Jesse Cliffe E-Book

Mary Russell Mitford

• Herausgeber: Booksell-Verlag
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Beschreibung

In "Jesse Cliffe," Mary Russell Mitford crafts a poignant narrative that masterfully intertwines themes of love, loss, and the nuances of rural life in early 19th-century England. Mitford's distinctive literary style is characterized by its vivid imagery and rich character development, drawing readers into the rural landscape and the intimate emotions of her characters. Set against a backdrop of English social dynamics, the novella reflects the author'Äôs keen observation of countryside life, with its interplay of nature and human sentiment enhancing its lyrical quality. Mary Russell Mitford, a prominent figure in Victorian literature, was influenced by her upbringing in the picturesque village of Three Mile Cross. Her affinity for nature and her experiences as a playwright and novelist imbued her writing with an authenticity that captures the complexities of everyday life. Mitford's deep connection to her surroundings and her understanding of human relationships inform the realism and depth found in "Jesse Cliffe," revealing her profound empathy towards her characters. This novella is a must-read for aficionados of 19th-century literature and those who appreciate intricate portrayals of rural life. Mitford's work deserves recognition for its emotional depth and lyrical beauty, making "Jesse Cliffe" a compelling exploration of the trials of love and resilience in the face of adversity.

Leseprobe

Mary Russell Mitford

Jesse Cliffe

Published by Good Press, 2022

[email protected]

EAN 4064066106119

Table of Contents

Cover

Titlepage

Text

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Living as we do in the midst of rivers, water in all its forms, except indeed that of the trackless and mighty ocean, is familiar to our little inland county. The slow majestic Thames, the swift and wandering Kennett, the clear and brimming Loddon, all lend life and verdure to our rich and fertile valleys. Of the great river of England—whose course from its earliest source, near Cirencester, to where it rolls calm, equable, and full, through the magnificent bridges of our splendid metropolis, giving and reflecting beauty,* presents so grand an image of power in repose—it is not now my purpose to speak; nor am I about to expatiate on that still nearer and dearer stream, the pellucid Loddon,—although to be rowed by one dear and near friend up those transparent and meandering waters, from where they sweep at their extremest breadth under the lime-crowned terraces of the Old Park at Aberleigh, to the pastoral meadows of Sandford, through which the narrowed current wanders so brightly—now impeded by beds of white water-lilies, or feathery-blossomed bulrushes, or golden flags—now overhung by thickets of the rich wayfaring tree, with its wealth of glorious berries, redder and more transparent than rubies—now spanned from side to side by the fantastic branches of some aged oak;—although to be rowed along that clear stream, has long been amongst the choicest of my summer pleasures, so exquisite is the scenery, so perfect and so unbroken the solitude. Even the shy and foreign-looking kingfisher, most gorgeous of English birds, who, like the wild Indian retiring before the foot of man, has nearly deserted our populous and cultivated country, knows and loves the lovely valley of the Loddon.

* There is nothing finer in London than the view from Waterloo-bridge on a July evening, whether coloured by the gorgeous hues of the setting sun reflected on the water in tenfold glory, or illuminated by a thousand twinkling lights from lamps, and boats, and houses, mingling with the mild beams of the rising moon. The calm and glassy river, gay with unnumbered vessels; the magnificent buildings which line its shores; the combination of all that is loveliest in art or in nature, with all that is most animating in motion and in life, produce a picture gratifying alike to the eye and to the heart—and the more exhilarating, or rather perhaps the more soothing, because, for London, so singularly peaceful and quiet. It is like some gorgeous town in fairyland, astir with busy and happy creatures, the hum of whose voices comes floating from the craft upon the river, or the quays by the water side. Life is there, and sound and motion; but blessedly free from the jostling of the streets, the rattling of the pavement, the crowd, the confusion, the tumult, and the din of the work-a-day world. There is nothing in the great city like the scene from Waterloo bridge at sunset. I see it in my mind's eye at this instant.

It is not, however, of the Loddon that I am now to speak. The scene of my little story belongs to a spot quite as solitary, but far less beautiful, on the banks of the Kennett, which, a few miles before its junction with the Thames, passes through a tract of wild, marshy country—water-meadows at once drained and fertilised by artificial irrigation, and totally unmixed with arable land; so that the fields being for the most part too wet to admit the feeding of cattle, divided by deep ditches, undotted by timber, unchequered by cottages, and untraversed by roads, convey in their monotonous expanse (except perhaps at the gay season of haymaking) a feeling of dreariness and desolation, singularly contrasted with the picturesque and varied scenery, rich, glowing, sunny, bland, of the equally solitary Loddon meadows.