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The poet had found a room to write, situated above Red Tower Street, in the city of music and coffee houses. His creativity flowed and poetry came to him instantly, recalling immediate past happenings. A change in the environment will induce that with a fruitful multitude of reflections and thoughts about love and death, as depicted in part one of this edition. In the second part, the poet muses about the love between a bard and his muse and the sweetness of love at an ongoing advanced age. In part three, he ponders about the events that offer him reincarnation and render him an awareness of the powers of eroticism. Part four are songs of a poet in love while commuting from the distant periphery of a world city to its historic core, where his refuge - the gift of a tryst - is awaiting him. The texts are enhanced with drawings by the poet, from the time of writing the poems, depicting the artistic tension between the lyrics and their visual interpretations.
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Seitenzahl: 37
the muse’s paradise
First Part: On love and death
One Heartbeat
Forever
JOY.YOJ
Loving You
Fine Morning
Red Tower Domain
Remembering the Pogrom Night of 8 November 1938
Reflections
REWOT DER
Mauthausen
The bionic artist
Mauthausen II
Closure
Part Two: Reflections
reflect
recovered
year’s last day
plug.gulp
pistolero
Love ‘s all you need
Love at eighty plus
dispossession
a crime story self-inflicted
Part Three: Powers of Eroticism
Events for a reincarnation
Part four: Ballad
songs of a commuting poet in love
Epilogue
The Red Tower refers back to Vienna’s history, when towers had been built for the fortification of the city in the Middle-Ages. The positions and the names of the streets still had remained until today, cared for its worthy preservation by the authorities for the protection of monuments and its historical town planning.
An art-loving Muse allowed the poet refuge in her apartment harbouring at the Red Tower Street, in the city centre, where he was seeking a quaint place for his creative writing. Delighted about the room with a view, yet well shielded against the traffic noises, most parts of the inner city had been declared pedestrian zones with only slight interference by traffic.
The poems refer to the time period, between 2018 until 2021, when a pandemic hit the city and the majority of people stayed indoors most of the time, disliking the obligatory wearing of facial masks to counteract infection of covid 19. The poet has edited his work in 2023 and most themes relate to the happenings in reality and to the poet’s inner reflections to these; while he was finding his voice during his times of reflection and a welcome experience of a creative surge.
The quaint setting of this refuge let the poet experience a deep space of tranquillity for his soul, find his balance in mind and body. An exceptional stir pushed his spirit to fly over the city and view the happenings from a perspective high above.
Images of Chagall’s paintings, a couple flying over Paris, must have still been on his mind, influencing his artistic approach of the ballads and the coloration of his words and metaphors.
For some time
my heartbeat had not been
in tune with my spouse’s
who had a lifelong battle
with her health
distorting its harmonized
rhythm.
Then having to turn to
friends on the Internet
I met a woman I liked
and we hit it off
straight away
not only to be friends
but seeking love in our
advanced ages.
Indeed Ana agreed with me
to become one voice
one soul and one heart
in one body of loving.
This I called triad of love
that needed a year to grow
until we desired to meet
in flesh and blood.
Ana called it a jackpot win
as we matched hand in glove
and our heartbeats had
as if by magic: synchronized
already while we met
online – intimately.
We were ready to act
performing in flesh and blood?
being afraid drove our levels
of adrenaline to a drumming
heartbeat meeting her on
Kapnikareas Street –
a name that coined my state
of love made in heaven.
Her hand in mine
we relived our lives
falling in love as students
having children we love
their unrelated faces
in a grand sweep of 20 days
and one.
Love and death.
Blues in Imittou Street.
Times of inner restless
wangles to run away
from a forced residency
amongst sporadic
country folk
cook book mentalities
religious pretenders
politically correct members
of social life
afraid of hypocrisy being
hypocrites.
All manmade catastrophes
run downhill
the false pyramid structure
fluctuating in springtime’s
fresh powder-blue spirit
sprayed by geoengineering
agents upon the southern
hills
of apparently superb vines.
The poet afraid of slowly
vanishing of his senses thru’
alu-metals
as a court case crucified
Monsato manipulating
the planet’s food supplies.
But then: Who wants to
live forever?
FOREVER.REVEROF
The day that started bright
and sunny
turned grey with heavy
darkened clouds
lightning rods flickered
flashing about the ghost-like
skies
and heavy rain followed
in a soaking downpour.
Regardless of the weather
the Festival of Joy will start
we were told.
But common sense was loud