Three Guineas E-Book

Virginia Woolf

• Herausgeber: E-BOOKARAMA
• Kategorie: Geisteswissenschaft
• Sprache: Englisch
• Veröffentlichungsjahr: 2023

Beschreibung

First published in 1938, as Europe drifted towards war with the rise of fascism in Europe, "Three Guineas" is a book-length essay structured as a letter from Virginia Woolf to an unnamed correspondent who has asked her for help with his efforts to “prevent war”. The book is also a companion piece to Virginia Woolf’s earlier polemic "A Room of One’s Own". The common themes are; women and education, and the need for women to be economically independent. The question Woolf discusses in "Three Guineas" is how women can prevent war when they are excluded from education, the professions, and the public sphere. The title Three Guineas derives from Woolf pondering whether she should support three causes with a guinea donation – these being; a society to stop war, a campaign to support the rebuilding of a women’s college, and an organization to promote women’s employment in the professions. 

Woolf had been observing the rise of fascism in Europe with a keen interest. She was well aware that many of the newly gained women’s rights in Germany were being eroded as Nazism forced women to readopt traditional roles. Woolf was concerned that a similar situation could occur in Britain. "Three Guineas" is essentially a critique of patriarchy.

"Three Guineas" is a relatively neglected work of Woolf’s that deserves greater attention as it is central to an understanding Woolf’s feminism. Her linking of the private and the public, and how the structures of patriarchal society lead to militarism is still a challenging argument for today’s world.

Leseprobe

Table of contents

THREE GUINEAS

One

Two

Three

THREE GUINEAS

Virginia Woolf

One

Three years is a long time to leave a letter unanswered, and your letter has been lying without an answer even longer than that. I had hoped that it would answer itself, or that other people would answer it for me. But there it is with its question—How in your opinion are we to prevent war?—still unanswered.

It is true that many answers have suggested themselves, but none that would not need explanation, and explanations take time. In this case, too, there are reasons why it is particularly difficult to avoid misunderstanding. A whole page could be filled with excuses and apologies; declarations of unfitness, incompetence, lack of knowledge, and experience: and they would be true. But even when they were said there would still remain some difficulties so fundamental that it may well prove impossible for you to understand or for us to explain. But one does not like to leave so remarkable a letter as yours—a letter perhaps unique in the history of human correspondence, since when before has an educated man asked a woman how in her opinion war can be prevented?— unanswered. Therefore let us make the attempt; even if it is doomed to failure.

In the first place let us draw what all letter–writers instinctively draw, a sketch of the person to whom the letter is addressed. Without someone warm and breathing on the other side of the page, letters are worthless. You, then, who ask the question, are a little grey on the temples; the hair is no longer thick on the top of your head. You have reached the middle years of life not without effort, at the Bar; but on the whole your journey has been prosperous. There is nothing parched, mean or dissatisfied in your expression. And without wishing to flatter you, your prosperity— wife, children, house—has been deserved. You have never sunk into the contented apathy of middle life, for, as your letter from an office in the heart of London shows, instead of turning on your pillow and prodding your pigs, pruning your pear trees—you have a few acres in Norfolk—you are writing letters, attending meetings, presiding over this and that, asking questions, with the sound of the guns in your ears. For the rest, you began your education at one of the great public schools and finished it at the university.

It is now that the first difficulty of communication between us appears. Let us rapidly indicate the reason. We both come of what, in this hybrid age when, though birth is mixed, classes still remain fixed, it is convenient to call the educated class. When we meet in the flesh we speak with the same accent; use knives and forks in the same way; expect maids to cook dinner and wash up after dinner; and can talk during dinner without much difficulty about politics and people; war and peace; barbarism and civilization—all the questions indeed suggested by your letter. Moreover, we both earn our livings. But…those three dots mark a precipice, a gulf so deeply cut between us that for three years and more I have been sitting on my side of it wondering whether it is any use to try to speak across it. Let us then ask someone else—it is Mary Kingsley—to speak for us. 'I don't know if I ever revealed to you the fact that being allowed to learn German was ALL the paid–for education I ever had. Two thousand pounds was spent on my brother's, I still hope not in vain.' [1] Mary Kingsley is not speaking for herself alone; she is speaking, still, for many of the daughters of educated men. And she is not merely speaking for them; she is also pointing to a very important fact about them, a fact that must profoundly influence all that follows: the fact of Arthur's Education Fund. You, who have read Pendennis, will remember how the mysterious letters A.E.F. figured in the household ledgers. Ever since the thirteenth century English families have been paying money into that account. From the Pastons to the Pendennises, all educated families from the thirteenth century to the present moment have paid money into that account. It is a voracious receptacle. Where there were many sons to educate it required a great effort on the part of the family to keep it full. For your education was not merely in book–learning; games educated your body; friends taught you more than books or games. Talk with them broadened your outlook and enriched your mind. In the holidays you travelled; acquired a taste for art; a knowledge of foreign politics; and then, before you could earn your own living, your father made you an allowance upon which it was possible for you to live while you learnt the profession which now entitles you to add the letters K.C. to your name. All this came out of Arthur's Education Fund. And to this your sisters, as Mary Kingsley indicates, made their contribution. Not only did their own education, save for such small sums as paid the German teacher, go into it; but many of those luxuries and trimmings which are, after all, an essential part of education—travel, society, solitude, a lodging apart from the family house—they were paid into it too. It was a voracious receptacle, a solid fact—Arthur's Education Fund—a fact so solid indeed that it cast a shadow over the entire landscape. And the result is that though we look at the same things, we see them differently. What is that congregation of buildings there, with a semi–monastic look, with chapels and halls and green playing–fields? To you it is your old school; Eton or Harrow; your old university, Oxford or Cambridge; the source of memories and of traditions innumerable. But to us, who see it through the shadow of Arthur's Education Fund, it is a schoolroom table; an omnibus going to a class; a little woman with a red nose who is not well educated herself but has an invalid mother to support; an allowance of £50 a year with which to buy clothes, give presents and take journeys on coming to maturity. Such is the effect that Arthur's Education Fund has had upon us. So magically does it change the landscape that the noble courts and quadrangles of Oxford and Cambridge often appear to educated men's daughters [2] like petticoats with holes in them, cold legs of mutton, and the boat train starting for abroad while the guard slams the door in their faces.

The fact that Arthur's Education Fund changes the landscape—the halls, the playing grounds, the sacred edifices—is an important one; but that aspect must be left for future discussion. Here we are only concerned with the obvious fact, when it comes to considering this important question—how we are to help you prevent war—that education makes a difference. Some knowledge of politics, of international relations of economics, is obviously necessary in order to understand the causes which lead to war. Philosophy, theology even, might come in usefully. Now you the uneducated, you with an untrained mind, could not possibly deal with such questions satisfactorily. War, as the result of impersonal forces, is you will agree beyond the grasp of the untrained mind. But war as the result of human nature is another thing. Had you not believed that human nature, the reasons, the emotions of the ordinary man and woman, lead to war, you would not have written asking for our help. You must have argued, men and women, here and now, are able to exert their wills; they are not pawns and puppets dancing on a string held by invisible hands. They can act, and think for themselves. Perhaps even they can influence other people's thoughts and actions. Some such reasoning must have led you to apply to us; and with justification. For happily there is one branch of education which comes under the heading 'unpaid–for education'—that understanding of human beings and their motives which, if the word is rid of its scientific associations, might be called psychology. Marriage, the one great profession open to our class since the dawn of time until the year 1919; marriage, the art of choosing the human being with whom to live life successfully, should have taught us some skill in that. But here again another difficulty confronts us. For though many instincts are held more or less in common by both sexes, to fight has always been the man's habit, not the woman's. Law and practice have developed that difference, whether innate or accidental. Scarcely a human being in the course of history has fallen to a woman's rifle; the vast majority of birds and beasts have been killed by you, not by us; and it is difficult to judge what we do not share. [3]

How then are we to understand your problem, and if we cannot, how can we answer your question, how to prevent war? The answer based upon our experience and our psychology—Why fight?—is not an answer of any value. Obviously there is for you some glory, some necessity, some satisfaction in fighting which we have never felt or enjoyed. Complete understanding could only be achieved by blood transfusion and memory transfusion—a miracle still beyond the reach of science. But we who live now have a substitute for blood transfusion and memory transfusion which must serve at a pinch. There is that marvellous, perpetually renewed, and as yet largely untapped aid to the understanding of human motives which is provided in our age by biography and autobiography. Also there is the daily paper, history in the raw. There is thus no longer any reason to be confined to the minute span of actual experience which is still, for us, so narrow, so circumscribed. We can supplement it by looking at the picture of the lives of others. It is of course only a picture at present, but as such it must serve. It is to biography then that we will turn first, quickly and briefly, in order to attempt to understand what war means to you. Let us extract a few sentences from a biography. First, this from a soldier's life:

I have had the happiest possible life, and have always been working for war, and have now got into the biggest in the prime of life for a soldier…Thank God, we are off in an hour. Such a magnificent regiment! Such men, such horses! Within ten days I hope Francis and I will be riding side by side straight at the Germans. [4]

To which the biographer adds:

From the first hour he had been supremely happy, for he had found his true calling.

To that let us add this from an airman's life:

We talked of the League of Nations and the prospects of peace and disarmament. On this subject he was not so much militarist as martial. The difficulty to which he could find no answer was that if permanent peace were ever achieved, and armies and navies ceased to exist, there would be no outlet for the manly qualities which fighting developed, and that human physique and human character would deteriorate. [5]

Here, immediately, are three reasons which lead your sex to fight; war is a profession; a source of happiness and excitement; and it is also an outlet for manly qualities, without which men would deteriorate. But that these feelings and opinions are by no means universally held by your sex is proved by the following extract from another biography, the life of a poet who was killed in the European war: Wilfred Owen.

Already I have comprehended a light which never will filter into the dogma of any national church: namely, that one of Christ's essential commands was: Passivity at any price! Suffer dishonour and disgrace, but never resort to arms. Be bullied, be outraged, be killed; but do not kill…Thus you see how pure Christianity will not fit in with pure patriotism.

And among some notes for poems that he did not live to write are these:

The unnaturalness of weapons…Inhumanity of war…The insupportability of war…Horrible beastliness of war… Foolishness of war. [6]

From these quotations it is obvious that the same sex holds very different opinions about the same thing. But also it is obvious, from today's newspaper, that however many dissentients there are, the great majority of your sex are today in favour of war. The Scarborough Conference of educated men, the Bournemouth Conference of working men are both agreed that to spend £300,000,000 annually upon arms is a necessity. They are of opinion that Wilfred Owen was wrong; that it is better to kill than to be killed. Yet since biography shows that differences of opinion are many, it is plain that there must be some one reason which prevails in order to bring about this overpowering unanimity. Shall we call it, for the sake of brevity, 'patriotism'? What then, we must ask next, is this 'patriotism' which leads you to go to war? Let the Lord Chief Justice of England interpret it for us:

Englishmen are proud of England. For those who have been trained in English schools and universities, and who have done the work of their lives in England, there are few loves stronger than the love we have for our country. When we consider other nations, when we judge the merits of the policy of this country or of that, it is the standard of our own country that we apply…Liberty has made her abode in England. England is the home of democratic institutions…It is true that in our midst there are many enemies of liberty—some of them, perhaps, in rather unexpected quarters. But we are standing firm. It has been said that an Englishman's Home is his Castle. The home of Liberty is in England. And it is a castle indeed—a castle that will be defended to the last…Yes, we are greatly blessed, we Englishmen. [7]

That is a fair general statement of what patriotism means to an educated man and what duties it imposes upon him. But the educated man's sister—what does 'patriotism' mean to her? Has she the same reasons for being proud of England, for loving England, for defending England? Has she been 'greatly blessed' in England? History and biography when questioned would seem to show that her position in the home of freedom has been different from her brother's; and psychology would seem to hint that history is not without its effect upon mind and body. Therefore her interpretation of the word 'patriotism' may well differ from his. And that difference may make it extremely difficult for her to understand his definition of patriotism and the duties it imposes. If then our answer to your question, 'How in your opinion are we to prevent war?' depends upon understanding the reasons, the emotions, the loyalties which lead men to go to war, this letter had better be torn across and thrown into the waste–paper basket. For it seems plain that we cannot understand each other because of these differences. It seems plain that we think differently according as we are born differently; there is a Grenfell point of view; a Knebworth point of view; a Wilfred Owen point of view; a Lord Chief Justice's point of view and the point of view of an educated man's daughter. All differ. But is there no absolute point of view? Can we not find somewhere written up in letters of fire or gold, 'This is right. This wrong'?—a moral judgement which we must all, whatever our differences, accept? Let us then refer the question of the rightness or wrongness of war to those who make morality their profession—the clergy. Surely if we ask the clergy the simple question: 'Is war right or is war wrong?' they will give us a plain answer which we cannot deny. But no—the Church of England, which might be supposed able to abstract the question from its worldly confusions, is of two minds also. The bishops themselves are at loggerheads. The Bishop of London maintained that 'the real danger to the peace of the world today were the pacifists. Bad as war was dishonour was far worse.' [8] On the other hand, the Bishop of Birmingham [9] described himself as an 'extreme pacifist…I cannot see myself that war can be regarded as consonant with the spirit of Christ.' So the Church itself gives us divided counsel—in some circumstances it is right to fight; in no circumstances is it right to fight. It is distressing, baffling, confusing, but the fact must be faced; there is no certainty in heaven above or on earth below. Indeed the more lives we read, the more speeches we listen to, the more opinions we consult, the greater the confusion becomes and the less possible it seems, since we cannot understand the impulses, the motives, or the morality which lead you to go to war, to make any suggestion that will help you to prevent war.

But besides these pictures of other people's lives and minds—these biographies and histories—there are also other pictures—pictures of actual facts; photographs. Photographs, of course, are not arguments addressed to the reason; they are simply statements of fact addressed to the eye. But in that very simplicity there may be some help. Let us see then whether when we look at the same photographs we feel the same things. Here then on the table before us are photographs. The Spanish Government sends them with patient pertinacity about twice a week.* They are not pleasant photographs to look upon. They are photographs of dead bodies for the most part. This morning's collection contains the photograph of what might be a man's body, or a woman's; it is so mutilated that it might, on the other hand, be the body of a pig. But those certainly are dead children, and that undoubtedly is the section of a house. A bomb has torn open the side; there is still a birdcage hanging in what was presumably the sitting–room, but the rest of the house looks like nothing so much as a bunch of spillikins suspended in mid air.

* Written in the winter of 1936–7.

Those photographs are not an argument; they are simply a crude statement of fact addressed to the eye. But the eye is connected with the brain; the brain with the nervous system. That system sends its messages in a flash through every past memory and present feeling. When we look at those photographs some fusion takes place within us; however different the education, the traditions behind us, our sensations are the same; and they are violent. You, Sir, call them 'horror and disgust'. We also call them horror and disgust. And the same words rise to our lips. War, you say, is an abomination; a barbarity; war must be stopped at whatever cost. And we echo your words. War is an abomination; a barbarity; war must be stopped. For now at last we are looking at the same picture; we are seeing with you the same dead bodies, the same ruined houses.

Let us then give up, for the moment, the effort to answer your question, how we can help you to prevent war, by discussing the political, the patriotic or the psychological reasons which lead you to go to war. The emotion is too positive to suffer patient analysis. Let us concentrate upon the practical suggestions which you bring forward for our consideration. There are three of them. The first is to sign a letter to the newspapers; the second is to join a certain society; the third is to subscribe to its funds. Nothing on the face of it could sound simpler. To scribble a name on a sheet of paper is easy; to attend a meeting where pacific opinions are more or less rhetorically reiterated to people who already believe in them is also easy; and to write a cheque in support of those vaguely acceptable opinions, though not so easy, is a cheap way of quieting what may conveniently be called one's conscience. Yet there are reasons which make us hesitate; reasons into which we must enter, less superficially, later on. Here it is enough to say that though the three measures you suggest seem plausible, yet it also seems that, if we did what you ask, the emotion caused by the photographs would still remain unappeased. That emotion, that very positive emotion, demands something more positive than a name written on a sheet of paper; an hour spent listening to speeches; a cheque written for whatever sum we can afford—say one guinea. Some more energetic, some more active method of expressing our belief that war is barbarous, that war is inhuman, that war, as Wilfred Owen put it, is insupportable, horrible and beastly seems to be required. But, rhetoric apart, what active method is open to us? Let us consider and compare. You, of course, could once more take up arms—in Spain, as before in France—in defence of peace. But that presumably is a method that having tried you have rejected. At any rate that method is not open to us; both the Army and the Navy are closed to our sex. We are not allowed to fight. Nor again are we allowed to be members of the Stock Exchange. Thus we can use neither the pressure of force nor the pressure of money. The less direct but still effective weapons which our brothers, as educated men, possess in the diplomatic service, in the Church, are also denied to us. We cannot preach sermons or negotiate treaties. Then again although it is true that we can write articles or send letters to the Press, the control of the Press—the decision what to print, what not to print—is entirely in the hands of your sex. It is true that for the past twenty years we have been admitted to the Civil Service and to the Bar; but our position there is still very precarious and our authority of the slightest. Thus all the weapons with which an educated man can enforce his opinion are either beyond our grasp or so nearly beyond it that even if we used them we could scarcely inflict one scratch. If the men in your profession were to unite in any demand and were to say: 'If it is not granted we will stop work', the laws of England would cease to be administered. If the women in your profession said the same thing it would make no difference to the laws of England whatever. Not only are we incomparably weaker than the men of our own class; we are weaker than the women of the working class. If the working women of the country were to say: 'If you go to war, we will refuse to make munitions or to help in the production of goods,' the difficulty of war–making would be seriously increased. But if all the daughters of educated men were to down tools tomorrow, nothing essential either to the life or to the war–making of the community would be embarrassed. Our class is the weakest of all the classes in the state. We have no weapon with which to enforce our will. [10]

The answer to that is so familiar that we can easily anticipate it. The daughters of educated men have no direct influence, it is true; but they possess the greatest power of all; that is, the influence that they can exert upon educated men. If this is true, if, that is, influence is still the strongest of our weapons and the only one that can be effective in helping you to prevent war, let us, before we sign your manifesto or join your society, consider what that influence amounts to. Clearly it is of such immense importance that it deserves profound and prolonged scrutiny. Ours cannot be profound; nor can it be prolonged; it must be rapid and imperfect—still, let us attempt it.

What influence then have we had in the past upon the profession that is most closely connected with war—upon politics? There again are the innumerable, the invaluable biographies, but it would puzzle an alchemist to extract from the massed lives of politicians that particular strain which is the influence upon them of women. Our analysis can only be slight and superficial; still if we narrow our inquiry to manageable limits, and run over the memoirs of a century and a half we can hardly deny that there have been women who have influenced politics. The famous Duchess of Devonshire, Lady Palmerston, Lady Melbourne, Madame de Lieven, Lady Holland, Lady Ashburton—to skip from one famous name to another—were all undoubtedly possessed of great political influence. Their famous houses and the parties that met in them play so large a part in the political memoirs of the time that we can hardly deny that English politics, even perhaps English wars, would have been different had those houses and those parties never existed. But there is one characteristic that all those memoirs possess in common; the names of the great political leaders—Pitt, Fox, Burke, Sheridan, Peel, Canning, Palmerston, Disraeli, Gladstone—are sprinkled on every page; but you will not find either at the head of the stairs receiving the guests, or in the more private apartments of the house, any daughter of an educated man. It may be that they were deficient in charm, in wit, in rank, or in clothing. Whatever the reason, you may turn page after page, volume after volume, and though you will find their brothers and husbands—Sheridan at Devonshire House, Macaulay at Holland House, Matthew Arnold at Lansdowne House, Carlyle even at Bath House, the names of Jane Austen, Charlotte Brontë, and George Eliot do not occur; and though Mrs Carlyle went, Mrs Carlyle seems on her own showing to have found herself ill at ease.

But, as you will point out, the daughters of educated men may have possessed another kind of influence—one that was independent of wealth and rank, of wine, food, dress and all the other amenities that make the great houses of the great ladies so seductive. Here indeed we are on firmer ground, for there was of course one political cause which the daughters of educated men had much at heart during the past 150 years: the franchise. But when we consider how long it took them to win that cause, and what labour, we can only conclude that influence has to be combined with wealth in order to be effective as a political weapon, and that influence of the kind that can be exerted by the daughters of educated men is very low in power, very slow in action, and very painful in use. [11] Certainly the one great political achievement of the educated man's daughter cost her over a century of the most exhausting and menial labour; kept her trudging in processions, working in offices, speaking at street corners; finally, because she used force, sent her to prison, and would very likely still keep her there, had it not been, paradoxically enough, that the help she gave her brothers when they used force at last gave her the right to call herself, if not a full daughter, still a stepdaughter of England. [12]

Influence then when put to the test would seem to be only fully effective when combined with rank, wealth and great houses. The influential are the daughters of noblemen, not the daughters of educated men. And that influence is of the kind described by a distinguished member of your own profession, the late Sir Ernest Wild.

He claimed that the great influence which women exerted over men always had been, and always ought to be, an indirect influence. Man liked to think he was doing his job himself when, in fact, he was doing just what the woman wanted, but the wise woman always let him think he was running the show when he was not. Any woman who chose to take an interest in politics had an immensely greater power without the vote than with it, because she could influence many voters. His feeling was that it was not right to bring women down to the level of men. He looked up to women, and wanted to continue to do so. He desired that the age of chivalry should not pass, because every man who had a woman to care about him liked to shine in her eyes. [13]

And so on.

If such is the real nature of our influence, and we all recognize the description and have noted the effects, it is either beyond our reach, for many of us are plain, poor and old; or beneath our contempt, for many of us would prefer to call ourselves prostitutes simply and to take our stand openly under the lamps of Piccadilly Circus rather than use it. If such is the real nature, the indirect nature, of this celebrated weapon, we must do without it; add our pigmy impetus to your more substantial forces, and have recourse, as you suggest, to letter signing, society joining and the drawing of an occasional exiguous cheque. Such would seem to be the inevitable, though depressing, conclusion of our inquiry into the nature of influence, were it not that for some reason, never satisfactorily explained, the right to vote, [14] in itself by no means negligible, was mysteriously connected with another right of such immense value to the daughters of educated men that almost every word in the dictionary has been changed by it, including the word 'influence'. You will not think these words exaggerated if we explain that they refer to the right to earn one's living.

That, Sir, was the right that was conferred upon us less than twenty years ago, in the year 1919, by an Act which unbarred the professions. The door of the private house was thrown open. In every purse there was, or might be, one bright new sixpence in whose light every thought, every sight, every action looked different. Twenty years is not, as time goes, a long time; nor is a sixpenny bit a very important coin; nor can we yet draw upon biography to supply us with a picture of the lives and minds of the new–sixpenny owners. But in imagination perhaps we can see the educated man's daughter, as she issues from the shadow of the private house, and stands on the bridge which lies between the old world and the new, and asks, as she twirls the sacred coin in her hand, 'What shall I do with it? What do I see with it?' Through that light we may guess everything she saw looked different—men and women, cars and churches. The moon even, scarred as it is in fact with forgotten craters, seemed to her a white sixpence, a chaste sixpence, an altar upon which she vowed never to side with the servile, the signers–on, since it was hers to do what she liked with—the sacred sixpence that she had earned with her own hands herself. And if checking imagination with prosaic good sense, you object that to depend upon a profession is only another form of slavery, you will admit from your own experience that to depend upon a profession is a less odious form of slavery than to depend upon a father. Recall the joy with which you received your first guinea for your first brief, and the deep breath of freedom that you drew when you realized that your days of dependence upon Arthur's Education Fund were over. From that guinea, as from one of the magic pellets to which children set fire and a tree rises, all that you most value—wife, children, home—and above all that influence which now enables you to influence other men, have sprung. What would that influence be if you were still drawing £40 a year from the family purse, and for any addition to that income were dependent even upon the most benevolent of fathers? But it is needless to expatiate. Whatever the reason, whether pride, or love of freedom, or hatred of hypocrisy, you will understand the excitement with which in 1919 your sisters began to earn not a guinea but a sixpenny bit, and will not scorn that pride, or deny that it was justly based, since it meant that they need no longer use the influence described by Sir Ernest Wild.

The word 'influence' then has changed. The educated man's daughter has now at her disposal an influence which is different from any influence that she has possessed before. It is not the influence which the great lady, the Siren, possesses; nor is it the influence which the educated man's daughter possessed when she had no vote; nor is it the influence which she possessed when she had a vote but was debarred from the right to earn her living. It differs, because it is an influence from which the charm element has been removed; it is an influence from which the money element has been removed. She need no longer use her charm to procure money from her father or brother. Since it is beyond the power of her family to punish her financially she can express her own opinions. In place of the admirations and antipathies which were often unconsciously dictated by the need of money she can declare her genuine likes and dislikes. In short, she need not acquiesce; she can criticize. At last she is in possession of an influence that is disinterested.

Such in rough and rapid outlines is the nature of our new weapon, the influence which the educated man's daughter can exert now that she is able to earn her own living. The question that has next to be discussed, therefore, is how can she use this new weapon to help you to prevent war? And it is immediately plain that if there is no difference between men who earn their livings in the professions and women who earn their livings, then this letter can end; for if our point of view is the same as yours then we must add our sixpence to your guinea; follow your methods and repeat your words. But, whether fortunately or unfortunately, that is not true. The two classes still differ enormously. And to prove this, we need not have recourse to the dangerous and uncertain theories of psychologists and biologists; we can appeal to facts. Take the fact of education. Your class has been educated at public schools and universities for five or six hundred years, ours for sixty. Take the fact of property. [15] Your class possesses in its own right and not through marriage practically all the capital, all the land, all the valuables, and all the patronage in England. Our class possesses in its own right and not through marriage practically none of the capital, none of the land, none of the valuables, and none of the patronage in England. That such differences make for very considerable differences in mind and body, no psychologist or biologist would deny. It would seem to follow then as an indisputable fact that 'we'—meaning by 'we' a whole made trained and are so differently influenced by memory and tradition—must still differ in some essential respects from 'you', whose body, brain and spirit have been so differently trained and are so differently influenced by memory and tradition. Though we see the same world, we see it through different eyes. Any help we can give you must be different from that you can give yourselves, and perhaps the value of that help may lie in the fact of that difference. Therefore before we agree to sign your manifesto or join your society, it might be well to discover where the difference lies, because then we may discover where the help lies also. Let us then by way of a very elementary beginning lay before you a photograph—a crudely coloured photograph—of your world as it appears to us who see it from the threshold of the private house; through the shadow of the veil that St Paul still lays upon our eyes; from the bridge which connects the private house with the world of public life.

Your world, then, the world of professional, of public life, seen from this angle undoubtedly looks queer. At first sight it is enormously impressive. Within quite a small space are crowded together St Paul's, the Bank of England, the Mansion House, the massive if funereal battlements of the Law Courts; and on the other side, Westminster Abbey and the Houses of Parliament. There, we say to ourselves, pausing, in this moment of transition on the bridge, our fathers and brothers have spent their lives. All these hundreds of years they have been mounting those steps, passing in and out of those doors, ascending those pulpits, preaching, money– making, administering justice. It is from this world that the private house (somewhere, roughly speaking, in the West End) has derived its creeds, its laws, its clothes and carpets, its beef and mutton. And then, as is now permissible, cautiously pushing aside the swing doors of one of these temples, we enter on tiptoe and survey the scene in greater detail. The first sensation of colossal size, of majestic masonry is broken up into a myriad points of amazement mixed with interrogation. Your clothes in the first place make us gape with astonishment. [16] How many, how splendid, how extremely ornate they are—the clothes worn by the educated man in his public capacity! Now you dress in violet; a jewelled crucifix swings on your breast; now your shoulders are covered with lace; now furred with ermine; now slung with many linked chains set with precious stones. Now you wear wigs on your heads; rows of graduated curls descend to your necks. Now your hats are boat–shaped, or cocked; now they mount in cones of black fur; now they are made of brass and scuttle shaped; now plumes of red, now of blue hair surmount them. Sometimes gowns cover your legs; sometimes gaiters. Tabards embroidered with lions and unicorns swing from your shoulders; metal objects cut in star shapes or in circles glitter and twinkle upon your breasts. Ribbons of all colours—blue, purple, crimson—cross from shoulder to shoulder. After the comparative simplicity of your dress at home, the splendour of your public attire is dazzling.

But far stranger are two other facts that gradually reveal themselves when our eyes have recovered from their first amazement. Not only are whole bodies of men dressed alike summer and winter—a strange characteristic to a sex which changes its clothes according to the season, and for reasons of private taste and comfort—but every button, rosette and stripe seems to have some symbolical meaning. Some have the right to wear plain buttons only; others rosettes; some may wear a single stripe; others three, four, five or six. And each curl or stripe is sewn on at precisely the right distance apart; it may be one inch for one man, one inch and a quarter for another. Rules again regulate the gold wire on the shoulders, the braid on the trousers, the cockades on the hats—but no single pair of eyes can observe all these distinctions, let alone account for them accurately.