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- Herausgeber: BoD - Books on Demand
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
Emanuel Aage Petersen (born Aage Emanuel Petersen on February 18, 1894 in Copenhagen; died December 27, 1948 in Farum). He was a Danish painter, best known for his Greenlandic motifs. In 1921 he was in Greenland. Enthusiastic about the island, he returned to Greenland every year from 1923 to 1926. From 1928 to 1930 he undertook an art expedition, which was financed by Grønlands Styrelse and the Danish state. The depiction of Greenland became his life's purpose. He created between 2000 and 3000 paintings in the course of his life. His depictions of the country's nature were initially characterized by very detailed porcelain painting, but later he began to paint in a more stylized manner. Emanuel Aage Petersen paid particular attention to the play of colors and the depiction of weather conditions, and he always painted good weather. In addition to landscapes, he also painted villages and everyday situations of the population, although these were not always true to life and were always seen from a great distance. He created both watercolors and oil paintings. In the early 1930s he travelled to Paris and Rome, among other places, to present his works at colonial exhibitions. His paintings were also shown in Sweden and Great Britain during this period. He returned to Greenland in 1935, as well as in 1937 and again after the end of the war in 1946. He died two years later at the age of 54.
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Seitenzahl: 45
Veröffentlichungsjahr: 2025
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Table of Contents
Introduction
Emanuel Aage Petersen
No 1 Emanuel A Petersen (1894–1948) - A ship near Ilulissat (Skib udfor Jacobshavn) 1921
No 2 Emanuel A Petersen (1894–1948) - Sailing ships in Southern Greenland (Togtefartøjer i Sydgrønland). 1921.
No 3 Emanuel A Petersen (1894–1948) - View of Qaqortoq (Julianehåb) Udsigt mod Julianehåb, 1921.
No 4 Emanuel A Petersen (1894–1948) - A Norwegian two-master off the coast of Greenland. 1922.
No 5 Emanuel A Petersen (1894–1948) - Ceres in Ilulissat - Ceres i Jakobshavn, 1923
No 6 Emanuel A Petersen (1894–1948) - A Greenlandic coastal scenery. The sealers are waiting for a Danish, 1923
No 7 Emanuel A Petersen (1894–1948) - In the Disko Bay - I Diskobugten, 1923.
No 8 Emanuel A Petersen (1894–1948) - View of Ilulissat (Jakobshavn) and the Disko Island 1923
No 9 Emanuel A Petersen (1894–1948) - View from Disko Bay - Parti fra Diskobugten, 1923.
No 10 Emanuel A Petersen (1894–1948) - View of an iceberg in the Davis Strait, 1923
No 11 T Emanuel A Petersen (1894–1948) - An iceberg in Disko Bay Isbræ. 1924.
No 12 Emanuel A Petersen (1894–1948) - View from Ilulissat - Parti fra Jakobshavn, 1924
No 13 Emanuel A Petersen (1894–1948) - View from the Uummannaq Fjord - Parti fra Umanakfjorden, 1924.
No 14 Emanuel A Petersen (1894–1948) - A settlement in Greenland at dusk. - 1924.
No 15 Emanuel A Petersen (1894–1948) - Summer day in Godthaabsfjorden - 1924.
No 16 Emanuel A Petersen (1894–1948) - Coastal view from Greenland with inuit 1929
No 17 Emanuel A Petersen (1894–1948) – A view from Greenland with the barque 1931.
No 18 Emanuel A Petersen (1894–1948) - View of a Greenlandic fiord, 1936.
No 19 Emanuel A Petersen (1894–1948) - Coastal view with inuits, 1937.
No 20 Tōshi Yoshida (1911 –1995) – Temple Bell (hand-signed), 1951.
No 21 Emanuel A Petersen (1894–1948) - View of north Greenland at Uummannaq Island
No 22 Emanuel A Petersen (1894–1948) – View of the Qaqortoq 1948
No 23 Emanuel A Petersen (1894–1948) - A steamship and some kayaks 1948.
No 24 Emanuel A Petersen (1894–1948) - A family and their sleigh dogs 1948.
No 25 Emanuel A Petersen (1894–1948) - A village in Greenland seen 1948.
No 26 Emanuel A Petersen (1894–1948) - An inuit carrying firewood- 1948
No 27 Emanuel A Petersen (1894–1948) - The Gertrud Rask approaching Julianehåb (Qaqortoq), 1923
No 28 Emanuel A Petersen (1894–1948) - A Greenland inlet with Inuits 1948
No 29 Emanuel A Petersen (1894–1948) Scene from an inlet in Greenland with inuit 1948
No 30 Emanuel A Petersen (1894–1948) – Coastal scene from Greenland with a ship, 1948.
No 31 Emanuel A Petersen (1894–1948) - Landscape from Greenland with Inuit 1948
No 32 Emanuel A Petersen (1894–1948) - Inuits of Greenland near an inlet 1948.
No 33 Emanuel A Petersen (1894–1948) - Inuit gathering twigs - 1948
No 34 Emanuel A Petersen (1894–1948) - Inuits talking outside their homes 1948.
No 35 Emanuel A Petersen (1894–1948) – An Inuit family and their sleigh, 1948
No 36 Emanuel A Petersen (1894–1948) - A glacier in Greenland –1948.
No 37 Emanuel A Petersen (1894–1948) – Icebergs in Disko Bay 1948.
No 38 Emanuel A Petersen (1894–1948) - The iced fiord at Ilulissat - 1948.
No 39 Emanuel A Petersen (1894–1948) - Kayaks at sea on a summer day 1948.
No 40 Emanuel A Petersen (1894–1948) – A kayak rowed between icebergs 1948.
No 41 Emanuel A Petersen (1894–1948) Coastal view from Greenland 1948
No 42 Emanuel A Petersen (1894–1948) - Coastal view with four kayak rowers, 1948.
No 43 Emanuel A Petersen (1894–1948) - Scene from Ivittuut, Greenland - 1948
No 44 Emanuel A Petersen (1894–1948) - Midnight sun at Disko Bay, 1948.
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Further Information
Introduction
Emanuel Aage Petersen (born Aage Emanuel Petersen on February 18, 1894 in Copenhagen; died December 27, 1948 in Farum). He was a Danish painter, best known for his Greenlandic motifs.
In 1921 he was in Greenland. Enthusiastic about the island, he returned to Greenland every year from 1923 to 1926. From 1928 to 1930 he undertook an art expedition, which was financed by Grønlands Styrelse and the Danish state. The depiction of Greenland became his life's purpose. He created between 2000 and 3000 paintings in the course of his life. His depictions of the country's nature were initially characterized by very detailed porcelain painting, but later he began to paint in a more stylized manner.
Emanuel Aage Petersen paid particular attention to the play of colors and the depiction of weather conditions, and he always painted good weather. In addition to landscapes, he also painted villages and everyday situations of the population, although these were not always true to life and were always seen from a great distance. He created both watercolors and oil paintings.
