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Suddenly the COVID-19 Pandemic hit Europe and due to its rapid spread Lockdowns had been enforced by governments. Here in Austria, in the heart of Vienna, the poet would experience a completely changed city, reminding him of a ghost town. During the First Lockdown, he traveled in empty trains and streets without people, for several weeks, musing and reflecting about this change of life in the city. At times, he loses the face of a friend through abstinence, he used to meet at St Stephen's Square, though friends would be in contact through the mobile phone, yet personal meetings are still most important to the poet and he misses them. Medical matters are questioned, as well as the products of inoculation, and besides information given seems controversial. In this situation, the poet remains at most times of the day at his writing desk and muses about his quality of life. During the Second Lockdown, matters conducting a usual daily life became for most people very difficult, to say the least. However, it seemed to stir up the poet's memory banks. During the time shopping for necessary food items, the poet observed extreme silence, except for the neighbor's knock on the door, checking on him, exchanging views on the government's offices of health, the wearing of masks, and the changing laws about inoculations. The poet's mind wandered back to his experiences in life, friends, his occupation with art, and remembrances that suddenly appeared in clarity.
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Poetry in Times of Lockdowns
a portrait lost
a thought picked up
about adam’s quotation
air
artist & tiger
between lives
birds
buses
busride
cheers
chemistry & passion
PITOLI 02
derision
do it
done
dreams
evening walk
every morn’
first time jägerwiese again
flow
flux
forward
friends
from muse to poet
good riddens
greed
happiness
have you hugged a tree today?
he and she
he she it
PITOLI 03
he sings the alphabet
high five
hooves
ice cream
jockeying for position
life at eighty
lost paradise
love.evol
malta.atlam
med’s blue
murmur
nature
one smiling eye and tearful other
pain
poet & friend
prolific
purloin
rude health
salud
servus
shifting brains
shrink
soulmate
sunday.yadnus
survival
tears
time
time.emit II
tis’ rose she’d drew
two cultures meet
u4.edge
vivre
walk.sleep.write
warped
bad weather
wine
clarity
zorba’s portrait
zwettler
*
the day before yesterday
i haven’t recognized my
friend
who wore a dark cotton
mask.
and emerged from a shop
at köllnerhof
vienna’s central spot –
not so long ago populated
by crowds of tourists
a place with great vistas
back to 1680. imagine.
close to an icon:
griechenbeisl and the
greek-orthodox basilica
with many art-deco facades
of buildings well cared for.
but the eyes gave her away.
‘i still remember you’ I said
and she stopped having
passed a few strides
turning around:
‘oh it’s Z. is it?’
I took her to a nearby café.
V., a potential girlfriend once
has avoided men
since her last episode
being taken by force –
according to her fantasy-
tainted episode.
she intended to be a girlfriend
and then she didn’t.
a friend talked of her paranoia
however – being a musician
she’s though interesting
enough –
as an artist she’s tops
as a girlfriend she’s not even
willing to have her portrait
painted
not willing to sit for a great
canvas:
demoiselles de vienne.
by now even if her portrait
seems to be lost
another has been found.
if edward hopper found
that painting exists
due to the impossibility
of words saying all
i am glad he chose to
express himself with his
paintings.
for the poet in me
word-expressions will be
a permanent challenge
that may bring out shades
of feelings
I will depict in drawing/
painting/
or mixed-media art.
well now/ the poet has
worked from his early teens
on his poetry
with recognition from his
friends
stimulated by his young
sensuous muse
he felt indeed that words
failed him to express his
feelings and he drew/
painted/ searching for
his personal style
while mom lauded his
artistic efforts.
from Johannesburg to
Athens/ p his muse ana
furthered his literary
endeavours.
between two poles of
expression now
he wanders about
perhaps it’s all poetry.
“to furnish the means of acquiring
knowledge is…
the greatest benefit that can be
conferred upon mankind.
it prolongs life itself and enlarges
the sphere of existence.”
this quotation/ 160 years back
has not yet percolated thru’ the
broad spectrum of present day
humans worldwide
albeit all modern digital tools to
acquire knowledge –
computer games are of a wondrous
entertainment value
but then – human conscious of
learning should be equally fun
and also a game for young and
also the elderly –
art/ ambience/ the views ahead
stem from the furnishing of means
of knowledge
to be acquired by us
as we are fortunate to have had
a few teachers we’d listened to
who pointed ahead the world
for excellence in the arts.
for now/ the artist’s mind on a
book on art by eric kandel
he saw for sale at leo’s
he hesitated to acquire
but he couldn’t’ get it out of his
mind.
it feels good in his hand and
the only copy in the sale-box
had been left for days now
for him to have and read.
whereto dear poet?
where will you proceed dear
artist
if visitors for an exhibition
opening are restricted to
fifty persons?
waiting and drinking tea.
think about collating another
book with a cover of one of
your paintings:
short stories part 3
it’ll be a top-selling book in
your stable at bod-norderstedt.
bod.dob
between masks and stanzas
lies reality and art
not transparent
any longer
all together equally carry
masks
forced to a questionable
uniformed mass.
the stanzas flare up
while the long hair falls
to the thrashing floor of
a man-forced reality –
you only have to peel
the onion
so your tear-filled eyes
will see the truth in the
core –
forced realities in everyday
life belie the tokenism of
cultural institutions for art.
truthful art lies on a layer
of reality
the artist has fought for
all his life –
you know the biographies
of many
but not many will take the
one step to care about it –
masks
will eventually come with
a lockdown
destruction of the human
fibre for living
art/ the modifier/ humidifier
of the soul/ last barrier for
a joie du vivre/ air to breathe.
air.ria
i don’t mind speed
but when speed means also
mistaken understandings
one should assume the stance
of a fighting tiger
only tigers are killed off
due to their inability to respond
to laser guns with an automated
bullet guide?
nobody can
unless you are blessed with
extraordinary talents
not even the best of us have
or am i just be angry for being
tired to be ripped-off?
you want to be
an instant millionaire?
looks like we
the artists are on the list for
extinction
tolerated by the so-called human
race?
who’ll need art? The poet will hear
you’ll wonder if you’ve killed art
and the last artist
just like killing an animal on the
endangered list
what it’ll do to your environment
worse than you’ll ever imagine
and the same will go for the
artists.
artist & tiger.
end of summer and
roadworks aren’t finished
in general –
people commute to work
rush to shop
look sheepishly at one
young people laugh
share cynical remarks
talk shop
play games on their mobile
phones –
life in the city has become
a hoarder of masked persons
less individual expressions
of style/ less affordable garb/
less visitors/shops close early/
healthy food is rare/
fatty and sugary stuff in huge
abundance/ open friendliness
is scarce/ a visible rise in
selfish behaviour.
roadworks everywhere.
the bus station at the node
of the City of Saints
had been moved further
adding awkward crossing
of roads and more distance
between connecting lines
narrow pavements can’t cope
with a two-way people stream
passed waiting passengers.
summer’s end/cool air invades/
between stations/ numbers/
between lives.
in midst of a sea of faces
one that draws your attention
a steel pin flung to a magnet
impossible to escape this attraction
and all to do with chemistry –
science tells you.
in midst of checking mail
one letter will stick out like a snap
and endeavour with mastering
of words on a daily routine
you are already trapped-in the
tender communication
the power of words will tell you.
in midst of thoughts
about art and sophisticated
aesthetical considerations
she’ll stick out in a flash
with her hazel eyes/straw hat
presented as a lady in French blue
fine-boned fingers of an artist
an elegant appearance
beguiling smile. snap.
your admiring soul
caught in the tender trap
like the paradisiacal bird
she paints on ivory wood
a part of paradise lost
sensitively caught with pencil
and brush