5,99 €
Mehr erfahren.
- Herausgeber: Ambrose Bierce
- Kategorie: Abenteuer, Thriller, Horror
- Sprache: Englisch
- Veröffentlichungsjahr: 2015
Ambrose Gwinnett Bierce (June 24, 1842[2] – circa 1914[1]) was an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story "An Occurrence at Owl Creek Bridge" and compiled a satirical lexicon, The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters", and the sardonic view of human nature that informed his work, all earned him the nickname "Bitter Bierce". Despite his reputation as a searing critic, Bierce was known to encourage younger writers, including the poets George Sterling and Herman George Scheffauer and the fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events, and the theme of war. In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. He was rumored to be traveling with rebel troops, but was not seen again.
Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:
Ähnliche
Present at a Hanging
and other ghost stories
Ambrose Bierce
Table of Contents
The Ways of Ghosts
Present at a Hanging
A Cold Greeting
A Wireless Message
An Arrest
Soldier-Folk
A Man with Two Lives
Three and One are One
A Baffled Ambuscade
Two Military Executions
Some Haunted Houses
The Isle of Pines
A Fruitless Assignment
A Vine on a House
At Old Man Eckert’s
The Spook House
The Other Lodgers
The Thing at Nolan
“Mysterious Disappearances”
The Difficulty of Crossing a Field
An Unfinished Race
Charles Ashmore’s Trail
Science to the Front
The Ways of Ghosts
My peculiar relation to the writer of the following narratives is such that I must ask the reader to overlook the absence of explanation as to how they came into my possession. Withal, my knowledge of him is so meager that I should rather not undertake to say if he were himself persuaded of the truth of what he relates; certainly such inquiries as I have thought it worth while to set about have not in every instance tended to confirmation of the statements made. Yet his style, for the most part devoid alike of artifice and art, almost baldly simple and direct, seems hardly compatible with the disingenuousness of a merely literary intention; one would call it the manner of one more concerned for the fruits of research than for the flowers of expression. In transcribing his notes and fortifying their claim to attention by giving them something of an orderly arrangement, I have conscientiously refrained from embellishing them with such small ornaments of diction as I may have felt myself able to bestow, which would not only have been impertinent, even if pleasing, but would have given me a somewhat closer relation to the work than I should care to have and to avow. — A. B.
