Complete Prose Works / Specimen Days and Collect, November Boughs and Goodbye My Fancy E-Book
Walt Whitman
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- Herausgeber: GIANLUCA
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2020
Walter “Walt” Whitman (May 31, 1819 – March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.
Born in Huntington on Long Island, Whitman worked as a journalist, a teacher, a government clerk, and—in addition to publishing his poetry—was a volunteer nurse during the American Civil War. Early in his career, he also produced a temperance novel, Franklin Evans (1842). Whitman’s major work, Leaves of Grass, was first published in 1855 with his own money. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his death in 1892. After a stroke towards the end of his life, he moved to Camden, New Jersey, where his health further declined. When he died at age 72, his funeral became a public spectacle.
Whitman’s sexuality is often discussed alongside his poetry. Though biographers continue to debate his sexuality, he is usually described as either homosexual or bisexual in his feelings and attractions. However, there is disagreement among biographers as to whether Whitman had actual sexual experiences with men.
Whitman was concerned with politics throughout his life. He supported the Wilmot Proviso and opposed the extension of slavery generally. His poetry presented an egalitarian view of the races, though his attitude in life reflected many of the racial prejudices common to nineteenth-century America and his opposition to slavery was not necessarily based on belief in the equality of races per se. At one point he called for the abolition of slavery, but later he saw the abolitionist movement as a threat to democracy.
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Table of Contents
DETAILED CONTENTS
SPECIMEN DAYS
A HAPPY HOUR'S COMMAND
ANSWER TO AN INSISTING FRIEND
GENEALOGY—VAN VELSOR AND WHITMAN
THE OLD WHITMAN AND VAN VELSOR CEMETERIES
THE MATERNAL HOMESTEAD
TWO OLD FAMILY INTERIORS
PAUMANOK, AND MY LIFE ON IT AS CHILD AND YOUNG MAN
MY FIRST READING—LAFAYETTE
PRINTING OFFICE—OLD BROOKLYN
GROWTH—HEALTH—WORK
MY PASSION FOR FERRIES
BROADWAY SIGHTS
OMNIBUS JAUNTS AND DRIVERS
PLAYS AND OPERAS TOO
THROUGH EIGHT YEARS.
SOURCES OF CHARACTER—RESULTS—1860
OPENING OF THE SECESSION WAR
NATIONAL UPRISING AND VOLUNTEERING
CONTEMPTUOUS FEELING
BATTLE OF BULL RUN, JULY, 1861
THE STUPOR PASSES—SOMETHING ELSE BEGINS
DOWN AT THE FRONT
AFTER FIRST FREDERICKSBURG
BACK TO WASHINGTON
FIFTY HOURS LEFT WOUNDED ON THE FIELD
HOSPITAL SCENES AND PERSONS
PATENT-OFFICE HOSPITAL
THE WHITE HOUSE BY MOONLIGHT
AN ARMY HOSPITAL WARD
A CONNECTICUT CASE
TWO BROOKLYN BOYS
A SECESH BRAVE
THE WOUNDED FROM CHANCELLORSVILLE
A NIGHT BATTLE OVER A WEEK SINCE
UNNAMED REMAINS THE BRAVEST SOLDIER
SOME SPECIMEN CASES
MY PREPARATIONS FOR VISITS
AMBULANCE PROCESSIONS
BAD WOUNDS—THE YOUNG
THE MOST INSPIRITING OF ALL WAR'S SHOWS
BATTLE OF GETTYSBURG
A CAVALRY CAMP
A NEW YORK SOLDIER
HOME-MADE MUSIC
ABRAHAM LINCOLN
HEATED TERM
SOLDIERS AND TALKS
DEATH OF A WISCONSIN OFFICER
HOSPITALS ENSEMBLE
A SILENT NIGHT RAMBLE
SPIRITUAL CHARACTERS AMONG THE SOLDIERS
CATTLE DROVES ABOUT WASHINGTON
HOSPITAL PERPLEXITY
DOWN AT THE FRONT
PAYING THE BOUNTIES
RUMORS, CHANGES, ETC.
VIRGINIA
SUMMER OF 1864
A NEW ARMY ORGANIZATION FIT FOR AMERICA
DEATH OF A HERO
HOSPITAL SCENES—INCIDENTS
A YANKEE SOLDIER
UNION PRISONERS SOUTH
DESERTERS
A GLIMPSE OF WAR'S HELL-SCENES
GIFTS—MONEY—DISCRIMINATION
ITEMS FROM MYNOTE BOOKS
A CASE FROM SECOND BULL RUN
ARMY SURGEONS—AID DEFICIENCIES
THE BLUE EVERYWHERE
A MODEL HOSPITAL
BOYS IN THE ARMY
BURIAL OF A LADY NURSE
FEMALE NURSES FOR SOLDIERS
SOUTHERN ESCAPEES
THE CAPITOL BY GAS-LIGHT
THE INAUGURATION
ATTITUDE OF FOREIGN GOVERNMENTS DURING THE WAR
THE WEATHER—DOES IT SYMPATHIZE WITH THESE TIMES?
INAUGURATION BALL
SCENE AT THE CAPITOL
A YANKEE ANTIQUE
WOUNDS AND DISEASES
DEATH OF PRESIDENT LINCOLN
SHERMAN'S ARMY'S JUBILATION—ITS SUDDEN STOPPAGE
NO GOOD PORTRAIT OF LINCOLN
RELEAS'D UNION PRISONERS FROM SOUTH
DEATH OF A PENNSYLVANIA SOLDIER
W. W.
THE ARMIES RETURNING
THE GRAND REVIEW
WESTERN SOLDIERS
A SOLDIER ON LINCOLN
TWO BROTHERS, ONE SOUTH, ONE NORTH
SOME SAD CASES YET
CALHOUN'S REAL MONUMENT
HOSPITALS CLOSING
TYPICAL SOLDIERS
"CONVULSIVENESS"
THREE YEARS SUMM'D UP
THE MILLION DEAD, TOO, SUMM'D UP
THE REAL WAR WILL NEVER GET IN THE BOOKS
AN INTERREGNUM PARAGRAPH
NEW THEMES ENTERED UPON
ENTERING A LONG FARM-LANE
TO THE SPRING AND BROOK
AN EARLY SUMMER REVEILLE
BIRDS MIGRATING AT MIDNIGHT
BUMBLE-BEES
CEDAR-APPLES
SUMMER SIGHTS AND INDOLENCIES
SUNDOWN PERFUME—QUAILNOTES—THE HERMIT-THRUSH
A JULY AFTER-NOON BY THE POND
LOCUSTS AND KATY-DIDS
THE LESSON OF A TREE
AUTUMN SIDE-BITS
THE SKY—DAYS AND NIGHTS—HAPPINESS
COLORS—A CONTRAST
NOVEMBER 8, '76
CROWS AND CROWS
A WINTER DAY ON THE SEA-BEACH
SEA-SHORE FANCIES
IN MEMORY OF THOMAS PAINE.
A TWO HOURS ICE-SAIL
SPRING OVERTURES—RECREATIONS
ONE OF THE HUMAN KINKS
AN AFTERNOON SCENE
THE GATES OPENING
THE COMMON EARTH, THE SOIL
BIRDS AND BIRDS AND BIRDS
FULL-STARR'D NIGHTS
MULLEINS AND MULLEINS
DISTANT SOUNDS
A SUN-BATH-NAKEDNESS
THE OAKS AND I
A QUINTETTE
THE FIRST FROST—MEMS
THREE YOUNG MEN'S DEATHS
FEBRUARY DAYS
A MEADOW LARK
SUNDOWN LIGHTS
THOUGHTS UNDER AN OAK—A DREAM
CLOVER AND HAY PERFUME
AN UNKNOWN
BIRD-WHISTLING
HORSE-MINT
THREE OF US
DEATH OF WILLIAM CULLEN BRYANT
JAUNT UP THE HUDSON
HAPPINESSAND RASPBERRIES
A SPECIMEN TRAMP FAMILY
MANHATTAN FROM THE BAY
HUMAN AND HEROIC NEW YORK
HOURS FOR THE SOUL
STRAW-COLOR'D AND OTHER PSYCHES
A NIGHT REMEMBRANCE
WILD FLOWERS
A CIVILITY TOO LONG NEGLECTED
DELAWARE RIVER—DAYS AND NIGHTS
SCENES ON FERRY AND RIVER—LAST WINTER'S NIGHTS
THE FIRST SPRING DAY ON CHESTNUT STREET
UP THE HUDSON TO ULSTER COUNTY
DAYS AT J. B.'S TURF-FIRES—SPRING SONGS
MEETING A HERMIT
AN ULSTER COUNTY WATERFALL
WALTER DUMONT AND HIS MEDAL
HUDSON RIVER SIGHTS
TWO CITY AREAS, CERTAINHOURS
CENTRAL PARK WALKS AND TALKS
A FINE AFTERNOON, 4 TO 6
DEPARTING OF THE BIG STEAMERS
TWO HOURS ON THE MINNESOTA
MATURE SUMMER DAYS AND NIGHTS
EXPOSITION BUILDING—NEW CITY HALL—RIVER TRIP
SWALLOWS ON THE RIVER
BEGIN A LONG JAUNT WEST
IN THE SLEEPER
MISSOURI STATE
LAWRENCE AND TOPEKA, KANSAS
ON TO DENVER—A FRONTIER INCIDENT
AN HOUR ON KENOSHA SUMMIT
AN EGOTISTICAL "FIND"
NEW SENSES: NEW JOYS
STEAM-POWER, TELEGRAPHS, ETC
AMERICA'S BACK-BONE
THE PARKS
ART FEATURES
DENVER IMPRESSIONS
I TURN SOUTH AND THEN EAST AGAIN
UNFULFILLED WANTS—THE ARKANSAS RIVER
A SILENT LITTLE FOLLOWER-THE COREOPSIS
THE PRAIRIES AND GREAT PLAINS IN POETRY
THE SPANISH PEAKS—EVENING ON THE PLAINS
AMERICA'S CHARACTERISTIC LANDSCAPE
EARTH'S MOST IMPORTANT STREAM
PRAIRIE ANALOGIES—THE TREE QUESTION
MISSISSIPPI VALLEY LITERATURE
AN INTERVIEWER'S ITEM
THE WOMEN OF THEWEST
THE SILENT GENERAL
PRESIDENT HAYES'S SPEECHES
ST. LOUIS MEMORANDA
NIGHTS ON THE MISSISSIPPI
UPON OUR OWN LAND
EDGAR POE'S SIGNIFICANCE
BEETHOVEN'S SEPTETTE
A HINT OF WILD NATURE
LOAFING IN THE WOODS
A CONTRALTO VOICE
SEEING NIAGARA TO ADVANTAGE
JAUNTING TO CANADA
SUNDAY WITH THE INSANE
REMINISCENCE OF ELIAS HICKS
GRAND NATIVE GROWTH
A ZOLLVEREIN BETWEEN THE U.S. AND CANADA
THE ST. LAWRENCE LINE
THE SAVAGE SAGUENAY
CAPES ETERNITY AND TRINITY
CHICOUTIMI AND HA-HA BAY
THE INHABITANTS—GOOD LIVING
DEATH OF THOMAS CARLYLE
CARLYLE FROM AMERICAN POINTS OF VIEW
A COUPLE OF OLD FRIENDS—A COLERIDGE BIT
A WEEK'S VISIT TO BOSTON
THE BOSTON OF TO-DAY
MY TRIBUTE TO FOUR POETS
MILLET'S PICTURES LAST ITEMS
BIRDS—AND A CAUTION
SAMPLES OF MY COMMON-PLACE BOOK
MY NATIVE SAND AND SALT ONCE MORE
HOT WEATHER NEW YORK
CUSTER'S LAST RALLY
SOME OLD ACQUAINTANCES—MEMORIES
A DISCOVERY OF OLD AGE
A VISIT, AT THE LAST, TO R. W. EMERSON
OTHER CONCORD NOTATIONS
BOSTON COMMON—MORE OF EMERSON
AN OSSIANIC NIGHT—DEAREST FRIENDS
ONLY A NEW FERRY-BOAT
DEATH OF LONGFELLOW
STARTING NEWSPAPERS
THE GREAT UNREST OF WHICH WE ARE PART
BY EMERSON'S GRAVE
AT PRESENT WRITING—PERSONAL
AFTER TRYING A CERTAIN BOOK
FINAL CONFESSIONS—LITERARY TESTS
NATURE AND DEMOCRACY—MORALITY
COLLECT
ONE OR TWO INDEX ITEMS
DEMOCRATIC VISTAS
ORIGINS OF ATTEMPTED SECESSION
PREFACES TO "LEAVES OF GRASS"
PREFACE, 1855 To first issue of Leaves of Grass.Brooklyn, N.Y.
PREFACE, 1872 To As a Strong Bird on Pinions Free Now Thou Mother with
W. W.
POETRY TO-DAY IN AMERICA
SHAKSPERE—THE FUTURE
A MEMORANDUM AT A VENTURE
DEATH OF ABRAHAM LINCOLN LECTURE
TWO LETTERS
I
TO — — — LONDON, ENGLAND
W. W.
II
TO — — — DRESDEN, SAXONY
W. W.
NOTES LEFT OVER
EMERSON'S BOOKS, (THE SHADOWS OF THEM)
VENTURES, ON AN OLD THEME
A DIALOGUE—
BRITISH LITERATURE
DARWINISM—(THEN FURTHERMORE)
"SOCIETY"
DEMOCRACY IN THE NEW WORLD
FOUNDATION STAGES—THENOTHERS
GENERAL SUFFRAGE, ELECTIONS, ETC.
WHO GETS THE PLUNDER?
FRIENDSHIP, (THE REAL ARTICLE)
LACKS AND WANTS YET
RULERS STRICTLY OUT OF THE MASSES
MONUMENTS—THE PAST AND PRESENT
LITTLE OR NOTHING NEW, AFTER ALL
A LINCOLN REMINISCENCE
FREEDOM
BOOK-CLASSES—AMERICA'S LITERATURE
OUR REAL CULMINATION
AN AMERICAN PROBLEM
THE LAST COLLECTIVE COMPACTION
APPENDIX
PIECES IN EARLY YOUTH
1834-'42
PAUMANOK.
ONE WICKED IMPULSE
THE LAST LOYALIST
WILD FRANK'S RETURN
THE BOY LOVER
THE CHILD AND THE PROFLIGATE
LINGAVE'S TEMPTATION
LITTLE JANE
DUMB KATE
TALK TO AN ART-UNION
BLOOD-MONEY
I.
II
WOUNDED IN THE HOUSE OF FRIENDS
SAILING THE MISSISSIPPI AT MIDNIGHT
NOVEMBER BOUGHS
OUR EMINENT VISITORS
THE BIBLE AS POETRY
FATHER TAYLOR (AND ORATORY)
THE SPANISH ELEMENT IN OUR NATIONALITY
WALT WHITMAN.
WHAT LURKS BEHIND SHAKSPERE'S HISTORICAL PLAYS
A THOUGHT ON SHAKSPERE
ROBERT BURNS AS POET AND PERSON
A WORD ABOUT TENNYSON
SLANG IN AMERICA
AN INDIAN BUREAU REMINISCENCE
SOME DIARY NOTES AT RANDOM
NEGRO SLAVES IN NEW YORK
COUNTRY DAYS AND NIGHTS—
CENTRAL PARK NOTES
PLATE GLASS NOTES
SOME WAR MEMORANDA
WASHINGTON STREET SCENES
THE 195TH PENNSYLVANIA
LEFT-HAND WRITING BY SOLDIERS
CENTRAL VIRGINIA IN '64
PAYING THE 1ST U. S. C. T.
FIVE THOUSAND POEMS
THE OLD BOWERY
NOTES TO LATE ENGLISH BOOKS
PREFACE TO THE READER IN THE BRITISHISLANDS—"Specimen Days in
ADDITIONAL NOTE, 1887
PREFACE TO "DEMOCRATIC VISTAS" WITHOTHER PAPERS—English Edition
WALT WHITMAN,
ABRAHAM LINCOLN
NEW ORLEANS IN 1848
SMALL MEMORANDA
NOTE TO A FRIEND
W.W.
WRITTEN IMPROMPTU IN AN ALBUM
W.W.
THE PLACE GRATITUDE FILLS IN A FINE CHARACTER
LAST OF THE WAR CASES
ELIAS HICKS
GEORGE FOX (AND SHAKSPERE)
GOOD-BYE MY FANCY
AN OLD MAN'S REJOINDER
OLD POETS
SHIP AHOY
FOR QUEEN VICTORIA'S BIRTHDAY
AMERICAN NATIONAL LITERATURE
GATHERING THE CORN
A DEATH-BOUQUET
SOME LAGGARDS YET
THE PERFECT HUMAN VOICE
SHAKSPERE FOR AMERICA
"UNASSAIL'D RENOWN"
INSCRIPTION FOR A LITTLE BOOK ON GIORDANO BRUNO
SPLINTERS
HEALTH, (OLD STYLE)
GAY-HEARTEDNESS
AS IN A SWOON.
L. OF G.
AFTER THE ARGUMENT.
FOR US TWO, READER DEAR.
MEMORANDA
A WORLD'S SHOW
NEW YORK—THE BAY—THE OLD NAME
A SICK SPELL
TO BE PRESENT ONLY
"INTESTINAL AGITATION"
"WALT WHITMAN'S LAST 'PUBLIC'"
INGERSOLL'S SPEECH
FEELING FAIRLY
OLD BROOKLYN DAYS
TWO QUESTIONS
PREFACE
AN ENGINEER'S OBITUARY
W. W.
OLD ACTORS, SINGERS, SHOWS, &C., IN NEW YORK
SOME PERSONAL AND OLD-AGE JOTTINGS
OUT IN THE OPEN AGAIN
AMERICA'S BULK AVERAGE
LAST SAVED ITEMS
WALTWHITMAN'S LAST
Walt Whitman
Complete Prose Works
Specimen Days and Collect, November Boughs and Goodbye My Fancy
DETAILED CONTENTS
SPECIMEN DAYS
SPECIMEN DAYSA Happy Hour's CommandAnswer to an Insisting FriendGenealogy—Van Velsor and WhitmanThe Old Whitman and Van Velsor CemeteriesThe Maternal HomesteadTwo Old Family InteriorsPaumanok, and my Life on it as Child and Young ManMy First Reading—LafayettePrinting Office—Old BrooklynGrowth—Health—WorkMy Passion for FerriesBroadway SightsOmnibus Jaunts and DriversPlays and Operas tooThrough Eight YearsSources of Character—Results—1860Opening of the Secession WarNational Uprising and VolunteeringContemptuous FeelingBattle of Bull Run,July, 1861The Stupor Passes—Something Else BeginsDown at the FrontAfter First FredericksburgBack to WashingtonFifty Hours Left Wounded on the FieldHospital Scenes and PersonsPatent-Office HospitalThe White House by MoonlightAn Army Hospital WardA Connecticut CaseTwo Brooklyn BoysA Secesh BraveThe Wounded from ChancellorsvilleA Night Battle over a Week SinceUnnamed Remains the Bravest SoldierSome Specimen CasesMy Preparations for VisitsAmbulance ProcessionsBad Wounds—theYoungThe Most Inspiriting of all War's ShowsBattle of GettysburgA Cavalry CampA New York SoldierHome-Made MusicAbraham LincolnHeated TermSoldiers and TalksDeath of a Wisconsin OfficerHospitals EnsembleA Silent Night RambleSpiritualCharacters among the SoldiersCattle Droves about WashingtonHospital PerplexityDown at the FrontPaying the BountiesRumors, Changes, Etc.VirginiaSummer of 1864A New Army Organization fit for AmericaDeath of a HeroHospital Scenes—IncidentsA Yankee SoldierUnion Prisoners SouthDesertersA Glimpse of War's Hell-ScenesGifts—Money—DiscriminationItems from My Note BooksA Case from Second Bull RunArmy Surgeons—Aid DeficienciesThe Blue EverywhereA ModelHospitalBoys in the ArmyBurial of a Lady NurseFemale Nurses for SoldiersSouthern EscapeesThe Capitol by Gas-LightThe InaugurationAttitude of Foreign Governments During the WarThe Weather—Does it Sympathize with These Times?Inauguration BallScene at the CapitolA Yankee AntiqueWounds and DiseasesDeath of President LincolnSherman's Army Jubilation—its Sudden StoppageNo Good Portrait of LincolnReleas'd Union Prisoners from SouthDeath of a Pennsylvania SoldierThe Armies ReturningThe Grand ReviewWestern SoldiersA Soldier on LincolnTwo Brothers, one South, one NorthSome Sad Cases YetCalhoun's Real MonumentHospitals ClosingTypical Soldiers"Convulsiveness"Three Years Summ'd upThe Million Dead, too, Summ'd upThe Real War will never get in the BooksAn Interregnum ParagraphNew Themes Enter'd UponEntering a Long Farm-LaneTo the Spring and BrookAn Early Summer ReveilleBirds Migrating at MidnightBumble-BeesCedar-ApplesSummer Sights and IndolencesSundown Perfume—Quail-Notes—the Hermit ThrushA July Afternoon by the PondLocusts and Katy-DidsThe Lesson of a TreeAutumn Side-BitsThe Sky—Days and Nights—HappinessColors—A ContrastNovember 8, '76Crows and CrowsA Winter-Day on the Sea-BeachSea-Shore FanciesIn Memory of Thomas PaineA Two Hours' Ice-SailSpring Overtures—RecreationsOne of the Human KinksAn Afternoon SceneThe Gates OpeningThe Common Earth, the SoilBirds and Birds and BirdsFull-Starr'd NightsMulleins and MulleinsDistant SoundsA Sun-Bath—NakednessThe Oaks and IA QuintetteThe First Frost—MemsThree Young Men's DeathsFebruary DaysA Meadow LarkSundown LightsThoughts Under an Oak—A DreamClover and Hay PerfumeAn UnknownBird WhistlingHorse-MintThree of UsDeath of William Cullen BryantJaunt up the HudsonHappiness and RaspberriesA Specimen Tramp FamilyManhattan from the BayHuman and Heroic New YorkHours for the SoulStraw-Color'd and other PsychesA Night RemembranceWild FlowersA Civility Too Long NeglectedDelaware River—Days and NightsScenes on Ferry and River—Last Winter's NightsThe First Spring Day on Chestnut StreetUp the Hudson to Ulster CountyDays at J.B.'s—Turf Fires—Spring SongsMeeting a HermitAn Ulster County WaterfallWalter Dumont and his MedalHudson River SightsTwo City Areas Certain HoursCentral Park Walks and TalksA Fine Afternoon, 4 to 6Departing of the Big SteamersTwo Hours on the MinnesotaMature Summer Days and NightExposition Building—New City Hall—River-TripSwallows on the RiverBegin a Long Jaunt WestIn the SleeperMissouri StateLawrence and Topeka, KansasThe Prairies—(and an Undeliver'd Speech)On to Denver—A Frontier IncidentAn Hour on Kenosha SummitAn Egotistical "Find"New Scenes—New JoysSteam-Power, Telegraphs, Etc.America's Back-BoneThe ParksArt FeaturesDenver ImpressionsI Turn South and then East AgainUnfulfill'd Wants—the Arkansas RiverA Silent Little Follower—the CoreopsisThePrairies and Great Plains in PoetryThe Spanish Peaks—Evening on the PlainsAmerica's Characteristic LandscapeEarth's Most Important StreamPrairie Analogies—the Tree QuestionMississippi Valley LiteratureAn Interviewer's ItemThe Women of the WestThe Silent GeneralPresident Hayes's SpeechesSt. Louis MemorandaNights on the MississippiUpon our Own LandEdgar Poe's SignificanceBeethoven's SeptetteA Hint of Wild NatureLoafing in the WoodsA Contralto VoiceSeeing Niagara to AdvantageJaunting to CanadaSunday with the InsaneReminiscence of Elias HicksGrand Native GrowthA Zollverein between the U. S. and CanadaThe St. Lawrence LineThe Savage SaguenayCapes Eternity and TrinityChicoutimi, and Ha-ha BayThe Inhabitants—Good LivingCedar-Plums Like—NamesDeath of Thomas CarlyleCarlyle from American Points of ViewA Couple of Old Friends—A Coleridge BitA Week's Visit to BostonThe Boston of To-DayMy Tribute to Four PoetsMillet's Pictures—Last ItemsBirds—and a CautionSamples of my Common-Place BookMy Native Sand and Salt Once MoreHot Weather New York"Ouster's Last Rally"Some Old Acquaintances—MemoriesA Discovery of Old AgeA Visit, at the Last, to R. W. EmersonOther Concord NotationsBoston Common—More of EmersonAn Ossianic Night—Dearest FriendsOnly a New Ferry BoatDeath of LongfellowStarting NewspapersThe Great Unrest of which We are PartBy Emerson's GraveAt Present Writing—PersonalAfter Trying a CertainBookFinal Confessions—Literary TestsNature and Democracy—Morality
COLLECT
COLLECT
ONE OR TWO INDEX ITEMS
ONE OR TWO INDEX ITEMS
DEMOCRATIC VISTAS
DEMOCRATIC VISTAS
ORIGINS OF ATTEMPTED SECESSION
ORIGINS OF ATTEMPTED SECESSION
PREFACES TO "LEAVES OFGRASS"
PREFACES TO "LEAVES OF GRASS"Preface, 1855, to first issue of "Leaves of Grass"Preface, 1872, to "As a Strong Bird on Pinions Free"Preface, 1876, to L. of G. and "Two Rivulets"POETRY TO-DAY IN AMERICA—SHAKESPEARE—THE FUTURE
A MEMORANDUM AT AVENTURE
A MEMORANDUM AT A VENTUREDEATH OF ABRAHAM LINCOLN
TWO LETTERS
TWO LETTERS
NOTES LEFT OVER
NOTES LEFT OVERNationality (and Yet)Emerson's Books (the Shadows of Them)Ventures, on an Old ThemeBritish LiteratureDarwinism (then Furthermore)"Society"The Tramp and Strike QuestionsDemocracy in the New WorldFoundation Stages—then OthersGeneral Suffrage, Elections, Etc.Who Gets the Plunder?Friendship (the Real Article)Lacks and Wants YetRulers Strictly Out of the MassesMonuments—the Past and PresentLittle or Nothing New After AllA Lincoln ReminiscenceFreedomBook-Classes-America's LiteratureOur Real CulminationAn American ProblemThe Last Collective Compaction
PIECES IN EARLY YOUTH
PIECES IN EARLY YOUTHDough Face SongDeath in the School-RoomOne Wicked ImpulseThe Last LoyalistWild Frank's ReturnThe Boy LoverThe Child and the ProfligateLingave's TemptationLittle JaneDumb KateTalk to an Art UnionBlood-MoneyWounded in the House of FriendsSailing the Mississippi at Midnight
NOVEMBER BOUGHS
NOVEMBER BOUGHSOUR EMINENT VISITORS, Past, Present and Future
THE BIBLE AS POETRY
THE BIBLE AS POETRY
FATHER TAYLOR (AND ORATORY)
FATHER TAYLOR (AND ORATORY)
THE SPANISH ELEMENT IN OUR NATIONALITY
THESPANISH ELEMENT IN OUR NATIONALITYWHAT LURKS BEHIND SHAKSPERE'S HISTORICAL PLAYS?
A THOUGHT ON SHAKSPERE
A THOUGHT ON SHAKSPERE
ROBERT BURNS AS POET AND PERSON
ROBERT BURNS AS POET AND PERSON
A WORD ABOUT TENNYSON
A WORD ABOUT TENNYSON
SLANG IN AMERICA
SLANG IN AMERICA
AN INDIAN BUREAU REMINISCENCE
AN INDIAN BUREAU REMINISCENCE
SOME DIARY NOTES AT RANDOM
SOME DIARY NOTES AT RANDOMNegro Slaves in New YorkCanada NightsCountry Days and NightsCentral Park NotesPlate Glass Notes
SOME WAR MEMORANDA
SOME WAR MEMORANDAWashington Street ScenesThe 195th PennsylvaniaLeft-hand Writing by SoldiersCentral Virginia in '64Paying the First Color'd Troops
FIVE THOUSAND POEMS
FIVE THOUSAND POEMS
THE OLD BOWERY
THE OLD BOWERY
NOTES TO LATE ENGLISH BOOKS
NOTES TO LATE ENGLISH BOOKSPreface to Reader in British IslandsAdditional Note, 1887Preface to English Edition "Democratic Vistas"
ABRAHAM LINCOLN
ABRAHAM LINCOLN
NEW ORLEANS IN 1848
NEW ORLEANS IN 1848
SMALL MEMORANDA
SMALL MEMORANDAAttorney General's Office, 1865A Glint Inside of Abraham Lincoln's Cabinet AppointmentsNote to a FriendWritten Impromptu in an AlbumThe Place Gratitude fills in a Fine Character
LAST OF THE WAR CASES
LAST OF THE WAR CASESELIAS HICKS, Notes (suchas they are)George Fox and Shakspere
GOOD-BYE MY FANCY
GOOD-BYE MY FANCYAN OLD MAN'S REJOINDEROLD POETSShip AhoyFor Queen Victoria's Birthday
AMERICAN NATIONAL LITERATURE
AMERICAN NATIONAL LITERATUREGATHERING THE CORNA DEATH BOUQUET
SOME LAGGARDS YET
SOME LAGGARDS YETThe Perfect Human VoiceShakspere for America"Unassailed Renown"Inscription for a Little Book on Giordano BrunoSplintersHealth (Old Style)Gay-heartednessAs in a SwoonL. of G.After the ArgumentFor Us Two, Reader Dear
MEMORANDA
MEMORANDAA World's ShowNew York—the Bay—the Old NameA Sick SpellTo be Present Only"Intestinal Agitation""Walt Whitman's Last 'Public'"Ingersoll's SpeechFeeling FairlyOld Brooklyn DaysTwo QuestionsPreface to a VolumeAn Engineer's ObituaryOld Actors, Singers, Shows, Etc., in New YorkSome Personal and Old Age JottingsOut in the Open AgainAmerica's Bulk AverageLast Saved ItemsWALT WHITMAN'S LAST
SPECIMEN DAYS
A HAPPY HOUR'S COMMAND
Down in the Woods, July 2d, 1882.-If I do it at all I must delayno longer. Incongruous and full of skips and jumps as is thathuddle of diary-jottings, war-memoranda of 1862-'65, Nature-notesof 1877-'81, with Western and Canadian observations afterwards,allbundled up and tied by a big string, the resolution and indeedmandate comes to me this day, this hour,—(and what a day!What an hour just passing! the luxury of riant grass and blowingbreeze, with all the shows of sun and sky and perfect temperature,never before so filling me, body and soul),—to go home, untiethe bundle, reel out diary-scraps and memoranda, just as they are,large or small, one after another, into print-pages,{1} and let themelange's lackings and wants of connection take care of themselves.It will illustrate one phase of humanity anyhow; how few of life'sdays and hours (and they not by relative value or proportion, butby chance) are ever noted. Probably another point, too, how we givelong preparations for some object, planningand delving andfashioning, and then, when the actual hour for doing arrives, findourselves still quite unprepared, and tumble the thing together,letting hurry and crudeness tell the story better than fine work.At any rate I obey my happy hour's command, which seems curiouslyimperative. May be, if I don't do anything else, I shall send outthe most wayward, spontaneous, fragmentary book ever printed.
Endnotes:
{1} The pages from 1 to 15 are nearly verbatim an off-handletter of mine in January, 1882, toan insisting friend. Following,I give some gloomy experiences. The war of attempted secession has,of course, been the distinguishing event of my time. I commenced atthe close of 1862, and continued steadily through '63, '64 and '65,to visit the sick and wounded of the army, both on the field and inthe hospitals in and around Washington city. From the first I keptlittle note-books for impromptu jottings in pencil to refresh mymemory of names and circumstances, and what was specially wanted,&c. In these, I brief'd cases, persons, sights, occurrences incamp, by the bed-side, and not seldom by the corpses of the dead.Some were scratch'd down from narratives I heard and itemized whilewatching, or waiting, or tending somebody amid those scenes. Ihavedozens of such little note-books left, forming a specialhistory of those years, for myself alone, full of associationsnever to be possibly said or sung. I wish I could convey to thereader the associations that attach to these soil'd and creas'dlivraisons, each composed of a sheet or two of paper, folded smallto carry in the pocket, and fasten'd with a pin. I leave them justas I threw them by after the war, blotch'd here and there with morethan one blood-stain, hurriedly written, sometimes at the clinique,not seldom amid the excitement of uncertainty, or defeat, or ofaction, or getting ready for it, or a march. Most of the pages from20 to 75 are verbatim copies of those lurid and blood-smuch'dlittle notebooks.
Very different are most of the memoranda that follow. Some timeafter the war ended I had a paralytic stroke, which prostrated mefor several years. In 1876 I began to get over the worst of it.From this date, portions of several seasons, especially summers, Ispent at a secluded haunt down inCamden county, NewJersey—Timber creek, quite a little river (itenters from thegreat Delaware, twelve miles away)—with primitive solitudes,winding stream, recluse and woody banks, sweet-feeding springs, andall the charms that birds, grass, wild-flowers, rabbits andsquirrels, old oaks, walnut trees, &c., can bring. Throughthese times, and on these spots, the diary from page 76 onward wasmostly written.
The COLLECT afterwards gathers up the odds and ends of whateverpieces I can now lay hands on, written at various times past, andswoops all together like fish in a net.
I suppose I publish and leave the whole gathering, first, fromthat eternal tendency to perpetuate and preserve which is behindall Nature, authors included; second, to symbolize two orthreespecimen interiors, personal and other, out of the myriads of mytime, the middle range of the Nineteenth century in the New World;a strange, unloosen'd, wondrous time. But the book is probablywithout any definite purpose that can be told in a statement.
ANSWER TO AN INSISTING FRIEND
You ask for items, details of my early life—of genealogyand parentage, particularly of the women of my ancestry, and of itsfar-back Netherlands stock on the maternal side—of the regionwhere I was born and raised, and my mother and father before me,and theirs before them—with a word about Brooklyn and NewYork cities, the times I lived there as lad and young man. You sayyou want to get at these details mainly as the go-befores andembryons of "Leaves of Grass." Verygood; you shall have at leastsome specimens of them all. I have often thought of the meaning ofsuch things—that one can only encompass and complete mattersof that kind by 'exploring behind, perhaps very far behind,themselves directly, and so into their genesis, antecedents, andcumulative stages. Then as luck would have it, I lately whiled awaythe tedium of a week's half-sickness and confinement, by collatingthese very items for another (yet unfulfilled, probably abandon'd,)purpose; and if you willbe satisfied with them, authentic indate-occurrence and fact simply, and told my own way,garrulous-like, here they are. I shall not hesitate to makeextracts, for I catch at anything to save labor; but those will bethe best versions of what I want to convey.
GENEALOGY—VAN VELSOR AND WHITMAN
The later years of the last century found the Van Velsor family,my mother's side, living on their own farm at Cold Spring, LongIsland, New York State, near the eastern edge of Queen's county,about a mile from the harbor.{2} My father's side—probablythe fifth generation from the first English arrivals in NewEngland—were at the same time farmers on their ownland—(and a fine domain it was, 500 acres, all good soil,gently sloping east and south, about one-tenth woods, plenty ofgrand old trees,) two or three miles off, at West Hills, Suffolkcounty. The Whitman name in the Eastern States, and so branch andSouth, starts undoubtedly from one John Whitman, born 1602, in OldEngland, where he grew up, married, and his eldest son was born in1629. He came over in the "True Love" in 1640 to America, and livedin Weymouth, Mass., which place became the mother-hive of theNew-Englanders of the name; he died in 1692. His brother, Rev.Zechariah Whitman, also came over in the"True Love," either at thattime or soon after, and lived at Milford, Conn. A son of thisZechariah, named Joseph, migrated to Huntington, Long Island, andpermanently settled there. Savage's "Genealogical Dictionary" (vol.iv, p. 524) gets the Whitman familyestablish'd at Huntington, perthis Joseph, before 1664. It is quite certain that from thatbeginning, and from Joseph, the West Hill Whitmans, and all othersin Suffolk county, have since radiated, myself among the number.John and Zechariah both wentto England and back again divers times;they had large families, and several of their children were born inthe old country. We hear of the father of John and Zechariah,Abijah Whitman, who goes over into the 1500's, but we know littleabout him, except that he also was for some time in America.
These old pedigree-reminiscences come up to me vividly from avisit I made not long since (in my 63d year) to West Hills, and tothe burial grounds of my ancestry, both sides. I extract from notesof that visit, written there and then:
Note:
{2} Long Island was settled first on the west end by the Dutchfrom Holland, then on the east end by the English—thedividing line of the two nationalities being a little west ofHuntington where my father's folks lived, and where I was born.
THE OLD WHITMAN AND VAN VELSOR CEMETERIES
July 29, 1881.—After more than forty years' absence,(except a brief visit, to take my father there once more, two yearsbefore he died,) went down Long Island on a week' s jaunt to theplace where Iwas born, thirty miles from New York city. Rode aroundthe old familiar spots, viewing and pondering and dwelling longupon them, every-thing coming back to me. Went to the old Whitmanhomestead on the upland and took a view eastward, inclining south,over the broad and beautiful farm lands of my grandfather (1780,)and my father. There was the new house (1810,) the big oak ahundred and fifty or two hundred years old; there the well, thesloping kitchen-garden, and a little way off even the well-keptremains of the dwelling of my great-grandfather (1750-'60) stillstanding, with its mighty timbers and low ceilings. Near by, astately grove of tall, vigorous black-walnuts, beautiful,Apollo-like, the sons or grandsons, no doubt, of black-walnutsduring or before 1776. On the other side of the road spread thefamous apple orchard, over twenty acres, the trees planted by handslong mouldering in the grave (my uncle Jesse's,) but quite many ofthem evidently capable of throwing out their annual blossoms andfruit yet.
I now write these lines seated on an old grave (doubtless of acentury since at least) on the burial hill of the Whitmans of manygenerations. Fifty or more graves are quite plainly traceable, andas many more decay'd out of all form—depress'd mounds,crumbled and broken stones, cover'd with moss—the gray andsterile hill, the clumps of chestnuts outside, the silence, justvaried by the soughing wind. There is always the deepest eloquenceof sermon or poem in any of these ancient graveyards of whichLongIsland has so many; so what must this one have been to me? My wholefamily history, with its succession of links, from the firstsettlement down to date, told here—three centuriesconcentrate on this sterile acre.
The next day, July 30, I devoted tothe maternal locality, and ifpossible was still more penetrated and impress'd. I write thisparagraph on the burial hul of the Van Velsors, near Cold Spring,the most significant depository of the dead that could be imagin'd,without the slightest help from art, but far ahead of it, soilsterile, a mostly bare plateau-flat of half anacre, the top of ahill, brush and well grown trees and dense woods bordering allaround, very primi-tive, secluded, no visitors, no road (you cannotdrive here, you have to bring the dead on foot, and follow onfoot.) Two or three-score graves quite plain; as many more almostrubb'd out. My grandfather Cornelius and my grandmother Amy (Naomi)and numerous relatives nearer or remoter, on my mother's side, lieburied here. The scene as I stood or sat, the delicate and wildodor of the woods, a slightly drizzling rain, the emotionalatmosphere of the place, and the inferr'd reminiscences, werefitting accompaniments.
THE MATERNAL HOMESTEAD
I went down from this ancient grave placeeighty or ninety rodsto the site of the Van Velsor homestead, where my mother was born(1795,) and where every spot had been familiar to me as a child andyouth (1825-'40.) Then stood there a long rambling, dark-gray,shingle-sided house, with sheds, pens, a great barn, and much openroad-space. Now of all those not a vestige left; all had beenpull'd down, erased, and the plough and harrow pass'd overfoundations, road-spaces and everything, for many summers; fencedin at present, and grain and clover growing like any other finefields. Only a big hole from the cellar, with some little heaps ofbroken stone, green with grass and weeds, identified the place.Even the copious old brook and spring seem'd to have mostlydwindled away. The whole scene, with what it arous'd, memories ofmy young days there half a century ago, the vast kitchen and amplefireplace and the sitting-room adjoining, the plain furniture, themeals, the house full of merry people, my grandmother Amy's sweetold face in its Quaker cap, my grandfather "the Major," jovial,red, stout, with sonorous voice and characteristic physiognomy,with the actual sights themselves, made the most pronounc'dhalf-day's experience of my whole jaunt.
For there with all those wooded, hilly, healthysurroundings, mydearest mother, Louisa Van Velsor, grew up—(her mother, AmyWilliams, of the Friends' or Quakers' denomination—theWilliams family, seven sisters and one brother—the father andbrother sailors, both of whom met their deaths at sea.) The VanVelsor people were noted for fine horses, which the men bred andtrain'd from blooded stock. My mother, as a young woman, was adaily and daring rider. As to the head of the family himself, theold race of the Netherlands, so deeply grafted on Manhattanislandand in Kings and Queens counties, never yielded a more mark'd andfull Americanized specimen than Major Cornelius Van Velsor.
TWO OLD FAMILY INTERIORS
Of the domestic and inside life of the middle of Long Island, atand just before that time, here are two samples:
"The Whitmans, at the beginning of the present century, lived ina long story-and-a-half farm-house, hugely timber'd, which is stillstanding. A great smoke-canopied kitchen, with vast hearth andchimney, form'd one end of the house. The existence of slavery inNew York at that time, and the possession by the family of sometwelve or fifteen slaves, house and field servants, gave thingsquite a patriarchial look. The very young darkies could be seen, aswarm of them, toward sundown, in thiskitchen, squatted in a circleon the floor, eatingtheir supper of Indian pudding and milk. In thehouse, and in food and furniture, all was rude, but substantial. Nocarpets or stoves were known, and no coffee, and tea or sugar onlyfor the women. Rousingwood fires gave both warmth and light onwinter nights. Pork, poultry, beef, and all the ordinary vegetablesand grains were plentiful. Cider was the men's common drink, andused at meals. The clothes were mainly homespun. Journeys were madeby both men and women on horseback. Both sexes labor'd with theirown hands-the men on the farm—the women in the house andaround it. Books were scarce. The annual copy of the almanac was atreat, and was pored over through the long winter evenings. I mustnot forget to mention that both these families were near enough tothe sea to behold it from the high places, and to hear in stillhours the roar of the surf; the latter, after a storm, giving apeculiar sound at night. Then all hands, male and female, went downfrequently on beach and bathing parties, and the men on practicalexpeditions for cutting salt hay, and for clamming andfishing."—John Burroughs'sNOTES.
"The ancestors of Walt Whitman, on both the paternal andmaternal sides, kept a good table, sustained thehospitalities,decorums, and an excellent social reputation in the county, andthey were often of mark'd individuality. If space permitted, Ishould consider some of the men worthy special description; andstill more some of the women. His great-grandmother on the paternalside, for instance, was a large swarthy woman, who lived to a veryold age. She smoked tobacco, rode on horseback like a man, managedthe most vicious horse, and, becoming a widow in later life, wentforth every day over her farm-lands, frequently in the saddle,directing the labor of her slaves, in language in which, onexciting occasions, oaths were not spared. The two immediategrandmothers were, in the best sense, superior women. The maternalone (Amy Williams before marriage) was a Friend, or Quakeress, ofsweet, sensible character, house-wifely proclivities, and deeplyintuitive and spiritual. The other (Hannah Brush,) was an equallynoble, perhaps stronger character, lived to be very old, had quitea family of sons, was a natural lady, was in early life aschool-mistress, and had great solidity of mind. W. W. himselfmakes much of the women of his ancestry."—The Same.
Out from these arrieres of persons and scenes, I was born May31, 1819. And now to dwell awhile on the locality itself—asthe successive growth-stages of my infancy, childhood, youth andmanhood were all pass'd on Long Island, which I sometimes feel asif I had incorporated. I roam'd, as boy and man, and have lived innearly all parts, from Brooklyn to Montauk point.
PAUMANOK, AND MY LIFE ON IT AS CHILD AND YOUNG MAN
Worth fully and particularly investigating indeed this Paumanok,(to give the spot its aboriginal name{3},) stretching east throughKings, Queens and Suffolk counties, 120 miles altogether—onthe north Long Island sound, a beautiful, varied and picturesqueseries of inlets, "necks" and sea-like expansions, for a hundredmiles to Orient point. On the ocean side the great south bay dottedwith countless hummocks, mostly small, some quite large,occasionally long bars of sand out two hundred rods to amile-and-a-half from the shore. While now and then, as at Rockawayand far east along the Hamptons, the beach makes right on theisland, the sea dashing up without intervention. Severallight-houses on theshoreseast; a long history of wrecks tragedies,some even of late years. As a youngster, I was in the atmosphereand traditions of many of these wrecks—of one or two almostan observer. Off Hempstead beach for example, was the loss of theship "Mexico" in 1840,(alluded to in "the Sleepers" in L. of G.)And at Hampton, some years later, the destruction of the brig"Elizabeth," a fearful affair, in one of the worst winter gales,where Margaret Fuller went down, with her husband and child.
Inside the outer bars orbeach this south bay is everywherecomparatively shallow; of cold winters all thick ice on thesurface. As a boy I often went forth with a chum or two, on thosefrozen fields, with hand-sled, axe and eel-spear, after messes ofeels. We would cut holes in the ice, sometimes striking quite aneel-bonanza, and filling our baskets with great, fat, sweet,white-meated fellows. The scenes, the ice, drawing the hand-sled,cutting holes, spearing the eels, &c., were of course just suchfun as is dearest to boyhood.The shores of this bay, winter andsummer, and my doings there in early life, are woven all through L.of G. One sport I was very fond of was to go on a bay-party insummer to gather sea-gull's eggs. (The gulls lay two or three eggs,more than half the size of hen's eggs, right on the sand, and leavethe sun's heat to hatch them.)
The eastern end of Long Island, the Peconic bay region, I knewquite well too—sail'd more than once around Shelter island,and down to Montauk—spent many an hour on Turtle hill by theold light-house, on the extreme point, looking out over theceaseless roll of the Atlantic. I used to like to go down there andfraternize with the blue-fishers, or the annual squads of sea-basstakers. Sometimes, along Montauk peninsula, (it is some15 mileslong, and good grazing,) met the strange, unkempt, half-barbarousherdsmen, at that time living there entirely aloof from society orcivilization, in charge, on those rich pasturages, of vast drovesof horses, kine or sheep, own'd by farmers of the eastern towns.Sometimes, too, the few remaining Indians, or half-breeds, at thatperiod left on Montauk peninsula, but now I believe altogetherextinct.
More in the middle of the island were the spreading Hempsteadplains, then (1830-'40) quite prairie-like, open, uninhabited,rather sterile, cover'd with kill-calf and huckleberry bushes, yetplenty of fair pasture for the cattle, mostly milch-cows, who fedthere by hundreds, even thousands, and at evening, (the plains toowere own'd by the towns, and this was the use of them in common,)might be seen taking their way home, branching off regularly in theright places. I have often been out on the edges of these plainstoward sundown, and can yet recall in fancy the interminablecow-processions, and hearthe music of the tin or copper bellsclanking far or near, and breathe the cool of the sweet andslightly aromatic evening air, and note the sunset.
Through the same region of the island, but further east,extended wide central tracts of pine and scrub-oak, (charcoal waslargely made here,) monotonous and sterile. But many a good day orhalf-day did I have, wandering through those solitary crossroads,inhaling the peculiar and wild aroma. Here, and all along theisland and its shores, I spent intervals manyyears, all seasons,sometimes riding, sometimes boating, but generally afoot, (I wasalways then a good walker,) absorbing fields, shores, marineincidents, characters, the bay-men, farmers, pilots-always had aplentiful acquaintance with the latter, andwithfishermen—went every summer on sailing trips—alwaysliked the bare sea-beach, south side, and have some of my happiesthours on it to this day.
As I write, the whole experience comes back to me after thelapse of forty and more years—the soothing rustle of thewaves, and the saline smell—boyhood's times, theclam-digging, bare-foot, and with trowsers roll'd up—haulingdown the creek—the perfume of the sedge-meadows—thehay-boat, and the chowder and fishing excursions;—or, oflater years, little voyagesdown and out New York bay, in the pilotboats. Those same later years, also, while living in Brooklyn,(1836-'50) I went regularly every week in the mild seasons down toConey Island, at that time a long, bare unfrequented shore, which Ihad all to myself, and where I loved, after bathing, to race up anddown the hard sand, and declaim Homer or Shakspere to the surf andsea gulls by the hour. But I am getting ahead too rapidly, and mustkeep more in my traces.
Endnotes:
{3} "Paumanok, (or Paumanake, or Paumanack, the Indian name ofLong Island,) over a hundred miles long; shaped like afish—plenty of sea shore, sandy, stormy, uninviting, thehorizon boundless, the air too strong for invalids, the bays awonderful resort for aquatic birds, the south-side meadows cover'dwith salt hay, the soil of the island generally tough, but good forthe locust-tree, the apple orchard, and the blackberry, and withnumberless springs of the sweetest water in the world. Years ago,among the bay-men—a strong, wild race, now extinct, or ratherentirely changed—a native of Long Island was calledaPaumanacker, orCreole-'Paumanacker."—John Burroughs.
MY FIRST READING—LAFAYETTE
From 1824 to '28 our family lived in Brooklyn in Front,Cranberry and Johnson streets. In the latter myfather built a nicehouse for a home, and afterwards another in Tillary street. Weoccupied them, one after the other, but they were mortgaged, and welost them. I yet remember Lafayette's visit.{4} Most of these yearsI went to the public schools. It must have been about 1829 or '30that I went with my father and mother to hear Elias Hicks preach ina ball-room on Brooklyn heights. At about the same time employ'd asa boy in an office, lawyers', father and two sons, Clarke's, Fultonstreet, near Orange. Ihad a nice desk and window-nook to myself;Edward C. kindly help'd me at my handwriting and composition, and,(the signal event of my life up to that time,) subscribed for me toa big circulating library. For a time I now revel'd inromance-reading of allkinds; first, the "Arabian Nights," all thevolumes, an amazing treat. Then, with sorties in very many otherdirections, took in Walter Scott's novels, one after another, andhis poetry, (and continue to enjoy novels and poetry to thisday.)
Endnotes:
{4}"On the visit of General Lafayette to this country, in 1824,he came over to Brooklyn in state, and rode through the city. Thechildren of the schools turn'd out to join in the welcome. Anedifice for a free public library for youths was just thencommencing, and Lafayette consented to stop on his way and lay thecorner-stone. Numerous children arriving on the ground, where ahuge irregular excavation for the building was already dug,surrounded with heaps of rough stone, several gentlemen assisted inlifting the children to safe or convenient spots to see theceremony. Among the rest, Lafayette, also helping the children,took up the five-year-old Walt Whitman, and pressing the child amoment to hisbreast, and giving him a kiss, handed him down to asafespot in the excavation."—John Burroughs.
PRINTING OFFICE—OLD BROOKLYN
After about two years went to work in a weekly newspaper andprinting office, to learn the trade. The paper was the "Long IslandPatriot," owned by S. E. Clements, who was also postmaster. An oldprinter in the office, William Hartshorne, a revolutionarycharacter, who had seen Washington, was a special friend of mine,and I had many a talk with him about long past times. Theapprentices, including myself, boarded with his grand-daughter.Iused occasionally to go out riding with the boss, who was very kindto us boys; Sundays he took us all to a great old rough,fortress-looking stone church, on Joralemon street, near where theBrooklyn city hall now is—(at that time broad fields andcountry roads everywhere around.{5}) Afterward I work'd on the"Long Island Star," Alden Spooner's paper. My father all theseyears pursuing his trade as carpenter and builder, with varyingfortune. There was a growing family of children—eight ofus—my brotherJesse the oldest, myself the second, my dearsisters Mary and Hannah Louisa, my brothers Andrew, George, ThomasJefferson, and then my youngest brother, Edward, born 1835, andalways badly crippled, as I am myself of late years.
Endnotes:
{5} Of the Brooklyn of that time (1830-40) hardly anythingremains, except the lines of the old streets. The population wasthen between ten and twelve thousand. For a mile Fulton street waslined with magnificent elm trees. The character of the place wasthoroughly rural. As a sample of comparative values, it may bemention'd that twenty-five acres in what is now the most costlypart of the city, bounded by Flatbush and Fulton avenues, were thenbought by Mr Parmentier, a Frenchemigré, for $4000. Whoremembers the old places as they were? Who remembers the oldcitizens of that time? Among the former were Smith & Wood's,Coe Downing's, and other public houses at the ferry, the old Ferryitself, Love lane, the Heights as then, the Wallabout with thewooden bridge, and the road out beyond Fulton street to the oldtoll-gate. Among the latter were the majestic and genial GeneralJeremiah Johnson, with others, Gabriel Furman, Rev. E. M. Johnson,Alden Spooner, Mr. Pierrepont, Mr. Joralemon, Samuel Willoughby,Jonathan Trotter, George Hall, Cyrus P. Smith, N. B. Morse, JohnDikeman, Adrian Hegeman, William Udall, and old Mr. Duflon, withhis military garden.
GROWTH—HEALTH—WORK
I develop'd (1833-4-5) into a healthy, strong youth (grew toofast, though, was nearly as big as a man at15 or 16.) Our family atthis period moved back to the country, my dear mother very ill fora long time, but recover'd. All these years I was down Long Islandmore or less every summer, now east, now west, sometimes months ata stretch. At 16, 17, and soon, was fond of debating societies, andhad an active membership with them, off and on, in Brooklyn and oneor two country towns on the island. A most omnivorous novel-reader,these and later years, devour'd everything I could get. Fond of thetheatre, also, in New York, went whenever I could—sometimeswitnessing fine performances.
1836-7, work'd as compositor in printing offices in New Yorkcity. Then, when little more than 18, and for a while afterwards,went to teaching country schools down in Queens andSuffolkcounties, Long Island, and "boarded round." (This latter I considerone of my best experiences and deepest lessons in human naturebehind the scenes and in the masses.) In '39, '40, I started andpublish'd a weekly paper in my native town, Huntington. Thenreturning to New York city and Brooklyn, work'd on as printer andwriter, mostly prose, but an occasional shy at "poetry".
MY PASSION FOR FERRIES
Living in Brooklyn or New York city from this time forward, mylife, then, and still more the following years, was curiouslyidentified with Fulton ferry, already becoming the greatest of itssort in the world for general importance, volume, variety,rapidity, and picturesqueness. Almost daily, later, ('50 to '60,) Icross'd on the boats, often up in thepilot-houses where I could geta full sweep, absorbing shows, accompaniments, surroundings. Whatoceanic currents, eddies, underneath—the great tides ofhumanity also, with ever-shifting movements. Indeed, I have alwayshad a passion for ferries; to me they afford inimitable, streaming,never-failing, living poems. The river and bay scenery, all aboutNew York island, any time of a fine day—the hurrying,splashing sea-tides—the changing panorama of steamers, allsizes, often a string of big ones outward bound to distantports—the myriads of white-sail'd schooners, sloops, skiffs,and the marvellously beautiful yachts—the majestic soundboats as they rounded the Battery and came along towards 5,afternoon, eastward bound—the prospect off towards StatenIsland, or down the Narrows, or the other way up theHudson—what refreshment of spirit such sights and experiencesgave me years ago (and many a time since.) My old pilot friends,the Balsirs, Johnny Cole, Ira Smith, William White, and my youngferry friend, Tom Gere—how well I remember them all.
BROADWAY SIGHTS
Besides Fulton ferry, off and on for years, I knew andfrequented Broadway—that noted avenue of New York's crowdedand mixed humanity, and of so many notables. Here I saw, duringthose times, AndrewJackson, Webster, Clay, Seward, Martin VanBuren, filibuster Walker, Kossuth, Fitz Greene Halleck, Bryant, thePrince of Wales, Charles Dickens, the first Japanese ambassadors,and lots of other celebrities of the time. Always something novelor inspiriting; yet mostly to me the hurrying and vast amplitude ofthose never-ending human currents. I remember seeing James FenimoreCooper in a court-room in Chambers street, back of the city hall,where he was carrying on a law case—(I think it was a chargeof libel he had brought against some one.) I also remember seeingEdgar A. Poe, and having a short interview with him, (it must havebeen in 1845 or '6,) in his office, second story of a cornerbuilding, (Duane or Pearl street.) He was editor and owner or partowner of "the Broadway Journal." The visit was about a piece ofmine he had publish'd. Poe was very cordial, in a quiet way,appear'd well in person, dress, &c. I have a distinct andpleasing remembrance of his looks, voice, manner and matter; verykindly and human, but subdued, perhaps a little jaded. For anotherof my reminiscences, here on the west side, just below Houstonstreet, Ionce saw (it must have been about 1832, of a sharp, brightJanuary day) a bent, feeble but stout-built very old man, bearded,swathed in rich furs, with a great ermine cap on his head, led andassisted, almost carried, down the steps of his high front stoop (adozen friends and servants, emulous, carefully holding, guidinghim) and then lifted and tuck'd in a gorgeous sleigh, envelop'd inother furs, for a ride. The sleigh was drawn by as fine a team ofhorses as I ever saw. (You needn't think all the best animals arebrought up nowadays; never was such horseflesh as fifty years agoon Long Island, or south, or in New York city;folks look'd forspirit and mettle in a nag, not tame speed merely.) Well, I, a boyof perhaps 13 or 14, stopp'd and gazed long at the spectacle ofthat fur-swathed old man, surrounded by friends and servants, andthe careful seating of him in the sleigh.I remember the spirited,champing horses, the driver with his whip, and a fellow-driver byhis side, for extra prudence. The old man, the subject of so muchattention, I can almost see now. It was John Jacob Astor.
The years 1846, '47, and there along, see me still in New YorkCity, working as writer and printer, having my usual good health,and a good time generally.
OMNIBUS JAUNTS AND DRIVERS
One phase of those days must by no means gounrecorded—namely, the Broadway omnibuses, with theirdrivers.
The vehicles still (I write this paragraph in 1881) give aportion of the character of Broadway—the Fifth avenue,Madison avenue, and Twenty-third street lines yet running. But theflush days of the old Broadway stages, characteristic and copious,are over. TheYellow-birds, the Red-birds, the original Broadway,the Fourth avenue, the Knickerbocker, and a dozen others of twentyor thirty years ago, are all gone. And the men specially identifiedwith them, and giving vitality and meaning to them—thedrivers—a strange, natural, quick-eyed and wondrousrace—(not only Rabelais and Cervantes would have gloated uponthem, but Homer and Shakspere would)—how well I rememberthem, and must here give a word about them. How many hours,forenoons and afternoons—how many exhilarating night-times Ihave had—perhaps June or July, in cooler air-riding the wholelength of Broadway, listening to some yarn, (and the most vividyarns ever spun, and the rarest mimicry)—or perhaps Ideclaiming some stormy passage from Julius Caesar or Richard, (youcould roar as loudly as you chose in that heavy, dense,uninterrupted street-bass.) Yes, I knew all the drivers then,Broadway Jack, Dressmaker, Balky Bill, George Storms, Old Elephant,his brother Young Elephant (who came afterward,) Tippy, Pop Rice,Big Frank, Yellow Joe, Pete Callahan, Patsey Dee, and dozens more;for there were hundreds. They had immense qualities, largelyanimal—eating, drinking; women—great personal pride, intheir way—perhaps a few slouches here and there, but I shouldhave trusted the general run of them, in their simple good-will andhonor, under all circumstances. Not only for comradeship, andsometimes affection—great studies I found them also. (Isuppose the critics will laugh heartily, but the influence of thoseBroadway omnibus jaunts and drivers and declamations and escapadesundoubtedly enter'd into the gestation of "Leaves of Grass.")
PLAYS AND OPERAS TOO
And certain actors and singers, had a good deal to do with thebusiness. All through these years, off and on,I frequented the oldPark, the Bowery, Broadway and Chatham-square theatres, and theItalian operas at Chambers-street, Astor-place or theBattery—many seasons was on the free list, writing for paperseven as quite a youth. The old Park theatre—what names,reminiscences, the words bring back! Placide, Clarke, Mrs. Vernon,Fisher, Clara F., Mrs. Wood, Mrs. Seguin, Ellen Tree, Hackett, theyounger Kean, Macready, Mrs. Richardson, Rice—singers,tragedians, comedians. What perfect acting! Henry Placide in"Napoleon's Old Guard" or "Grandfather Whitehead,"—or "theProvoked Husband" of Gibber, with Fanny Kemble as LadyTownley—or Sheridan Knowles in his own "Virginius"—orinimitable Power in "Born to Good Luck." These, and many more, theyears of youth and onward. Fanny Kemble—name to conjure upgreat mimic scenes withal—perhaps the greatest. I rememberwell her rendering of Bianca in "Fazio," and Marianna in "theWife." Nothing finer did ever stage exhibit—the veterans ofall nations said so, and my boyish heartand head felt it in everyminute cell. The lady was just matured, strong, better than merelybeautiful, born from the footlights, had had three years' practicein London and through the British towns, and then she came to giveAmerica that young maturity and roseate power in all their noon, orrather forenoon, flush. It was my good luck to see her nearly everynight she play'd at the old Park—certainly in all herprincipal characters. I heard, these years, well render'd, all theItalian and other operas invogue, "Sonnambula," "the Puritans,""Der Freischutz," "Huguenots," "Fille d'Regiment," "Faust," "Etoiledu Nord," "Poliuto," and others. Verdi's "Ernani," "Rigoletto," and"Trovatore," with Donnizetti's "Lucia" or "Favorita" or "Lucrezia,"and Auber's "Massaniello," or Rossini's "William Tell" and "GazzaLadra," were among my special enjoyments. I heard Alboni every timeshe sang in New York and vicinity—also Grisi, the tenorMario, and the baritone Badiali, the finest in the world.
This musical passion follow'd my theatrical one. As a boy oryoung man I had seen, (reading them carefully the day beforehand,)quite all Shakspere's acting dramas, play'd wonderfully well. Evenyet I cannot conceive anything finer than old Booth in "RichardThird," or "Lear," (I don't know which was best,) or Iago, (orPescara, or Sir Giles Overreach, to go outside ofShakspere)—or Tom Hamblin in "Macbeth"—or old Clarke,either as the ghost in "Hamlet," or as Prospero in "the Tempest,"with Mrs. Austin as Ariel, and Peter Richings as Caliban. Thenother dramas, and fine players in them, Forrest as Metamora orDamon or Brutus—John R. Scott as Tom Cringle orRolla—or Charlotte Cushman's Lady Gay Spanker in "LondonAssurance." Then of some years later, at Castle Garden, Battery, Iyet recall the splendid seasons of the Havana musical troupe underMaretzek—the fine band, the cool sea-breezes, the unsurpass'dvocalism—Steffan'one, Bosio, Truffi, Marini in "MarinoFaliero," "Don Pasquale," or "Favorita." No better playing orsinging ever in New York. It was here too I afterward heard JennyLind. (The Battery—its past associations—what talesthose old trees and walks and sea-walls could tell!)
THROUGH EIGHT YEARS.
In 1848, '49, I was occupied as editor of the "daily Eagle"newspaper, in Brooklyn. The latter year went off on a leisurelyjourney and working expedition (my brother Jeff with me) throughall the middle States, and down the Ohio and Mississippi rivers.Lived awhile in New Orleans, and work'd there on the editorialstaff of "daily Crescent" newspaper. After a time plodded backnorthward, up the Mississippi, and around to, and by way of thegreat lakes, Michigan, Huron, and Erie, to Niagara falls and lowerCanada, finally returning through central New York and down theHudson; traveling altogether probably 8,000 miles this trip, to andfro. '51, '53, occupied in house-building in Brooklyn. (For alittle of the first part of that time in printing a daily andweekly paper, "the Freeman.") '55, lost my dear father this year bydeath. Commenced putting "Leaves of Grass" to press for good, atthe job printing office of my friends, the brothers Rome, inBrooklyn, after many MS. doings and undoings—(I had greattrouble in leaving out the stock "poetical" touches, but succeededat last.) I am now (1856-'7) passing through my 37th year.
SOURCES OF CHARACTER—RESULTS—1860
To sum up the foregoing from the outset (and, of course, far,far more unrecorded,) I estimate three leading sources andformative stamps to my own character, now solidified for good orbad, and its subsequent literary and other outgrowth—thematernal nativity-stock brought hither from far-away Netherlands,for one, (doubtless the best)—the subterranean tenacity andcentral bony structure (obstinacy, wilfulness) which I get frommypaternal English elements, for another—and the combination ofmy Long Island birth-spot, sea-shores, childhood's scenes,absorptions, with teeming Brooklyn and New York—with, Isuppose, my experiences afterward in the secession outbreak, forthe third.
For, in 1862, startled by news that my brother George, anofficer in the 51st New York volunteers, had been seriously wounded(first Fredericksburg battle, December 13th,) I hurriedly went downto the field of war in Virginia. But I must go back a little.
OPENING OF THE SECESSION WAR
News of the attack on fort Sumter andthe flagat Charlestonharbor, S. C., was receiv'd in New York city late at night (13thApril, 1861,) and was immediately sent out in extras of thenewspapers. I had been to the opera in Fourteenth street thatnight, and after the performance was walking down Broadway towardtwelve o'clock, on my way to Brooklyn, when I heard in the distancethe loud cries of the newsboys, who came presently tearing andyelling up the street, rushing from side to side even morefuriously than usual. I bought an extra and cross'd to theMetropolitan hotel (Niblo's) where the great lamps were stillbrightly blazing, and, with a crowd of others, who gather'dimpromptu, read the news, which was evidently authentic. For thebenefit of some who had no papers, one of us read the telegramaloud, while all listen'd silently and attentively. No remark wasmade by any of the crowd, which had increas'd to thirty or forty,but all stood a minute or two, I remember, beforethey dispers'd. Ican almost see them there now, under the lamps at midnightagain.
NATIONAL UPRISING AND VOLUNTEERING
I have said somewhere that the three Presidentiads preceding1861 show'd how the weakness and wickedness of rulers are just aseligiblehere in America under republican, as in Europe underdynastic influences. But what can I say of that prompt and splendidwrestling with secession slavery, the arch-enemy personified, theinstant he unmistakably show'd his face? The volcanic upheaval ofthenation, after that firing on the flag at Charleston, proved forcertain something which had been previously in great doubt, and atonce substantially settled the question of disunion. In my judgmentit will remain as the grandest and most encouraging spectacle yetvouchsafed in any age, old or new, to political progress anddemocracy. It was not for what came to the surfacemerely—though that was important—but what it indicatedbelow, which was of eternal importance. Down in the abysms of NewWorld humanity there had form'd and harden'd a primal hardpan ofnational Union will, determin'd and in the majority, refusing to betamper'd with or argued against, confronting all emergencies, andcapable at any time of bursting all surface bonds, and breaking outlike an earthquake. It is, indeed, the best lesson of the century,or of America, and it is a mighty privilege to have been part ofit. (Two great spectacles, immortal proofs of democracy, unequall'din all the history of the past, are furnish'd by the secessionwar—one at the beginning, the other at its close. Those are,the general, voluntary, arm'd upheaval, and the peaceful andharmonious disbanding of the armies in the summer of 1865.)
CONTEMPTUOUS FEELING
Even after the bombardment of Sumter, however, the gravity ofthe revolt, and the power and will of the slave States for a strongand continued military resistance to national authority, were notat all realized at the North, except by a few. Nine-tenths of thepeople of the free States look'd upon therebellion, as started inSouth Carolina, from a feeling one-half of contempt, and the otherhalf composed of anger and incredulity. It was not thought it wouldbe join'd in by Virginia, North Carolina, or Georgia. A great andcautious national official predicted that it would blow over "insixty days," and folks generally believ'd the prediction. Iremember talking about it on a Fulton ferry-boat with the Brooklynmayor, who said he only "hoped the Southern fire-eaters wouldcommit some overt act of resistance, as they would then be at onceso effectually squelch'd, we would never hear of secessionagain—but he was afraid they never would have the pluck toreally do anything."
I remember, too, that a couple of companies of the ThirteenthBrooklyn, who rendezvou'd at the city armory, and started thence asthirty days' men, were all provided with pieces of rope,conspicuously tied to their musket-barrels, with which to bringback each man a prisoner from the audacious South, to be led in anoose, on our men's early and triumphant return!
BATTLE OF BULL RUN, JULY, 1861
All this sort of feeling was destin'd to be arrested andrevers'd by a terrible shock—the battle of first BullRun—certainly, as we now know it, one of the most singularfights on record. (Allbattles, and their results, are far morematters of accident than is generally thought; but this wasthroughout a casualty, a chance. Each side supposed it had won,till the last moment. One had, in point of fact, just the sameright to be routed as the other. By a fiction, or series offictions, the national forces at the last moment exploded in apanic and fled from the field.) The defeated troops commencedpouring into Washington over the Long Bridge at daylight on Monday,22d—day drizzling all through with rain. The Saturday andSunday of the battle (20th, 21st,) had been parch'd and hot to anextreme—the dust, the grime and smoke, in layers, sweated in,follow'd by other layers again sweated in, absorb'd by thoseexcited souls—their clothes all saturated with theclay-powder filling the air—stirr'd up everywhere on the dryroads and trodden fields by the regiments, swarming wagons,artillery, &c.—all the men with this coating of murk andsweat and rain, now recoiling back, pouring over the LongBridge—ahorrible march of twenty miles, returning toWashington baffed, humiliated, panic-struck. Where are the vaunts,and the proud boasts with which you went forth? Where are yourbanners, and your bands of music, and your ropes to bring back yourprisoners? Well, there isn't a band playing—and there isn't aflag but clings ashamed and lank to its staff.
The sun rises, but shines not. The men appear, at first sparselyand shame-faced enough, then thicker, in the streets ofWashington—appear in Pennsylvania avenue, and on the stepsand basement entrances. They come along in disorderly mobs, some insquads, stragglers, companies. Occasionally, a rare regiment, inperfect order, with its officers (some gaps, dead, the truebraves,) marching in silence, with loweringfaces, stern, weary tosinking, all black and dirty, but every man with his musket, andstepping alive; but these are the exceptions. Sidewalks ofPennsylvania avenue, Fourteenth street, &c., crowded, jamm'dwith citizens, darkies, clerks, everybody, lookers-on; women in thewindows, curious expressions from faces, as those swarms ofdirt-cover'd return'd soldiers there (will they never end?) moveby; but nothing said, no comments; (half our lookers-on secesh ofthe most venomous kind—they say nothing; butthe devilsnickers in their faces.) Duringthe forenoon Washington gets allover motley with these defeated soldiers—queer-lookingobjects, strange eyes and faces, drench'd (the steady rain drizzleson all day) and fearfully worn, hungry, haggard, blister'd in thefeet. Good people (but not over-many of them either,) hurry upsomething for their grub. They put wash-kettles on the fire, forsoup, for coffee. They set tables on theside-walks—wagon-loads of bread are purchas'd, swiftly cut instout chunks. Here are two aged ladies, beautiful, the first in thecity for culture and charm, they stand with store of eating anddrink at an improvis'd table of rough plank, and give food, andhave the store replenished from their house every half-hour allthat day; and there in the rain they stand, active, silent,white-hair'd, and give food, though the tears stream down theircheeks, almost without intermission, the whole time. Amid the deepexcitement, crowds and motion, and desperate eagerness, it seemsstrange tosee many, very many, of the soldiers sleeping—inthe midst of all, sleeping sound. They drop down anywhere, on thesteps of houses, up close by the basements or fences, on thesidewalk, aside on some vacant lot, and deeply sleep. A poor 17 or18 year old boy lies there, on the stoop of a grand house; hesleeps so calmly, so profoundly. Some clutch their muskets firmlyeven in sleep. Some in squads; comrades, brothers, closetogether—and on them, as they lay, sulkily drips therain.
As afternoon pass'd, andevening came, the streets, thebar-rooms, knots everywhere, listeners, questioners, terribleyarns, bugaboo, mask'd batteries, our regiment all cut up,&c.—stories and story-tellers, windy, bragging, vaincentres of street-crowds. Resolution, manliness, seem to haveabandon'd Washington. The principal hotel, Willard's, is full ofshoulder-straps—thick, crush'd, creeping withshoulder-straps. (I see them, and must have a word with them. Thereyou are, shoulder-straps!—but where are your companies? whereareyour men? Incompetents! never tell me of chances of battle, ofgetting stray'd, and the like. I think this is your work, thisretreat, after all. Sneak, blow, put on airs there in Willard'ssumptuous parlors and bar-rooms, or anywhere—no explanationshallsave you. Bull Run is your work; had you been half orone-tenth worthy your men, this would never have happen'd.)
