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'People like us are unhappy in this world and in the next: if we made it to heaven, we'd have to help make it thunder.' The multi-award-winning Jack Thorne, the playwright behind Harry Potter and the Cursed Child, breathes new life into Georg Büchner's Woyzeck, one of the most extraordinary plays ever written. It's 1980s Berlin. The Cold War rages and the world sits at a crossroads between Capitalism and Communism. On the border between East and West, a young soldier and the love of his life are desperately trying to build a better future for their child. But the cost of escaping poverty is high, and its tragic consequences unfold in this searing tale of the people society leaves behind. Jack Thorne's new version of Woyzeck premieres at the Old Vic Theatre, London, in May 2017, in a production starring John Boyega in the title role.
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Georg Büchner
WOYZECK
in a new version by
Jack Thorne
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Title Page
Original Production
Epigraph
Dedication
Characters
Prologue
Act One
Act Two
Act Three
Epilogue
About the Author
Copyright and Performing Rights Information
This version of Woyzeck premiered at The Old Vic, London, on 15 May 2017, with the following cast:
ANDREWS
Ben Batt
WOYZECK
John Boyega
YOUNG WOYZECK
Carlo Brathwaite
MAGGIE/MOTHER
Nancy Carroll
DOCTOR MARTENS
Darrell D’Silva
MARIE
Sarah Greene
YOUNG WOYZECK
Reuel Guzman
GDR CITIZEN/ENSEMBLE
Isabella Marshall
YOUNG WOYZECK
Cyrus Odukale
CAPTAIN THOMPSON
Steffan Rhodri
LANDLORD/ENSEMBLE
David Rubin
EAST GERMAN SOLDIER/ENSEMBLE
Theo Solomon
Director
Joe Murphy
Designer
Tom Scutt
Lighting Designer
Neil Austin
Sound Designer
Gareth Fry
Composer
Isobel Waller-Bridge
Movement Director
Polly Bennett
Illusion
Ben Hart
Fight Directors
Rachel Bown-Williams
Ruth Cooper Brown
Casting Director
Jessica Ronane
CDG
The author’s proceeds from sales of this book and amateur licensing of the play will be donated to Young Minds, the charity committed to improving the emotional wellbeing and mental health of children and young people in the UK. youngminds.org.uk
‘The present period of history is one of the Wall. When the Berlin one fell, the prepared plans to build walls everywhere were unrolled. Concrete, bureaucratic, surveillance, security, racist, zone walls. Everywhere the walls separate the desperate poor from those who hope against hope to stay relatively rich. The walls cross every sphere from crop cultivation to health care. They exist, too, in the richest metropolises of the world. The Wall is the front line of what, long ago, was called the class war.
…The choice of meaning in the world today is here between the two sides of the wall. The wall is also inside each one of us. Whatever our circumstances, we can choose within ourselves which side of the wall we are attuned to. It is not a wall between good and evil. Both exist on both sides. The choice is between self-respect and self-chaos.’
John Berger, 2004
For Cathy Mason
WOYZECK [Voy-tzeck], British, early twenties
MARIE, Irish Catholic, early twenties
ANDREWS, British, late twenties/early thirties
MAGGIE, British, early forties
MOTHER, British, early forties
CAPTAIN THOMPSON, British, forties
DOCTOR MARTENS, German, forties
YOUNG WOYZECK, British, ten
Also SINGER, GDR CITIZEN, EAST GERMAN SOLDIER, LANDLORD
MAGGIE and MOTHER need to be played by the same actress.
All other parts played by members of the company, in particular that marked SINGER – who can and will be played by multiple people.
The play is set in Berlin in 1981.
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
A little boy walks out on to stage. He is YOUNG WOYZECK.
He looks down on the floor.
He starts to chalk it out.
He continues this as the audience enter.
As he chalks it, things start to appear.
Around him and behind him.
And then a SINGER appears behind him – with the house lights still up – and opens their mouth and starts to sing.
And as they sing so things are built and transformed and grow.
SINGER.
The sun had set behind yon hills,
Across yon dreary moor,
Weary and lame, a boy there came
Up to a farmer’s door
‘Can you tell me if any there be
That will give me employ,
To plough and sow, and reap and mow,
And be a farmer’s boy?
My father is dead, and Mother is left
With five children, great and small;
And what is worse for Mother still,
I’m the oldest of them all.
Though little, I’ll work as hard as a Turk,
If you’ll give me employ,
To plough and sow, and reap and mow,
And be a farmer’s boy.
And if that you won’t me employ,
One favour I’ve to ask, –
Will you shelter me, till break of day,
From this cold winter’s blast?
At break of day, I’ll trudge away
Elsewhere to seek employ,
To plough and sow, and reap and mow,
And be a farmer’s –’
MOTHER. Frank.
YOUNG WOYZECK runs offstage.
A simple bedroom. MARIE and WOYZECK lie barely dressed on the bed. MARIE is Irish and speaks with an Irish accent, WOYZECK is English and speaks with an English accent. Their German pronunciation is terrible, but it tries hard.
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!