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This booklet wants to be a friendly suggestion to a possible distracted companion or a small reminder for oneself, without any pretense as the title already shows. You can read it on a train while traveling or on a cot bathed in sunlight or even for a couple of minutes right before sleeping. It's the result of the author's wonderful experience in approaching and discovering Tango, the simple and colloquial attempt to demonstrate that even people who are apparently less suitable for dancing can have their moments of joy and satisfaction. Nil impossibile volenti.
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Contents
Introduction to why and why not
Before you start
Why tango?
RECIPE # 1 – ANCHOVY RAVIOLI
The ABCs (for him)
Let's walk... but like tango dancers
RECIPE # 2 – (single dish) – HERB AND CHEESE OMELETTE
Him and Her
A few tricks
RECIPE # 3 – (second course) – LEMON TURKEY
The embrace
Let's prepare (mentally) to go out
RECIPE # 4 – (second course) – VEAL FILLET WITH CREAM
The walk
The basic step and the elementary steps
Some notes on music and time
RECIPE # 5 – (single dish) – SIMPLE AUBERGINES WITH PARMESAN
Where it comes from
Eight
Classic eight
Ocho cortado
RECIPE # 6 – (summer pasta) – PASTA SALAD WITH MELON
Change in front
Change in front
Good manners
RECIPE # 7 – (sweet) CANTUCCI BISCUITS WITH VIN SANTO
Turn
Left turn
Right turn
RECIPE # 8 – (side dish) – BAKED PUMPKIN FLOWERS
The sandwich (but it's not a recipe)
Great orchestras and great dancers
RECIPE # 9 – (sweet) – CHEESE, PEPPER and MINT
Elements of milonga
RECIPE # 10 – (fish) – COD WITH OLIVES
Farewell
Lucienne Delamarque
A Short Guide
Title | A short guide to Tango and Cookery
Author | Lucienne Delamarque
ISBN | 9791220302111
© All rights reserved by the Author
No part of this book may
be reproduced without the
prior permission of the Author.
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To a teacher who, without knowing it, was a great friend. To those who think they can't but simply don't know how. To the great love that will come.
Introduction to why and why not
This short guide talks about tango and cookery.
It doesn't do it exhaustively because there would be neither space nor authorial ability to do so: can an immense world be described with a simple ballpoint pen? The reader would expect at least the unveiling of a thousand luxuriant commonalities and promiscuities between these two apparently different worlds, like any good self-respecting trans-avant-garde intellectual. Well, you'll be disappointed once again! Or for it to talk of the history and psychology of tango and describe exotic uses and customs for a high-profile cuisine whose real appetite lies not in the throat but in the intellect. Not this either. Let's leave it to the thousand sensationalist cooking programmes: just turn on the TV to find one. So why a booklet like this? What's the purpose? For those like me who until recently abstained completely from dancing (and therefore certainly not masters of dance nor unfortunately the kitchen, let alone life!), it was a challenge. After trying and trying again, overcoming frustrations and fears, I developed a conviction: I believe that even the clumsiest person – a category I truly fall into – can dance. Memento: Nil impossibile volenti.
You probably won't become a Geraldine Rojas or a Miguel Angel Zotto, but you'll be able to dance and thereby discover that playful-social-sentimental dimension found in tango. For us klutzes who can't immediately catch the rapid flow of a step taken by the great artists and reproduce it on the fly, I think it may be useful to have even a modest theoretical smattering, low-level but sincere, to begin breathing an atmosphere which, I assure you, will captivate you more and more.