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For Solstice Shorts 2021 we invited writers to respond to the growing climate crisis. From an exceptionally strong field we chose stories and poems that respond to the floods and droughts and fires all around the globe with tenderness, compassion, fear, grief and rage. Gaia is represented in all ther power and glory, and butterflies and plants sow seeds of hope, while other writers ask: How do we stop it? How do we survive it? And how do we live beyond the catastrophe on our horizon? Stories and Poems from Angela Graham, Ben Macnair, Cath Holland, Cath Humphris, Cathy Lennon, Claire Booker, Corinna Schulenburg, Diana Powell, Elaina Weakliem, Emily Ford, George Parker, Jane Aldous, Jane McLaughlin, Jared Pearce, Jessica Conley, Jill Michelle, Julian Bishop, Karen Ankers, Kate Foley, Katherine Gallagher, Kelly Davis, Lesley Curwen, Lisa Clarkson, Lucy Grace, Lucy Ryan, Lyndsey Weiner, Mandy Macdonald, Michelle Penn, Natascha Graham, Rachael Chong, Rob Walton, Robert René Galván, Samn Stockwell, Savannah McDaniel, Simon Brod, Stevie Krayer, Tara Willoughby, Tim Dillon, Vanessa Owen, Xia Leon Sloane.
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Introduction
Love Letter To The Earth
Potted Plants
Apocalypse
When Describing Gaia
Eunice Newton Foote
The Stars, Unfixed
The Last Lioness
Touch
Because I Have Been Complacent About Climate Change
Note To Self
Chronoflight
After This
These Days
Glacier, Calve Slowly
After Before
The Flooding
Mr King Has Decided To Pursue Other Avenues
Betty Always Sees Herself From A Distance
She Notices The Giant Grate Tilted
Views Of Greenland From Seat 39A
The White Boat
Erosion
Recharting The Territory
Memory Of Snow
Mr McGregor’s Seedlings
Humidity
Yellow Brimstone
Weather For Politicians
This Rewilding Wind
Occupy Frogs
For Sale. One Planet. Well Worn.
Flood Warning
The Year Of The Tree
Now And Then
Dominion
What The Natterjack Toad Teaches Us
Asteraceae
retablo for the deep ocean
The Rain
We Are Beach People
The Inescapable Irony Of Protective Packaging
Spring
Icarus
Volunteer
This Is What You’ll Get
The Undertaking
Gaia Theory
PROFILE SERIES 832/1: Planet E¥338-ф
The Things That Work
Words
From The Brink
Cherry Potts
This book is the seventh Solstice Shorts anthology, and represents the writing for the eighth Solstice Shorts Festival. All our festivals have a time theme, and generally are held at least in part, in Greenwich, on the Prime Meridian. This book may seem a little tenuous in its link, but the original call out was for time is running out, a response to the climate crisis, but that was a terrible title, and once the submissions started arriving, the new title, Words From the Brink, took form. Not so much catastrophising, as marginally hopeful – we can step back.
Words from the Brink is also the third in a series of anthologies loosely connected by the concept of Maps and Mapping; again, the link is circumstantial – where are we headed?
I was concerned that I would be inundated with end-of-the-world scenarios, and was haunted by a memory of a luridly illustrated double page spread in a (probably Marvel) comic that I read in primary school, which went something along the lines of Some say the world will end in fire, Some say in ice.
Cheerful stuff, and a strange way to be introduced to the poetry of Robert Frost!
Our versions seem to err towards drought or flood, but this is not a pessimistic book. It is filled with wonder and excitement and laughter (if often helpless and sardonic) at the glorious and vulnerable world we inhabit and her apparent capacity to thrive despite our depredations. But make no mistake, we know that seeming rejuvenation is false.
This book is a warning and, perhaps, a cry for help, from a very angry Gaia, who is prepared to take matters into her own hands, if we won’t. It is also laced through with hope and signs of recovery, even in the post-apocalyptic scenarios envisioned by some writers.
More than one contributor thinks aliens could make a better job of caring for our planet, with a slightly despairing field report, and a brutal auctioning off of our very dubious assets. Seeds are sown deliberately and accidentally, children and animals treasured, signs of decay noted and fretted over, and escapes planned.
Here at Arachne we take our impact on the environment seriously, we know books aren’t the greatest for the world in terms of power and water consumption, so we use wood free paper for our books, and recycled stationery and paper in the office, which is always used on both sides before being recycled again.
We use plastic free packaging, as do our printers, and we reuse every bit of packaging that comes into the building that is big enough to hold a book – so if your copy of this book arrived in bubble wrap, it has been round the block at least once already. Our electricity is already 100% renewable, and we are in the process of having solar panels fitted.
When our computers/phones give up the ghost we donate them to a local reuse and recycling charity. It is unquestionably not enough, so we urge you all
Do SOMETHING, while we still can.
Turn off that light, turn off that tap, turn down that heating; reduce, reuse, repurpose, recycle; plant a tree, protect the bees; write a song, a poem, a story that can reach the people who need to hear.
Shout about it. Protest!
Everything may yet be all right, but only with your help.
Jane Aldous
Dear Old Bod,
ancient blue dot, wiser than the lot of us,
fragile as the most fragile, tough as old boots,
clods, we’ve trashed our own paradise,
turned nature on its head.
I can barely look at your smouldering lungs
and swollen arteries.
As every year turns, every solstice, every season,
I love you more fiercely, in all your raw, mucky,
translucent, charming magnificence. I want you to exist
until the sun burns you up and we all explode into stars.
All I have is my plot, where wild flowers run riotously
through crops.
And hope in the face of all hope that nature’s beneficence
and human good sense will be enough.
Jared Pearce
She’s grown
the amaryllis so
tall it legs
across the counter,
trumpet bell
blossoms ringing
their glory
and devastation.
There’s nowhere
to pull the stool,
swing over
and plop down,
and not get hit
by six blaring
hearts honking in my face
about the end
of times, valves
full or half or closing
closed, cup
mutes calling
the final turn
in our footsore
race, still miles
from a finish.
Kate Foley
‘Thanks to our viewer who sent
this wonderful sunset photo.’
The weatherman doesn’t say
‘taken at 6 am today’.
Whitehall says
‘no panic’ so
got up this morning,
scratched our armpits,
climbed in the shower,
kissed the kids,
time to go.
Used as we are
to ‘climate change’
they call it,
and now the piercing frost
of stars at night
is hidden in the glare
of our inferior suns,
we never see the outraged universe,
just, but never kind,
thundering down the galaxies
to wipe us from its mind.
Emily Ford
buxom is the first thing they say
it is in their nature,
they are in hers:
the cirrus and nimbus surveying
her great rolling quilt,
the way her long locks of hair
tumble
and
tumble into rapids
in the West
her rice staircases
bulging into pregnant
cherry blossom
in the East
it is in her nature
she takes the dawn
in her arms
finds its heart with her lips
takes it between her teeth
thrusting with her island hips
here come those
entitled males
those Titans, gods and men
who will not find the heart in the sky
who will not see her lips,
or the teeth she bares,
will not understand the whittled warnings
of her tides
her sighing redwoods
her screaming cracking plates
they will plunder her flesh
drill into her bones
she will give
give
give
everything they take
take
take
Emily Ford
Dropping babies from our bodies like
mic drop
big as moons
relentless as light
these boons we bestow
so did you know
Eunice (can I call her that?)
wrote: an atmosphere of carbonic acid gas
would give to our earth a high temperature
in 1856
1856 1856 1856 1856 1856 1856
1856 1856 1856 1856 1856
1856 1856
1856 1856
1856
and after the obligatory
SHUT UP, WOMAN
a man (I forget his name)
repeated her, and was applauded
hold onto your wombs ladies,
this is where it gets old
and tired
this happened again
and again
and again
and again
and while the planet is on fire,
we clap and we clap and we clap the men.
Elaina Weakliem
The hissing of the water pump wakes me up in the middle of the night, and for a bleary moment, I grope through the sheets, trying to find the soft shape of your back. When the bed next to me turns up empty, I sit upright, panic clanging the primal alarm bells at the base of my skull.
I reach over to wake up your mother – and there you are, curled right up in her arms, your head resting on her collarbone. The two of you cling to each other unconsciously, your tiny hand pulling at the strap of her shirt. She rolls onto her back, bringing you up to her chest.
The water pump’s hiss turns to a faint gurgle, and I scrub my hands across my eyes, falling back onto the mattress. The room hasn’t started to show even the faintest signs of dawn, which makes me want to check the time, to see how long we really have left. The digital clock on the dresser is blank – the President made good on his promises and cut the power grid to most of our county yesterday. Only the water – what’s left of it – is still running, thanks to the solar panels I installed to power the neighbouring irrigation systems, back when the threat of running dry loomed large, but unbelievable, on the distant horizon of the future.