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Table of contents
INTRODUCTION.
BOOK I. BY COMMAND OF THE PADISHAH.
CHAPTER I. A HUNT IN THE YEAR 1666.
CHAPTER II. THE HOUSE AT EBESFALVA.
CHAPTER III. A PRINCE IN HIS OWN DESPITE.
CHAPTER IV. A BANQUET WITH THE PRINCE OF TRANSYLVANIA.
CHAPTER V. BODOLA.
CHAPTER VI. THE BATTLE OF NAGY SZÖLLÖS.
CHAPTER VII. THE PRINCESS.
CHAPTER VIII. THE PERI.
CHAPTER IX. THE PRINCE AND HIS MINISTER.
BOOK II. THE DEVIL'S GARDEN.
CHAPTER I. THE PATROL.
CHAPTER II. SANGE MOARTE.[29]
CHAPTER III. AN HUNGARIAN MAGNATE IN THE SIXTEENTH CENTURY.
CHAPTER IV. THE MIDNIGHT BATTLE.
CHAPTER V. THE BANQUET TRIBUNAL.
CHAPTER VI. THE DIET OF KAROLY-FEHERVÁR.
CHAPTER VII. THE JUS LIGATUM.[55]
CHAPTER VIII. DEATH FOR A KISS.
CHAPTER IX. CONSORT AND CONCUBINE.
CHAPTER X. THE SENTENCE.
INTRODUCTION.
Hungarians
regard
Az Érdély arány kora
as, on the whole, the best of Jokai's great historical romances, and,
to judge from the numerous existing versions of it, foreigners are of
the same opinion as Hungarians. Few of Jokai's other tales have been
translated so often, and the book is as great a favourite in Poland
as it is in Germany. And certainly it fully deserves its great
reputation, for it displays to the best advantage the author's three
characteristic qualities—his powers of description, especially of
nature, his dramatic intensity, and his peculiar humour.The
scene of the story is laid among the virgin forests and inaccessible
mountains of seventeenth-century Transylvania, where a proud and
valiant feudal nobility still maintained a precarious independence
long after the parent state of Hungary had become a Turkish province.
We are transported into a semi-heroic, semi-barbarous borderland
between the Past and the Present, where Mediævalism has found a last
retreat, and the civilizations of the East and West contend or
coalesce. Bizarre, gorgeous, and picturesque forms flit before
us—rude feudal magnates and refined Machiavellian intriguers;
superb Turkish pashas and ferocious Moorish bandits; noble,
high-minded ladies and tigrish odalisks; saturnine Hungarian
heydukes, superstitious Wallachian peasants, savage Szeklers, and
scarcely human Tartars. The plot too is in keeping with the vivid
colouring and magnificent scenery of the story. The whole history of
Transylvania, indeed, reads like a chapter from the
Arabian Nights,
but there are no more dramatic episodes in that history than those on
which this novel is based—the sudden elevation of a country squire
(Michael Apafi) to the throne of Transylvania against his will by
order of the Padishah, and the dark conspiracy whereby Denis Banfi,
the last of the great Transylvanian magnates, was so foully done to
death.In
none of Jokai's other novels, moreover, is the individuality of the
characters so distinct and consistent. The gluttonous Kemeny, who
sacrificed a kingdom for a dinner; the well-meaning, easy-going
Apafi, who would have made a model squire, but was irretrievably
ruined by a princely diadem; his consort, the wise and generous Anna,
always at hand to stop her husband from committing follies, or to
save him from their consequences; the crafty Teleki, the Richelieu of
Transylvania, with wide views and lofty aims, but sticking at nothing
to compass his ends; his rival Banfi, rough, masterful, recklessly
selfish, yet a patriot at heart, with a vein of true nobility running
through his coarser nature; his tender and sensitive wife, clinging
desperately to a brutal husband, who learnt her worth too late; the
time-serving Csaky, as mean a rascal as ever truckled to the great or
trampled on the fallen; Ali Pasha and Corsar Beg, excellent types of
the official and the unofficial Turkish freebooter respectively;
Kucsuk Pasha, the chivalrous Mussulman with a conscience above his
creed; the renegade spy Zülfikar, groping in slippery places after
illicit gains, and always falling on his feet with cat-like agility;
and, last of all, that marvellous creation, Azrael, the demoniacal
Turkish odalisk, blasting all who fall within the influence of her
irresistible glamour, a Circe as sinuously beautiful and as utterly
soulless as her own pet panther—all these personages of a, happily,
by-gone age are depicted as vividly as if the author had known each
one of them personally.Finally,
the book contains some of Jokai's happiest descriptions, and in this
department it is generally admitted that the master, at his best, is
unsurpassable. The description of the burning coal-mine in
Fekete Gyemantok,
of the Neva floods in
A szabadság a hó alatt,
of the plague in
Szomoru napok,
or of the Danube in all its varying moods in
Az arány ember,
stand alone in modern fiction; yet can any of these vivid tableaux
compare with the wonderful account of Corsar Beg's aërial fairy
palace, poised on the top of the savage Carpathians, or with the
glowing picture of the gorgeous harem of Azrael, or with the
fantastic scenery of the Devil's Garden, with its ice-built
corridors, snow bridges, boiling streams, fathomless lakes, and
rushing avalanches?R. N. B.
BOOK I. BY COMMAND OF THE PADISHAH.
CHAPTER I. A HUNT IN THE YEAR 1666.
Before
us lies the valley of the Drave, one of those endless wildernesses
where even the wild beast loses its way. Forests everywhere, maples
and aspens a thousand years old, with their roots under water;
magnificent morasses the surface of which is covered, not with reeds
and water-lilies, but with gigantic trees, from the dependent
branches of which the vivifying waters force fresh roots. Here the
swan builds her nest; here too dwell the royal heron, the blind crow,
the golden plover, and other man-shunning animals which are rarely if
ever seen in more habitable regions.Here
and there on little mounds, left bare during the long summer drought
by the receding waters, sprout strange and gorgeous flowers, such
perhaps as the earth has not brought forth since the Flood
overwhelmed her. In this slimy soil every blade of grass shoots up
like gigantic broom; the funnel-shaped convolvuluses and the
evergreen ground-ivy put forth tendrils as stout and as strong as
vine branches, which, stretching from tree to tree, twine round their
stems and hang flowery garlands about the dark, sombre maples, just
as if some hamadryad had crowned the grove dedicated to her.But
it is only when evening descends that this realm of waters begins to
show signs of life. Whole swarms of water-fowl then mount into the
air, whose rueful, monotonous croaking is only broken by the
melancholy piping of the bittern and the whistle of the green turtle.
The swan, too, raises her voice and sings that melodious lay which
now, they tell us, is only to be heard in fairy-land,—for here man
has never yet trod, the place is still God's.Now
and again, indeed, sportsmen of the bolder sort presume to penetrate
far into this pathless labyrinth of bush and brake; but they are
forced to wind their way among the trees in canoes which may at any
moment be upset by the twisted tangle of roots stretching far and
wide beneath the water, and it is just in these very places that the
swamp is many fathoms deep; for although the dark green lake-grass
and the yellow marsh-flowers, with the little black-and-red efts and
newts darting about among them, seem close enough to be reached by an
outstretched hand, they are nevertheless all under water deep enough
to go over the head of the tallest man.In
other places it is the dense thicket which bars the canoe's way.
Fallen trees, the spoil of many centuries, but untouched by the hand
of man, lie rotting there in gigantic heaps. The submerged trunks
have been turned to stone by the water, and the roots of the
lake-grass, the filaments of the flax-plant, and the tendrils of the
clematis have grown together over them, forming a strong, tough
barrier just above the water which rocks and sways without giving way
beneath one's feet. The knotty clout-like film of the lake,
stretching far and wide, seems, to the careless eye, a continuation
of this barrier, but the treacherous surface no longer bears—one
step further, and Death is there. This unknown, unexplored region has
however but few visitors.Southwards,
the wilderness is bounded by the river Drave. The trees which line
its steep banks dip over into its waves. Not unfrequently the fierce
stream sweeps them into its bed and away, to the great peril of all
who sail or row upon its waters.Northwards,
the forest extends as far as Csakatorny, and where the morass ends
oaks and beeches of all sorts flourish. In no other part of Hungary
will you meet with trees so erect and so lofty. The wide waste
abounds with all sorts of game. The wild boars, which wallow in the
swampy ground there, are the largest and fiercest of their kind. The
red deer too is no stranger there, and huge, powerful, and courageous
you will find him; nay, at that time, even gigantic elks showed
themselves occasionally, and made nocturnal incursions into the
neighbouring millet-fields of Totovecz; but at the first attempt to
lay hands upon them, they would throw themselves into the innermost
swamps, whither it was impossible to follow them....
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!