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“Flowering Wilderness” is a literary work written by John Galsworthy in 1932.This work is as if it were in its own right and does not intend to continue the story of the Forsytes. It's a prose offering discussions of significant social and moral issues revisited in a gently ironic key. Galsworthy's work here is more to ask questions that answer and that is why the book offers useful insights for any personal opinion ...
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Veröffentlichungsjahr: 2015
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In 1930, shortly after the appearance of the Budget, the eighth wonder of the world might have been observed in the neighbourhood of Victoria Station — three English people, of wholly different type, engaged in contemplating simultaneously a London statue. They had come separately, and stood a little apart from each other in the south-west corner of the open space clear of the trees, where the drifting late afternoon light of spring was not in their eyes. One of these three was a young woman of about twenty-six, one a youngish man of perhaps thirty-four, and one a man of between fifty and sixty. The young woman, slender and far from stupid-looking, had her head tilted slightly upward to one side, and a faint smile on her parted lips. The younger man, who wore a blue overcoat with a belt girt tightly round his thin middle, as if he felt the spring wind chilly, was sallow from fading sunburn; and the rather disdainful look of his mouth was being curiously contradicted by eyes fixed on the statue with real intensity of feeling. The elder man, very tall, in a brown suit and brown buckskin shoes, lounged, with his hands in his trouser pockets, and his long, weathered, good-looking face masked in a sort of shrewd scepticism.
In the meantime the statue, which was that of Marshal Foch on his horse, stood high up among those trees, stiller than any of them.
The youngish man spoke suddenly.
“He delivered us.”
The effect of this breach of form on the others was diverse; the elder man’s eyebrows went slightly up, and he moved forward as if to examine the horse’s legs. The young woman turned and looked frankly at the speaker, and instantly her face became surprised.
“Aren’t you Wilfrid Desert?”
The youngish man bowed.
“Then,” said the young woman, “we’ve met. At Fleur Mont’s wedding. You were best man, if you remember, the first I’d seen. I was only sixteen. You wouldn’t remember me — Dinny Cherrell, baptized Elizabeth. They ran me in for bridesmaid at the last minute.”
The youngish man’s mouth lost its disdain.
“I remember your hair perfectly.”
“Nobody ever remembers me by anything else.”
“Wrong! I remember thinking you’d sat to Botticelli. You’re still sitting, I see.”
Dinny was thinking: ‘His eyes were the first to flutter me. And they really are beautiful.’
The said eyes had been turned again upon the statue.
“He DID deliver us,” said Desert.
“You were there, of course.”
“Flying, and fed up to the teeth.”
“Do you like the statue?”
“The horse.”
“Yes,” murmured Dinny, “it IS a horse, not just a prancing barrel, with teeth, nostrils and an arch.”
“The whole thing’s workmanlike, like Foch himself.”
Dinny wrinkled her brow.
“I like the way it stands up quietly among those trees.”
“How is Michael? You’re a cousin of his, if I remember.”
“Michael’s all right. Still in the House; he has a seat he simply can’t lose.”
“And Fleur?”
“Flourishing. Did you know she had a daughter last year?”
“Fleur? H’m! That makes two, doesn’t it?”
“Yes; they call this one Catherine.”
“I haven’t been home since 1927. Gosh! It’s a long time since that wedding.”
“You look,” said Dinny, contemplating the sallow darkness of his face, “as if you had been in the sun.”
“When I’m not in the sun I’m not alive.”
“Michael once told me you lived in the East.”
“Well, I wander about there.” His face seemed to darken still more, and he gave a little shiver. “Beastly cold, the English spring!”
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!