A Woman of Thirty E-Book

Honore de Balzac

• Herausgeber: libreka classics
• Kategorie: Geisteswissenschaft
• Sprache: Englisch
• Veröffentlichungsjahr: 2019

Seitenzahl: 354

Beschreibung

A Woman of Thirty by Honoré de Balzac. Translated by Ellen Marriage libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!

Leseprobe

Titel: A Woman of Thirty

von William Shakespeare, H. G. Wells, Henry Van Dyke, Thomas Carlyle, Oscar Wilde, Joseph Conrad, Henry James, Anthony Hope, Henry Fielding, Giraldus Cambrensis, Daniel Defoe, Grammaticus Saxo, Edgar Rice Burroughs, Hugh Lofting, Agatha Christie, Sinclair Lewis, Eugène Brieux, Upton Sinclair, Booth Tarkington, Sax Rohmer, Jack London, Anna Katharine Green, Sara Jeannette Duncan, Xenophon, Alexandre Dumas père, John William Draper, Alice Christiana Thompson Meynell, Bram Stoker, Honoré de Balzac, William Congreve, Louis de Rougemont, Nikolai Vasilievich Gogol, Rolf Boldrewood, François Rabelais, Lysander Spooner, B. M. Bower, Henry Rider Haggard, William Hickling Prescott, Lafcadio Hearn, Robert Herrick, Jane Austen, Mark Twain, Mary Roberts Rinehart, Charles Babbage, Kate Douglas Smith Wiggin, Frank L. Packard, George Meredith, John Merle Coulter, Irvin S. Cobb, Edwin Mims, John Tyndall, Various, Charles Darwin, Sidney Lanier, Henry Lawson, Niccolò Machiavelli, George W. Crile, Théophile Gautier, Noah Brooks, James Thomson, Zane Grey, J. M. Synge, Virginia Woolf, Conrad Aiken, Edna St. Vincent Millay, Helen Cody Wetmore, Ayn Rand, Sir Thomas Malory, Gustave Flaubert, Edmond Rostand, Charlotte Brontë, Edith Wharton, Giles Lytton Strachey, Myrtle Reed, Ernest Bramah, Jules Verne, H. L. Mencken, H. Stanley Redgrove, Victor Lefebure, Edna Lyall, John Masefield, Charles Kingsley, Robert Burns, Edgar Lee Masters, Victor [pseud.] Appleton, Ellis Parker Butler, Mary Lamb, Charles Lamb, Johann Wolfgang von Goethe, Kenneth Grahame, Charles Dickens, John Ruskin, John Galt, James J. Davis, Owen Wister, William Blades, Sir Hall Caine, Sir Max Beerbohm, Baron Edward John Moreton Drax Plunkett Dunsany, Bret Harte, E. Phillips Oppenheim, Thomas Henry Huxley, A. B. Paterson, John N. Reynolds, Walter Dill Scott, Hans Gustav Adolf Gross, T. S. Eliot, Walt Whitman, Arthur Ransome, Jane Addams, Elizabeth, David Lindsay, Helen Bannerman, Charles A. Oliver, J. M. Barrie, Robert F. Murray, Andrew Lang, Jerome K. Jerome, Francis Thompson, Sydney Waterlow, Andrew Dickson White, Benjamin N. Cardozo, Karl Marx, Edouard Louis Emmanuel Julien Le Roy, Margaret Hill McCarter, Sir Donald Mackenzie Wallace, Howard Trueman, L. M. Montgomery, Frank T. Bullen, Baron Alfred Tennyson Tennyson, Jonathan Nield, Henry Wadsworth Longfellow, Charles Reade, Ouida, Washington Irving, Benjamin Louis Eulalie de Bonneville, Sir Walter Scott, Stewart Edward White, Arthur Hugh Clough, Baron Edward Bulwer Lytton Lytton, C.-F. Volney, T. Troward, graf Leo Tolstoy, Christopher Morley, James Madison, Alexander Hamilton, John Jay, Gilbert White, Percival Lowell, Frederick Marryat, Robert Graves, Thomas Holmes, Wilkie Collins, Maria Edgeworth, Katherine Mansfield, E. Nesbit, Olive Schreiner, Jeronimo Lobo, O. Henry, James Slough Zerbe, Donald Ogden Stewart, Johanna Spyri, Eleanor H. Porter, William Tatem Tilden, Sol Plaatje, Rafael Sabatini, William Makepeace Thackeray, George Gissing, Maksim Gorky, Baron Thomas Babington Macaulay Macaulay, H. G. Keene, Saki, R. B. Cunninghame Graham, Thomas Hughes, David Nunes Carvalho, Vicente Blasco Ibáñez, Carry Amelia Nation, John Fiske, Bernard Shaw, Elbridge Streeter Brooks, William Holmes McGuffey, Edward Everett Hale, Louis Ginzberg, Chester K. Steele, Christopher Marlowe, Plato, John Lord, Shakespeare, Martin Luther, Frances Hodgson Burnett, Howard Pyle, Charles Morris, Edward Carpenter, Maurice Leblanc, James Boswell, William Osler, William Ernest Henley, Theron Q. Dumont, Horatio Alger, Abraham Myerson, Joel Benton, Eden Phillpotts, Anonymous, Robert Louis Stevenson, Lloyd Osbourne, Cleland Boyd McAfee, Robert Williams Wood, H. C. Andersen, Edna Ferber, James Stephens, John Jacob Astor, Alexandre Dumas fils, Hilda Conkling, J. Storer Clouston, Julian Hawthorne, Ernest Albert Savage, Mary Eleanor Wilkins Freeman, Fernando de Rojas, Richard Harding Davis, Charles Whibley, Thomas Dixon, Sir Arthur Conan Doyle, George MacDonald, Thomas H. Burgoyne, Belle M. Wagner, Émile Gaboriau, à Kempis Thomas, United States. Central Intelligence Agency, Herbert Darling Foster, John Chipman Farrar, Lucius Apuleius, Olive Gilbert, Sojourner Truth, Arthur Judson Brown, Burbank L. Todd, Gaston Leroux, Margaret Sanger, Jr. Martin Luther King, Mary Johnston, S. A. Reilly, G. K. Chesterton, Elizabeth Cleghorn Gaskell, George Iles, E. W. Hornung, Edward Huntington Williams, Henry Smith Williams, Nathaniel W. Stephenson, Ellen Marriage, Homer, Anton Pavlovich Chekhov, J. F. C. Hecker, John Milton, Natalie Sumner Lincoln, Baroness Emmuska Orczy Orczy, Thomas Bailey Aldrich, Mary Esther Miller MacGregor, William MacLeod Raine, Earl Derr Biggers, Helen Nicolay, Ruth Ogden, Thornton W. Burgess, Mary Murdoch Mason, Auguste Groner, John Lawson, Emma Wolf, Theodore Dreiser, Roger Ascham, John Charles McNeill, Owen Meredith, L. Adams Beck, Rudyard Kipling, Alphonse Daudet, Theodore Roosevelt, Henry Cabot Lodge, Anthony Trollope, A. A. Milne, Elia Wilkinson Peattie, J. Fitzgerald Molloy, James Fenimore Cooper, Alexander Whyte, Jean-Henri Fabre, E. R. Punshon, Neltje Blanchan, Porter Lander MacClintock, William Darnall MacClintock, Ida Pfeiffer, Stanley John Weyman, Max Brand, Herman Melville, William Joseph Long, William Cotton, Dorothy Kilner, Sarah Fielding, Samuel Butler, A. C. Seward, Harold MacGrath, Nathaniel Hawthorne, William J. Kountz, Arthur B. Reeve, Susan Fenimore Cooper, Richard Brinsley Sheridan, Anatole France, William Blake, Elizabeth Davis Bancroft, Carl von Clausewitz, Gildas

ISBN 978-3-7429-1888-8

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.

A WOMAN OF THIRTY

By Honore De Balzac

Translated by Ellen Marriage

DEDICATION To Louis Boulanger, Painter.

Contents

A WOMAN OF THIRTY

I.EARLY MISTAKESII.A HIDDEN GRIEFIII.   AT THIRTY YEARSIV.THE FINGER OF GODV.TWO MEETINGSVI.THE OLD AGE OF A GUILTY MOTHER

ADDENDUM

A WOMAN OF THIRTY

I. EARLY MISTAKES

It was a Sunday morning in the beginning of April 1813, a morning which gave promise of one of those bright days when Parisians, for the first time in the year, behold dry pavements underfoot and a cloudless sky overhead. It was not yet noon when a luxurious cabriolet, drawn by two spirited horses, turned out of the Rue de Castiglione into the Rue de Rivoli, and drew up behind a row of carriages standing before the newly opened barrier half-way down the Terrasse de Feuillants. The owner of the carriage looked anxious and out of health; the thin hair on his sallow temples, turning gray already, gave a look of premature age to his face. He flung the reins to a servant who followed on horseback, and alighted to take in his arms a young girl whose dainty beauty had already attracted the eyes of loungers on the Terrasse. The little lady, standing upon the carriage step, graciously submitted to be taken by the waist, putting an arm round the neck of her guide, who set her down upon the pavement without so much as ruffling the trimming of her green rep dress. No lover would have been so careful. The stranger could only be the father of the young girl, who took his arm familiarly without a word of thanks, and hurried him into the Garden of the Tuileries.

The old father noted the wondering stare which some of the young men gave the couple, and the sad expression left his face for a moment. Although he had long since reached the time of life when a man is fain to be content with such illusory delights as vanity bestows, he began to smile.

"They think you are my wife," he said in the young lady's ear, and he held himself erect and walked with slow steps, which filled his daughter with despair.

He seemed to take up the coquette's part for her; perhaps of the two, he was the more gratified by the curious glances directed at those little feet, shod with plum-colored prunella; at the dainty figure outlined by a low-cut bodice, filled in with an embroidered chemisette, which only partially concealed the girlish throat. Her dress was lifted by her movements as she walked, giving glimpses higher than the shoes of delicately moulded outlines beneath open-work silk stockings. More than one of the idlers turned and passed the pair again, to admire or to catch a second glimpse of the young face, about which the brown tresses played; there was a glow in its white and red, partly reflected from the rose-colored satin lining of her fashionable bonnet, partly due to the eagerness and impatience which sparkled in every feature. A mischievous sweetness lighted up the beautiful, almond-shaped dark eyes, bathed in liquid brightness, shaded by the long lashes and curving arch of eyebrow. Life and youth displayed their treasures in the petulant face and in the gracious outlines of the bust unspoiled even by the fashion of the day, which brought the girdle under the breast.

The young lady herself appeared to be insensible to admiration. Her eyes were fixed in a sort of anxiety on the Palace of the Tuileries, the goal, doubtless, of her petulant promenade. It wanted but fifteen minutes of noon, yet even at that early hour several women in gala dress were coming away from the Tuileries, not without backward glances at the gates and pouting looks of discontent, as if they regretted the lateness of the arrival which had cheated them of a longed-for spectacle. Chance carried a few words let fall by one of these disappointed fair ones to the ears of the charming stranger, and put her in a more than common uneasiness. The elderly man watched the signs of impatience and apprehension which flitted across his companion's pretty face with interest, rather than amusement, in his eyes, observing her with a close and careful attention, which perhaps could only be prompted by some after-thought in the depths of a father's mind.

It was the thirteenth Sunday of the year 1813. In two days' time Napoleon was to set out upon the disastrous campaign in which he was to lose first Bessieres, and then Duroc; he was to win the memorable battles of Lutzen and Bautzen, to see himself treacherously deserted by Austria, Saxony, Bavaria, and Bernadotte, and to dispute the dreadful field of Leipsic. The magnificent review commanded for that day by the Emperor was to be the last of so many which had long drawn forth the admiration of Paris and of foreign visitors. For the last time the Old Guard would execute their scientific military manoeuvres with the pomp and precision which sometimes amazed the Giant himself. Napoleon was nearly ready for his duel with Europe. It was a sad sentiment which brought a brilliant and curious throng to the Tuileries. Each mind seemed to foresee the future, perhaps too in every mind another thought was dimly present, how that in the future, when the heroic age of France should have taken the half-fabulous color with which it is tinged for us to-day, men's imaginations would more than once seek to retrace the picture of the pageant which they were assembled to behold.

"Do let us go more quickly, father; I can hear the drums," the young girl said, and in a half-teasing, half-coaxing manner she urged her companion forward.

"The troops are marching into the Tuileries," said he.

"Or marching out of it—everybody is coming away," she answered in childish vexation, which drew a smile from her father.

"The review only begins at half-past twelve," he said; he had fallen half behind his impetuous daughter.

It might have been supposed that she meant to hasten their progress by a movement of her right arm, for it swung like an oar blade through the water. In her impatience she had crushed her handkerchief into a ball in her tiny, well-gloved fingers. Now and then the old man smiled, but the smiles were succeeded by an anxious look which crossed his withered face and saddened it. In his love for the fair young girl by his side, he was as fain to exalt the present moment as to dread the future. "She is happy to-day; will her happiness last?" he seemed to ask himself, for the old are somewhat prone to foresee their own sorrows in the future of the young.

Father and daughter reached the peristyle under the tower where the tricolor flag was still waving; but as they passed under the arch by which people came and went between the Gardens of the Tuileries and the Place du Carrousel, the sentries on guard called out sternly:

"No admittance this way."

By standing on tiptoe the young girl contrived to catch a glimpse of a crowd of well-dressed women, thronging either side of the old marble arcade along which the Emperor was to pass.

"We were too late in starting, father; you can see that quite well." A little piteous pout revealed the immense importance which she attached to the sight of this particular review.

"Very well, Julie—let us go away. You dislike a crush."

"Do let us stay, father. Even here I may catch a glimpse of the Emperor; he might die during this campaign, and then I should never have seen him."

Her father shuddered at the selfish speech. There were tears in the girl's voice; he looked at her, and thought that he saw tears beneath her lowered eyelids; tears caused not so much by the disappointment as by one of the troubles of early youth, a secret easily guessed by an old father. Suddenly Julie's face flushed, and she uttered an exclamation. Neither her father nor the sentinels understood the meaning of the cry; but an officer within the barrier, who sprang across the court towards the staircase, heard it, and turned abruptly at the sound. He went to the arcade by the Gardens of the Tuileries, and recognized the young lady who had been hidden for a moment by the tall bearskin caps of the grenadiers. He set aside in favor of the pair the order which he himself had given. Then, taking no heed of the murmurings of the fashionable crowd seated under the arcade, he gently drew the enraptured child towards him.

"I am no longer surprised at her vexation and enthusiasm, if you are in waiting," the old man said with a half-mocking, half-serious glance at the officer.

"If you want a good position, M. le Duc," the young man answered, "we must not spend any time in talking. The Emperor does not like to be kept waiting, and the Grand Marshal has sent me to announce our readiness."

As he spoke, he had taken Julie's arm with a certain air of old acquaintance, and drew her rapidly in the direction of the Place du Carrousel. Julie was astonished at the sight. An immense crowd was penned up in a narrow space, shut in between the gray walls of the palace and the limits marked out by chains round the great sanded squares in the midst of the courtyard of the Tuileries. The cordon of sentries posted to keep a clear passage for the Emperor and his staff had great difficulty in keeping back the eager humming swarm of human beings.

"Is it going to be a very fine sight?" Julie asked (she was radiant now).

"Pray take care!" cried her guide, and seizing Julie by the waist, he lifted her up with as much vigor as rapidity and set her down beside a pillar.

But for his prompt action, his gazing kinswoman would have come into collision with the hindquarters of a white horse which Napoleon's Mameluke held by the bridle; the animal in its trappings of green velvet and gold stood almost under the arcade, some ten paces behind the rest of the horses in readiness for the Emperor's staff.

The young officer placed the father and daughter in front of the crowd in the first space to the right, and recommended them by a sign to the two veteran grenadiers on either side. Then he went on his way into the palace; a look of great joy and happiness had succeeded to his horror-struck expression when the horse backed. Julie had given his hand a mysterious pressure; had she meant to thank him for the little service he had done her, or did she tell him, "After all, I shall really see you?" She bent her head quite graciously in response to the respectful bow by which the officer took leave of them before he vanished.

The old man stood a little behind his daughter. He looked grave. He seemed to have left the two young people together for some purpose of his own, and now he furtively watched the girl, trying to lull her into false security by appearing to give his whole attention to the magnificent sight in the Place du Carrousel. When Julie's eyes turned to her father with the expression of a schoolboy before his master, he answered her glance by a gay, kindly smile, but his own keen eyes had followed the officer under the arcade, and nothing of all that passed was lost upon him.

"What a grand sight!" said Julie in a low voice, as she pressed her father's hand; and indeed the pomp and picturesquesness of the spectacle in the Place du Carrousel drew the same exclamation from thousands upon thousands of spectators, all agape with wonder. Another array of sightseers, as tightly packed as the ranks behind the old noble and his daughter, filled the narrow strip of pavement by the railings which crossed the Place du Carrousel from side to side in a line parallel with the Palace of the Tuileries. The dense living mass, variegated by the colors of the women's dresses, traced out a bold line across the centre of the Place du Carrousel, filling in the fourth side of a vast parallelogram, surrounded on three sides by the Palace of the Tuileries itself. Within the precincts thus railed off stood the regiments of the Old Guard about to be passed in review, drawn up opposite the Palace in imposing blue columns, ten ranks in depth. Without and beyond in the Place du Carrousel stood several regiments likewise drawn up in parallel lines, ready to march in through the arch in the centre; the Triumphal Arch, where the bronze horses of St. Mark from Venice used to stand in those days. At either end, by the Galeries du Louvre, the regimental bands were stationed, masked by the Polish Lancers then on duty.

The greater part of the vast graveled space was empty as an arena, ready for the evolutions of those silent masses disposed with the symmetry of military art. The sunlight blazed back from ten thousand bayonets in thin points of flame; the breeze ruffled the men's helmet plumes till they swayed like the crests of forest-trees before a gale. The mute glittering ranks of veterans were full of bright contrasting colors, thanks to their different uniforms, weapons, accoutrements, and aiguillettes; and the whole great picture, that miniature battlefield before the combat, was framed by the majestic towering walls of the Tuileries, which officers and men seemed to rival in their immobility. Involuntarily the spectator made the comparison between the walls of men and the walls of stone. The spring sunlight, flooding white masonry reared but yesterday and buildings centuries old, shone full likewise upon thousands of bronzed faces, each one with its own tale of perils passed, each one gravely expectant of perils to come.

The colonels of the regiments came and went alone before the ranks of heroes; and behind the masses of troops, checkered with blue and silver and gold and purple, the curious could discern the tricolor pennons on the lances of some half-a-dozen indefatigable Polish cavalry, rushing about like shepherds' dogs in charge of a flock, caracoling up and down between the troops and the crowd, to keep the gazers within their proper bounds. But for this slight flutter of movement, the whole scene might have been taking place in the courtyard of the palace of the Sleeping Beauty. The very spring breeze, ruffling up the long fur on the grenadiers' bearskins, bore witness to the men's immobility, as the smothered murmur of the crowd emphasized their silence. Now and again the jingling of Chinese bells, or a chance blow to a big drum, woke the reverberating echoes of the Imperial Palace with a sound like the far-off rumblings of thunder.

An indescribable, unmistakable enthusiasm was manifest in the expectancy of the multitude. France was about to take farewell of Napoleon on the eve of a campaign of which the meanest citizen foresaw the perils. The existence of the French Empire was at stake—to be, or not to be. The whole citizen population seemed to be as much inspired with this thought as that other armed population standing in serried and silent ranks in the enclosed space, with the Eagles and the genius of Napoleon hovering above them.

Those very soldiers were the hope of France, her last drop of blood; and this accounted for not a little of the anxious interest of the scene. Most of the gazers in the crowd had bidden farewell—perhaps farewell for ever—to the men who made up the rank and file of the battalions; and even those most hostile to the Emperor, in their hearts, put up fervent prayers to heaven for the glory of France; and those most weary of the struggle with the rest of Europe had left their hatreds behind as they passed in under the Triumphal Arch. They too felt that in the hour of danger Napoleon meant France herself.

The clock of the Tuileries struck the half-hour. In a moment the hum of the crowd ceased. The silence was so deep that you might have heard a child speak. The old noble and his daughter, wholly intent, seeming to live only by their eyes, caught a distinct sound of spurs and clank of swords echoing up under the sonorous peristyle.

And suddenly there appeared a short, somewhat stout figure in a green uniform, white trousers, and riding boots; a man wearing on his head a cocked hat well-nigh as magically potent as its wearer; the broad red ribbon of the Legion of Honor rose and fell on his breast, and a short sword hung at his side. At one and the same moment the man was seen by all eyes in all parts of the square.

Immediately the drums beat a salute, both bands struck up a martial refrain, caught and repeated like a fugue by every instrument from the thinnest flutes to the largest drum. The clangor of that call to arms thrilled through every soul. The colors dropped, and the men presented arms, one unanimous rhythmical movement shaking every bayonet from the foremost front near the Palace to the last rank in the Place du Carrousel. The words of command sped from line to line like echoes. The whole enthusiastic multitude sent up a shout of "Long live the Emperor!"

Everything shook, quivered, and thrilled at last. Napoleon had mounted his horse. It was his movement that had put life into those silent masses of men; the dumb instruments had found a voice at his coming, the Eagles and the colors had obeyed the same impulse which had brought emotion into all faces.

The very walls of the high galleries of the old palace seemed to cry aloud, "Long live the Emperor!"

There was something preternatural about it—it was magic at work, a counterfeit presentment of the power of God; or rather it was a fugitive image of a reign itself so fugitive.

And he the centre of such love, such enthusiasm and devotion, and so many prayers, he for whom the sun had driven the clouds from the sky, was sitting there on his horse, three paces in front of his Golden Squadron, with the grand Marshal on his left, and the Marshal-in-waiting on his right. Amid all the outburst of enthusiasm at his presence not a feature of his face appeared to alter.

"Oh! yes. At Wagram, in the thick of the firing, on the field of Borodino, among the dead, always as cool as a cucumber he is!" said the grenadier, in answer to the questions with which the young girl plied him. For a moment Julie was absorbed in the contemplation of that face, so quiet in the security of conscious power. The Emperor noticed Mlle. de Chatillonest, and leaned to make some brief remark to Duroc, which drew a smile from the Grand Marshal. Then the review began.

If hitherto the young lady's attention had been divided between Napoleon's impassive face and the blue, red, and green ranks of troops, from this time forth she was wholly intent upon a young officer moving among the lines as they performed their swift symmetrical evolutions. She watched him gallop with tireless activity to and from the group where the plainly dressed Napoleon shone conspicuous. The officer rode a splendid black horse. His handsome sky-blue uniform marked him out amid the variegated multitude as one of the Emperor's orderly staff-officers. His gold lace glittered in the sunshine which lighted up the aigrette on his tall, narrow shako, so that the gazer might have compared him to a will-o'-the-wisp, or to a visible spirit emanating from the Emperor to infuse movement into those battalions whose swaying bayonets flashed into flames; for, at a mere glance from his eyes, they broke and gathered again, surging to and fro like the waves in a bay, or again swept before him like the long ridges of high-crested wave which the vexed Ocean directs against the shore.

When the manoeuvres were over the officer galloped back at full speed, pulled up his horse, and awaited orders. He was not ten paces from Julie as he stood before the Emperor, much as General Rapp stands in Gerard's Battle of Austerlitz. The young girl could behold her lover in all his soldierly splendor.

Colonel Victor d'Aiglemont, barely thirty years of age, was tall, slender, and well made. His well-proportioned figure never showed to better advantage than now as he exerted his strength to hold in the restive animal, whose back seemed to curve gracefully to the rider's weight. His brown masculine face possessed the indefinable charm of perfectly regular features combined with youth. The fiery eyes under the broad forehead, shaded by thick eyebrows and long lashes, looked like white ovals bordered by an outline of black. His nose had the delicate curve of an eagle's beak; the sinuous lines of the inevitable black moustache enhanced the crimson of the lips. The brown and tawny shades which overspread the wide high-colored cheeks told a tale of unusual vigor, and his whole face bore the impress of dashing courage. He was the very model which French artists seek to-day for the typical hero of Imperial France. The horse which he rode was covered with sweat, the animal's quivering head denoted the last degree of restiveness; his hind hoofs were set down wide apart and exactly in a line, he shook his long thick tail to the wind; in his fidelity to his master he seemed to be a visible presentment of that master's devotion to the Emperor.

Julie saw her lover watching intently for the Emperor's glances, and felt a momentary pang of jealousy, for as yet he had not given her a look. Suddenly at a word from his sovereign Victor gripped his horse's flanks and set out at a gallop, but the animal took fright at a shadow cast by a post, shied, backed, and reared up so suddenly that his rider was all but thrown off. Julie cried out, her face grew white, people looked at her curiously, but she saw no one, her eyes were fixed upon the too mettlesome beast. The officer gave the horse a sharp admonitory cut with the whip, and galloped off with Napoleon's order.

Julie was so absorbed, so dizzy with sights and sounds, that unconsciously she clung to her father's arm so tightly that he could read her thoughts by the varying pressure of her fingers. When Victor was all but flung out of the saddle, she clutched her father with a convulsive grip as if she herself were in danger of falling, and the old man looked at his daughter's tell-tale face with dark and painful anxiety. Pity, jealousy, something even of regret stole across every drawn and wrinkled line of mouth and brow. When he saw the unwonted light in Julie's eyes, when that cry broke from her, when the convulsive grasp of her fingers drew away the veil and put him in possession of her secret, then with that revelation of her love there came surely some swift revelation of the future. Mournful forebodings could be read in his own face.

Julie's soul seemed at that moment to have passed into the officer's being. A torturing thought more cruel than any previous dread contracted the old man's painworn features, as he saw the glance of understanding that passed between the soldier and Julie. The girl's eyes were wet, her cheeks glowed with unwonted color. Her father turned abruptly and led her away into the Garden of the Tuileries.

"Why, father," she cried, "there are still the regiments in the Place du Carrousel to be passed in review."

"No, child, all the troops are marching out."

"I think you are mistaken, father; M. d'Aiglemont surely told them to advance——"

"But I feel ill, my child, and I do not care to stay."

Julie could readily believe the words when she glanced at his face; he looked quite worn out by his fatherly anxieties.

"Are you feeling very ill?" she asked indifferently, her mind was so full of other thoughts.

"Every day is a reprieve for me, is it not?" returned her father.

"Now do you mean to make me miserable again by talking about your death? I was in such spirits! Do pray get rid of those horrid gloomy ideas of yours."

The father heaved a sigh. "Ah! spoiled child," he cried, "the best hearts are sometimes very cruel. We devote our whole lives to you, you are our one thought, we plan for your welfare, sacrifice our tastes to your whims, idolize you, give the very blood in our veins for you, and all this is nothing, is it? Alas! yes, you take it all as a matter of course. If we would always have your smiles and your disdainful love, we should need the power of God in heaven. Then comes another, a lover, a husband, and steals away your heart."

Julie looked in amazement at her father; he walked slowly along, and there was no light in the eyes which he turned upon her.

"You hide yourself even from us," he continued, "but, perhaps, also you hide yourself from yourself—"

"What do you mean by that, father?"

"I think that you have secrets from me, Julie.—You love," he went on quickly, as he saw the color rise to her face. "Oh! I hoped that you would stay with your old father until he died. I hoped to keep you with me, still radiant and happy, to admire you as you were but so lately. So long as I knew nothing of your future I could believe in a happy lot for you; but now I cannot possibly take away with me a hope of happiness for your life, for you love the colonel even more than the cousin. I can no longer doubt it."

"And why should I be forbidden to love him?" asked Julie, with lively curiosity in her face.

"Ah, my Julie, you would not understand me," sighed the father.

"Tell me, all the same," said Julie, with an involuntary petulant gesture.

"Very well, child, listen to me. Girls are apt to imagine noble and enchanting and totally imaginary figures in their own minds; they have fanciful extravagant ideas about men, and sentiment, and life; and then they innocently endow somebody or other with all the perfections of their day-dreams, and put their trust in him. They fall in love with this imaginary creature in the man of their choice; and then, when it is too late to escape from their fate, behold their first idol, the illusion made fair with their fancies, turns to an odious skeleton. Julie, I would rather have you fall in love with an old man than with the Colonel. Ah! if you could but see things from the standpoint of ten years hence, you would admit that my old experience was right. I know what Victor is, that gaiety of his is simply animal spirits—the gaiety of the barracks. He has no ability, and he is a spendthrift. He is one of those men whom Heaven created to eat and digest four meals a day, to sleep, to fall in love with the first woman that comes to hand, and to fight. He does not understand life. His kind heart, for he has a kind heart, will perhaps lead him to give his purse to a sufferer or to a comrade; but he is careless, he has not the delicacy of heart which makes us slaves to a woman's happiness, he is ignorant, he is selfish. There are plenty of buts—"

"But, father, he must surely be clever, he must have ability, or he would not be a colonel—"

"My dear, Victor will be a colonel all his life.—I have seen no one who appears to me to be worthy of you," the old father added, with a kind of enthusiasm.

He paused an instant, looked at his daughter, and added, "Why, my poor Julie, you are still too young, too fragile, too delicate for the cares and rubs of married life. D'Aiglemont's relations have spoiled him, just as your mother and I have spoiled you. What hope is there that you two could agree, with two imperious wills diametrically opposed to each other? You will be either the tyrant or the victim, and either alternative means, for a wife, an equal sum of misfortune. But you are modest and sweet-natured, you would yield from the first. In short," he added, in a quivering voice, "there is a grace of feeling in you which would never be valued, and then——" he broke off, for the tears overcame him.

"Victor will give you pain through all the girlish qualities of your young nature," he went on, after a pause. "I know what soldiers are, my Julie; I have been in the army. In a man of that kind, love very seldom gets the better of old habits, due partly to the miseries amid which soldiers live, partly to the risks they run in a life of adventure."

"Then you mean to cross my inclinations, do you, father?" asked Julie, half in earnest, half in jest. "Am I to marry to please you and not to please myself?"

"To please me!" cried her father, with a start of surprise. "To please me, child? when you will not hear the voice that upbraids you so tenderly very much longer! But I have always heard children impute personal motives for the sacrifices that their parents make for them. Marry Victor, my Julie! Some day you will bitterly deplore his ineptitude, his thriftless ways, his selfishness, his lack of delicacy, his inability to understand love, and countless troubles arising through him. Then, remember, that here under these trees your old father's prophetic voice sounded in your ears in vain."

He said no more; he had detected a rebellious shake of the head on his daughter's part. Both made several paces towards the carriage which was waiting for them at the grating. During that interval of silence, the young girl stole a glance at her father's face, and little by little her sullen brow cleared. The intense pain visible on his bowed forehead made a lively impression upon her.

"Father," she began in gentle tremulous tones, "I promise to say no more about Victor until you have overcome your prejudices against him."

The old man looked at her in amazement. Two tears which filled his eyes overflowed down his withered cheeks. He could not take Julie in his arms in that crowded place; but he pressed her hand tenderly. A few minutes later when they had taken their places in the cabriolet, all the anxious thought which had gathered about his brow had completely disappeared. Julie's pensive attitude gave him far less concern than the innocent joy which had betrayed her secret during the review.

Nearly a year had passed since the Emperor's last review. In early March 1814 a caleche was rolling along the highroad from Amboise to Tours. As the carriage came out from beneath the green-roofed aisle of walnut trees by the post-house of la Frilliere, the horses dashed forward with such speed that in a moment they gained the bridge built across the Cise at the point of its confluence with the Loire. There, however, they come to a sudden stand. One of the traces had given way in consequence of the furious pace at which the post-boy, obedient to his orders, had urged on four horses, the most vigorous of their breed. Chance, therefore, gave the two recently awakened occupants of the carriage an opportunity of seeing one of the most lovely landscapes along the enchanting banks of the Loire, and that at their full leisure.

At a glance the travelers could see to the right the whole winding course of the Cise meandering like a silver snake among the meadows, where the grass had taken the deep, bright green of early spring. To the left lay the Loire in all its glory. A chill morning breeze, ruffling the surface of the stately river, had fretted the broad sheets of water far and wide into a network of ripples, which caught the gleams of the sun, so that the green islets here and there in its course shone like gems set in a gold necklace. On the opposite bank the fair rich meadows of Touraine stretched away as far as the eye could see; the low hills of the Cher, the only limits to the view, lay on the far horizon, a luminous line against the clear blue sky. Tours itself, framed by the trees on the islands in a setting of spring leaves, seemed to rise like Venice out of the waters, and her old cathedral towers soaring in air were blended with the pale fantastic cloud shapes in the sky.

Over the side of the bridge, where the carriage had come to a stand, the traveler looks along a line of cliffs stretching as far as Tours. Nature in some freakish mood must have raised these barriers of rock, undermined incessantly by the rippling Loire at their feet, for a perpetual wonder for spectators. The village of Vouvray nestles, as it were, among the clefts and crannies of the crags, which begin to describe a bend at the junction of the Loire and Cise. A whole population of vine-dressers lives, in fact, in appalling insecurity in holes in their jagged sides for the whole way between Vouvray and Tours. In some places there are three tiers of dwellings hollowed out, one above the other, in the rock, each row communicating with the next by dizzy staircases cut likewise in the face of the cliff. A little girl in a short red petticoat runs out into her garden on the roof of another dwelling; you can watch a wreath of hearth-smoke curling up among the shoots and trails of the vines. Men are at work in their almost perpendicular patches of ground, an old woman sits tranquilly spinning under a blossoming almond tree on a crumbling mass of rock, and smiles down on the dismay of the travelers far below her feet. The cracks in the ground trouble her as little as the precarious state of the old wall, a pendant mass of loose stones, only kept in position by the crooked stems of its ivy mantle. The sound of coopers' mallets rings through the skyey caves; for here, where Nature stints human industry of soil, the soil is everywhere tilled, and everywhere fertile.

No view along the whole course of the Loire can compare with the rich landscape of Touraine, here outspread beneath the traveler's eyes. The triple picture, thus barely sketched in outline, is one of those scenes which the imagination engraves for ever upon the memory; let a poet fall under its charm, and he shall be haunted by visions which shall reproduce its romantic loveliness out of the vague substance of dreams.

As the carriage stopped on the bridge over the Cise, white sails came out here and there from among the islands in the Loire to add new grace to the perfect view. The subtle scent of the willows by the water's edge was mingled with the damp odor of the breeze from the river. The monotonous chant of a goat-herd added a plaintive note to the sound of birds' songs in a chorus which never ends; the cries of the boatmen brought tidings of distant busy life. Here was Touraine in all its glory, and the very height of the splendor of spring. Here was the one peaceful district in France in those troublous days; for it was so unlikely that a foreign army should trouble its quiet that Touraine might be said to defy invasion.

As soon as the caleche stopped, a head covered with a foraging cap was put out of the window, and soon afterwards an impatient military man flung open the carriage door and sprang down into the road to pick a quarrel with the postilion, but the skill with which the Tourangeau was repairing the trace restored Colonel d'Aiglemont's equanimity. He went back to the carriage, stretched himself to relieve his benumbed muscles, yawned, looked about him, and finally laid a hand on the arm of a young woman warmly wrapped up in a furred pelisse.

"Come, Julie," he said hoarsely, "just wake up and take a look at this country. It is magnificent."

Julie put her head out of the window. She wore a traveling cap of sable fur. Nothing could be seen of her but her face, for the whole of her person was completely concealed by the folds of her fur pelisse. The young girl who tripped to the review at the Tuileries with light footsteps and joy and gladness in her heart was scarcely recognizable in Julie d'Aiglemont. Her face, delicate as ever, had lost the rose-color which once gave it so rich a glow. A few straggling locks of black hair, straightened out by the damp night air, enhanced its dead whiteness, and all its life and sparkle seemed to be torpid. Yet her eyes glittered with preternatural brightness in spite of the violet shadows under the lashes upon her wan cheeks.

She looked out with indifferent eyes over the fields towards the Cher, at the islands in the river, at the line of the crags of Vouvray stretching along the Loire towards Tours; then she sank back as soon as possible into her seat in the caleche. She did not care to give a glance to the enchanting valley of the Cise.

"Yes, it is wonderful," she said, and out in the open air her voice sounded weak and faint to the last degree. Evidently she had had her way with her father, to her misfortune.

"Would you not like to live here, Julie?"

"Yes; here or anywhere," she answered listlessly.

"Do you feel ill?" asked Colonel d'Aiglemont.

"No, not at all," she answered with momentary energy; and, smiling at her husband, she added, "I should like to go to sleep."