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In 1855, Walt Whitman published — at his own expense — the first edition of Leaves of Grass, a visionary volume of twelve poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, which eschewed the general society and culture of the time, the writing is distinguished by an explosively innovative free verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, the monumental work was condemned as "immoral." Whitman continued evolving Leaves of Grass despite the controversy, growing his influential work decades after its first appearance by adding new poems with each new printing.
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Walt Whitman
LEAVES OF GRASS
2017 © Book House Publishing
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Table of Contents
Book 1 — Inscriptions
One’s-Self I Sing
As I Ponder’d in Silence
In Cabin’d Ships at Sea
To Foreign Lands
To a Historian
To Thee Old Cause
Eidolons
For Him I Sing
When I Read the Book
Beginning My Studies
Beginners
To the States
On Journeys Through the States
To a Certain Cantatrice
Me Imperturbe
Savantism
The Ship Starting
I Hear America Singing
What Place Is Besieged?
Still Though the One I Sing
Shut Not Your Doors
Poets to Come
To You
Thou Reader
Book 2
Starting from Paumanok
Book 3
Song of Myself
Book 4 — Children of Adam
To the Garden the World
From Pent-Up Aching Rivers
I Sing the Body Electric
A Woman Waits for Me
Spontaneous Me
One Hour to Madness and Joy
Out of the Rolling Ocean the Crowd
Ages and Ages Returning at Intervals
We Two, How Long We Were Fool’d
O Hymen! O Hymenee!
I Am He That Aches with Love
Native Moments
Once I Pass’d Through a Populous City
I Heard You Solemn-Sweet Pipes of the Organ
Facing West from California’s Shores
As Adam Early in the Morning
Book 5 — Calamus
In Paths Untrodden
Scented Herbage of My Breast
Whoever You Are Holding Me Now in Hand
For You, O Democracy
These I Singing in Spring
Not Heaving from My Ribb’d Breast Only
Of the Terrible Doubt of Appearances
The Base of All Metaphysics
Recorders Ages Hence
When I Heard at the Close of the Day
Are You the New Person Drawn Toward Me?
Roots and Leaves Themselves Alone
Not Heat Flames Up and Consumes
Trickle Drops
City of Orgies
Behold This Swarthy Face
I Saw in Louisiana a Live-Oak Growing
To a Stranger
This Moment Yearning and Thoughtful
I Hear It Was Charged Against Me
The Prairie-Grass Dividing
When I Peruse the Conquer’d Fame
We Two Boys Together Clinging
A Promise to California
Here the Frailest Leaves of Me
No Labor-Saving Machine
A Glimpse
A Leaf for Hand in Hand
Earth, My Likeness
I Dream’d in a Dream
What Think You I Take My Pen in Hand?
To the East and to the West
Sometimes with One I Love
To a Western Boy
Fast Anchor’d Eternal O Love!
Among the Multitude
O You Whom I Often and Silently Come
That Shadow My Likeness
Full of Life Now
Book 6
Salut au Monde!
Book 7
Song of the Open Road
Book 8
Crossing Brooklyn Ferry
Book 9
Song of the Answerer
Book 10
Our Old Feuillage
Book 11
A Song of Joys
Book 12
Song of the Broad-Axe
Book 13
Song of the Exposition
Book 14
Song of the Redwood-Tree
Book 15
A Song for Occupations
Book 16
A Song of the Rolling Earth
Youth, Day, Old Age and Night
Book 17 — Birds of Passage
Song of the Universal
Pioneers! O Pioneers!
To You
France [the 18th Year of these States]
Myself and Mine
Year of Meteors [1859-60]
With Antecedents
Book 18
A Broadway Pageant
Book 19 — Sea-Drift
Out of the Cradle Endlessly Rocking
As I Ebb’d with the Ocean of Life
Tears
To the Man-of-War-Bird
Aboard at a Ship’s Helm
On the Beach at Night
The World Below the Brine
On the Beach at Night Alone
Song for All Seas, All Ships
Patroling Barnegat
After the Sea-Ship
Book 20 — By the Roadside
A Boston Ballad [1854]
Europe [The 72d and 73d Years of These States]
A Hand-Mirror
Gods
Germs
Thoughts
Perfections
O Me! O Life!
To a President
I Sit and Look Out
To Rich Givers
The Dalliance of the Eagles
Roaming in Thought [After reading Hegel]
A Farm Picture
A Child’s Amaze
The Runner
Beautiful Women
Mother and Babe
Thought
Visor’d
Thought
Gliding O’er all
Hast Never Come to Thee an Hour
Thought
To Old Age
Locations and Times
Offerings
To The States [To Identify the 16th, 17th, or 18th Presidentiad]
Book 21 — Drum-Taps
First O Songs for a Prelude
Eighteen Sixty-One
Beat! Beat! Drums!
From Paumanok Starting I Fly Like a Bird
Song of the Banner at Daybreak
Rise O Days from Your Fathomless Deeps
Virginia — The West
City of Ships
The Centenarian’s Story
Cavalry Crossing a Ford
Bivouac on a Mountain Side
An Army Corps on the March
By the Bivouac’s Fitful Flame
Come Up from the Fields Father
Vigil Strange I Kept on the Field One Night
A March in the Ranks Hard-Prest, and the Road Unknown
A Sight in Camp in the Daybreak Gray and Dim
As Toilsome I Wander’d Virginia’s Woods
Not the Pilot
Year That Trembled and Reel’d Beneath Me
The Wound-Dresser
Long, Too Long America
Give Me the Splendid Silent Sun
Dirge for Two Veterans
Over the Carnage Rose Prophetic a Voice
I Saw Old General at Bay
The Artilleryman’s Vision
Ethiopia Saluting the Colors
Not Youth Pertains to Me
Race of Veterans
World Take Good Notice
O Tan-Faced Prairie-Boy
Look Down Fair Moon
Reconciliation
How Solemn As One by One [Washington City, 1865]
As I Lay with My Head in Your Lap Camerado
Delicate Cluster
To a Certain Civilian
Lo, Victress on the Peaks
Spirit Whose Work Is Done [Washington City, 1865]
Adieu to a Soldier
Turn O Libertad
To the Leaven’d Soil They Trod
Book 22 — Memories of President Lincoln
When Lilacs Last in the Dooryard Bloom’d
O Captain! My Captain!
Hush’d Be the Camps To-Day [May 4, 1865]
This Dust Was Once the Man
Book 23
By Blue Ontario’s Shore
Reversals
Book 24 — Autumn Rivulets
As Consequent, Etc.
The Return of the Heroes
There Was a Child Went Forth
Old Ireland
The City Dead-House
This Compost
To a Foil’d European Revolutionaire
Unnamed Land
Song of Prudence
The Singer in the Prison
Warble for Lilac-Time
Outlines for a Tomb [G. P., Buried 1870]
Out from Behind This Mask [To Confront a Portrait]
Vocalism
To Him That Was Crucified
You Felons on Trial in Courts
Laws for Creations
To a Common Prostitute
I Was Looking a Long While
Thought
Miracles
Sparkles from the Wheel
To a Pupil
Unfolded out of the Folds
What Am I After All
Kosmos
Others May Praise What They Like
Who Learns My Lesson Complete?
Tests
The Torch
O Star of France [1870-71]
The Ox-Tamer
Wandering at Morn
With All Thy Gifts
My Picture-Gallery
The Prairie States
Book 25
Proud Music of the Storm
Book 26
Passage to India
Book 27
Prayer of Columbus
Book 28
The Sleepers
Transpositions
Book 29
To Think of Time
Book 30 — Whispers of Heavenly Death
Darest Thou Now O Soul
Whispers of Heavenly Death
Chanting the Square Deific
Of Him I Love Day and Night
Yet, Yet, Ye Downcast Hours
As If a Phantom Caress’d Me
Assurances
Quicksand Years
That Music Always Round Me
What Ship Puzzled at Sea
A Noiseless Patient Spider
O Living Always, Always Dying
To One Shortly to Die
Night on the Prairies
Thought
The Last Invocation
As I Watch the Ploughman Ploughing
Pensive and Faltering
Book 31
Thou Mother with Thy Equal Brood
A Paumanok Picture
Book 32 — From Noon to Starry Night
Thou Orb Aloft Full-Dazzling
Faces
The Mystic Trumpeter
To a Locomotive in Winter
O Magnet-South
Mannahatta
All Is Truth
A Riddle Song
Excelsior
Ah Poverties, Wincings, and Sulky Retreats
Thoughts
Mediums
Weave in, My Hardy Life
Spain, 1873-74
By Broad Potomac’s Shore
From Far Dakota’s Canyons [June 25, 1876]
Old War-Dreams
Thick-Sprinkled Bunting
As I Walk These Broad Majestic Days
A Clear Midnight
Book 33 — Songs of Parting
As the Time Draws Nigh
Years of the Modern
Ashes of Soldiers
Thoughts
Song at Sunset
As at Thy Portals Also Death
My Legacy
Pensive on Her Dead Gazing
Camps of Green
The Sobbing of the Bells [Midnight, Sept. 19-20, 1881]
As They Draw to a Close
Joy, Shipmate, Joy!
The Untold Want
Portals
These Carols
Now Finale to the Shore
So Long!
Book 34 — Sands at Seventy
Mannahatta
Paumanok
From Montauk Point
To Those Who’ve Fail’d
A Carol Closing Sixty-Nine
The Bravest Soldiers
A Font of Type
As I Sit Writing Here
My Canary Bird
Queries to My Seventieth Year
The Wallabout Martyrs
The First Dandelion
America
Memories
To-Day and Thee
After the Dazzle of Day
Abraham Lincoln, Born Feb. 12, 1809
Out of May’s Shows Selected
Halcyon Days
Fancies at Navesink
Election Day, November, 1884
With Husky-Haughty Lips, O Sea!
Death of General Grant
Red Jacket (From Aloft)
Washington’s Monument February, 1885
Of That Blithe Throat of Thine
Broadway
To Get the Final Lilt of Songs
Old Salt Kossabone
The Dead Tenor
Continuities
Yonnondio
Life
“Going Somewhere”
Small the Theme of My Chant
True Conquerors
The United States to Old World Critics
The Calming Thought of All
Thanks in Old Age
Life and Death
The Voice of the Rain
Soon Shall the Winter’s Foil Be Here
While Not the Past Forgetting
The Dying Veteran
Stronger Lessons
A Prairie Sunset
Twenty Years
Orange Buds by Mail from Florida
Twilight
You Lingering Sparse Leaves of Me
Not Meagre, Latent Boughs Alone
The Dead Emperor
As the Greek’s Signal Flame
The Dismantled Ship
Now Precedent Songs, Farewell
An Evening Lull
Old Age’s Lambent Peaks
After the Supper and Talk
Book 35 — Good-Bye My Fancy
Sail out for Good, Eidolon Yacht!
Lingering Last Drops
Good-Bye My Fancy
On, on the Same, Ye Jocund Twain!
My 71st Year
Apparitions
The Pallid Wreath
An Ended Day
Old Age’s Ship & Crafty Death’s
To the Pending Year
Shakspere-Bacon’s Cipher
Long, Long Hence
Bravo, Paris Exposition!
Interpolation Sounds
To the Sun-Set Breeze
Old Chants
A Christmas Greeting
Sounds of the Winter
A Twilight Song
When the Full-Grown Poet Came
Osceola
A Voice from Death
A Persian Lesson
The Commonplace
“The Rounded Catalogue Divine Complete”
Mirages
L. of G.’s Purport
The Unexpress’d
Grand Is the Seen
Unseen Buds
Good-Bye My Fancy!
One’s-self I sing, a simple separate person,
Yet utter the word Democratic, the word En-Masse.
Of physiology from top to toe I sing,
Not physiognomy alone nor brain alone is worthy for the Muse, I say
the Form complete is worthier far,
The Female equally with the Male I sing.
Of Life immense in passion, pulse, and power,
Cheerful, for freest action form’d under the laws divine,
The Modern Man I sing.
As I ponder’d in silence,
Returning upon my poems, considering, lingering long,
A Phantom arose before me with distrustful aspect,
Terrible in beauty, age, and power,
The genius of poets of old lands,
As to me directing like flame its eyes,
With finger pointing to many immortal songs,
And menacing voice, What singest thou? it said,
Know’st thou not there is but one theme for ever-enduring bards?
And that is the theme of War, the fortune of battles,
The making of perfect soldiers.
Be it so, then I answer’d,
I too haughty Shade also sing war, and a longer and greater one than any,
Waged in my book with varying fortune, with flight, advance
and retreat, victory deferr’d and wavering,
(Yet methinks certain, or as good as certain, at the last,) the
field the world,
For life and death, for the Body and for the eternal Soul,
Lo, I too am come, chanting the chant of battles,
I above all promote brave soldiers.
In cabin’d ships at sea,
The boundless blue on every side expanding,
With whistling winds and music of the waves, the large imperious waves,
Or some lone bark buoy’d on the dense marine,
Where joyous full of faith, spreading white sails,
She cleaves the ether mid the sparkle and the foam of day, or under
many a star at night,
By sailors young and old haply will I, a reminiscence of the land, be read,
In full rapport at last.
Here are our thoughts, voyagers’ thoughts,
Here not the land, firm land, alone appears, may then by them be said,
The sky o’erarches here, we feel the undulating deck beneath our feet,
We feel the long pulsation, ebb and flow of endless motion,
The tones of unseen mystery, the vague and vast suggestions of the
briny world, the liquid-flowing syllables,
The perfume, the faint creaking of the cordage, the melancholy rhythm,
The boundless vista and the horizon far and dim are all here,
And this is ocean’s poem.
Then falter not O book, fulfil your destiny,
You not a reminiscence of the land alone,
You too as a lone bark cleaving the ether, purpos’d I know not
whither, yet ever full of faith,
Consort to every ship that sails, sail you!
Bear forth to them folded my love, (dear mariners, for you I fold it
here in every leaf;)
Speed on my book! spread your white sails my little bark athwart the
imperious waves,
Chant on, sail on, bear o’er the boundless blue from me to every sea,
This song for mariners and all their ships.
I heard that you ask’d for something to prove this puzzle the New World,
And to define America, her athletic Democracy,
Therefore I send you my poems that you behold in them what you wanted.
You who celebrate bygones,
Who have explored the outward, the surfaces of the races, the life
that has exhibited itself,
Who have treated of man as the creature of politics, aggregates,
rulers and priests,
I, habitan of the Alleghanies, treating of him as he is in himself
in his own rights,
Pressing the pulse of the life that has seldom exhibited itself,
(the great pride of man in himself,)
Chanter of Personality, outlining what is yet to be,
I project the history of the future.
To thee old cause!
Thou peerless, passionate, good cause,
Thou stern, remorseless, sweet idea,
Deathless throughout the ages, races, lands,
After a strange sad war, great war for thee,
(I think all war through time was really fought, and ever will be
really fought, for thee,)
These chants for thee, the eternal march of thee.
(A war O soldiers not for itself alone,
Far, far more stood silently waiting behind, now to advance in this book.)
Thou orb of many orbs!
Thou seething principle! thou well-kept, latent germ! thou centre!
Around the idea of thee the war revolving,
With all its angry and vehement play of causes,
(With vast results to come for thrice a thousand years,)
These recitatives for thee, — my book and the war are one,
Merged in its spirit I and mine, as the contest hinged on thee,
As a wheel on its axis turns, this book unwitting to itself,
Around the idea of thee.
I met a seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense,
To glean eidolons.
Put in thy chants said he,
No more the puzzling hour nor day, nor segments, parts, put in,
Put first before the rest as light for all and entrance-song of all,
That of eidolons.
Ever the dim beginning,
Ever the growth, the rounding of the circle,
Ever the summit and the merge at last, (to surely start again,)
Eidolons! eidolons!
Ever the mutable,
Ever materials, changing, crumbling, re-cohering,
Ever the ateliers, the factories divine,
Issuing eidolons.
Lo, I or you,
Or woman, man, or state, known or unknown,
We seeming solid wealth, strength, beauty build,
But really build eidolons.
The ostent evanescent,
The substance of an artist’s mood or savan’s studies long,
Or warrior’s, martyr’s, hero’s toils,
To fashion his eidolon.
Of every human life,
(The units gather’d, posted, not a thought, emotion, deed, left out,)
The whole or large or small summ’d, added up,
In its eidolon.
The old, old urge,
Based on the ancient pinnacles, lo, newer, higher pinnacles,
From science and the modern still impell’d,