Vanity Fair E-Book

William Makepeace Thackeray

• Herausgeber: Publisher s23237
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2022

Beschreibung

“I think I could be a good woman, if I had five thousand a year,” observes beautiful and clever Becky Sharp, one of the wickedest—and most appealing—women in all of literature. Becky is just one of the many fascinating figures that populate William Makepeace Thackeray’s novel Vanity Fair, a wonderfully satirical panorama of upper-middle-class life and manners in London at the beginning of the nineteenth century.

Scorned for her lack of money and breeding, Becky must use all her wit, charm and considerable sex appeal to escape her drab destiny as a governess. From London’s ballrooms to the battlefields of Waterloo, the bewitching Becky works her wiles on a gallery of memorable characters, including her lecherous employer, Sir Pitt, his rich sister, Miss Crawley, and Pitt’s dashing son, Rawdon, the first of Becky’s misguided sexual entanglements.

Filled with hilarious dialogue and superb characterizations, Vanity Fair is a richly entertaining comedy that asks the reader, “Which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?”

Leseprobe

Vanity Fair

William Makepeace Thackeray

Published: 1848Categorie(s): Fiction, Literary

About Thackeray:

Thackeray, an only child, was born in Calcutta, India, where his father, Richmond Thackeray (1 September 1781 – 13 September 1815), held the high rank of secretary to the board of revenue in the British East India Company. His mother, Anne Becher (1792–1864; second daughter of John Harman Becher, a writer for the East India Company, and his wife Harriet), married Richmond Thackeray on 13 October 1810 after being sent to India in 1809. She was sent abroad after being told that the man she loved, Henry Carmichael-Smyth, had died. This was not true, but her family wanted a better marriage for her than with Carmichael-Smyth, a military man. The truth was unexpectedly revealed in 1812, when Richmond Thackeray unwittingly invited to dinner the supposedly dead Carmichael-Smyth. Richmond Thackeray, born at South Mimms, went to India at the age of sixteen to assume his duties as writer. By 1804 he had fathered a daughter by a native mistress, the mother and daughter being named in his will. Such liaisons being common among gentlemen of the East India Company, it formed no bar to his courting and marrying Anne Becher. After Richmond's death, Henry Carmichael-Smyth married Anne in 1818 and they returned to England the next year. William had been sent to England earlier, at the age of five, with a short stopover at St. Helena where the imprisoned Napoleon was pointed out to him. He was educated at schools in Southampton and Chiswick and then at Charterhouse School, where he was a close friend of John Leech. He disliked Charterhouse, parodying it in his later fiction as "Slaughterhouse." Illness in his last year there (during which he reportedly grew to his full height of 6'3") postponed his matriculation at Trinity College, Cambridge, until February 1829. Never too keen on academic studies, he left the University in 1830. He travelled for some time on the continent, visiting Paris and Weimar, where he met Goethe. He returned to England and began to study law at the Middle Temple, but soon gave that up. On reaching twenty-one, he came into his inheritance, but he squandered much of it on gambling and by funding two unsuccessful newspapers, The National Standard and The Constitutional, which he had hoped to write for. He also lost a good part of his fortune in the collapse of two Indian banks. Forced to consider a profession to support himself, he turned first to art, which he studied in Paris, but he did not pursue it, except in later years as the illustrator of some of his own novels and other writings. Thackeray's years of semi-idleness ended after he met and, on 20 August 1836, married Isabella Gethin Shawe (1816-1893), second daughter of Matthew Shawe, a colonel, who had died after extraordinary service, primarily in India, and his wife, Isabella Creagh. The marriage appears to have been a very happy one, though beset by problems (an overbearing mother-in-law and sickness). Their three daughters were Anne Isabella (1837-1919), Jane (1837; died at 8 months) and Harriet Marian (1840-1875). He now began "writing for his life," as he put it, turning to journalism in an effort to support his young family. He primarily worked for Fraser's Magazine, a sharp-witted and sharp-tongued conservative publication, for which he produced art criticism, short fictional sketches, and two longer fictional works, Catherine and The Luck of Barry Lyndon. Later, through his connection to the illustrator John Leech, he began writing for the newly created Punch magazine, where he published The Snob Papers, later collected as The Book of Snobs. This work popularized the modern meaning of the word "snob." Meanwhile tragedy struck in his personal life as his wife succumbed to depression after the birth of their third child. Finding he could get no work done at home, he spent more and more time away, until September 1840, when he noticed how grave her condition was and, struck by guilt, he took his ailing wife to Ireland. During the crossing she threw herself from a water-closet into the sea (from which she was rescued). They fled back home after a four-week domestic battle with her mother. From November 1840 to February 1842 she was in and out of professional care, her condition waxing and waning. In the long run she deteriorated into a permanent state of detachment from reality, unaware of the world around her. Thackeray desperately sought cures for her, but nothing worked, and she ended up confined in a home near Paris, where she remained until 1893, outliving her husband by thirty years. After his wife's illness, Thackeray became a de facto widower, never establishing another permanent relationship. He did pursue other women, in particular Mrs. Jane Brookfield and Sally Baxter. In 1851 Mr. Brookfield barred Thackeray from further visits to or correspondence with Jane, while Baxter, an American twenty years his junior whom he met in New York City in 1852, married another man in 1855. In the early 1840s, Thackeray had some success with two travel books, The Paris Sketch Book and The Irish Sketch Book. Later in the decade, he achieved some notoriety with his Snob Papers, but the work that really established his fame was the novel Vanity Fair, which first appeared in serialized installments beginning in January 1847. Even before Vanity Fair completed its serial run, Thackeray had become a celebrity, sought after by the very lords and ladies he satirized and hailed as the equal of Dickens. He remained "at the top of the tree," as he put it, for the remaining decade and a half of his life, producing several large novels, notably Pendennis, The Newcomes, and The History of Henry Esmond, despite various illnesses, including a near fatal one that struck him in 1849 in the middle of writing Pendennis. He twice visited the United States on lecture tours during this period, and there fell in love with a young American girl, Sally Baxter. Thackeray also gave lectures in London, on the English humourists of the eighteenth century, and on the first four Hanoverian monarchs, the latter series being published in book form as The Four Georges. In Oxford, he stood unsuccessfully as an independent for Parliament. He was narrowly beaten by Cardwell (1070 votes, against 1005 for Thackeray). In 1860, Thackeray became editor of the newly established Cornhill Magazine, but was never comfortable as an editor, preferring to contribute to the magazine as a columnist, producing his Roundabout Papers for it. His health worsened during the 1850s and he was plagued by the recurring stricture of the urethra that laid him up for days at a time. He also felt he had lost much of his creative impetus. He worsened matters by over-eating and drinking and avoiding exercise, though he enjoyed horseback riding and kept a horse. On 23 December 1863, after returning from dining out and before dressing for bed, Thackeray suffered a stroke and was found dead on his bed in the morning. His death at the age of fifty-three was entirely unexpected by his family, friends, and reading public. An estimated 7000 people attended his funeral at Kensington Gardens. He was buried on 29 December at Kensal Green Cemetery, and a memorial bust sculpted by Marochetti can be found in Westminster Abbey. Source: Wikipedia

Before the Curtain

As the manager of the Performance sits before the curtain on the boards and looks into the Fair, a feeling of profound melancholy comes over him in his survey of the bustling place. There is a great quantity of eating and drinking, making love and jilting, laughing and the contrary, smoking, cheating, fighting, dancing and fiddling; there are bullies pushing about, bucks ogling the women, knaves picking pockets, policemen on the look-out, quacks (OTHER quacks, plague take them!) bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind. Yes, this is VANITY FAIR; not a moral place certainly; nor a merry one, though very noisy. Look at the faces of the actors and buffoons when they come off from their business; and Tom Fool washing the paint off his cheeks before he sits down to dinner with his wife and the little Jack Puddings behind the canvas. The curtain will be up presently, and he will be turning over head and heels, and crying, "How are you?"

A man with a reflective turn of mind, walking through an exhibition of this sort, will not be oppressed, I take it, by his own or other people's hilarity. An episode of humour or kindness touches and amuses him here and there—a pretty child looking at a gingerbread stall; a pretty girl blushing whilst her lover talks to her and chooses her fairing; poor Tom Fool, yonder behind the waggon, mumbling his bone with the honest family which lives by his tumbling; but the general impression is one more melancholy than mirthful. When you come home you sit down in a sober, contemplative, not uncharitable frame of mind, and apply yourself to your books or your business.

I have no other moral than this to tag to the present story of "Vanity Fair." Some people consider Fairs immoral altogether, and eschew such, with their servants and families: very likely they are right. But persons who think otherwise, and are of a lazy, or a benevolent, or a sarcastic mood, may perhaps like to step in for half an hour, and look at the performances. There are scenes of all sorts; some dreadful combats, some grand and lofty horse-riding, some scenes of high life, and some of very middling indeed; some love-making for the sentimental, and some light comic business; the whole accompanied by appropriate scenery and brilliantly illuminated with the Author's own candles.

What more has the Manager of the Performance to say?—To acknowledge the kindness with which it has been received in all the principal towns of England through which the Show has passed, and where it has been most favourably noticed by the respected conductors of the public Press, and by the Nobility and Gentry. He is proud to think that his Puppets have given satisfaction to the very best company in this empire. The famous little Becky Puppet has been pronounced to be uncommonly flexible in the joints, and lively on the wire; the Amelia Doll, though it has had a smaller circle of admirers, has yet been carved and dressed with the greatest care by the artist; the Dobbin Figure, though apparently clumsy, yet dances in a very amusing and natural manner; the Little Boys' Dance has been liked by some; and please to remark the richly dressed figure of the Wicked Nobleman, on which no expense has been spared, and which Old Nick will fetch away at the end of this singular performance.

And with this, and a profound bow to his patrons, the Manager retires, and the curtain rises.

LONDON, June 28, 1848

Chapter1 Chiswick Mall

While the present century was in its teens, and on one sunshiny morning in June, there drove up to the great iron gate of Miss Pinkerton's academy for young ladies, on Chiswick Mall, a large family coach, with two fat horses in blazing harness, driven by a fat coachman in a three-cornered hat and wig, at the rate of four miles an hour. A black servant, who reposed on the box beside the fat coachman, uncurled his bandy legs as soon as the equipage drew up opposite Miss Pinkerton's shining brass plate, and as he pulled the bell at least a score of young heads were seen peering out of the narrow windows of the stately old brick house. Nay, the acute observer might have recognized the little red nose of good-natured Miss Jemima Pinkerton herself, rising over some geranium pots in the window of that lady's own drawing-room.

"It is Mrs. Sedley's coach, sister," said Miss Jemima. "Sambo, the black servant, has just rung the bell; and the coachman has a new red waistcoat."

"Have you completed all the necessary preparations incident to Miss Sedley's departure, Miss Jemima?" asked Miss Pinkerton herself, that majestic lady; the Semiramis of Hammersmith, the friend of Doctor Johnson, the correspondent of Mrs. Chapone herself.

"The girls were up at four this morning, packing her trunks, sister," replied Miss Jemima; "we have made her a bow-pot."

"Say a bouquet, sister Jemima, 'tis more genteel."

"Well, a booky as big almost as a haystack; I have put up two bottles of the gillyflower water for Mrs. Sedley, and the receipt for making it, in Amelia's box."

"And I trust, Miss Jemima, you have made a copy of Miss Sedley's account. This is it, is it? Very good—ninety-three pounds, four shillings. Be kind enough to address it to John Sedley, Esquire, and to seal this billet which I have written to his lady."

In Miss Jemima's eyes an autograph letter of her sister, Miss Pinkerton, was an object of as deep veneration as would have been a letter from a sovereign. Only when her pupils quitted the establishment, or when they were about to be married, and once, when poor Miss Birch died of the scarlet fever, was Miss Pinkerton known to write personally to the parents of her pupils; and it was Jemima's opinion that if anything could console Mrs. Birch for her daughter's loss, it would be that pious and eloquent composition in which Miss Pinkerton announced the event.

In the present instance Miss Pinkerton's "billet" was to the following effect:—

The Mall, Chiswick, June 15, 18

MADAM,—After her six years' residence at the Mall, I have the honour and happiness of presenting Miss Amelia Sedley to her parents, as a young lady not unworthy to occupy a fitting position in their polished and refined circle. Those virtues which characterize the young English gentlewoman, those accomplishments which become her birth and station, will not be found wanting in the amiable Miss Sedley, whose INDUSTRY and OBEDIENCE have endeared her to her instructors, and whose delightful sweetness of temper has charmed her AGED and her YOUTHFUL companions.

In music, in dancing, in orthography, in every variety of embroidery and needlework, she will be found to have realized her friends' fondest wishes. In geography there is still much to be desired; and a careful and undeviating use of the backboard, for four hours daily during the next three years, is recommended as necessary to the acquirement of that dignified DEPORTMENT AND CARRIAGE, so requisite for every young lady of FASHION.

In the principles of religion and morality, Miss Sedley will be found worthy of an establishment which has been honoured by the presence of THE GREAT LEXICOGRAPHER, and the patronage of the admirable Mrs. Chapone. In leaving the Mall, Miss Amelia carries with her the hearts of her companions, and the affectionate regards of her mistress, who has the honour to subscribe herself,

Madam, Your most obliged humble servant, BARBARA PINKERTON

P.S.—Miss Sharp accompanies Miss Sedley. It is particularly requested that Miss Sharp's stay in Russell Square may not exceed ten days. The family of distinction with whom she is engaged, desire to avail themselves of her services as soon as possible.

This letter completed, Miss Pinkerton proceeded to write her own name, and Miss Sedley's, in the fly-leaf of a Johnson's Dictionary— the interesting work which she invariably presented to her scholars, on their departure from the Mall. On the cover was inserted a copy of "Lines addressed to a young lady on quitting Miss Pinkerton's school, at the Mall; by the late revered Doctor Samuel Johnson." In fact, the Lexicographer's name was always on the lips of this majestic woman, and a visit he had paid to her was the cause of her reputation and her fortune.

Being commanded by her elder sister to get "the Dictionary" from the cupboard, Miss Jemima had extracted two copies of the book from the receptacle in question. When Miss Pinkerton had finished the inscription in the first, Jemima, with rather a dubious and timid air, handed her the second.

"For whom is this, Miss Jemima?" said Miss Pinkerton, with awful coldness.

"For Becky Sharp," answered Jemima, trembling very much, and blushing over her withered face and neck, as she turned her back on her sister. "For Becky Sharp: she's going too."

"MISS JEMIMA!" exclaimed Miss Pinkerton, in the largest capitals. "Are you in your senses? Replace the Dixonary in the closet, and never venture to take such a liberty in future."

"Well, sister, it's only two-and-ninepence, and poor Becky will be miserable if she don't get one."

"Send Miss Sedley instantly to me," said Miss Pinkerton. And so venturing not to say another word, poor Jemima trotted off, exceedingly flurried and nervous.

Miss Sedley's papa was a merchant in London, and a man of some wealth; whereas Miss Sharp was an articled pupil, for whom Miss Pinkerton had done, as she thought, quite enough, without conferring upon her at parting the high honour of the Dixonary.

Although schoolmistresses' letters are to be trusted no more nor less than churchyard epitaphs; yet, as it sometimes happens that a person departs this life who is really deserving of all the praises the stone cutter carves over his bones; who IS a good Christian, a good parent, child, wife, or husband; who actually DOES leave a disconsolate family to mourn his loss; so in academies of the male and female sex it occurs every now and then that the pupil is fully worthy of the praises bestowed by the disinterested instructor. Now, Miss Amelia Sedley was a young lady of this singular species; and deserved not only all that Miss Pinkerton said in her praise, but had many charming qualities which that pompous old Minerva of a woman could not see, from the differences of rank and age between her pupil and herself.

For she could not only sing like a lark, or a Mrs. Billington, and dance like Hillisberg or Parisot; and embroider beautifully; and spell as well as a Dixonary itself; but she had such a kindly, smiling, tender, gentle, generous heart of her own, as won the love of everybody who came near her, from Minerva herself down to the poor girl in the scullery, and the one-eyed tart-woman's daughter, who was permitted to vend her wares once a week to the young ladies in the Mall. She had twelve intimate and bosom friends out of the twenty-four young ladies. Even envious Miss Briggs never spoke ill of her; high and mighty Miss Saltire (Lord Dexter's granddaughter) allowed that her figure was genteel; and as for Miss Swartz, the rich woolly-haired mulatto from St. Kitt's, on the day Amelia went away, she was in such a passion of tears that they were obliged to send for Dr. Floss, and half tipsify her with salvolatile. Miss Pinkerton's attachment was, as may be supposed from the high position and eminent virtues of that lady, calm and dignified; but Miss Jemima had already whimpered several times at the idea of Amelia's departure; and, but for fear of her sister, would have gone off in downright hysterics, like the heiress (who paid double) of St. Kitt's. Such luxury of grief, however, is only allowed to parlour-boarders. Honest Jemima had all the bills, and the washing, and the mending, and the puddings, and the plate and crockery, and the servants to superintend. But why speak about her? It is probable that we shall not hear of her again from this moment to the end of time, and that when the great filigree iron gates are once closed on her, she and her awful sister will never issue therefrom into this little world of history.

But as we are to see a great deal of Amelia, there is no harm in saying, at the outset of our acquaintance, that she was a dear little creature; and a great mercy it is, both in life and in novels, which (and the latter especially) abound in villains of the most sombre sort, that we are to have for a constant companion so guileless and good-natured a person. As she is not a heroine, there is no need to describe her person; indeed I am afraid that her nose was rather short than otherwise, and her cheeks a great deal too round and red for a heroine; but her face blushed with rosy health, and her lips with the freshest of smiles, and she had a pair of eyes which sparkled with the brightest and honestest good-humour, except indeed when they filled with tears, and that was a great deal too often; for the silly thing would cry over a dead canary-bird; or over a mouse, that the cat haply had seized upon; or over the end of a novel, were it ever so stupid; and as for saying an unkind word to her, were any persons hard-hearted enough to do so—why, so much the worse for them. Even Miss Pinkerton, that austere and godlike woman, ceased scolding her after the first time, and though she no more comprehended sensibility than she did Algebra, gave all masters and teachers particular orders to treat Miss Sedley with the utmost gentleness, as harsh treatment was injurious to her.

So that when the day of departure came, between her two customs of laughing and crying, Miss Sedley was greatly puzzled how to act. She was glad to go home, and yet most woefully sad at leaving school. For three days before, little Laura Martin, the orphan, followed her about like a little dog. She had to make and receive at least fourteen presents—to make fourteen solemn promises of writing every week: "Send my letters under cover to my grandpapa, the Earl of Dexter," said Miss Saltire (who, by the way, was rather shabby). "Never mind the postage, but write every day, you dear darling," said the impetuous and woolly-headed, but generous and affectionate Miss Swartz; and the orphan little Laura Martin (who was just in round-hand), took her friend's hand and said, looking up in her face wistfully, "Amelia, when I write to you I shall call you Mamma." All which details, I have no doubt, JONES, who reads this book at his Club, will pronounce to be excessively foolish, trivial, twaddling, and ultra-sentimental. Yes; I can see Jones at this minute (rather flushed with his joint of mutton and half pint of wine), taking out his pencil and scoring under the words "foolish, twaddling," &c., and adding to them his own remark of "QUITE TRUE." Well, he is a lofty man of genius, and admires the great and heroic in life and novels; and so had better take warning and go elsewhere.

Well, then. The flowers, and the presents, and the trunks, and bonnet-boxes of Miss Sedley having been arranged by Mr. Sambo in the carriage, together with a very small and weather-beaten old cow's- skin trunk with Miss Sharp's card neatly nailed upon it, which was delivered by Sambo with a grin, and packed by the coachman with a corresponding sneer—the hour for parting came; and the grief of that moment was considerably lessened by the admirable discourse which Miss Pinkerton addressed to her pupil. Not that the parting speech caused Amelia to philosophise, or that it armed her in any way with a calmness, the result of argument; but it was intolerably dull, pompous, and tedious; and having the fear of her schoolmistress greatly before her eyes, Miss Sedley did not venture, in her presence, to give way to any ebullitions of private grief. A seed-cake and a bottle of wine were produced in the drawing-room, as on the solemn occasions of the visits of parents, and these refreshments being partaken of, Miss Sedley was at liberty to depart.

"You'll go in and say good-by to Miss Pinkerton, Becky!" said Miss Jemima to a young lady of whom nobody took any notice, and who was coming downstairs with her own bandbox.

"I suppose I must," said Miss Sharp calmly, and much to the wonder of Miss Jemima; and the latter having knocked at the door, and receiving permission to come in, Miss Sharp advanced in a very unconcerned manner, and said in French, and with a perfect accent, "Mademoiselle, je viens vous faire mes adieux."

Miss Pinkerton did not understand French; she only directed those who did: but biting her lips and throwing up her venerable and Roman-nosed head (on the top of which figured a large and solemn turban), she said, "Miss Sharp, I wish you a good morning." As the Hammersmith Semiramis spoke, she waved one hand, both by way of adieu, and to give Miss Sharp an opportunity of shaking one of the fingers of the hand which was left out for that purpose.

Miss Sharp only folded her own hands with a very frigid smile and bow, and quite declined to accept the proffered honour; on which Semiramis tossed up her turban more indignantly than ever. In fact, it was a little battle between the young lady and the old one, and the latter was worsted. "Heaven bless you, my child," said she, embracing Amelia, and scowling the while over the girl's shoulder at Miss Sharp. "Come away, Becky," said Miss Jemima, pulling the young woman away in great alarm, and the drawing-room door closed upon them for ever.

Then came the struggle and parting below. Words refuse to tell it. All the servants were there in the hall—all the dear friend—all the young ladies—the dancing-master who had just arrived; and there was such a scuffling, and hugging, and kissing, and crying, with the hysterical YOOPS of Miss Swartz, the parlour-boarder, from her room, as no pen can depict, and as the tender heart would fain pass over. The embracing was over; they parted—that is, Miss Sedley parted from her friends. Miss Sharp had demurely entered the carriage some minutes before. Nobody cried for leaving HER.

Sambo of the bandy legs slammed the carriage door on his young weeping mistress. He sprang up behind the carriage. "Stop!" cried Miss Jemima, rushing to the gate with a parcel.

"It's some sandwiches, my dear," said she to Amelia. "You may be hungry, you know; and Becky, Becky Sharp, here's a book for you that my sister—that is, I—Johnson's Dixonary, you know; you mustn't leave us without that. Good-by. Drive on, coachman. God bless you!"

And the kind creature retreated into the garden, overcome with emotion.

But, lo! and just as the coach drove off, Miss Sharp put her pale face out of the window and actually flung the book back into the garden.

This almost caused Jemima to faint with terror. "Well, I never"— said she—"what an audacious"—Emotion prevented her from completing either sentence. The carriage rolled away; the great gates were closed; the bell rang for the dancing lesson. The world is before the two young ladies; and so, farewell to Chiswick Mall.

Chapter2 In Which Miss Sharp and Miss Sedley Prepare to Open the Campaign

When Miss Sharp had performed the heroical act mentioned in the last chapter, and had seen the Dixonary, flying over the pavement of the little garden, fall at length at the feet of the astonished Miss Jemima, the young lady's countenance, which had before worn an almost livid look of hatred, assumed a smile that perhaps was scarcely more agreeable, and she sank back in the carriage in an easy frame of mind, saying—"So much for the Dixonary; and, thank God, I'm out of Chiswick."

Miss Sedley was almost as flurried at the act of defiance as Miss Jemima had been; for, consider, it was but one minute that she had left school, and the impressions of six years are not got over in that space of time. Nay, with some persons those awes and terrors of youth last for ever and ever. I know, for instance, an old gentleman of sixty-eight, who said to me one morning at breakfast, with a very agitated countenance, "I dreamed last night that I was flogged by Dr. Raine." Fancy had carried him back five-and-fifty years in the course of that evening. Dr. Raine and his rod were just as awful to him in his heart, then, at sixty-eight, as they had been at thirteen. If the Doctor, with a large birch, had appeared bodily to him, even at the age of threescore and eight, and had said in awful voice, "Boy, take down your pant—"? Well, well, Miss Sedley was exceedingly alarmed at this act of insubordination.

"How could you do so, Rebecca?" at last she said, after a pause.

"Why, do you think Miss Pinkerton will come out and order me back to the black-hole?" said Rebecca, laughing.

"No: but—"

"I hate the whole house," continued Miss Sharp in a fury. "I hope I may never set eyes on it again. I wish it were in the bottom of the Thames, I do; and if Miss Pinkerton were there, I wouldn't pick her out, that I wouldn't. O how I should like to see her floating in the water yonder, turban and all, with her train streaming after her, and her nose like the beak of a wherry."

"Hush!" cried Miss Sedley.

"Why, will the black footman tell tales?" cried Miss Rebecca, laughing. "He may go back and tell Miss Pinkerton that I hate her with all my soul; and I wish he would; and I wish I had a means of proving it, too. For two years I have only had insults and outrage from her. I have been treated worse than any servant in the kitchen. I have never had a friend or a kind word, except from you. I have been made to tend the little girls in the lower schoolroom, and to talk French to the Misses, until I grew sick of my mother tongue. But that talking French to Miss Pinkerton was capital fun, wasn't it? She doesn't know a word of French, and was too proud to confess it. I believe it was that which made her part with me; and so thank Heaven for French. Vive la France! Vive l'Empereur! Vive Bonaparte!"

"O Rebecca, Rebecca, for shame!" cried Miss Sedley; for this was the greatest blasphemy Rebecca had as yet uttered; and in those days, in England, to say, "Long live Bonaparte!" was as much as to say, "Long live Lucifer!" "How can you—how dare you have such wicked, revengeful thoughts?"

"Revenge may be wicked, but it's natural," answered Miss Rebecca. "I'm no angel." And, to say the truth, she certainly was not.

For it may be remarked in the course of this little conversation (which took place as the coach rolled along lazily by the river side) that though Miss Rebecca Sharp has twice had occasion to thank Heaven, it has been, in the first place, for ridding her of some person whom she hated, and secondly, for enabling her to bring her enemies to some sort of perplexity or confusion; neither of which are very amiable motives for religious gratitude, or such as would be put forward by persons of a kind and placable disposition. Miss Rebecca was not, then, in the least kind or placable. All the world used her ill, said this young misanthropist, and we may be pretty certain that persons whom all the world treats ill, deserve entirely the treatment they get. The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice. This is certain, that if the world neglected Miss Sharp, she never was known to have done a good action in behalf of anybody; nor can it be expected that twenty-four young ladies should all be as amiable as the heroine of this work, Miss Sedley (whom we have selected for the very reason that she was the best-natured of all, otherwise what on earth was to have prevented us from putting up Miss Swartz, or Miss Crump, or Miss Hopkins, as heroine in her place!) it could not be expected that every one should be of the humble and gentle temper of Miss Amelia Sedley; should take every opportunity to vanquish Rebecca's hard-heartedness and ill-humour; and, by a thousand kind words and offices, overcome, for once at least, her hostility to her kind.

Miss Sharp's father was an artist, and in that quality had given lessons of drawing at Miss Pinkerton's school. He was a clever man; a pleasant companion; a careless student; with a great propensity for running into debt, and a partiality for the tavern. When he was drunk, he used to beat his wife and daughter; and the next morning, with a headache, he would rail at the world for its neglect of his genius, and abuse, with a good deal of cleverness, and sometimes with perfect reason, the fools, his brother painters. As it was with the utmost difficulty that he could keep himself, and as he owed money for a mile round Soho, where he lived, he thought to better his circumstances by marrying a young woman of the French nation, who was by profession an opera-girl. The humble calling of her female parent Miss Sharp never alluded to, but used to state subsequently that the Entrechats were a noble family of Gascony, and took great pride in her descent from them. And curious it is that as she advanced in life this young lady's ancestors increased in rank and splendour.

Rebecca's mother had had some education somewhere, and her daughter spoke French with purity and a Parisian accent. It was in those days rather a rare accomplishment, and led to her engagement with the orthodox Miss Pinkerton. For her mother being dead, her father, finding himself not likely to recover, after his third attack of delirium tremens, wrote a manly and pathetic letter to Miss Pinkerton, recommending the orphan child to her protection, and so descended to the grave, after two bailiffs had quarrelled over his corpse. Rebecca was seventeen when she came to Chiswick, and was bound over as an articled pupil; her duties being to talk French, as we have seen; and her privileges to live cost free, and, with a few guineas a year, to gather scraps of knowledge from the professors who attended the school.

She was small and slight in person; pale, sandy-haired, and with eyes habitually cast down: when they looked up they were very large, odd, and attractive; so attractive that the Reverend Mr. Crisp, fresh from Oxford, and curate to the Vicar of Chiswick, the Reverend Mr. Flowerdew, fell in love with Miss Sharp; being shot dead by a glance of her eyes which was fired all the way across Chiswick Church from the school-pew to the reading-desk. This infatuated young man used sometimes to take tea with Miss Pinkerton, to whom he had been presented by his mamma, and actually proposed something like marriage in an intercepted note, which the one-eyed apple-woman was charged to deliver. Mrs. Crisp was summoned from Buxton, and abruptly carried off her darling boy; but the idea, even, of such an eagle in the Chiswick dovecot caused a great flutter in the breast of Miss Pinkerton, who would have sent away Miss Sharp but that she was bound to her under a forfeit, and who never could thoroughly believe the young lady's protestations that she had never exchanged a single word with Mr. Crisp, except under her own eyes on the two occasions when she had met him at tea.

By the side of many tall and bouncing young ladies in the establishment, Rebecca Sharp looked like a child. But she had the dismal precocity of poverty. Many a dun had she talked to, and turned away from her father's door; many a tradesman had she coaxed and wheedled into good-humour, and into the granting of one meal more. She sate commonly with her father, who was very proud of her wit, and heard the talk of many of his wild companions—often but ill-suited for a girl to hear. But she never had been a girl, she said; she had been a woman since she was eight years old. Oh, why did Miss Pinkerton let such a dangerous bird into her cage?

The fact is, the old lady believed Rebecca to be the meekest creature in the world, so admirably, on the occasions when her father brought her to Chiswick, used Rebecca to perform the part of the ingenue; and only a year before the arrangement by which Rebecca had been admitted into her house, and when Rebecca was sixteen years old, Miss Pinkerton majestically, and with a little speech, made her a present of a doll—which was, by the way, the confiscated property of Miss Swindle, discovered surreptitiously nursing it in school- hours. How the father and daughter laughed as they trudged home together after the evening party (it was on the occasion of the speeches, when all the professors were invited) and how Miss Pinkerton would have raged had she seen the caricature of herself which the little mimic, Rebecca, managed to make out of her doll. Becky used to go through dialogues with it; it formed the delight of Newman Street, Gerrard Street, and the Artists' quarter: and the young painters, when they came to take their gin-and-water with their lazy, dissolute, clever, jovial senior, used regularly to ask Rebecca if Miss Pinkerton was at home: she was as well known to them, poor soul! as Mr. Lawrence or President West. Once Rebecca had the honour to pass a few days at Chiswick; after which she brought back Jemima, and erected another doll as Miss Jemmy: for though that honest creature had made and given her jelly and cake enough for three children, and a seven-shilling piece at parting, the girl's sense of ridicule was far stronger than her gratitude, and she sacrificed Miss Jemmy quite as pitilessly as her sister.

The catastrophe came, and she was brought to the Mall as to her home. The rigid formality of the place suffocated her: the prayers and the meals, the lessons and the walks, which were arranged with a conventual regularity, oppressed her almost beyond endurance; and she looked back to the freedom and the beggary of the old studio in Soho with so much regret, that everybody, herself included, fancied she was consumed with grief for her father. She had a little room in the garret, where the maids heard her walking and sobbing at night; but it was with rage, and not with grief. She had not been much of a dissembler, until now her loneliness taught her to feign. She had never mingled in the society of women: her father, reprobate as he was, was a man of talent; his conversation was a thousand times more agreeable to her than the talk of such of her own sex as she now encountered. The pompous vanity of the old schoolmistress, the foolish good-humour of her sister, the silly chat and scandal of the elder girls, and the frigid correctness of the governesses equally annoyed her; and she had no soft maternal heart, this unlucky girl, otherwise the prattle and talk of the younger children, with whose care she was chiefly intrusted, might have soothed and interested her; but she lived among them two years, and not one was sorry that she went away. The gentle tender-hearted Amelia Sedley was the only person to whom she could attach herself in the least; and who could help attaching herself to Amelia?

The happiness the superior advantages of the young women round about her, gave Rebecca inexpressible pangs of envy. "What airs that girl gives herself, because she is an Earl's grand-daughter," she said of one. "How they cringe and bow to that Creole, because of her hundred thousand pounds! I am a thousand times cleverer and more charming than that creature, for all her wealth. I am as well bred as the Earl's grand-daughter, for all her fine pedigree; and yet every one passes me by here. And yet, when I was at my father's, did not the men give up their gayest balls and parties in order to pass the evening with me?" She determined at any rate to get free from the prison in which she found herself, and now began to act for herself, and for the first time to make connected plans for the future.

She took advantage, therefore, of the means of study the place offered her; and as she was already a musician and a good linguist, she speedily went through the little course of study which was considered necessary for ladies in those days. Her music she practised incessantly, and one day, when the girls were out, and she had remained at home, she was overheard to play a piece so well that Minerva thought, wisely, she could spare herself the expense of a master for the juniors, and intimated to Miss Sharp that she was to instruct them in music for the future.

The girl refused; and for the first time, and to the astonishment of the majestic mistress of the school. "I am here to speak French with the children," Rebecca said abruptly, "not to teach them music, and save money for you. Give me money, and I will teach them."

Minerva was obliged to yield, and, of course, disliked her from that day. "For five-and-thirty years," she said, and with great justice, "I never have seen the individual who has dared in my own house to question my authority. I have nourished a viper in my bosom."

"A viper—a fiddlestick," said Miss Sharp to the old lady, almost fainting with astonishment. "You took me because I was useful. There is no question of gratitude between us. I hate this place, and want to leave it. I will do nothing here but what I am obliged to do."

It was in vain that the old lady asked her if she was aware she was speaking to Miss Pinkerton? Rebecca laughed in her face, with a horrid sarcastic demoniacal laughter, that almost sent the schoolmistress into fits. "Give me a sum of money," said the girl, "and get rid of me—or, if you like better, get me a good place as governess in a nobleman's family—you can do so if you please." And in their further disputes she always returned to this point, "Get me a situation—we hate each other, and I am ready to go."

Worthy Miss Pinkerton, although she had a Roman nose and a turban, and was as tall as a grenadier, and had been up to this time an irresistible princess, had no will or strength like that of her little apprentice, and in vain did battle against her, and tried to overawe her. Attempting once to scold her in public, Rebecca hit upon the before-mentioned plan of answering her in French, which quite routed the old woman. In order to maintain authority in her school, it became necessary to remove this rebel, this monster, this serpent, this firebrand; and hearing about this time that Sir Pitt Crawley's family was in want of a governess, she actually recommended Miss Sharp for the situation, firebrand and serpent as she was. "I cannot, certainly," she said, "find fault with Miss Sharp's conduct, except to myself; and must allow that her talents and accomplishments are of a high order. As far as the head goes, at least, she does credit to the educational system pursued at my establishment."

And so the schoolmistress reconciled the recommendation to her conscience, and the indentures were cancelled, and the apprentice was free. The battle here described in a few lines, of course, lasted for some months. And as Miss Sedley, being now in her seventeenth year, was about to leave school, and had a friendship for Miss Sharp ("'tis the only point in Amelia's behaviour," said Minerva, "which has not been satisfactory to her mistress"), Miss Sharp was invited by her friend to pass a week with her at home, before she entered upon her duties as governess in a private family.

Thus the world began for these two young ladies. For Amelia it was quite a new, fresh, brilliant world, with all the bloom upon it. It was not quite a new one for Rebecca—(indeed, if the truth must be told with respect to the Crisp affair, the tart-woman hinted to somebody, who took an affidavit of the fact to somebody else, that there was a great deal more than was made public regarding Mr. Crisp and Miss Sharp, and that his letter was in answer to another letter). But who can tell you the real truth of the matter? At all events, if Rebecca was not beginning the world, she was beginning it over again.

By the time the young ladies reached Kensington turnpike, Amelia had not forgotten her companions, but had dried her tears, and had blushed very much and been delighted at a young officer of the Life Guards, who spied her as he was riding by, and said, "A dem fine gal, egad!" and before the carriage arrived in Russell Square, a great deal of conversation had taken place about the Drawing-room, and whether or not young ladies wore powder as well as hoops when presented, and whether she was to have that honour: to the Lord Mayor's ball she knew she was to go. And when at length home was reached, Miss Amelia Sedley skipped out on Sambo's arm, as happy and as handsome a girl as any in the whole big city of London. Both he and coachman agreed on this point, and so did her father and mother, and so did every one of the servants in the house, as they stood bobbing, and curtseying, and smiling, in the hall to welcome their young mistress.

You may be sure that she showed Rebecca over every room of the house, and everything in every one of her drawers; and her books, and her piano, and her dresses, and all her necklaces, brooches, laces, and gimcracks. She insisted upon Rebecca accepting the white cornelian and the turquoise rings, and a sweet sprigged muslin, which was too small for her now, though it would fit her friend to a nicety; and she determined in her heart to ask her mother's permission to present her white Cashmere shawl to her friend. Could she not spare it? and had not her brother Joseph just brought her two from India?

When Rebecca saw the two magnificent Cashmere shawls which Joseph Sedley had brought home to his sister, she said, with perfect truth, "that it must be delightful to have a brother," and easily got the pity of the tender-hearted Amelia for being alone in the world, an orphan without friends or kindred.

"Not alone," said Amelia; "you know, Rebecca, I shall always be your friend, and love you as a sister—indeed I will."

"Ah, but to have parents, as you have—kind, rich, affectionate parents, who give you everything you ask for; and their love, which is more precious than all! My poor papa could give me nothing, and I had but two frocks in all the world! And then, to have a brother, a dear brother! Oh, how you must love him!"

Amelia laughed.

"What! don't you love him? you, who say you love everybody?"

"Yes, of course, I do—only—"

"Only what?"

"Only Joseph doesn't seem to care much whether I love him or not. He gave me two fingers to shake when he arrived after ten years' absence! He is very kind and good, but he scarcely ever speaks to me; I think he loves his pipe a great deal better than his"—but here Amelia checked herself, for why should she speak ill of her brother? "He was very kind to me as a child," she added; "I was but five years old when he went away."

"Isn't he very rich?" said Rebecca. "They say all Indian nabobs are enormously rich."

"I believe he has a very large income."

"And is your sister-in-law a nice pretty woman?"

"La! Joseph is not married," said Amelia, laughing again.

Perhaps she had mentioned the fact already to Rebecca, but that young lady did not appear to have remembered it; indeed, vowed and protested that she expected to see a number of Amelia's nephews and nieces. She was quite disappointed that Mr. Sedley was not married; she was sure Amelia had said he was, and she doted so on little children.

"I think you must have had enough of them at Chiswick," said Amelia, rather wondering at the sudden tenderness on her friend's part; and indeed in later days Miss Sharp would never have committed herself so far as to advance opinions, the untruth of which would have been so easily detected. But we must remember that she is but nineteen as yet, unused to the art of deceiving, poor innocent creature! and making her own experience in her own person. The meaning of the above series of queries, as translated in the heart of this ingenious young woman, was simply this: "If Mr. Joseph Sedley is rich and unmarried, why should I not marry him? I have only a fortnight, to be sure, but there is no harm in trying." And she determined within herself to make this laudable attempt. She redoubled her caresses to Amelia; she kissed the white cornelian necklace as she put it on; and vowed she would never, never part with it. When the dinner-bell rang she went downstairs with her arm round her friend's waist, as is the habit of young ladies. She was so agitated at the drawing-room door, that she could hardly find courage to enter. "Feel my heart, how it beats, dear!" said she to her friend.

"No, it doesn't," said Amelia. "Come in, don't be frightened. Papa won't do you any harm."

Chapter3 Rebecca Is in Presence of the Enemy

A VERY stout, puffy man, in buckskins and Hessian boots, with several immense neckcloths that rose almost to his nose, with a red striped waistcoat and an apple green coat with steel buttons almost as large as crown pieces (it was the morning costume of a dandy or blood of those days) was reading the paper by the fire when the two girls entered, and bounced off his arm-chair, and blushed excessively, and hid his entire face almost in his neckcloths at this apparition.

"It's only your sister, Joseph," said Amelia, laughing and shaking the two fingers which he held out. "I've come home FOR GOOD, you know; and this is my friend, Miss Sharp, whom you have heard me mention."

"No, never, upon my word," said the head under the neckcloth, shaking very much—"that is, yes—what abominably cold weather, Miss"—and herewith he fell to poking the fire with all his might, although it was in the middle of June.

"He's very handsome," whispered Rebecca to Amelia, rather loud.

"Do you think so?" said the latter. "I'll tell him."

"Darling! not for worlds," said Miss Sharp, starting back as timid as a fawn. She had previously made a respectful virgin-like curtsey to the gentleman, and her modest eyes gazed so perseveringly on the carpet that it was a wonder how she should have found an opportunity to see him.

"Thank you for the beautiful shawls, brother," said Amelia to the fire poker. "Are they not beautiful, Rebecca?"

"O heavenly!" said Miss Sharp, and her eyes went from the carpet straight to the chandelier.

Joseph still continued a huge clattering at the poker and tongs, puffing and blowing the while, and turning as red as his yellow face would allow him. "I can't make you such handsome presents, Joseph," continued his sister, "but while I was at school, I have embroidered for you a very beautiful pair of braces."

"Good Gad! Amelia," cried the brother, in serious alarm, "what do you mean?" and plunging with all his might at the bell-rope, that article of furniture came away in his hand, and increased the honest fellow's confusion. "For heaven's sake see if my buggy's at the door. I CAN'T wait. I must go. D— that groom of mine. I must go."

At this minute the father of the family walked in, rattling his seals like a true British merchant. "What's the matter, Emmy?" says he.

"Joseph wants me to see if his—his buggy is at the door. What is a buggy, Papa?"

"It is a one-horse palanquin," said the old gentleman, who was a wag in his way.

Joseph at this burst out into a wild fit of laughter; in which, encountering the eye of Miss Sharp, he stopped all of a sudden, as if he had been shot.

"This young lady is your friend? Miss Sharp, I am very happy to see you. Have you and Emmy been quarrelling already with Joseph, that he wants to be off?"

"I promised Bonamy of our service, sir," said Joseph, "to dine with him."

"O fie! didn't you tell your mother you would dine here?"

"But in this dress it's impossible."

"Look at him, isn't he handsome enough to dine anywhere, Miss Sharp?"

On which, of course, Miss Sharp looked at her friend, and they both set off in a fit of laughter, highly agreeable to the old gentleman.

"Did you ever see a pair of buckskins like those at Miss Pinkerton's?" continued he, following up his advantage.

"Gracious heavens! Father," cried Joseph.

"There now, I have hurt his feelings. Mrs. Sedley, my dear, I have hurt your son's feelings. I have alluded to his buckskins. Ask Miss Sharp if I haven't? Come, Joseph, be friends with Miss Sharp, and let us all go to dinner."

"There's a pillau, Joseph, just as you like it, and Papa has brought home the best turbot in Billingsgate."

"Come, come, sir, walk downstairs with Miss Sharp, and I will follow with these two young women," said the father, and he took an arm of wife and daughter and walked merrily off.

If Miss Rebecca Sharp had determined in her heart upon making the conquest of this big beau, I don't think, ladies, we have any right to blame her; for though the task of husband-hunting is generally, and with becoming modesty, entrusted by young persons to their mammas, recollect that Miss Sharp had no kind parent to arrange these delicate matters for her, and that if she did not get a husband for herself, there was no one else in the wide world who would take the trouble off her hands. What causes young people to "come out," but the noble ambition of matrimony? What sends them trooping to watering-places? What keeps them dancing till five o'clock in the morning through a whole mortal season? What causes them to labour at pianoforte sonatas, and to learn four songs from a fashionable master at a guinea a lesson, and to play the harp if they have handsome arms and neat elbows, and to wear Lincoln Green toxophilite hats and feathers, but that they may bring down some "desirable" young man with those killing bows and arrows of theirs? What causes respectable parents to take up their carpets, set their houses topsy-turvy, and spend a fifth of their year's income in ball suppers and iced champagne? Is it sheer love of their species, and an unadulterated wish to see young people happy and dancing? Psha! they want to marry their daughters; and, as honest Mrs. Sedley has, in the depths of her kind heart, already arranged a score of little schemes for the settlement of her Amelia, so also had our beloved but unprotected Rebecca determined to do her very best to secure the husband, who was even more necessary for her than for her friend. She had a vivid imagination; she had, besides, read the Arabian Nights and Guthrie's Geography; and it is a fact that while she was dressing for dinner, and after she had asked Amelia whether her brother was very rich, she had built for herself a most magnificent castle in the air, of which she was mistress, with a husband somewhere in the background (she had not seen him as yet, and his figure would not therefore be very distinct); she had arrayed herself in an infinity of shawls, turbans, and diamond necklaces, and had mounted upon an elephant to the sound of the march in Bluebeard, in order to pay a visit of ceremony to the Grand Mogul. Charming Alnaschar visions! it is the happy privilege of youth to construct you, and many a fanciful young creature besides Rebecca Sharp has indulged in these delightful day-dreams ere now!

Joseph Sedley was twelve years older than his sister Amelia. He was in the East India Company's Civil Service, and his name appeared, at the period of which we write, in the Bengal division of the East India Register, as collector of Boggley Wollah, an honourable and lucrative post, as everybody knows: in order to know to what higher posts Joseph rose in the service, the reader is referred to the same periodical.

Boggley Wollah is situated in a fine, lonely, marshy, jungly district, famous for snipe-shooting, and where not unfrequently you may flush a tiger. Ramgunge, where there is a magistrate, is only forty miles off, and there is a cavalry station about thirty miles farther; so Joseph wrote home to his parents, when he took possession of his collectorship. He had lived for about eight years of his life, quite alone, at this charming place, scarcely seeing a Christian face except twice a year, when the detachment arrived to carry off the revenues which he had collected, to Calcutta.

Luckily, at this time he caught a liver complaint, for the cure of which he returned to Europe, and which was the source of great comfort and amusement to him in his native country. He did not live with his family while in London, but had lodgings of his own, like a gay young bachelor. Before he went to India he was too young to partake of the delightful pleasures of a man about town, and plunged into them on his return with considerable assiduity. He drove his horses in the Park; he dined at the fashionable taverns (for the Oriental Club was not as yet invented); he frequented the theatres, as the mode was in those days, or made his appearance at the opera, laboriously attired in tights and a cocked hat.