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In Book II, poetry had been further collated that had been written during the Third Lockdown in Vienna, Austria, while the statistics of the Covid-19 pandemic showed a staggering increase in infections and deaths due to it. Pro and con corona health management filled the daily newspapers and TV debates. During this time the poet's art exhibition in downtown Vienna remained hung at Gallery Z, but visitor groups were forbidden to enter, and only individuals could visit on invitation at a prior appointment. Masks were obligatory in all public places and a general depressive mood spread throughout the communities. The poet had a good understanding with his friends, who appeared regularly on the social pages of the Internet. One still could feel a longing for hope and good wishes for staying healthy became an important regular ritual to live through this ordeal to see the turn of the pandemic tide. And yet, everybody became aware of the changing times thereafter. The poet had been blessed with his fount of memories that started to flow and provide him with many contemporary poems thanks to encouragement from friends and Muses.
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poetry during the covid 19 pandemic second lockdown
antennas
colours
decipher
finissage
PITOLI 02
fusion
her head
live create communicate
long live the muse
love below the sea III
nature will look after itself
poets
recluse
search
solo
sparks
synomilitis (01)
synomilitis (02)
PITOLI 03
the span of life
thirst
rounded
poetry in times of covid 19 pandemic & lockdowns
alas
anticorona
belonging
body & soul
broken
dust up
eros at play
expired
forward/ forward
friday morn’
PITOLI 04
pablo
locked up – free
loner
muses
present
retribution
tea bag
translation
viva anti-corona
waking
viva thru’ art
tools
poetry in times of isolation after three lockdowns
PITOLI 05
CTS
HUMAN
LASER
LESVOS
LOVER IN SPE
NOW
ORGASM
RED
REFLECT
RUSH
TACTILE
The Gift
THE SLIP
TWO IN ONE
VIRTUAL
VIVA Ira.arI AVIV
Wepos & Teapot
Worthwhile
The Gift (02)
CODE
Kept Alive
PITOLI 06
The Friend
Prose in Times after Lockdowns & Isolation
Freudian Slip of a Program
On a May’s Sunday morn’
The Artist of Eros
Index
About the author
Note to poems
Other books by the author.
PITOLI 01
there’s hardly a sound
to hear
except for the knock on
the door
the neighbour who comes
around
saying hello
before lockdown 3 will start
in three days
all is still
besides the daily contracted
people
who still are lucky to hold
a job
have moved early this morn’
to finish up midday.
then – as all goods and food
have been shopped already
will return to suburbia
to spend the x-mas holidays
at home
but not so the well-to-do
and dedicated sports pals
who’ll inundate the ski resorts
but this year with strict
adherence to health reg’s
wearing masks wherever
they will gather
inside or outside inns and
bars or facilities
lockdown 3 reg’s will bite.
the artist has depicted masked
people of the 2020 massing
already some years back
when fear gripped his heart
poets/artists
equipped with sensitive
antennas.
antennas.sannetna
not likely that I’ll enjoy
the morn’ at the dentist
but cleaning one’s teeth
is once a year
enduring 30 minutes of
scaling and polishing
besides it’ll be an exercise
in coping with sensitivity
of gums at the base of this
heavy duty biting machine
with the initial focus on
preparing for the awkward
scaling
and not to feel like a fish
in this white/lilac room
being scaled while still alive.
the hygienist/pleasant/
sweet but inexperienced
main thing /all’s done for
the remainder of healthy
teeth.
back along the weidling brook
taking-in the autumn colours
sated yellows/orange hues/
reds and burnt siena browns
colourful nature lifts up the
colour conscious artist’s soul
humming a soul he had
listened to on youtube
recently.
colors.sroloc
the death of a relationship
is indeed the death of a secret
language
says manuel vilas
but then you had taken no time
to recognise such hidden ways
as there are fresh strong feelings
at the start of a new affair
then perhaps its sliding through
a healthy portion of eros
into a marriage of limitations.
the life you’ve tenaciously started
to build in a foreign country
shook in an earthquake of
dwindling legs
crashing down house of cards
dreams pursued with vigour
interrupted and destroyed by
a charming marauder –
like life is at times –
when the gold of your steady
acquisitions
runs out like fine sand from
your clenched fist
that held on to it tightly
and all changes overnight
ships that ran ashore
covered up thru’ sand dunes
of fleeting times
cities disappear
to be found by the archaeologists
of future fame
who’ll decipher the writings of
a secret language.
friday 13 –
for too many a taboo
of engaging in any outdoor
activities/even stay inside
but to some even in their bed
all day
consider it a safe heaven.
as one observer of this day 13
that fell on a friday
riddled by his phobia of
superstition: bad things will
happen on such a day/ he said
not for the artist
who was born in his grandpa’s
house/at number 13.
which he had built himself and
he was not superstitious
while some hotels don’t feature
a floor thirteen.
however/the poet had a dialog
of interest with the artist
who cleaned-up the highly
polished polyurethane surfaces
of the panelled wall decorations
where his paintings were
attached by double-tape
for nine months –
imagine as long as a pregnancy
would normally take –
but for an exhibition a record
especially for a not yet well-known
artist to the viennese society.
on friday 13th the last procedure
of removing all exhibited pieces
of paintings
was a fine solo finisage.
finisage.egasinif
PITOLI 02
poet/painter
artist/muse
every artist will eventually
be recognized with praise
of being genuine
or condemned by the ignorant
the hoi-polloi of a lesser mind.
as mark rothko/painter/writes:
“a picture lives by
companionship
expanding and quickening
in the eyes of the sensitive
observer.
it dies by the same token.
It is therefore risky
to send it out into the world.
how often it must be impaired
by the eyes of the unfeeling
and the cruelty of the
impotent.”
the artist lives by his/her muse
in whose garden
he or she grows images of
his or her design.
all great art’s fount is thus
thru’ the spirit of a muse:
here the priestess of a temple
there the ritual of
sacred creation
fusion –
a tremendous earth-shattering
inner-most explosion –
thus the birth of great art.
fusion.noisuf
the artist will grow
his muses’ images into
her painted head
seen thru’ all his personal
experiences
felt thru’ the tiniest touches
of his fingertips
touching the points on his
body
where her fingers once
had touched.
she talked of palimpsest
actions
the artist had once encountered
in the south of africa
viewing rock-art of the san
people
out of the smoke and twilight
of an evening
setting her image took shape
to the flickers of a log fire
since then this image will
haunt the artist.
the world around the artist‘s
domicile
has quietened down
considerably
businesses closed
some food shops remain
partly opened
the hum of everyday life
has faded
like the wintry skies
new state regulations
recall the curfew of 1944
somebody remarked
only artists keep comm.’s
alive
support each other like
brothers/sisters
thrive with great works
of art
any lockdown of public life
could never lock down
neither artists creativity
nor their fruitful and lively
communication –
all is in flux.
artists create in solitude
but we’ll never be overcome
or being conquered
by any curfew
however toned-down
words of so-called leaders
will gloss-over these presently
unfortunate times
with wash-over speeches
to nullify critical voices of
human beings –
live/create/communicate
your ideas.
while searching for a pair of
suppression stockings
to rid my feet from an oversupply
of liquid –
i’d rather imbibe red wine –
and found in between sorting
of tons of paper/newspaper cuts/
magazines/prints of my writings/
poetry/notes on a novella
about the dramatic happening
around Andromeda
cast into a wondrous star.
besides of working hard on this
sunday afternoon 12/06
usually reserved for my poetry
i’ve found out that i was really
searching for that kind of love
that has left behind traces
in all my writings –
and ana’s poem: ‘a tear for zed’
sums it all up –
when real deeper seated love
emerges
perhaps only once in a lifetime
if at all
in a person’s life
however/the innocence/ and
the ingenuity of a poet
draws on bevy of beautiful and
giving angels
who’ll be the best muses –
sent by the god of the arts –
for the poet’s imminent phase
of creative work.
‘zontani mousa’
long live the muse
throw yourself into the
cretan sea
the med’s inky blue
use your imagination
b/jo/val/maria/whoever
from those muses
will pose for the artist –
black granite snakehead
emerald eyed bejewelled
golden frog
lots of kisses
but no standard prince
appeared –
teddy bear sleeps in the
shade of a sycamore tree
the artist in a blue dive
his muse a cousin of the
evasive nereids
blows him full of air
like efflorescent balloons
they float in love
below a sea of dreams
now and then
a/c issues a piece of herself
striptease of her artist’s
precious being
some days they meet in
the med’s magical blue
garden
symposium of grand art.