Woodcarving Illustrated Issue 64 Fall 2013 - Editors of Woodcarving Illustrated - E-Book

Woodcarving Illustrated Issue 64 Fall 2013 E-Book

Editors of Woodcarving Illustrated

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Beschreibung

FEATURESThe Wonderful Wizard of OregonBy Toni FitzgeraldGary Burns uses self-taught techniques to carve out a fantastic nicheBack to SchoolBy Mindy KinseyLearn to carve or hone your skills at schools and classes across the countryStory TimeBy Kathleen RyanCarlo Olkeriil tells American stories in traditional Palauan styleCarving Like ManiacsBy Ayleen StellhornTurning a Halloween hobby into a pumpkin-carving businessCNC Woodworking and Laser CuttingBy Bob DuncanComputer-controlled routers and lasers speed production for repetitive cutsPROJECTSCarving a Wood SpiritBy Harold EnlowDetailed instruction for carving your first wood spiritPower Carving an American Bison in ReliefBy Jose ValenciaLearn the techniques to carve a gunstock on a less expensive wooden plateCarving a GoldfinchBy Bob GugePractice power carving by making this popular songbirdDouble-sided Holiday OrnamentBy Glenn StewartIngenious Santa/turkey ornament is a real attention-getterCarving a Caricature HorseBy Dave StetsonWeary old nag is a great companion for any cowboy carvingCarving Kris KringleBy Bob MasonGet a head start on your holiday carving with this simple SantaCarving a ChipmunkBy Desiree HajnyCarve, burn, and paint this realistic version of a backyard visitorPATTERNSA Fantasy FavoriteBy Don DearolfCustomize this caricature wizard by changing the staff and paint colorsCarving a Little GuyBy Keith RandichLearn to carve a basic figure and then personalize it as much as you likeTECHNIQUESChip Carving an EagleBy Lora S. IrishPractice basic chip carving techniques with this patriotic designCarving a Native American EyeBy John BurkeTechniques for capturing the distinctive shape of these special eyes

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74
Realistic chipmunk is
a great fall carving.
4
Editor’s Note
6
From Our Mailbag
8
Reader Gallery
10
News and Notes
14
Relief Column
86
Shop Notes
88
Book Reviews
90
Calendar of Events
94
Coming Features
95
Ad Directory
& Classified Ads
96
Woodchips
DEPARTMENTS
Check out
Woodcarving Illustrated
on Facebook
Follow us on Twitter, twitter.com/woodcarving
FEATURES
18
The Wonderful Wizard of Oregon
By
Toni Fitzgerald
Gary Burns uses self-taught
techniques to carve out a
fantastic niche
30
Back to School
By
Mindy Kinsey
Learn to carve or hone your skills at
schools and classes across the country
37
Story Time
By
Kathleen Ryan
Carlo Olkeriil tells American stories
in traditional Palauan style
54
Carving Like Maniacs
By
Ayleen Stellhorn
Turning a Halloween hobby
into a pumpkin-carving business
68
CNC Woodworking
& Laser Cutting
By
Bob Duncan and Mindy Kinsey
Computer-controlled routers
and lasers speed production
for repetitive cuts
in this
issue
FALL 2013
ISSUE 64
www.woodcarvingillustrated.com
3
PROJECTS
PATTERNS
25
Carving a Wood Spirit
By
Harold Enlow
Detailed instructions for
carving your first wood spirit
32
Power Carving an
American Bison in Relief
By
Jose Valencia
Learn the techniques to carve
a gunstock on a less expensive
wooden plate
38
Carving a Goldfinch
By
Bob Guge
Practice power carving by
making this popular songbird
46
Double-Sided Holiday
Ornament
By
Glenn Stewart
Ingenious Santa/turkey ornament
is a real attention-getter
50
Carving a Caricature Horse
By
Dave Stetson
Weary old nag is a great companion
for any cowboy carving
56
Carving Kris Kringle
By
Bob Mason
Get a head start on your holiday
carving with this simple Santa
74
Carving a Chipmunk
By
Desiree Hajny
Carve, burn, and paint this realistic
version of a backyard visitor
Holiday Head Start
A
collection of cute Christmas items
and great gift ideas so you can start
your Christmas carving early
Online Exclusive Article
Delectable Carvings by Kathleen Ryan
Meet Chef Jimmy, a world-class carver
of fruits and vegetables.
Bonus Whittling Pattern
Man in the Moon by Dave Stetson
Make
your own moon man using just
one knife and a scrap of wood.
Additional
online features: community forum • carving galleries • tips
• article index • free patterns • product reviews • subscriber services
43
A Fantasy Favorite
By
Don Dearolf
Customize this caricature wizard by
changing the staff and paint colors
66
Carving a Little Guy
By
Keith Randich
Learn to carve a basic figure and then
personalize it as much as you like
TECHNIQUES
22
Chip Carving an Eagle
By
Lora S. Irish
Practice basic chip carving techniques
with this patriotic design
61
Carving a Native American Eye
By
John Burke
Techniques for capturing the
distinctive shape of these special eyes
www.
woodcarvingillustrated
.com/wci64
LOG ON
TODAY!
Woodcarving Illustrated
|
FALL 2013
4
editor’s
note
Woodcarving Illustrated
4
Identification Statement: Woodcarving Illustrated vol. 17, no. 3
(Fall 2013) (ISSN#1096-2816) is published four times a year in the months of
February, May, August, and November by Fox Chapel Publishing Co. Inc.,
1970 Broad Street, East Petersburg, PA 17520.
Periodical Postage paid at
East Petersburg, PA, and additional mailing offices.
POSTMASTER: Send address changes to Woodcarving Illustrated,
1970 Broad Street, East Petersburg, PA 17520.
Woodcarving and the use of associated equipment can potentially result in health hazards and
injuries.
While we cannot impose safety standards in every article, we do ask that you make safety
your number one priority.
Protect your respiratory system, hearing, vision, and the rest of your body
with the proper safety equipment and prudent precautions.
Read manuals supplied with your tools.
Be aware most accidents occur when you are tired or distracted.
And when in doubt, seek advice from
professionals on how to keep your tools sharp and maintained.
Volume 17, Number 3 (Issue No. 64)
How-To Magazine for Carvers™
Internet: www.WoodcarvingIllustrated.com
Woodcarving Illustrated Magazine
1970 Broad Street, East Petersburg, PA 17520
Phone: 717-560-4703
Fax: 717-560-4702
Our Mission:
To promote woodcarving as an
artform and an enjoyable pastime.
Publisher
Alan Giagnocavo
Manager, Magazines
Shannon Flowers
Editor
Mindy Kinsey
Technical Editor
Bob Duncan
Creative Director
Troy Thorne
Art Director
Jon Deck
Founding Editor
Roger Schroeder
Studio Photographer
Scott Kriner
Advertising
Jane Patukas
Advertising Account Manager
Cindy Fahs
Technical Illustrators
Irene Bertils
Jon Deck
Carolyn Mosher
Newsstand Distribution: Curtis Circulation Company
Circulation Consultant: National Publisher Services
Printed by Fry Communications
©2013 by Fox Chapel Publishing Co. Inc.
All Rights Reserved. Printed in USA
Subscription rates in US dollars:
One year
$24.95
Two years
$49.90
Canada
One year
$29.95
Two years
$59.90
International
One year
$34.95
Two years
$69.90
Customer Service for Subscribers
Please call toll-free 888-506-6630,
or visit our Website:
www.WoodcarvingIllustrated.com
Display Advertising/Classifieds
Please call or e-mail Jane Patukas, (ext. 127) for rates and/or
a media kit.
Wholesale/Distribution
Woodcarving Illustrated is available to retailers for
resale on advantageous terms.
Contact Wendy Calta (ext. 114) for details.
Fall 2013
Note to Professional Copy Services — The publisher grants you
permission to make up to ten copies for any purchaser of this
magazine who states the copies are for personal use.
Customer Service for Subscribers
Visit www.WoodcarvingIllustrated.com, call 888-506-6630,
or write: Woodcarving Illustrated, 1970 Broad Street,
East Petersburg, PA 17520
Printed in USA
Wild Wood
My friend and I took our kids miniature golfing the other
day. Our local course, Village Greens in Strasburg, Pa., is
fantastic—it rambles down a shady hillside crisscrossed with
burbling streams and liberally planted with flowers. You
cross over a swinging bridge and under a waterfall; water
is the trickiest and most pervasive obstacle in the cleverly
plotted course. Plus, you can order milkshakes from the
20th hole for pickup when you’re done playing.
As we were waiting to tee off, I spied large, root-like knobs standing
along a stream under a tree—cypress knees. I recognized them from
the samples, both carved and un-, at the office, and I was oddly excited
to see them growing. It’s hard to explain, but seeing them in the wild,
as it were, made them very real to me. It’s like I suddenly understood
the relationship between the wood we usually see—carved, painted,
and finished—and this dirty, natural, and lumpy wood that still
somehow inspires people to go get some and turn it into something
cool and creative. And in a small way, I felt the magazine in the middle,
helping other people make that connection.
One of the artists featured in this issue, Gary Burns, a.k.a. “Wiz,”
is especially inspired by dirty lumps of wood. Gary carves pine knots
from well-rotted trees because he likes the way the wood carves when
it’s full of pitch. He also carves maple burls, which he says don’t chip as
much as regular maple and have interesting grain. Learn more about
Gary and his carvings, and get some tips for carving burls and knots,
beginning on page 18.
And speaking of cool and creative, check out pages 54 and 55
(go ahead, I’ll wait). Artists Marc Evan and Chris Soria morph into
the Maniac Pumpkin Carvers at this time each year. Using standard
carving tools, art supplies, and kitchen gear, they will create 500-plus
decorative pumpkins over the course of three months. Like Gary with
his knots, the Maniacs not only carve what’s available, but turn the
ordinary into something extraordinary.
This issue offers you plenty of opportunities to do the same.
Although most of our projects use traditional blocks, you could easily
carve them in found wood—or found vegetables. Or, add a carving to a
common object. Jose Valencia usually carves his low-relief images into
gunstocks, although he demonstrated his art on a plaque for us
(page 32). Our grape vine relief pattern (page 14) and eagle chip
carving pattern (page 22) would both look great on furniture.
We have articles or projects
about power carving, tech,
caricatures, wildlife, and even
holiday gifts. I hope that one
of them inspires you to make
something extraordinary.
Mindy Kinsey
Cypress knees growing at the
local miniature golf course.
www.woodcarvingillustrated.com
5
Woodcarving Illustrated
|
FALL 2013
6
Story Boards
I usually listen to classical music
as a background while carving
(I usually carve with hand-held
tools so I can hear the music). I
often develop mental images of
the musical scenes, whether it is a
symphony, opera, or ballet.
For many years, I carved
Nordic, Celtic, and a variety of
legendary and mythological figures.
But in the past few years, I have
been carving storyboards. One
consisted of 17 relief-carved scenes
from Peer Gynt
(an opera based on
a Norwegian fairy tale) embellished
with background pyrography. I’ve
nearly completed a storyboard of
14 scenes from Peter and the Wolf.
Fred Sontheim
Gibbons, AB, Canada
Editor’s Note: Learn more about storyboards
on page 37. They are part of carver Carlo
Olkeriil’s heritage; he was raised on the South
Pacific island of Palau, but now resides in
Astoria, Ore.
For my 40th birthday, I treated myself to a one-week class at the
Geisler-Moroder Woodcarving School in Tirol, Austria. The
school exceeded my expectations. I was surprised to learn of all
the talent in the room. Sitting near me were two other authors
published in
Woodcarving Illustrated
: Carol Kent (Twisted
Spiral Ornament, Holiday 2005, Issue 33) and Jim Farley (Build
Your Own Carving Stand, Spring 2009, Issue 46, and Building
a Tilting Carving Table, Spring 2010, Issue 50).
By the way, my
Woodcarving Illustrated
T-shirt was a big hit at the school.
Joseph Savarese
Brooklyn, N.Y.
Editor’s Note: Joseph has written two articles for
Woodcarving
Illustrated
: Creating Toy Block Ornaments
(Woodcarving
Illustrated Presents Hand-carved Holiday Gifts Volume 2)
and
Carving a Sleepy Owl (Summer 2012, Issue 59). Look for his
whimsy ornament in an upcoming issue
.
FOX HUNT
Robert P. Chartier of Ware,
Mass., and Larry D. Graf of
Bismarck, N.D., are the winners
drawn from the correct entries
received for
WCI
Summer 2013
(Issue 63). The fox was hidden
on page 25, among the Folk Art
Fish Keychains.
Find the fox in this issue,
and contact us with the page
number and location. Two
readers randomly selected from
all correct replies will receive
a $25 Fox Chapel Publishing
gift certificate. Entries must
be received by September 25,
2013, to be eligible.
NOTE: With
his feet on the “ground,” the
contest fox faces left (other foxes
in
WCI
don’t count).
Send your entry to
Woodcarving Illustrated
, Attn:
Find the Fox, 1970 Broad
Street, East Petersburg, Pa.
17520, or enter online under
the contests link at www.
woodcarvingillustrated.com.
Continuing Education
Woodcarving Illustrated
authors Joseph Savarese, Carol
Kent, and Jim Farley pose outside the Geisler-Morodor
Woodcarving School in Tirol, Austria, with their
instructor, Pascal Wirth.
from our
mailbag
SET IT
STRAIGHT
In our 2013
Whittling
Special Issue, several
photos in the Man in the Moon article
by Dave Stetson were inadvertently
flipped. A PDF of the corrected article is
available for download on our website
(www.WoodcarvingIllustrated.com).
For a free printed copy of the article,
contact our customer service department
at 800-457-9112 or customerservice@
foxchapelpublishing.com.
Embellished Star Ornaments
I found Jody Sebring’s Moravian
star ornaments (Holiday 2012,
Issue 61) interesting and inspiring.
After carving 14, I decided to
carve a tree to match. I didn’t want
the tree to be lonely, so I carved
a little armadillo inspired by the
Oaxacan (Mexico) carvers.
Ramon Sola
St. Anthony Village, Minn.
Ramon Sola
painted his
Moravian
stars and
added stems
to create a
colorful tree.
Woodcarving Illustrated
|
FALL 2013
8
Honoring Veterans
Bird sculptor
Ralph Ziegler
of Racine,
Wisc., based his patriotic sculpture
on a photograph by Frank Glick,
which shows an eagle perched on a
gravestone at Fort Snelling National
Cemetery in Minneapolis. The self-
taught carver commented, “I don’t
know if I’ve ever seen anything more
awe-inspiring than the very symbol of
American freedom serving as honor
guard over those who’ve paid for it.”
Spiral Trees
Bob and Vicky Boyce
of LaPlata, Md., created
these ornaments for their grandchildren and great-
grandchildren. Bob carved 20 trees based on Dennis
Carlson’s pattern (
WCI
Holiday 2011, Issue 57), and
Vicky painted them. The pair also made a shelf display
by carving three additional trees in different sizes.
reader
gallery
Harley Cow
Gary Hayes o
f White Bear
Lake, Minn., created this
caricature based on Harold
Enlow’s Ozark cow design.
Gary made the piece for a
daughter’s friend who works
on a ranch in Texas and
rides a Harley motorcycle.
Carved Mascot
J. Roy Miller
of Bullhead, Ariz., a
1963 graduate of Manheim (Pa.)
Central High School, carved this
Baron von Stiegel, the high school’s
mascot. The 17"-tall piece was carved
from a tamarisk log. Roy used hand
tools, an electric chisel, and a rotary
tool. The piece will be sold at auction
to raise money for the school.
www.woodcarvingillustrated.com
9
Woodcarving Illustrated
|
FALL 2013
10
Back
After
Flood
news and
notes
Dennis and Susan Thornton pose with their 26
students aboard the Celebrity cruise ship
Eclipse
.
When the White River flooded in Spring 2013, Holli and Rich Smithson’s
home and business, located in Tipton, Ind., were flooded. Holli and Rich
have owned Helvie Knives for nine years, after buying it from Ken Helvie.
The couple saved most of their belongings by moving them to an
upper floor. “We did shut down our web site for about 10 days and didn’t
accept any new orders,” Rich and Holli said. “We notified customers that
had existing orders to let them know of our situation, and everyone was
understanding. We continued operations with the existing orders while we
cleaned up and tore out wet materials in both our home and shop.
The Smithsons send their thanks for the many offers of help and
support. “We can’t express how grateful we are to the carving community!”
Carving Cruise
More than 25 carvers took part in a carving cruise in
January 2013. Aboard the cruise ship
Eclipse
, Dennis
Thornton, a member of the Caricature Carvers of America,
taught a class on creating a pirate sea captain caricature.
His wife, Susan, taught the carvers how to paint the
carving. The 14-day trip to the south Caribbean was the
second cruise sponsored by Cherry Ridge Campgrounds
of Honesdale, Pa., and coordinating travel agent Mary Lee
Cipriano. Another cruise is in the works for 2015.
Cruise participants learned to carve
and paint this caricature pirate.
Yuma Carving Show
The North End Community
Center Carving Club of Yuma,
Ariz., held its 8th annual
Woodcarving Expo on January 11
and 12, 2013. Thirty-six carvers
and eight equipment and supply
vendors exhibited before a crowd
of more than 1,200 visitors. They
also presented demonstrations
ranging from tool sharpening to
chip carving, caricatures, relief
carving, and painting.
More than 50 carvings
competed for awards. Ed Miller,
Vernon Brown, Fran Ladrow, John
Bender, Al Kirk, and Larry Thorpe
all won first-place ribbons. Vernon
Brown’s chip-carved walking stick
also took the Best of Show award.
Ed Miller won the People’s Choice
award, and John Bender won the
Carvers’ Choice award.
The club will hold its next
show on January 10 and 11, 2014.
For information, contact the City
of Yuma Parks and Recreation
Department at 928-373-5243.
Floodwaters inundated the home and
business of Holli and Rich Smithson.
John Bender’s relief-carved leopard was
the Carvers’ Choice winner in Yuma.
www.woodcarvingillustrated.com
11
Woodcarving Illustrated
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FALL 2013
12
The Shuswap Carvers Society is hosting a unique
contest: they invite you to carve a curling rock.
Curling is a sport in which players slide large
granite stones, which look like oversized hockey
pucks with handles, across a sheet of ice toward a
target, adjusting the slide of the stone with brooms.
The Tim Hortons Brier is the annual Canadian
men’s curling championship; the winners of the
competition represent Canada at the men’s world
curling competitions. In 2014, The Brier will be held
in Kamloops, B.C., which happens to be the home of
five of the eight organizers of the Shuswap School of
Carving and Arts (SSCA).
The SSCA offers a week of woodcarving and other
craft classes each September. As a way to promote
both the school and the art of woodcarving, the
carvers contacted the organizers of the Brier and