playing cork stopper
with a few simple tools.
Wood Toxicity
78
The top 26 most dangerous woods to work with.
Regular Columns
Publisher’s Letter . . . . . . . . . . . . . . . . . . . . . . . . . . .4
From Our Mailbag . . . . . . . . . . . . . . . . . . . . . . . . . .6
News & Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Tips & Techniques . . . . . . . . . . . . . . . . . . . . . . . . .10
Reader Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Judges Critique
. . . . . . . . . . . . . . . . . . . . . . . . . . .14
Calendar of Events . . . . . . . . . . . . . . . . . . . . . . . . .82
Classifieds
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92
Advertising Directory
. . . . . . . . . . . . . . . . . . . . . .94
Teacher’s Corner . . . . . . . . . . . . . . . . . . . . . . . . . .96
In this
ISSUE
52
Chip
Carve a
Border
Carve a
Spirit Lure
28
Publications Mail Agreement #40649125
Return Undeliverable Canadian Addresses to:
Station A
PO Box 54
Windsor, ON N9A 6J5
ON OUR
Cover
Pyrography adds depth, definition and
texture to images in wood, as shown in this
woodburning texture board by Sue Walters.
Skill-building techniques and projects can
be found throughout this issue.
Songbirds
62
4
Wood Carving Illustrated • Summer 2005
Publisher’s Letter
Woodcarving and the use of associated equipment can potentially result
in health hazards and injuries.
While we cannot impose safety standards
in every article, we do ask that you make safety your number one
priority.
Protect your respiratory system, hearing, vision and the rest of
your body with the proper safety equipment and prudent precautions.
Read
manuals that are supplied with your tools.
Be aware that most accidents
occur when you are tired or distracted.
And when in doubt, seek advice
from professionals, on how to keep your tools sharp and maintained.
Do you have a woodburner gathering dust in the corner of your shop?
While
expert carvers have used woodburning to add depth and texture to their carvings
for many years, the average carver may find woodburners intimidating. That’s why
we’ve dedicated this issue of
Wood Carving Illustrated
to the art of combining
carving and pyrography.
Pyrography has always fascinated me and I was especially
interested in learning about new and different ways for carvers to use pyrography
to enhance their art.
Bird carvers traditionally use pyrography to burn in the texture of feathers.
Jack
Kochan demonstrates this technique in his article “Carve and Paint a Feather Pin.”
By focusing on a single feather,you can practice your skills and become
comfortable with the techniques.
Mastering this process on a small scale will give
you the confidence you need to tackle the full-scale texturing involved in Cam
Merkle’s “Bald Eagle Majesty.”
Pyrography is also a helpful method for creating realistic fur.
Sue Walters shows
you how to create a variety of different fur effects in her article “Burning Realistic
Texture.”
Noted wildlife carver Desiree Hajny gives you a fun project to test your
skills in her article “Woodburn Realistic Fur.”You’ll be amazed at the realism that
this texturing gives your carvings.
Relief carvers have rarely made use of woodburning.
Lora S. Irish shows you how
to create the illusion of depth on a flat surface and provides another top quality
pattern—whether you prefer traditional relief carving or are ready to try your
hand at creating a scene with pyrography. “Turtle Rising,”created by Sue Walters,
illustrates how to combine these two art forms by first carving your relief scene
and then adding texture and depth with the woodburner.
We’re here to help you grow as a carver by encouraging you to step outside of
your comfort zone. We’ll provide knowledgeable teachers to introduce new
techniques and guide you along the way—the only limit is your desire to learn.
Happy Carving (and burning!)
Our Mission:
To promote woodcarving as an artform
and an enjoyable pastime.
Publisher/Editor: . . . . . . . . . .
Alan Giagnocavo
Editor-at-Large: . . . . . . . . . . .
Roger Schroeder
Associate Editor:
. . . . . . . . . . . . . . Bob Duncan
Administrative Manager: . . . . Shannon Flowers
Contributing Editors: . . . . . . . . . . John Mignone
Joel Hull
Lori Corbett
Barry McKenzie
Dave Stetson
Mike Burton
Copy Editor . . . . . . . . . . . . . . . Sheila Schroeder
Technical Illustrator: . . . . . . . . . . .
Jack Kochan
Art Director . . . . . . . . . . . . . . . . . . . . . Jon Deck
Graphic Design:
. . . . . . . . . . . . Suzy Creighton
Domestic Newsstand Distribution
Curtis Circulation Company
©2005 by Fox Chapel Publishing Co. Inc.
All Rights Reserved. Printed in USA
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Display Advertising/Classifieds
please call or email Paul McGahren, (ext. 42)
for rates and/or
a media kit.
Wholesale/Distribution
Wood Carving Illustrated is available to retailers for
resale on advantageous terms.
Contact Paul McGahren (ext. 42) for details.
Volume 9, Number 2 {Issue No. 31}
How-To Magazine for Carvers™
Internet: www.WoodCarvingIllustrated.com
Wood Carving Illustrated Magazine
1970 Broad Street
East Petersburg, PA 17520
Phone:
717-560-4703
Faxline:
717-560-4702
“In the Heart of Pennsylvania Dutch Country”
Summer 2005
Identification Statement: Wood Carving Illustrated vol. 9, no.2 (Summer
2005) (ISSN#1096-2816) is published four times a year in the months of
February, May, August and November by Fox Chapel Publishing Co. Inc.,
1970 Broad Street, East Petersburg, PA 17520. Periodical Postage paid at
East Petersburg, PA and additional mailing offices. POSTMASTER: Send
address changes to Wood Carving Illustrated,
1970 Broad Street, East Petersburg, PA 17520.
Publisher’s
LETTER
Turtle Rising
by Sue Walters
is a brilliant
example of
how wood-
burning can
add definition
and texture
to a relief
carving.
More on Schimmel’s Carvings
Concerning the article by Bob Duncan (on
Wilhelm Schimmel) on page 54 of the
Spring 2005 issue: I am also a 9th
generation Pennsylvania German as
Jonathan Bastian is, having been born in
Berks County.
There is a rather long write up on
Wilhelm Schimmel in a book called “Just
for Nice: Carving and Whittling Magic of
Southeastern Pennsylvania” by Richard S.
and Rosemarie B. Machmer.There are also
many photos of Mr.Schimmel’s work.
Bob Schearer
The Woodlands, TX
Editor’s Note:The book was published by
the University of Pennsylvania Press.
Unfortunately, the book is out of print,
but it is possible to find used copies
through
www.Amazon.com
or
www.BookFinder.com
or by calling the
Historical Society of Berks County at
610-375-4375.
Searching for Himmelkind
Wood Carving Illustrated
is a fantastic
periodical. My carving abilities have grown
with your magazine, and I appreciate the
variety that you cover.
Recently I was thumbing through a
periodical from England and came across
the word “Himmelkind.” This is a term that
I am unfamiliar with, and I am wondering
if you could help enlighten me as to the
origination and use of the term.
E-mail from Tom Checketts
Editor’s Note: The carvings in question is
by James Staines.‘Himmelkind’
translates to mean ‘Sky Child’ or
‘Heaven’s Child.’The work refers to
James’ late daughter who born with
Downs’ Syndrome. So, in this context,
Himmelkind is not a type of
carving, but a pet name for a
loved one.
Carving in Live Trees
Surely everyone older than 10 years knows
the “living” part of a tree is not the inner
core, but rather just beneath the bark.Why
can trees be hollow yet alive? Because the
tubes, (xylem and phloem) that carry the
“good stuff” up from the roots to the
leaves for photosynthesis and the glucose
down to the roots for storage and energy,
are found in a band less than
1
/
4
"-thick
circumventing the trunk directly beneath
the bark.
Ergo, when sections of this circulatory
system are “cut and removed” from a
“wood spirit carving,”the conduit system
necessary for health and survival is
hampered. Can a tree survive? Probably,
maybe, depending on the proportion of
the disruption (how much the remaining
conduit system of the uncut sides of the
Write Us!
Let us know what’s on your mind. Please
contact us by mail at: Mailbag,
Wood Carving
Illustrated
, 1970 Broad St., East Petersburg, PA
17520 or email us at
.
If you send an email, please add the word
Mailbag first in the subject line. Note: Letters
may be edited for clarity and length. Opinions
expressed by our letter writers do not
necessarily represent those of the staff and
management at
Wood Carving Illustrated
.
From our
MAILBAG
tree can compensate for the cut sides.)
Mr. Partridge’s talented artistry appears
to encompass 25-40% of the tree’s
circumference.
Dale Rinehart
Hoffman Estates, IL
Colin Partridge responds: I am sorry that
the article offended you and that you
think badly of
WCI
for publishing it.
Firstly let me clear up one point. I do not
indiscriminately go around carving
every tree I can find. My carvings are
commissions, and I provide a service for
people who, most of the time, are going
to remove the tree anyway. I always
explain to the customer that there is a
possibility that the tree could die or part
of the tree could die. I have never had
one die as yet, probably because I don’t
go very deep and also because I try to
disrupt the sap flow as little as possible.
Not every tree I carve is alive; some are
nothing more than stumps. I would also
make the point the utility company crews
that cut down trees for power lines, etc.,
do a lot more damage with their
indiscriminant pruning of some of the
large trees.They never seem too much
worse for the trauma that they are put
through.
So do I recommend that everyone go
out and carve their trees? No. I am very
careful to make sure that I seal the tree
as soon as I carve it to deter infection or
bugs from invading the tree.
6
Wood Carving Illustrated
From Our Mailbag
Cutthroat
trout carving
by Ted Richmond.
Set It Straight
In Spring 2005 (Issue 30), on page 52,
the cutthroat trout carving was an
original pattern by Ted Richmond of
Shawnee, KS. It was not based on
Gordon Stiller’s pattern.This photo
was intended only as an example of a
carved cutthroat trout.We regret not
crediting Ted for his carving.
Ted has won several best of shows
for his carvings. He also received
ribbons in the fish carving category at
the Ward World Championships and a
people’s choice award from the
Affiliated Woodcarvers Congress.
In Spring 2005 (Issue 30), in the
letters, Ruth Sheeley was incorrectly
listed as living in Montana. She lives
in Springfield, MO.
WCI
Predicts a Hole in One
for Teenage Carver
An unusual and whimsical carving at the
Long Island Woodworking Show held last
April in Uniondale, New York, received
much attention when people realized that
it was created by teenager Rachael Bush.
The piece was her very first woodcarving,
but impressed the judges enough to place
second in the Novice Class.
Golfer’s Table
stands 20" high and
depicts a tiny female golfer working her
way toward a hole bordered by a small
sand trap.The slice of terrain, supported by
an oversized mahogany tee that Rachael
carved using a drawknife, is made of
maple. At its base is a golf ball nearly as
big as a basketball, turned from laminated
poplar and dimpled with power tools.
Rachael’s father, Bill Bush, is a master
cabinetmaker. Rachael spent time in his
shop while she was growing up, which
gave her a feel for wood and tools.
Submitted by Roger and Sheila Schroeder,
WCI
’s Editor-at-Large and Copy Editor.
Universal Woodburner
Many woodburner manufacturers have
handpieces, tips or cords that can be
retrofitted to other burning units to accept
different pens, but Mastercarver
®
’s new
Burnmaster can use a variety of pens right
out of the box.
The Burnmaster accepts handpieces
made by Leisure Time Products (Detail
Master), Colwood, Optima, Nibs, Navesink,
Razortip, and any other handpiece with
similar connectors.The Burnmaster Eagle,
available for $99.95, is set up
to take two handpieces.The
Burnmaster Hawk, available
for $79.95, is set up for one
handpiece. Each unit includes
universal power cord/adapter
sets and handpiece holders. No
handpieces (pens) are included.
Burnmasters are available through
Wood Carvers Supply, Inc. , PO Box 7500,
Englewood, FL 34295-7500, 800-284-6229,
www.woodcarverssupply.com
.
Old Tool Manuals
How often is the one tool manual that
you can’t find, the one you need? With the
internet today,it’s not hard to browse to a
tool manufacturer’s website and download
a new manual. But manuals for older
tools—those manufactured in the early to
mid-1900s—are a lot harder to come by.
Fear not, Keith Rucker, webmaster of
the Old Wood Working Machines website,
has got you covered. The site,
www.owwm.com
, has an extensive list of
historic manufacturers, vintage catalogs
and manuals, and even a photo archive of
old machines.There is also a forum where
you can post your questions for a large
group to comment on.
The website was founded as a public
service for woodworkers who use or
restore vintage tools. Its founders try to
provide information about vintage tools
that is otherwise difficult to locate.
Top Community Craftsmen
While one company searches for America’s
Master Tradesman, another company is
taking nominations for their Community
Craftsman Award.
America’s Master Tradesman
Red Wing Shoe Company is searching for
America’s Master Tradesman. Entries will
be judged by the person’s level of
expertise and craftsmanship, commitment
to the community where he or she lives,
how the nominee passes skills on to
others learning the trade, his or her
dedication to American workmanship, and
the explanation on why the person should
News &
NOTES
This new woodburning
system accepts all major brands
of pens right out of the box.
8
Wood Carving Illustrated • Summer 2005
News & Notes
Rachel Bush
used a variety
of tools to
carve her
Golfer’s Table
.
be named Master Tradesman.The deadline
for entries is June 30, 2005.
Each of the 100 Master Tradesmen will
receive a $500 scholarship in his or her
name to an accredited vocational or
technical school of his or her choice to
help foster the next generation of skilled
workers, a pair of limited edition Red Wing
100th anniversary boots, and a certificate
of recognition from the Red Wing Shoe
Company.
For more information, contact a
participating Red Wing Shoe dealer, log
onto
www.redwingshoe.com
to download
the official entry form, or write to Search
for American’s Master Tradesman, 8000
Norman Center Drive, Suite 400,
Bloomington, MN, 55437.
Community Craftsman Award
Minwax is accepting nominations for their
Community Craftsman Award. Now in its
14th year,the award recognizes and
rewards those who improve their
community by working with wood.The
grand prize winner will receive a $5,000
cash grant, a supply of Minwax wood
finishing products, and a working
consultation with wood finishing expert
Bruce Johnson.
The deadline for entries is December
31, 2005. Applicants should send a written
summary explaining their woodworking
or wood finishing project and outlining
how it contributed to the betterment of
his or her community. Entries should be
addressed to Minwax Community
Craftsman Award, c/o Brushfire, Inc., 110
S. Jefferson Road,Whippany, NJ 07981. For
more information, visit
www.minwax.com
.
Wood Carving Illustrated • Summer 2005
9
Best Tip Wins
James earned a $25 Fox Chapel Publishing gift certificate for providing the
best tip.
Wood Carving Illustrated
will award a $25 Fox Chapel Publishing gift certificate to the
reader who presents the best tip to be published in Tips and Techniques.Send tips to Tips and