Erhalten Sie Zugang zu diesem und mehr als 300000 Büchern ab EUR 5,99 monatlich.
- Herausgeber: Musaicum Books
- Kategorie: Für Kinder und Jugendliche
- Sprache: Englisch
- Veröffentlichungsjahr: 2018
Francis Hodgson Burnett's book, 'A Little Princess' unabridged version, is a timeless classic that beautifully weaves together themes of resilience, imagination, and the power of friendship. Set against the backdrop of Victorian England, this heartwarming tale follows the journey of Sara Crewe, a young girl who faces adversity with grace and kindness. Burnett's descriptive prose and vivid storytelling make this book a captivating read for all ages, showcasing her mastery of character development and emotional depth. Francis Hodgson Burnett, known for her poignant narratives and ability to evoke empathy in readers, drew inspiration from her own experiences growing up in England. The author's deep understanding of human nature is reflected in the characters she creates, each with their own struggles and triumphs. Burnett's own difficult childhood likely influenced her compassion for the underprivileged, a theme that is prevalent throughout 'A Little Princess'. I highly recommend 'A Little Princess' unabridged version to readers looking for a heartwarming story that will inspire and uplift. Burnett's timeless tale reminds us of the importance of kindness, imagination, and staying true to oneself in the face of adversity. Whether you're revisiting this beloved classic or experiencing it for the first time, you're sure to be moved by Sara Crewe's journey and the enduring message of hope it conveys.
Sie lesen das E-Book in den Legimi-Apps auf:
Seitenzahl: 335
Das E-Book (TTS) können Sie hören im Abo „Legimi Premium” in Legimi-Apps auf:
Ähnliche
A Little Princess (Unabridged)
Table of Contents
The Whole of the Story
I do not know whether many people realize how much more than is ever written there really is in a story—how many parts of it are never told—how much more really happened than there is in the book one holds in one’s hand and pores over. Stories are something like letters. When a letter is written, how often one remembers things omitted and says, “Ah, why did I not tell them that?” In writing a book one relates all that one remembers at the time, and if one told all that really happened perhaps the book would never end. Between the lines of every story there is another story, and that is one that is never heard and can only be guessed at by the people who are good at guessing. The person who writes the story may never know all of it, but sometimes he does and wishes he had the chance to begin again.
When I wrote the story of “Sara Crewe” I guessed that a great deal more had happened at Miss Minchin’s than I had had time to find out just then. I knew, of course, that there must have been chapters full of things going on all the time; and when I began to make a play out of the book and called it “A Little Princess,” I discovered three acts full of things. What interested me most was that I found that there had been girls at the school whose names I had not even known before. There was a little girl whose name was Lottie, who was an amusing little person; there was a hungry scullery-maid who was Sara’s adoring friend; Ermengarde was much more entertaining than she had seemed at first; things happened in the garret which had never been hinted at in the book; and a certain gentleman whose name was Melchisedec was an intimate friend of Sara’s who should never have been left out of the story if he had only walked into it in time. He and Becky and Lottie lived at Miss Minchin’s, and I cannot understand why they did not mention themselves to me at first. They were as real as Sara, and it was careless of them not to come out of the story shadowland and say, “Here I am—tell about me.” But they did not—which was their fault and not mine. People who live in the story one is writing ought to come forward at the beginning and tap the writing person on the shoulder and say, “Hallo, what about me?” If they don’t, no one can be blamed but themselves and their slouching, idle ways.
After the play of “A Little Princess” was produced in New York, and so many children went to see it and liked Becky and Lottie and Melchisedec, my publishers asked me if I could not write Sara’s story over again and put into it all the things and people who had been left out before, and so I have done it; and when I began I found there were actually pages and pages of things which had happened that had never been put even into the play, so in this new “Little Princess” I have put all I have been able to discover.
FRANCES HODGSON BURNETT.
Chapter I Sara
Once on a dark winter’s day, when the yellow fog hung so thick and heavy in the streets of London that the lamps were lighted and the shop windows blazed with gas as they do at night, an odd-looking little girl sat in a cab with her father and was driven rather slowly through the big thoroughfares.
She sat with her feet tucked under her, and leaned against her father, who held her in his arm, as she stared out of the window at the passing people with a queer old-fashioned thoughtfulness in her big eyes.
She was such a little girl that one did not expect to see such a look on her small face. It would have been an old look for a child of twelve, and Sara Crewe was only seven. The fact was, however, that she was always dreaming and thinking odd things and could not herself remember any time when she had not been thinking things about grown-up people and the world they belonged to. She felt as if she had lived a long, long time.
At this moment she was remembering the voyage she had just made from Bombay with her father, Captain Crewe. She was thinking of the big ship, of the Lascars passing silently to and fro on it, of the children playing about on the hot deck, and of some young officers’ wives who used to try to make her talk to them and laugh at the things she said.
Principally, she was thinking of what a queer thing it was that at one time one was in India in the blazing sun, and then in the middle of the ocean, and then driving in a strange vehicle through strange streets where the day was as dark as the night. She found this so puzzling that she moved closer to her father.
“Papa,” she said in a low, mysterious little voice which was almost a whisper, “papa.”
“What is it, darling?” Captain Crewe answered, holding her closer and looking down into her face. “What is Sara thinking of?”
“Is this the place?” Sara whispered, cuddling still closer to him. “Is it, papa?”
“Yes, little Sara, it is. We have reached it at last.” And though she was only seven years old, she knew that he felt sad when he said it.
It seemed to her many years since he had begun to prepare her mind for “the place,” as she always called it. Her mother had died when she was born, so she had never known or missed her. Her young, handsome, rich, petting father seemed to be the only relation she had in the world. They had always played together and been fond of each other. She only knew he was rich because she had heard people say so when they thought she was not listening, and she had also heard them say that when she grew up she would be rich, too. She did not know all that being rich meant. She had always lived in a beautiful bungalow, and had been used to seeing many servants who made salaams to her and called her “Missee Sahib,” and gave her her own way in everything. She had had toys and pets and an ayah who worshipped her, and she had gradually learned that people who were rich had these things. That, however, was all she knew about it.
During her short life only one thing had troubled her, and that thing was “the place” she was to be taken to some day. The climate of India was very bad for children, and as soon as possible they were sent away from it—generally to England and to school. She had seen other children go away, and had heard their fathers and mothers talk about the letters they received from them. She had known that she would be obliged to go also, and though sometimes her father’s stories of the voyage and the new country had attracted her, she had been troubled by the thought that he could not stay with her.
“Couldn’t you go to that place with me, papa?” she had asked when she was five years old. “Couldn’t you go to school, too? I would help you with your lessons.”
“But you will not have to stay for a very long time, little Sara,” he had always said. “You will go to a nice house where there will be a lot of little girls, and you will play together, and I will send you plenty of books, and you will grow so fast that it will seem scarcely a year before you are big enough and clever enough to come back and take care of papa.”
She had liked to think of that. To keep the house for her father; to ride with him, and sit at the head of his table when he had dinner-parties; to talk to him and read his books—that would be what she would like most in the world, and if one must go away to “the place” in England to attain it, she must make up her mind to go. She did not care very much for other little girls, but if she had plenty of books she could console herself. She liked books more than anything else, and was, in fact, always inventing stories of beautiful things and telling them to herself. Sometimes she had told them to her father, and he had liked them as much as she did.
“Well, papa,” she said softly, “if we are here I suppose we must be resigned.”
He laughed at her old-fashioned speech and kissed her. He was really not at all resigned himself, though he knew he must keep that a secret. His quaint little Sara had been a great companion to him, and he felt he should be a lonely fellow when, on his return to India, he went into his bungalow knowing he need not expect to see the small figure in its white frock come forward to meet him. So he held her very closely in his arm as the cab rolled into the big, dull square in which stood the house which was their destination.
It was a big, dull, brick house, exactly like all the others in its row, but that on the front door there shone a brass plate on which was engraved in black letters:
Miss Minchin, Select Seminary for Young Ladies.
“Here we are, Sara,” said Captain Crewe, making his voice sound as cheerful as possible. Then he lifted her out of the cab and they mounted the steps and rang the bell. Sara often thought afterward that the house was somehow exactly like Miss Minchin. It was respectable and well furnished, but everything in it was ugly; and the very arm-chairs seemed to have hard bones in them. In the hall everything was hard and polished—even the red cheeks of the moon face on the tall clock in the corner had a severe varnished look. The drawing-room into which they were ushered was covered by a carpet with a square pattern upon it, the chairs were square, and a heavy marble timepiece stood upon the heavy marble mantel.
As she sat down in one of the stiff mahogany chairs, Sara cast one of her quick looks about her.
“I don’t like it, papa,” she said. “But then I dare say soldiers—even brave ones—don’t really like going into battle.”
Captain Crewe laughed outright at this. He was young and full of fun, and he never tired of hearing Sara’s queer speeches.
“Oh, little Sara,” he said. “What shall I do when I have no one to say solemn things to me? No one else is quite as solemn as you are.”
“But why do solemn things make you laugh so?” inquired Sara.
“Because you are such fun when you say them,” he answered, laughing still more. And then suddenly he swept her into his arms and kissed her very hard, stopping laughing all at once and looking almost as if tears had come into his eyes.
It was just then that Miss Minchin entered the room. She was very like her house, Sara felt: tall and dull, and respectable and ugly. She had large, cold, fishy eyes, and a large, cold, fishy smile. It spread itself into a very large smile when she saw Sara and Captain Crewe. She had heard a great many desirable things of the young soldier from the lady who had recommended her school to him. Among other things, she had heard that he was a rich father who was willing to spend a great deal of money on his little daughter.
“It will be a great privilege to have charge of such a beautiful and promising child, Captain Crewe,” she said, taking Sara’s hand and stroking it. “Lady Meredith has told me of her unusual cleverness. A clever child is a great treasure in an establishment like mine.”
Sara stood quietly, with her eyes fixed upon Miss Minchin’s face. She was thinking something odd, as usual.
“Why does she say I am a beautiful child,” she was thinking. “I am not beautiful at all. Colonel Grange’s little girl, Isobel, is beautiful. She has dimples and rose-colored cheeks, and long hair the color of gold. I have short black hair and green eyes; besides which, I am a thin child and not fair in the least. I am one of the ugliest children I ever saw. She is beginning by telling a story.”
She was mistaken, however, in thinking she was an ugly child. She was not in the least like Isobel Grange, who had been the beauty of the regiment, but she had an odd charm of her own. She was a slim, supple creature, rather tall for her age, and had an intense, attractive little face. Her hair was heavy and quite black and only curled at the tips; her eyes were greenish gray, it is true, but they were big, wonderful eyes with long, black lashes, and though she herself did not like the color of them, many other people did. Still she was very firm in her belief that she was an ugly little girl, and she was not at all elated by Miss Minchin’s flattery.
“I should be telling a story if I said she was beautiful,” she thought; “and I should know I was telling a story. I believe I am as ugly as she is—in my way. What did she say that for?”
After she had known Miss Minchin longer she learned why she had said it. She discovered that she said the same thing to each papa and mamma who brought a child to her school.
Sara stood near her father and listened while he and Miss Minchin talked. She had been brought to the seminary because Lady Meredith’s two little girls had been educated there, and Captain Crewe had a great respect for Lady Meredith’s experience. Sara was to be what was known as “a parlor-boarder,” and she was to enjoy even greater privileges than parlor-boarders usually did. She was to have a pretty bedroom and sitting-room of her own; she was to have a pony and a carriage, and a maid to take the place of the ayah who had been her nurse in India.
“I am not in the least anxious about her education,” Captain Crewe said, with his gay laugh, as he held Sara’s hand and patted it. “The difficulty will be to keep her from learning too fast and too much. She is always sitting with her little nose burrowing into books. She doesn’t read them, Miss Minchin; she gobbles them up as if she were a little wolf instead of a little girl. She is always starving for new books to gobble, and she wants grown-up books—great, big, fat ones—French and German as well as English—history and biography and poets, and all sorts of things. Drag her away from her books when she reads too much. Make her ride her pony in the Row or go out and buy a new doll. She ought to play more with dolls.”
“Papa,” said Sara. “You see, if I went out and bought a new doll every few days I should have more than I could be fond of. Dolls ought to be intimate friends. Emily is going to be my intimate friend.”
Captain Crewe looked at Miss Minchin and Miss Minchin looked at Captain Crewe.
“Who is Emily?” she inquired.
“Tell her, Sara,” Captain Crewe said, smiling.
Sara’s green-gray eyes looked very solemn and quite soft as she answered.
“She is a doll I haven’t got yet,” she said. “She is a doll papa is going to buy for me. We are going out together to find her. I have called her Emily. She is going to be my friend when papa is gone. I want her to talk to about him.”
Miss Minchin’s large, fishy smile became very flattering indeed.
“What an original child!” she said. “What a darling little creature!”
“Yes,” said Captain Crewe, drawing Sara close. “She is a darling little creature. Take great care of her for me, Miss Minchin.”
Sara stayed with her father at his hotel for several days; in fact, she remained with him until he sailed away again to India. They went out and visited many big shops together, and bought a great many things. They bought, indeed, a great many more things than Sara needed; but Captain Crewe was a rash, innocent young man and wanted his little girl to have everything she admired and everything he admired himself, so between them they collected a wardrobe much too grand for a child of seven. There were velvet dresses trimmed with costly furs, and lace dresses, and embroidered ones, and hats with great, soft ostrich feathers, and ermine coats and muffs, and boxes of tiny gloves and handkerchiefs and silk stockings in such abundant supplies that the polite young women behind the counters whispered to each other that the odd little girl with the big, solemn eyes must be at least some foreign princess—perhaps the little daughter of an Indian rajah.
And at last they found Emily, but they went to a number of toy-shops and looked at a great many dolls before they finally discovered her.
“I want her to look as if she wasn’t a doll really,” Sara said. “I want her to look as if she listens when I talk to her. The trouble with dolls, papa”—and she put her head on one side and reflected as she said it—“the trouble with dolls is that they never seem to hear.” So they looked at big ones and little ones—at dolls with black eyes and dolls with blue—at dolls with brown curls and dolls with golden braids, dolls dressed and dolls undressed.
“You see,” Sara said when they were examining one who had no clothes. “If, when I find her, she has no frocks, we can take her to a dressmaker and have her things made to fit. They will fit better if they are tried on.”
After a number of disappointments they decided to walk and look in at the shop windows and let the cab follow them. They had passed two or three places without even going in, when, as they were approaching a shop which was really not a very large one, Sara suddenly started and clutched her father’s arm.
“Oh, papa!” she cried. “There is Emily!”
A flush had risen to her face and there was an expression in her green-gray eyes as if she had just recognized some one she was intimate with and fond of.
“She is actually waiting for us!” she said. “Let us go in to her.”
“Dear me!” said Captain Crewe; “I feel as if we ought to have some one to introduce us.”
“You must introduce me and I will introduce you,” said Sara. “But I knew her the minute I saw her—so perhaps she knew me, too.”
Perhaps she had known her. She had certainly a very intelligent expression in her eyes when Sara took her in her arms. She was a large doll, but not too large to carry about easily; she had naturally curling golden-brown hair, which hung like a mantle about her, and her eyes were a deep, clear, gray blue, with soft, thick eyelashes which were real eyelashes and not mere painted lines.
“Of course,” said Sara, looking into her face as she held her on her knee—“of course, papa, this is Emily.”
So Emily was bought and actually taken to a children’s outfitter’s shop, and measured for a wardrobe as grand as Sara’s own. She had lace frocks, too, and velvet and muslin ones, and hats and coats and beautiful lace-trimmed underclothes, and gloves and handkerchiefs and furs.
“I should like her always to look as if she was a child with a good mother,” said Sara. “I’m her mother, though I am going to make a companion of her.”
Captain Crewe would really have enjoyed the shopping tremendously, but that a sad thought kept tugging at his heart. This all meant that he was going to be separated from his beloved, quaint little comrade.
He got out of his bed in the middle of that night and went and stood looking down at Sara, who lay asleep with Emily in her arms. Her black hair was spread out on the pillow and Emily’s golden-brown hair mingled with it, both of them had lace-ruffled night-gowns, and both had long eyelashes which lay and curled up on their cheeks. Emily looked so like a real child that Captain Crewe felt glad she was there. He drew a big sigh and pulled his mustache with a boyish expression.
“Heigh-ho, little Sara!” he said to himself. “I don’t believe you know how much your daddy will miss you.”
The next day he took her to Miss Minchin’s and left her there. He was to sail away the next morning. He explained to Miss Minchin that his solicitors, Messrs. Barrow & Skipworth, had charge of his affairs in England and would give her any advice she wanted, and that they would pay the bills she sent in for Sara’s expenses. He would write to Sara twice a week, and she was to be given every pleasure she asked for.
“She is a sensible little thing, and she never wants anything it isn’t safe to give her,” he said.
Then he went with Sara into her little sitting-room and they bade each other good-by. Sara sat on his knee and held the lapels of his coat in her small hands, and looked long and hard at his face.
“Are you learning me by heart, little Sara,” he said, stroking her hair.
“No,” she answered. “I know you by heart. You are inside my heart.” And they put their arms round each other and kissed as if they would never let each other go.
When the cab drove away from the door, Sara was sitting on the floor of her sitting-room, with her hands under her chin and her eyes following it until it had turned the corner of the square. Emily was sitting by her, and she looked after it, too. When Miss Minchin sent her sister, Miss Amelia, to see what the child was doing, she found she could not open the door.
“I have locked it,” said a queer, polite little voice from inside. “I want to be quite by myself, if you please.”
Miss Amelia was fat and dumpy, and stood very much in awe of her sister. She was really the better-natured person of the two, but she never disobeyed Miss Minchin. She went down-stairs again, looking almost alarmed.
“I never saw such a funny, old-fashioned child, sister,” she said. “She has locked herself in, and she is not making the least particle of noise.”
“It is much better than if she kicked and screamed, as some of them do,” Miss Minchin answered. “I expected that a child as much spoiled as she is would set the whole house in an uproar. If ever a child was given her own way in everything, she is.”
“I’ve been opening her trunks and putting her things away,” said Miss Amelia. “I never saw anything like them—sable and ermine on her coats, and real Valenciennes lace on her underclothing. You have seen some of her clothes. What do you think of them?”
“I think they are perfectly ridiculous,” replied Miss Minchin, sharply; “but they will look very well at the head of the line when we take the school-children to church on Sunday. She has been provided for as if she were a little princess.”
And up-stairs in the locked room Sara and Emily sat on the floor and stared at the corner round which the cab had disappeared, while Captain Crewe looked backward, waving and kissing his hand as if he could not bear to stop.
Chapter II A French Lesson
When Sara entered the school-room the next morning everybody looked at her with wide, interested eyes. By that time every pupil—from Lavinia Herbert, who was nearly thirteen and felt quite grown up, to Lottie Legh, who was only just four and the baby of the school—had heard a great deal about her. They knew very certainly that she was Miss Minchin’s show pupil and was considered a credit to the establishment. One or two of them had even caught a glimpse of her French maid, Mariette, who had arrived the evening before. Lavinia had managed to pass Sara’s room when the door was open, and had seen Mariette opening a box which had arrived late from some shop.
“It was full of petticoats with lace frills on them—frills and frills,” she whispered to her friend Jessie as she bent over her geography. “I saw her shaking them out. I heard Miss Minchin say to Miss Amelia that her clothes were so grand that they were ridiculous for a child. My mamma says that children should be dressed simply. She has got one of those petticoats on now. I saw it when she sat down.”
“She has silk stockings on!” whispered Jessie, bending over her geography also. “And what little feet! I never saw such little feet.”
“Oh,” sniffed Lavinia, spitefully, “that is the way her slippers are made. My mamma says that even big feet can be made to look small if you have a clever shoemaker. I don’t think she is pretty at all. Her eyes are such a queer color.”
“She isn’t pretty as other pretty people are,” said Jessie, stealing a glance across the room; “but she makes you want to look at her again. She has tremendously long eyelashes, but her eyes are almost green.”
Sara was sitting quietly in her seat, waiting to be told what to do. She had been placed near Miss Minchin’s desk. She was not abashed at all by the many pairs of eyes watching her. She was interested and looked back quietly at the children who looked at her. She wondered what they were thinking of, and if they liked Miss Minchin, and if they cared for their lessons, and if any of them had a papa at all like her own. She had had a long talk with Emily about her papa that morning.
“He is on the sea now, Emily,” she had said. “We must be very great friends to each other and tell each other things. Emily, look at me. You have the nicest eyes I ever saw,—but I wish you could speak.”
She was a child full of imaginings and whimsical thoughts, and one of her fancies was that there would be a great deal of comfort in even pretending that Emily was alive and really heard and understood. After Mariette had dressed her in her dark-blue school-room frock and tied her hair with a dark-blue ribbon, she went to Emily, who sat in a chair of her own, and gave her a book.
“You can read that while I am down-stairs,” she said; and, seeing Mariette looking at her curiously, she spoke to her with a serious little face.
“What I believe about dolls,” she said, “is that they can do things they will not let us know about. Perhaps, really, Emily can read and talk and walk, but she will only do it when people are out of the room. That is her secret. You see, if people knew that dolls could do things, they would make them work. So, perhaps, they have promised each other to keep it a secret. If you stay in the room, Emily will just sit there and stare; but if you go out, she will begin to read, perhaps, or go and look out of the window. Then if she heard either of us coming, she would just run back and jump into her chair and pretend she had been there all the time.”
“Comme elle est drôle!” Mariette said to herself, and when she went down-stairs she told the head housemaid about it. But she had already begun to like this odd little girl who had such an intelligent small face and such perfect manners. She had taken care of children before who were not so polite. Sara was a very fine little person, and had a gentle, appreciative way of saying, “If you please, Mariette,” “Thank you, Mariette,” which was very charming. Mariette told the head housemaid that she thanked her as if she was thanking a lady.
“Elle a l’air d’une princesse, cette petite,” she said. Indeed, she was very much pleased with her new little mistress and liked her place greatly.
After Sara had sat in her seat in the school-room for a few minutes, being looked at by the pupils, Miss Minchin rapped in a dignified manner upon her desk.
“Young ladies,” she said, “I wish to introduce you to your new companion.” All the little girls rose in their places, and Sara rose also. “I shall expect you all to be very agreeable to Miss Crewe; she has just come to us from a great distance—in fact, from India. As soon as lessons are over you must make each other’s acquaintance.”
The pupils bowed ceremoniously, and Sara made a little courtesy, and then they sat down and looked at each other again.
“Sara,” said Miss Minchin in her school-room manner, “come here to me.”
She had taken a book from the desk and was turning over its leaves. Sara went to her politely.
“As your papa has engaged a French maid for you,” she began, “I conclude that he wishes you to make a special study of the French language.”
Sara felt a little awkward.
“I think he engaged her,” she said, “because he—he thought I would like her, Miss Minchin.”
“I am afraid,” said Miss Minchin, with a slightly sour smile, “that you have been a very spoiled little girl and always imagine that things are done because you like them. My impression is that your papa wished you to learn French.”
If Sara had been older or less punctilious about being quite polite to people, she could have explained herself in a very few words. But, as it was, she felt a flush rising on her cheeks. Miss Minchin was a very severe and imposing person, and she seemed so absolutely sure that Sara knew nothing whatever of French that she felt as if it would be almost rude to correct her. The truth was that Sara could not remember the time when she had not seemed to know French. Her father had often spoken it to her when she had been a baby. Her mother had been a Frenchwoman, and Captain Crewe had loved her language, so it happened that Sara had always heard and been familiar with it.
“I—I have never really learned French, but—but—” she began, trying shyly to make herself clear.
One of Miss Minchin’s chief secret annoyances was that she did not speak French herself, and was desirous of concealing the irritating fact. She, therefore, had no intention of discussing the matter and laying herself open to innocent questioning by a new little pupil.
“That is enough,” she said with polite tartness. “If you have not learned, you must begin at once. The French master, Monsieur Dufarge, will be here in a few minutes. Take this book and look at it until he arrives.”
Sara’s cheeks felt warm. She went back to her seat and opened the book. She looked at the first page with a grave face. She knew it would be rude to smile, and she was very determined not to be rude. But it was very odd to find herself expected to study a page which told her that “le père” meant “the father,” and “la mère” meant “the mother.”
Miss Minchin glanced toward her scrutinizingly.
“You look rather cross, Sara,” she said. “I am sorry you do not like the idea of learning French.”
“I am very fond of it,” answered Sara, thinking she would try again; “but—”
“You must not say ‘but’ when you are told to do things,” said Miss Minchin. “Look at your book again.”
And Sara did so, and did not smile, even when she found that “le fils” meant “the son,” and “le frère” meant “the brother.”
“When Monsieur Dufarge comes,” she thought, “I can make him understand.”
Monsieur Dufarge arrived very shortly afterward. He was a very nice, intelligent, middle-aged Frenchman, and he looked interested when his eyes fell upon Sara trying politely to seem absorbed in her little book of phrases.
“Is this a new pupil for me, madame?” he said to Miss Minchin. “I hope that is my good fortune.”
“Her papa—Captain Crewe—is very anxious that she should begin the language. But I am afraid she has a childish prejudice against it. She does not seem to wish to learn,” said Miss Minchin.
“I am sorry of that, mademoiselle,” he said kindly to Sara. “Perhaps, when we begin to study together, I may show you that it is a charming tongue.”
Little Sara rose in her seat. She was beginning to feel rather desperate, as if she were almost in disgrace. She looked up into Monsieur Dufarge’s face with her big, green-gray eyes, and they were quite innocently appealing. She knew that he would understand as soon as she spoke. She began to explain quite simply in pretty and fluent French. Madame had not understood. She had not learned French exactly,—not out of books,—but her papa and other people had always spoken it to her, and she had read it and written it as she had read and written English. Her papa loved it, and she loved it because he did. Her dear mamma, who had died when she was born, had been French. She would be glad to learn anything monsieur would teach her, but what she had tried to explain to madame was that she already knew the words in this book—and she held out the little book of phrases.
When she began to speak Miss Minchin started quite violently and sat staring at her over her eye-glasses, almost indignantly, until she had finished. Monsieur Dufarge began to smile, and his smile was one of great pleasure. To hear this pretty childish voice speaking his own language so simply and charmingly made him feel almost as if he were in his native land—which in dark, foggy days in London sometimes seemed worlds away. When she had finished, he took the phrase-book from her, with a look almost affectionate. But he spoke to Miss Minchin.
“Ah, madame,” he said, “there is not much I can teach her. She has not learned French; she is French. Her accent is exquisite.”
“You ought to have told me,” exclaimed Miss Minchin, much mortified, turning on Sara.
“I—I tried,” said Sara. “I—I suppose I did not begin right.”
Miss Minchin knew she had tried, and that it had not been her fault that she was not allowed to explain. And when she saw that the pupils had been listening and that Lavinia and Jessie were giggling behind their French grammars, she felt infuriated.
“Silence, young ladies!” she said severely, rapping upon the desk. “Silence at once!”
And she began from that minute to feel rather a grudge against her show pupil.
Chapter III Ermengarde
On that first morning, when Sara sat at Miss Minchin’s side, aware that the whole school-room was devoting itself to observing her, she had noticed very soon one little girl, about her own age, who looked at her very hard with a pair of light, rather dull, blue eyes. She was a fat child who did not look as if she were in the least clever, but she had a good-naturedly pouting mouth. Her flaxen hair was braided in a tight pigtail, tied with a ribbon, and she had pulled this pigtail round her neck, and was biting the end of the ribbon, resting her elbows on the desk, as she stared wonderingly at the new pupil. When Monsieur Dufarge began to speak to Sara, she looked a little frightened; and when Sara stepped forward and, looking at him with the innocent, appealing eyes, answered him, without any warning, in French, the fat little girl gave a startled jump, and grew quite red in her awed amazement. Having wept hopeless tears for weeks in her efforts to remember that “la mère” meant “the mother,” and “le père,” “the father,”—when one spoke sensible English,—it was almost too much for her to suddenly find herself listening to a child her own age who seemed not only quite familiar with these words, but apparently knew any number of others, and could mix them up with verbs as if they were mere trifles.
She stared so hard and bit the ribbon on her pigtail so fast that she attracted the attention of Miss Minchin, who, feeling extremely cross at the moment, immediately pounced upon her.
“Miss St. John!” she exclaimed severely. “What do you mean by such conduct? Remove your elbows! Take your ribbon out of your mouth! Sit up at once!”
Upon which Miss St. John gave another jump, and when Lavinia and Jessie tittered she became redder than ever—so red, indeed, that she almost looked as if tears were coming into her poor, dull, childish eyes; and Sara saw her and was so sorry for her that she began to rather like her and want to be her friend. It was a way of hers always to want to spring into any fray in which some one was made uncomfortable or unhappy.
“If Sara had been a boy and lived a few centuries ago,” her father used to say, “she would have gone about the country with her sword drawn, rescuing and defending every one in distress. She always wants to fight when she sees people in trouble.”
So she took rather a fancy to fat, slow, little Miss St. John, and kept glancing toward her through the morning. She saw that lessons were no easy matter to her, and that there was no danger of her ever being spoiled by being treated as a show pupil. Her French lesson was a pathetic thing. Her pronunciation made even Monsieur Dufarge smile in spite of himself, and Lavinia and Jessie and the more fortunate girls either giggled or looked at her in wondering disdain. But Sara did not laugh. She tried to look as if she did not hear when Miss St. John called “le bon pain,” “lee bong pang.” She had a fine, hot little temper of her own, and it made her feel rather savage when she heard the titters and saw the poor, stupid, distressed child’s face.
