Northanger Abbey E-Book

Jane Austen.

• Herausgeber: Madeley publishing
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2024

Beschreibung

Northanger Abbey is a coming-of-age novel and a satire of Gothic novels written by the English author Jane Austen. Although the title page is dated 1818 and was published posthumously in 1817 with  Persuasion,  Northanger Abbey was completed in 1803, making it the first of Austen's novels to be completed in full. From a fondness of Gothic novels and an active imagination distorting her worldview, the story follows Catherine Morland, the naïve young protagonist, as she develops to better understand herself and the world around her

Leseprobe

Northanger Abbey

––––––––

by Jane Austen

Madeley publishing

Contents

Jane Austen Biography

Jane Austen Novel Discussion

Jane Austen Interesting Facts

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

CHAPTER 31

A NOTE ON THE TEXT

Vintage Illustrations

Jane Austen

Jane Austen Biography

Jane Austen was born on December 16, 1775, in Steventon, Hampshire, England. While not widely known in her own time, Austen's comic novels of love among the landed gentry gained popularity after 1869, and her reputation skyrocketed in the 20th century. Her novels, including Pride and Prejudice and Sense and Sensibility, are considered literary classics, bridging the gap between romance and realism.

The seventh child and second daughter of Cassandra and George Austen, Jane Austen was born on December 16, 1775, in Steventon, Hampshire, England. Jane's parents were well-respected community members. Her father served as the Oxford-educated rector for a nearby Anglican parish. The family was close and the children grew up in an environment that stressed learning and creative thinking. When Jane was young, she and her siblings were encouraged to read from their father's extensive library. The children also authored and put on plays and charades.

Over the span of her life, Jane would become especially close to her father and older sister, Cassandra. Indeed, she and Cassandra would one day collaborate on a published work.

In order to acquire a more formal education, Jane and Cassandra were sent to boarding schools during Jane's pre-adolescence. During this time, Jane and her sister caught typhus, with Jane nearly succumbing to the illness. After a short period of formal education cut short by financial constraints, they returned home and lived with the family from that time forward.

Ever fascinated by the world of stories, Jane began to write in bound notebooks. In the 1790s, during her adolescence, she started to craft her own novels and wrote Love and Freindship [sic], a parody of romantic fiction organized as a series of love letters. Using that framework, she unveiled her wit and dislike of sensibility, or romantic hysteria, a distinct perspective that would eventually characterize much of her later writing. The next year she wrote The History of England..., a 34-page parody of historical writing that included illustrations drawn by Cassandra. These notebooks, encompassing the novels as well as short stories, poems and plays, are now referred to as Jane's Juvenilia.

Jane spent much of her early adulthood helping run the family home, playing piano, attending church, and socializing with neighbours.

Steventon Church, as depicted in A Memoir of Jane Austen.

Her nights and weekends often involved cotillions, and as a result, she became an accomplished dancer. On other evenings, she would choose a novel from the shelf and read it aloud to her family, occasionally one she had written herself. She continued to write, developing her style in more ambitious works such as Lady Susan, another epistolary story about a manipulative woman who uses her sexuality, intelligence and charm to have her way with others. Jane also started to write some of her future major works, the first called Elinor and Marianne, another story told as a series of letters, which would eventually be published as Sense and Sensibility. She began drafts of First Impressions, which would later be published as Pride and Prejudice, and Susan, later published as Northanger Abbey by Jane's brother, Henry, following Jane's death.

In 1801, Jane moved to Bath with her father, mother and Cassandra. Then, in 1805, her father died after a short illness. As a result, the family was thrust into financial straits; the three women moved from place to place, skipping between the homes of various family members to rented flats. It was not until 1809 that they were able to settle into a stable living situation at Jane's brother Edward's cottage in Chawton.

Now in her 30s, Jane started to anonymously publish her works. In the period spanning 1811-16, she pseudonymously published Sense and Sensibility, Pride and Prejudice (a work she referred to as her "darling child," which also received critical acclaim), Mansfield Park and Emma.

In 1816, at the age of 41, Jane started to become ill with what some say might have been Addison's disease. She made impressive efforts to continue working at a normal pace, editing older works as well as starting a new novel called The Brothers, which would be published after her death as Sanditon. Another novel, Persuasion, would also be published posthumously. At some point, Jane's condition deteriorated to such a degree that she ceased writing. She died on July 18, 1817, in Winchester, Hampshire, England.

Jane Austen Novel Discussion

Sense and Sensibility tells the story of the impoverished Dashwood sisters. Marianne is the heroine of “sensibility”—i.e., of openness and enthusiasm. She becomes infatuated with the attractive John Willoughby, who seems to be a romantic lover but is in reality an unscrupulous fortune hunter. He deserts her for an heiress, leaving her to learn a dose of “sense” in a wholly unromantic marriage with a staid and settled bachelor, Colonel Brandon, who is 20 years her senior. By contrast, Marianne’s older sister, Elinor, is the guiding light of “sense,” or prudence and discretion, whose constancy toward her lover, Edward Ferrars, is rewarded by her marriage to him after some distressing vicissitudes.

Pride and Prejudice describes the clash between Elizabeth Bennet, the daughter of a country gentleman, and Fitzwilliam Darcy, a rich and aristocratic landowner. Although Austen shows them intrigued by each other, she reverses the convention of “first impressions”: “pride” of rank and fortune and “prejudice” against the inferiority of the Bennet family hold Darcy aloof, while Elizabeth is equally fired both by the “pride” of self-respect and by “prejudice” against Darcy’s snobbery. Ultimately, they come together in love and self-understanding. The intelligent and high-spirited Elizabeth was Jane Austen’s own favourite among all her heroines and is one of the most engaging in English literature.

Northanger Abbey combines a satire on conventional novels of polite society with one on Gothic tales of terror. Catherine Morland, the unspoiled daughter of a country parson, is the innocent abroad who gains worldly wisdom, first in the fashionable society of Bath and then at Northanger Abbey itself, where she learns not to interpret the world through her reading of Gothic thrillers. Her mentor and guide is the self-assured and gently ironic Henry Tilney, her husband-to-be.

In its tone and discussion of religion and religious duty, Mansfield Park is the most serious of Austen’s novels. The heroine, Fanny Price, is a self-effacing and unregarded cousin cared for by the Bertram family in their country house. Fanny emerges as a true heroine whose moral strength eventually wins her complete acceptance in the Bertram family and marriage to Edmund Bertram himself, after that family’s disastrous involvement with the meretricious and loose-living Crawfords.

Of all Austen’s novels, Emma is the most consistently comic in tone. It centres on Emma Woodhouse, a wealthy, pretty, self-satisfied young woman who indulges herself with meddlesome and unsuccessful attempts at matchmaking among her friends and neighbours. After a series of humiliating errors, a chastened Emma finds her destiny in marriage to the mature and protective George Knightley, a neighbouring squire who had been her mentor and friend.

Persuasion tells the story of a second chance, the reawakening of love between Anne Elliot and Captain Frederick Wentworth, whom seven years earlier she had been persuaded not to marry. Now Wentworth returns from the Napoleonic Wars with prize money and the social acceptability of naval rank. He is an eligible suitor acceptable to Anne’s snobbish father and his circle, and Anne discovers the continuing strength of her love for him.

Jane Austen Interesting Facts

Help from the family

When Austen penned First Impressions, the book that would become Pride and Prejudice, in 1797, her proud farther George took it to a London publisher named Thomas Cadell for review. Cadell rejected it unread. It's not clear if Jane was even aware that George approached Cadell on her behalf.

Much later, in 1810, her brother Henry would act as her literary agent, selling Sense and Sensibility to London publisher Thomas Egerton.

Anonymous publications

From Sense and Sensibility through Emma, Austen's published works never bore her name. Sense and Sensibility carried the byline of "A Lady," while later works like Pride and Prejudice featured credits like, "By the Author of Sense and Sensibility."

Backing out of marriage

The year after her family's move to the city of Bath in 1801, Austen received a proposal of marriage from Harris Bigg-Wither, a financially prosperous childhood friend.

A 10 year break

When her family moved to Bath and subsequently kept relocating following her father's death in 1805, Austen's writing habits were severely disrupted. Once prolific—she completed three of her novels by 1801—a lack of a routine kept her from producing work for roughly 10 years. It wasn't until she felt her home life was stable after moving into property owned by her brother, Edward, that Austen resumed her career.

Straight pins

For an unfinished novel titled The Watsons, Austen took the pins and used them to fasten revisions to the pages of areas that were in need of correction or rewrites. The practice dates back to the 17th century.

Home brewing

In Austen's time, beer was the drink of choice, and like the rest of her family, Austen could brew her own beer. Her specialty was spruce beer, which was made with molasses for a slightly sweeter taste.

Poison

Austen lived to see only four of her six novels published. She died on July 18, 1817 at the age of 41 following complaints of symptoms that medical historians have long felt pointed to Addison's disease or Hodgkin's lymphoma. In 2017, the British Library floated a different theory—that Austen was poisoned by arsenic in her drinking water due to a polluted supply or possibly accidental ingestion due to mismanaged medication.

Court decisions

Jurists often use Austen as a kind of shorthand to explain matters involving relationships or class distinctions. Half of the decisions used the opening line from Pride and Prejudice: "It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."

CHAPTER 1

No one who had ever seen Catherine Morland in her infancy would

have supposed her born to be an heroine. Her situation in life, the

character of her father and mother, her own person and disposition,

were all equally against her. Her father was a clergyman, without

being neglected, or poor, and a very respectable man, though

his name was Richard—and he had never been handsome. He had a

considerable independence besides two good livings—and he was

not in the least addicted to locking up his daughters. Her mother

was a woman of useful plain sense, with a good temper, and, what

is more remarkable, with a good constitution. She had three sons

before Catherine was born; and instead of dying in bringing the

latter into the world, as anybody might expect, she still lived

on—lived to have six children more—to see them growing up

around her, and to enjoy excellent health herself. A family of

ten children will be always called a fine family, where there are

heads and arms and legs enough for the number; but the Morlands

had little other right to the word, for they were in general very

plain, and Catherine, for many years of her life, as plain as any.

She had a thin awkward figure, a sallow skin without colour, dark

lank hair, and strong features—so much for her person; and not

less unpropitious for heroism seemed her mind. She was fond of

all boy's plays, and greatly preferred cricket not merely to dolls,

but to the more heroic enjoyments of infancy, nursing a dormouse,

feeding a canary-bird, or watering a rose-bush. Indeed she had no

taste for a garden; and if she gathered flowers at all, it was chiefly

for the pleasure of mischief—at least so it was conjectured from

her always preferring those which she was forbidden to take. Such

were her propensities—her abilities were quite as extraordinary.

She never could learn or understand anything before she was taught;

and sometimes not even then, for she was often inattentive, and

occasionally stupid. Her mother was three months in teaching her

only to repeat the "Beggar's Petition"; and after all, her next

sister, Sally, could say it better than she did. Not that Catherine

was always stupid—by no means; she learnt the fable of "The Hare

and Many Friends" as quickly as any girl in England. Her mother

wished her to learn music; and Catherine was sure she should like

it, for she was very fond of tinkling the keys of the old forlorn

spinner; so, at eight years old she began. She learnt a year,

and could not bear it; and Mrs. Morland, who did not insist on her

daughters being accomplished in spite of incapacity or distaste,

allowed her to leave off. The day which dismissed the music-master

was one of the happiest of Catherine's life. Her taste for drawing

was not superior; though whenever she could obtain the outside of

a letter from her mother or seize upon any other odd piece of paper,

she did what she could in that way, by drawing houses and trees,

hens and chickens, all very much like one another. Writing and

accounts she was taught by her father; French by her mother: her

proficiency in either was not remarkable, and she shirked her

lessons in both whenever she could. What a strange, unaccountable

character!—for with all these symptoms of profligacy at ten

years old, she had neither a bad heart nor a bad temper, was seldom

stubborn, scarcely ever quarrelsome, and very kind to the little

ones, with few interruptions of tyranny; she was moreover noisy

and wild, hated confinement and cleanliness, and loved nothing so

well in the world as rolling down the green slope at the back of

the house.

Such was Catherine Morland at ten. At fifteen, appearances were

mending; she began to curl her hair and long for balls; her complexion

improved, her features were softened by plumpness and colour, her

eyes gained more animation, and her figure more consequence. Her

love of dirt gave way to an inclination for finery, and she grew

clean as she grew smart; she had now the pleasure of sometimes

hearing her father and mother remark on her personal improvement.

"Catherine grows quite a good-looking girl—she is almost pretty

today," were words which caught her ears now and then; and how

welcome were the sounds! To look almost pretty is an acquisition

of higher delight to a girl who has been looking plain the first

fifteen years of her life than a beauty from her cradle can ever

receive.

Mrs. Morland was a very good woman, and wished to see her children

everything they ought to be; but her time was so much occupied in

lying-in and teaching the little ones, that her elder daughters

were inevitably left to shift for themselves; and it was not very

wonderful that Catherine, who had by nature nothing heroic about

her, should prefer cricket, baseball, riding on horseback, and

running about the country at the age of fourteen, to books—or

at least books of information—for, provided that nothing like

useful knowledge could be gained from them, provided they were

all story and no reflection, she had never any objection to books

at all. But from fifteen to seventeen she was in training for a

heroine; she read all such works as heroines must read to supply

their memories with those quotations which are so serviceable and

so soothing in the vicissitudes of their eventful lives.

From Pope, she learnt to censure those who

"bear about the mockery of woe."

From Gray, that

"Many a flower is born to blush unseen,

"And waste its fragrance on the desert air."

From Thompson, that—

"It is a delightful task

"To teach the young idea how to shoot."

And from Shakespeare she gained a great store of information—

amongst the rest, that—

"Trifles light as air,

"Are, to the jealous, confirmation strong,

"As proofs of Holy Writ."

That

"The poor beetle, which we tread upon,

"In corporal sufferance feels a pang as great

"As when a giant dies."

And that a young woman in love always looks—

"like Patience on a monument

"Smiling at Grief."

So far her improvement was sufficient—and in many other points she

came on exceedingly well; for though she could not write sonnets,

she brought herself to read them; and though there seemed no

chance of her throwing a whole party into raptures by a prelude on

the pianoforte, of her own composition, she could listen to other

people's performance with very little fatigue. Her greatest

deficiency was in the pencil—she had no notion of drawing—

not enough even to attempt a sketch of her lover's profile, that

she might be detected in the design. There she fell miserably

short of the true heroic height. At present she did not know her

own poverty, for she had no lover to portray. She had reached the

age of seventeen, without having seen one amiable youth who could

call forth her sensibility, without having inspired one real passion,

and without having excited even any admiration but what was very

moderate and very transient. This was strange indeed! But strange

things may be generally accounted for if their cause be fairly

searched out. There was not one lord in the neighbourhood; no—

not even a baronet. There was not one family among their acquaintance

who had reared and supported a boy accidentally found at their door

—not one young man whose origin was unknown. Her father had no

ward, and the squire of the parish no children.

But when a young lady is to be a heroine, the perverseness of forty

surrounding families cannot prevent her. Something must and will

happen to throw a hero in her way.

Mr. Allen, who owned the chief of the property about Fullerton,

the village in Wiltshire where the Morlands lived, was ordered to

Bath for the benefit of a gouty constitution—and his lady, a

good-humoured woman, fond of Miss Morland, and probably aware that

if adventures will not befall a young lady in her own village, she

must seek them abroad, invited her to go with them. Mr. and Mrs.

Morland were all compliance, and Catherine all happiness.

CHAPTER 2

In addition to what has been already said of Catherine Morland's

personal and mental endowments, when about to be launched into all

the difficulties and dangers of a six weeks' residence in Bath,

it may be stated, for the reader's more certain information, lest

the following pages should otherwise fail of giving any idea of

what her character is meant to be, that her heart was affectionate;

her disposition cheerful and open, without conceit or affectation

of any kind—her manners just removed from the awkwardness and

shyness of a girl; her person pleasing, and, when in good looks,

pretty—and her mind about as ignorant and uninformed as the

female mind at seventeen usually is.

When the hour of departure drew near, the maternal anxiety of Mrs.

Morland will be naturally supposed to be most severe. A thousand

alarming presentiments of evil to her beloved Catherine from this

terrific separation must oppress her heart with sadness, and drown

her in tears for the last day or two of their being together; and

advice of the most important and applicable nature must of course

flow from her wise lips in their parting conference in her closet.

Cautions against the violence of such noblemen and baronets as

delight in forcing young ladies away to some remote farm-house,

must, at such a moment, relieve the fulness of her heart. Who

would not think so? But Mrs. Morland knew so little of lords

and baronets, that she entertained no notion of their general

mischievousness, and was wholly unsuspicious of danger to

her daughter from their machinations. Her cautions were confined

to the following points. "I beg, Catherine, you will always wrap

yourself up very warm about the throat, when you come from the

rooms at night; and I wish you would try to keep some account of

the money you spend; I will give you this little book on purpose. "

Sally, or rather Sarah (for what young lady of common gentility

will reach the age of sixteen without altering her name as far as

she can?), must from situation be at this time the intimate friend

and confidante of her sister. It is remarkable, however, that she

neither insisted on Catherine's writing by every post, nor exacted

her promise of transmitting the character of every new acquaintance,

nor a detail of every interesting conversation that Bath might

produce. Everything indeed relative to this important journey was

done, on the part of the Morlands, with a degree of moderation and

composure, which seemed rather consistent with the common feelings

of common life, than with the refined susceptibilities, the tender

emotions which the first separation of a heroine from her family

ought always to excite. Her father, instead of giving her an

unlimited order on his banker, or even putting an hundred pounds

bank-bill into her hands, gave her only ten guineas, and promised

her more when she wanted it.

Under these unpromising auspices, the parting took place, and

the journey began. It was performed with suitable quietness and

uneventful safety. Neither robbers nor tempests befriended them,

nor one lucky overturn to introduce them to the hero. Nothing more

alarming occurred than a fear, on Mrs. Allen's side, of having once

left her clogs behind her at an inn, and that fortunately proved

to be groundless.

They arrived at Bath. Catherine was all eager delight—her eyes were

here, there, everywhere, as they approached its fine and striking

environs, and afterwards drove through those streets which conducted

them to the hotel. She was come to be happy, and she felt happy

already.

They were soon settled in comfortable lodgings in Pulteney Street.

It is now expedient to give some description of Mrs. Allen, that

the reader may be able to judge in what manner her actions will

hereafter tend to promote the general distress of the work, and

how she will, probably, contribute to reduce poor Catherine to all

the desperate wretchedness of which a last volume is capable—

whether by her imprudence, vulgarity, or jealousy—whether by

intercepting her letters, ruining her character, or turning her

out of doors.

Mrs. Allen was one of that numerous class of females, whose society

can raise no other emotion than surprise at there being any men in

the world who could like them well enough to marry them. She had

neither beauty, genius, accomplishment, nor manner. The air of

a gentlewoman, a great deal of quiet, inactive good temper, and

a trifling turn of mind were all that could account for her being

the choice of a sensible, intelligent man like Mr. Allen. In one

respect she was admirably fitted to introduce a young lady into

public, being as fond of going everywhere and seeing everything

herself as any young lady could be. Dress was her passion. She

had a most harmless delight in being fine; and our heroine's entree

into life could not take place till after three or four days had

been spent in learning what was mostly worn, and her chaperone was

provided with a dress of the newest fashion. Catherine too made

some purchases herself, and when all these matters were arranged,

the important evening came which was to usher her into the Upper

Rooms. Her hair was cut and dressed by the best hand, her clothes

put on with care, and both Mrs. Allen and her maid declared she

looked quite as she should do. With such encouragement, Catherine

hoped at least to pass uncensured through the crowd. As for

admiration, it was always very welcome when it came, but she did

not depend on it.

Mrs. Allen was so long in dressing that they did not enter the

ballroom till late. The season was full, the room crowded, and the

two ladies squeezed in as well as they could. As for Mr. Allen,

he repaired directly to the card-room, and left them to enjoy a

mob by themselves. With more care for the safety of her new gown

than for the comfort of her protegee, Mrs. Allen made her way

through the throng of men by the door, as swiftly as the necessary

caution would allow; Catherine, however, kept close at her side,

and linked her arm too firmly within her friend's to be torn asunder

by any common effort of a struggling assembly. But to her utter

amazement she found that to proceed along the room was by no means

the way to disengage themselves from the crowd; it seemed rather to

increase as they went on, whereas she had imagined that when once

fairly within the door, they should easily find seats and be able

to watch the dances with perfect convenience. But this was far

from being the case, and though by unwearied diligence they gained

even the top of the room, their situation was just the same; they

saw nothing of the dancers but the high feathers of some of the

ladies. Still they moved on—something better was yet in view;

and by a continued exertion of strength and ingenuity they found

themselves at last in the passage behind the highest bench. Here

there was something less of crowd than below; and hence Miss Morland

had a comprehensive view of all the company beneath her, and of all

the dangers of her late passage through them. It was a splendid

sight, and she began, for the first time that evening, to feel herself

at a ball: she longed to dance, but she had not an acquaintance

in the room. Mrs. Allen did all that she could do in such a case

by saying very placidly, every now and then, "I wish you could

dance, my dear—I wish you could get a partner." For some time

her young friend felt obliged to her for these wishes; but they

were repeated so often, and proved so totally ineffectual, that

Catherine grew tired at last, and would thank her no more.

They were not long able, however, to enjoy the repose of the eminence

they had so laboriously gained. Everybody was shortly in motion

for tea, and they must squeeze out like the rest. Catherine began

to feel something of disappointment—she was tired of being

continually pressed against by people, the generality of whose

faces possessed nothing to interest, and with all of whom she was

so wholly unacquainted that she could not relieve the irksomeness

of imprisonment by the exchange of a syllable with any of her fellow

captives; and when at last arrived in the tea-room, she felt yet

more the awkwardness of having no party to join, no acquaintance

to claim, no gentleman to assist them. They saw nothing of Mr.

Allen; and after looking about them in vain for a more eligible

situation, were obliged to sit down at the end of a table, at which

a large party were already placed, without having anything to do

there, or anybody to speak to, except each other.

Mrs. Allen congratulated herself, as soon as they were seated, on

having preserved her gown from injury. "It would have been very

shocking to have it torn," said she, "would not it? It is such a

delicate muslin. For my part I have not seen anything I like so

well in the whole room, I assure you."

"How uncomfortable it is," whispered Catherine, "not to have a

single acquaintance here!"

"Yes, my dear," replied Mrs. Allen, with perfect serenity, "it is

very uncomfortable indeed."

"What shall we do? The gentlemen and ladies at this table look

as if they wondered why we came here—we seem forcing ourselves

into their party."

"Aye, so we do. That is very disagreeable. I wish we had a large

acquaintance here."

"I wish we had any—it would be somebody to go to."

"Very true, my dear; and if we knew anybody we would join them

directly. The Skinners were here last year—I wish they were

here now."

"Had not we better go away as it is? Here are no tea-things for

us, you see."

"No more there are, indeed. How very provoking! But I think we

had better sit still, for one gets so tumbled in such a crowd! How

is my head, my dear? Somebody gave me a push that has hurt it, I

am afraid."

"No, indeed, it looks very nice. But, dear Mrs. Allen, are you

sure there is nobody you know in all this multitude of people? I

think you must know somebody."

"I don't, upon my word—I wish I did. I wish I had a large

acquaintance here with all my heart, and then I should get you

a partner. I should be so glad to have you dance. There goes

a strange-looking woman! What an odd gown she has got on! How

old-fashioned it is! Look at the back."

After some time they received an offer of tea from one of their

neighbours; it was thankfully accepted, and this introduced a light

conversation with the gentleman who offered it, which was the only

time that anybody spoke to them during the evening, till they were

discovered and joined by Mr. Allen when the dance was over.

"Well, Miss Morland," said he, directly, "I hope you have had an

agreeable ball."

"Very agreeable indeed," she replied, vainly endeavouring to hide

a great yawn.

"I wish she had been able to dance," said his wife; "I wish we could

have got a partner for her. I have been saying how glad I should

be if the Skinners were here this winter instead of last; or if

the Parrys had come, as they talked of once, she might have danced

with George Parry. I am so sorry she has not had a partner!"

"We shall do better another evening I hope," was Mr. Allen's

consolation.

The company began to disperse when the dancing was over—enough

to leave space for the remainder to walk about in some comfort;

and now was the time for a heroine, who had not yet played a very

distinguished part in the events of the evening, to be noticed and

admired. Every five minutes, by removing some of the crowd, gave

greater openings for her charms. She was now seen by many young

men who had not been near her before. Not one, however, started

with rapturous wonder on beholding her, no whisper of eager inquiry

ran round the room, nor was she once called a divinity by anybody.

Yet Catherine was in very good looks, and had the company only seen

her three years before, they would now have thought her exceedingly

handsome.

She was looked at, however, and with some admiration; for, in her

own hearing, two gentlemen pronounced her to be a pretty girl. Such

words had their due effect; she immediately thought the evening

pleasanter than she had found it before—her humble vanity was

contented—she felt more obliged to the two young men for this

simple praise than a true-quality heroine would have been for fifteen

sonnets in celebration of her charms, and went to her chair in good

humour with everybody, and perfectly satisfied with her share of

public attention.

CHAPTER 3

Every morning now brought its regular duties—shops were to be

visited; some new part of the town to be looked at; and the pump-room

to be attended, where they paraded up and down for an hour, looking

at everybody and speaking to no one. The wish of a numerous

acquaintance in Bath was still uppermost with Mrs. Allen, and she

repeated it after every fresh proof, which every morning brought,

of her knowing nobody at all.

They made their appearance in the Lower Rooms; and here fortune

was more favourable to our heroine. The master of the ceremonies

introduced to her a very gentlemanlike young man as a partner; his

name was Tilney. He seemed to be about four or five and twenty,

was rather tall, had a pleasing countenance, a very intelligent

and lively eye, and, if not quite handsome, was very near it. His

address was good, and Catherine felt herself in high luck. There

was little leisure for speaking while they danced; but when they

were seated at tea, she found him as agreeable as she had already

given him credit for being. He talked with fluency and spirit

—and there was an archness and pleasantry in his manner which

interested, though it was hardly understood by her. After chatting

some time on such matters as naturally arose from the objects around

them, he suddenly addressed her with—"I have hitherto been very

remiss, madam, in the proper attentions of a partner here; I have

not yet asked you how long you have been in Bath; whether you were

ever here before; whether you have been at the Upper Rooms, the

theatre, and the concert; and how you like the place altogether. I

have been very negligent—but are you now at leisure to satisfy

me in these particulars? If you are I will begin directly."

"You need not give yourself that trouble, sir."

"No trouble, I assure you, madam." Then forming his features into

a set smile, and affectedly softening his voice, he added, with a

simpering air, "Have you been long in Bath, madam?"

"About a week, sir," replied Catherine, trying not to laugh.

"Really!" with affected astonishment.

"Why should you be surprised, sir?"

"Why, indeed!" said he, in his natural tone. "But some emotion

must appear to be raised by your reply, and surprise is more easily

assumed, and not less reasonable than any other. Now let us go

on. Were you never here before, madam?"

"Never, sir."

"Indeed! Have you yet honoured the Upper Rooms?"

"Yes, sir, I was there last Monday."

"Have you been to the theatre?"

"Yes, sir, I was at the play on Tuesday."

"To the concert?"

"Yes, sir, on Wednesday."

"And are you altogether pleased with Bath?"

"Yes—I like it very well."

"Now I must give one smirk, and then we may be rational again."

Catherine turned away her head, not knowing whether she might

venture to laugh. "I see what you think of me," said he gravely

—"I shall make but a poor figure in your journal tomorrow."

"My journal!"

"Yes, I know exactly what you will say: Friday, went to the Lower

Rooms; wore my sprigged muslin robe with blue trimmings—plain

black shoes—appeared to much advantage; but was strangely harassed

by a queer, half-witted man, who would make me dance with him, and

distressed me by his nonsense."

"Indeed I shall say no such thing."

"Shall I tell you what you ought to say?"

"If you please."

"I danced with a very agreeable young man, introduced by Mr.

King; had a great deal of conversation with him—seems a most

extraordinary genius—hope I may know more of him. That, madam,

is what I wish you to say."

"But, perhaps, I keep no journal."

"Perhaps you are not sitting in this room, and I am not sitting by

you. These are points in which a doubt is equally possible. Not

keep a journal! How are your absent cousins to understand the

tenour of your life in Bath without one? How are the civilities and

compliments of every day to be related as they ought to be, unless

noted down every evening in a journal? How are your various dresses

to be remembered, and the particular state of your complexion, and

curl of your hair to be described in all their diversities, without

having constant recourse to a journal? My dear madam, I am not

so ignorant of young ladies' ways as you wish to believe me; it is

this delightful habit of journaling which largely contributes to

form the easy style of writing for which ladies are so generally

celebrated. Everybody allows that the talent of writing agreeable

letters is peculiarly female. Nature may have done something,

but I am sure it must be essentially assisted by the practice of

keeping a journal."

"I have sometimes thought," said Catherine, doubtingly, "whether

ladies do write so much better letters than gentlemen! That is—

I should not think the superiority was always on our side."

"As far as I have had opportunity of judging, it appears to me that

the usual style of letter-writing among women is faultless, except

in three particulars."

"And what are they?"

"A general deficiency of subject, a total inattention to stops,

and a very frequent ignorance of grammar."

"Upon my word! I need not have been afraid of disclaiming the

compliment. You do not think too highly of us in that way."

"I should no more lay it down as a general rule that women write

better letters than men, than that they sing better duets, or draw

better landscapes. In every power, of which taste is the foundation,

excellence is pretty fairly divided between the sexes."

They were interrupted by Mrs. Allen: "My dear Catherine," said

she, "do take this pin out of my sleeve; I am afraid it has torn

a hole already; I shall be quite sorry if it has, for this is a

favourite gown, though it cost but nine shillings a yard."

"That is exactly what I should have guessed it, madam," said Mr.

Tilney, looking at the muslin.

"Do you understand muslins, sir?"

"Particularly well; I always buy my own cravats, and am allowed to

be an excellent judge; and my sister has often trusted me in the

choice of a gown. I bought one for her the other day, and it was

pronounced to be a prodigious bargain by every lady who saw it. I

gave but five shillings a yard for it, and a true Indian muslin."

Mrs. Allen was quite struck by his genius. "Men commonly take

so little notice of those things," said she; "I can never get Mr.

Allen to know one of my gowns from another. You must be a great

comfort to your sister, sir."

"I hope I am, madam."

"And pray, sir, what do you think of Miss Morland's gown?"

"It is very pretty, madam," said he, gravely examining it; "but I

do not think it will wash well; I am afraid it will fray."

"How can you," said Catherine, laughing, "be so—" She had almost

said "strange."

"I am quite of your opinion, sir," replied Mrs. Allen; "and so I

told Miss Morland when she bought it."

"But then you know, madam, muslin always turns to some account or

other; Miss Morland will get enough out of it for a handkerchief,

or a cap, or a cloak. Muslin can never be said to be wasted. I have

heard my sister say so forty times, when she has been extravagant

in buying more than she wanted, or careless in cutting it to pieces."

"Bath is a charming place, sir; there are so many good shops here.

We are sadly off in the country; not but what we have very good

shops in Salisbury, but it is so far to go—eight miles is a

long way; Mr. Allen says it is nine, measured nine; but I am sure

it cannot be more than eight; and it is such a fag—I come back

tired to death. Now, here one can step out of doors and get a

thing in five minutes."

Mr. Tilney was polite enough to seem interested in what she

said; and she kept him on the subject of muslins till the dancing

recommenced. Catherine feared, as she listened to their discourse,

that he indulged himself a little too much with the foibles of

others. "What are you thinking of so earnestly?" said he, as they

walked back to the ballroom; "not of your partner, I hope, for, by

that shake of the head, your meditations are not satisfactory."

Catherine coloured, and said, "I was not thinking of anything."

"That is artful and deep, to be sure; but I had rather be told at

once that you will not tell me."

"Well then, I will not."

"Thank you; for now we shall soon be acquainted, as I am authorized

to tease you on this subject whenever we meet, and nothing in the

world advances intimacy so much."

They danced again; and, when the assembly closed, parted, on the

lady's side at least, with a strong inclination for continuing the

acquaintance. Whether she thought of him so much, while she drank

her warm wine and water, and prepared herself for bed, as to dream

of him when there, cannot be ascertained; but I hope it was no more

than in a slight slumber, or a morning doze at most; for if it be

true, as a celebrated writer has maintained, that no young lady

can be justified in falling in love before the gentleman's love is

declared,* it must be very improper that a young lady should dream

of a gentleman before the gentleman is first known to have dreamt

of her. How proper Mr. Tilney might be as a dreamer or a lover

had not yet perhaps entered Mr. Allen's head, but that he was not

objectionable as a common acquaintance for his young charge he was

on inquiry satisfied; for he had early in the evening taken pains

to know who her partner was, and had been assured of Mr. Tilney's

being a clergyman, and of a very respectable family in Gloucestershire.

CHAPTER 4

With more than usual eagerness did Catherine hasten to the pump-room

the next day, secure within herself of seeing Mr. Tilney there

before the morning were over, and ready to meet him with a smile;

but no smile was demanded—Mr. Tilney did not appear. Every

creature in Bath, except himself, was to be seen in the room at

different periods of the fashionable hours; crowds of people were

every moment passing in and out, up the steps and down; people

whom nobody cared about, and nobody wanted to see; and he only was

absent. "What a delightful place Bath is," said Mrs. Allen as they

sat down near the great clock, after parading the room till they

were tired; "and how pleasant it would be if we had any acquaintance

here."

This sentiment had been uttered so often in vain that Mrs. Allen

had no particular reason to hope it would be followed with more

advantage now; but we are told to "despair of nothing we would

attain," as "unwearied diligence our point would gain"; and the