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- Herausgeber: Krill Press
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
- Veröffentlichungsjahr: 2016
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WRITE IT RIGHT: A LITTLE BLACKLIST OF LITERARY FAULTS
Ambrose Bierce
DOSSIER PRESS
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Copyright © 2016 by Ambrose Bierce
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TABLE OF CONTENTS
AIMS AND THE PLAN
THE BLACKLIST
Write It Right: A Little Blacklist of Literary Faults
By
Ambrose Bierce
Write It Right: A Little Blacklist of Literary Faults
Published by Dossier Press
New York City, NY
First published circa 1914
Copyright © Dossier Press, 2015
All rights reserved
Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
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AIMS AND THE PLAN
THE AUTHOR’S MAIN PURPOSE IN this book is to teach precision in writing; and of good writing (which, essentially, is clear thinking made visible) precision is the point of capital concern. It is attained by choice of the word that accurately and adequately expresses what the writer has in mind, and by exclusion of that which either denotes or connotes something else. As Quintilian puts it, the writer should so write that his reader not only may, but must, understand.
Few words have more than one literal and serviceable meaning, however many metaphorical, derivative, related, or even unrelated, meanings lexicographers may think it worth while to gather from all sorts and conditions of men, with which to bloat their absurd and misleading dictionaries. This actual and serviceable meaning—not always determined by derivation, and seldom by popular usage—is the one affirmed, according to his light, by the author of this little manual of solecisms. Narrow etymons of the mere scholar and loose locutions of the ignorant are alike denied a standing.
The plan of the book is more illustrative than expository, the aim being to use the terms of etymology and syntax as little as is compatible with clarity, familiar example being more easily apprehended than technical precept. When both are employed the precept is commonly given after the example has prepared the student to apply it, not only to the matter in mind, but to similar matters not mentioned. Everything in quotation marks is to be understood as disapproved.
Not all locutions blacklisted herein are always to be reprobated as universal outlaws. Excepting in the case of capital offenders—expressions ancestrally vulgar or irreclaimably degenerate—absolute proscription is possible as to serious composition only; in other forms the writer must rely on his sense of values and the fitness of things. While it is true that some colloquialisms and, with less of license, even some slang, may be sparingly employed in light literature, for point, piquancy or any of the purposes of the skilled writer sensible to the necessity and charm of keeping at least one foot on the ground, to others the virtue of restraint may be commended as distinctly superior to the joy of indulgence.
Precision is much, but not all; some words and phrases are disallowed on the ground of taste. As there are neither standards nor arbiters of taste, the book can do little more than reflect that of its author, who is far indeed from professing impeccability. In neither taste nor precision is any man’s practice a court of last appeal, for writers all, both great and small, are habitual sinners against the light; and their accuser is cheerfully aware that his own work will supply (as in making this book it has supplied) many “awful examples"—his later work less abundantly, he hopes, than his earlier. He nevertheless believes that this does not disqualify him for showing by other instances than his own how not to write. The infallible teacher is still in the forest primeval, throwing seeds to the white blackbirds.
A.B.
THE BLACKLIST
A FOR AN. “A HOTEL.” “A heroic man.” Before an unaccented aspirate use an. The contrary usage in this country comes of too strongly stressing our aspirates.
Action for Act. “In wrestling, a blow is a reprehensible action.” A blow is not an action but an act. An action may consist of many acts.
Admission for Admittance. “The price of admission is one dollar.”
Admit for Confess. To admit is to concede something affirmed. An unaccused offender cannot admit his guilt.
Adopt. “He adopted a disguise.” One may adopt a child, or an opinion, but a disguise is assumed.
Advisedly for Advertently, Intentionally. “It was done advisedly” should mean that it was done after advice.
Afford. It is not well to say “the fact affords a reasonable presumption”; “the house afforded ample accommodation.” The fact supplies a reasonable presumption. The house offered, or gave, ample accommodation.
Afraid. Do not say, “I am afraid it will rain.” Say, I fear that it will rain.
Afterwards for Afterward.
Aggravate for Irritate. “He aggravated me by his insolence.” To aggravate is to augment the disagreeableness of something already disagreeable, or the badness of something bad. But a person cannot be aggravated, even if disagreeable or bad. Women are singularly prone to misuse of this word.
All of. “He gave all of his property.” The words are contradictory: an entire thing cannot be of itself. Omit the preposition.
Alleged. “The alleged murderer.” One can allege a murder, but not a murderer; a crime, but not a criminal. A man that is merely suspected of crime would not, in any case, be an alleged criminal, for an allegation is a definite and positive statement. In their tiresome addiction to this use of alleged, the newspapers, though having mainly in mind the danger of libel suits, can urge in further justification the lack of any other single word that exactly expresses their meaning; but the fact that a mud-puddle supplies the shortest route is not a compelling reason for walking through it. One can go around.
Allow for Permit. “I allow you to go.” Precision is better attained by saying permit, for allow has other meanings.
Allude to for Mention. What is alluded to is not mentioned, but referred to indirectly. Originally, the word implied a playful, or sportive, reference. That meaning is gone out of it.
And so. And yet. “And so they were married.” “And yet a woman.” Omit the conjunction.
And which. And who. These forms are incorrect unless the relative pronoun has been used previously in the sentence. “The colt, spirited and strong, and which was unbroken, escaped from the pasture.” “John Smith, one of our leading merchants, and who fell from a window yesterday, died this morning.” Omit the conjunction.
Antecedents for Personal History. Antecedents are predecessors.
