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In "A.B.C. of Snap Shooting: Sporting, Exhibition, and Military," Horace Fletcher delves into the art and science of photography, focusing on the assertion of capturing moments with precision. This seminal work is characterized by its pragmatic approach and instructional tone, offering readers a structured guide that blends technical details with practical advice. Fletcher's emphasis on 'Äòsnap shooting'Äô reflects the burgeoning interest in instantaneous photography during the late 19th century, making this book a vital artifact of its time and an essential read for enthusiasts seeking foundational skills in both sporting and military contexts. Horace Fletcher was not merely a photographer; he was a pioneer who sensed the transformative potential of photography in various spheres of life. His background as an artist and his engagement in exhibitions likely shaped his insights into the technical requirements and aesthetic considerations of snap shooting. Fletcher's work is marked by his direct experience in the field, allowing him to infuse this guide with both authority and accessibility, bridging the gap between amateur photographers and professional practices. Readers seeking to deepen their appreciation and technique in photography will find Fletcher'Äôs book invaluable. Its clarity, practical exercises, and historical context make it a compelling read for both aspiring photographers and historians interested in the evolution of photographic techniques. "A.B.C. of Snap Shooting" stands as a foundational text that captures the spirit of its era while remaining relevant to contemporary photographic discourse.
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Veröffentlichungsjahr: 2019
My object in publishing this little book is to explain a method of teaching Snap Shooting, by using the rifle in practice, which, by its economy, ease, quickness, and fascination, will recommend itself to any who are desirous of becoming skillful in the use of firearms.
It is true that by this method almost any one can make himself a good snap shot in a few weeks or months, according to the amount of practice indulged in, and that too at very small cost.
I make no claim for it, except that having received the original idea from Dr. Carver, I have demonstrated for myself and seen several friends demonstrate its practicability beyond a doubt.
I submit it for what it may be worth.
Horace Fletcher.
Snap shooting is the throwing of both the rear and front sights of a gun into line between the eye and the target and pulling the trigger, all in one motion, and is distinguished by that name from any shooting where the aim is leisurely taken, by bringing the piece to the shoulder, getting the sights in line, hunting the target and pulling the trigger when the aim is most steady.
In snap shooting, the eye catches the target, and the attention is riveted on it, while the piece comes into line instinctively.
In other shooting, the attention is turned from the target to the gun and sights, and after getting them in line, is returned to the target.
The practice of snap shooting does not interfere with aiming at leisure, but aiming at leisure unfits one for snap shooting.
When the face is in danger, the hand comes before it instinctively to protect it; and in the same manner when a target appears the gun should as instinctively and quickly find its place in line between it and the eyes.
This is necessary to the perfect snap shot.
The following rules of safety should never be disregarded:
1. On taking a firearm in your hands, see for yourself if it be loaded or not, and never take any one's word for it.
2. Keep the muzzle of a loaded gun above the level of the eye, and hold a pistol at a corresponding angle.
3. Handle all firearms as if loaded.
Note.—The Numbers scattered through "The Outfit," and "Rules of Practice," refer to paragraphs further on, correspondingly numbered, which are explanatory of terms used, and give the reasons for the suggestions offered.
This plan relieves the pith of the book from any confusing element.
Three[1] persons purchase a .22[3] calibre rifle,[2] having a shot-gun[4] stock, and buck-horn[5] or clover-leaf rear sight, a supply of short cartridges,[6] and a Fletcher bell-ball.[7]
The place for practice should be open[8] ground, or in front of a bulkhead,[9] at least twenty-five feet in height, and three soft pine boards in thickness.
1. Each should take his turn in the positions of Firer, Tosser, and Scorer.[10]
2. The Tosser should stand ten[11] feet distant from the Firer, with his side[12] to him, and toss the bell-ball about fifteen[13] feet high, and so that it will fall on soft ground,[15] two or three[14] feet in front of where he (the Tosser) is standing.
3. The Firer should disencumber his shoulders of anything that in any way interferes with their free action, by removing his coat, vest and suspenders, and stand firmly[16] on his feet, holding the rifle with the stock below his right[17] elbow, the muzzle above the level of the eye,[18] and his left hand clasping the barrel as far out[19] as it can reach with ease when the rifle is brought to the shoulder in aiming.
4. The instant[20] the ball is tossed, the rifle should be brought to the shoulder with as quick a motion as possible, regardless of the speed the bell seems to have.
5. When the bell has reached its greatest[21] elevation, just see it full[22] over the line of both[23] sights and pull the trigger.[24]
6. The rifle should not be allowed to get[25] foul, but cleaned before any burned powder has accumulated in the grooves.[26]
7. Practice at balls thrown straight[27] up to a uniform height should continue till tolerable proficiency, say the average hitting of 80 per cent., has been attained, when the direction should be changed gradually to that of a curve, which lengthened out sufficiently constitutes the Cross-shot.[28]
8. The Drop-shot is the following of a bell, from its summit down to within one or two[29] feet of the ground and hitting it there.