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Since The Turkish Baths (1863) by the French painter Ingres, the Far Eastern woman has, to many, been a symbol of out of reach or forbidden pleasures. Seafaring explorers, military adventurers and simple travellers from Europe over the centuries have all been enthralled by the exotic nature of the Asian woman, her foreignness accentuated by the gentle pallor of her skin. Thus arose the myth that she, of all women, was in possession of the knowledge of certain refined pleasures.
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Seitenzahl: 39
Veröffentlichungsjahr: 2022
Hans-Jürgen Döpp
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© 2014, Confidential Concepts, Worldwide, USA
© 2014, Parkstone Press USA, New York
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All rights reserved. No part of this may be reproduced or adapted without the permission of the copyright holder, throughout the world.
Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification.
ISBN: 978-1-78160-583-7
Contents
Bound happiness - Chinese eroticism
Between the sublime and the grotesque – Japanese erotic engravings
List of Illustrations
A
Act Seven from Chushingura (Chushingura Shichi-damme), from the series “Chushingura”
An Album of Fashionable Patterns (Tōsei komonchō)
Anonymous Master of the Kangxi period
Anonymous Master of the Kangxi period
B
Box Featuring Erotic Images
C
Chinese Porcelain Tile
Chinese Wedding Tablet
Clean Draft of a Letter (Fumi no kiyogaki)
E
Erotic Scene (detail)
F
Family-Rose Porcelain Tile
Fashionable Lusty Mane’emon (Fūryū enshoku Mane’mon), no 4
Fashionable Lusty Mane’emon (Fūryū enshoku Mane’mon), no 9
G
Gouache on pith paper
H
Husband Cuckolded during a Thunderstorm
I
Illustrations from Qinglou Duoying, published as ‘Selected Scenes from Verduous Towers’
J
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Shunga (“Images of Springtime”)
Japanese Watercolour
Japanese Watercolour
Japanese Watercolour
L
Lovers Behind a Screen
Lovers in the Private Second-Floor Room of a Tea-House, from the album Poem of the Pillow (Utamakura)
M
Man Seducing a Young Woman (Otoko to musume)
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
Mural displayed in sections
O
Ōiso Station, from the series Beauties along the Tōkaidō
P
Page from the album “Collection of Beauties” (Komachi Biki)
Page from the album “Collection of Beauties” (Komachi Biki)
Painting from a 12-page album
Painting from a 12-page album
Painting from a scroll of 12 designs
Painting on paper, from a 12-page album
Painting on paper, from a 12-page album
Painting on Porcelain Vase (detail)
Painting on Silk
Painting on silk
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from a Marriage-Book
Painting on Silk from an 8-page album, Kangxi period
Painting on silk, detail of a horizontal scroll
Pendant Pair of Reverse Glass Paintings
Poem of the Pillow (Utamakura)
R
Reverse Glass Painting
Reverse glass painting
S
Scene from Rouputuan, ‘The Prayer Mat of Flesh’
Scene of Love-Making (detail)
Scenes of Love-Making (detail)
Shunga, Erotic Print: Drawing of a Couple in Love
Shunga, Erotic Print: Lovers Being Observed by a Maid from Behind a Screen
Shunga: Erotic Scene, from the series Forms of Embracing (tsui no hinagata)
Spring, Summer, Autumn, and Winter: Prospects for the Four Seasons (Shunka shūtō: Shiki no nagama), vol. 1 (detail)
T
Ten Erotic Scenes (detail)
W
Wedding Book
Wedding Book
Wedding Book
Woman Discovering a Letter Hidden in the Robe of her Young Lover, from the album Poem of the Pillow (Utamakura)
Y
Young Pine Saplings (Kinoe no komatsu)