The Infant's Skull; Or, The End of the World. A Tale of the Millennium - Eugène Sue - E-Book
SONDERANGEBOT

The Infant's Skull; Or, The End of the World. A Tale of the Millennium E-Book

Eugène Sue

0,0
1,99 €
Niedrigster Preis in 30 Tagen: 1,99 €

oder
-100%
Sammeln Sie Punkte in unserem Gutscheinprogramm und kaufen Sie E-Books und Hörbücher mit bis zu 100% Rabatt.
Mehr erfahren.
Beschreibung

Eugène Sue's "The Infant's Skull; Or, The End of the World. A Tale of the Millennium" is a compelling exploration of human nature and societal fears set against the backdrop of an impending apocalypse. Written in the mid-19th century, Sue employs a captivating narrative style interwoven with elements of social realism and melodrama, which were hallmarks of his time. This novella intricately reflects the anxieties of a society grappling with modernization, religion, and existential dread, examining the moral implications of humanity as it faces its potential end. Sue's rich characterizations and evocative prose illuminate the struggle between transcendence and disaster, providing readers with both a thrilling adventure and a profound philosophical inquiry. Eugène Sue, a noted French novelist and a significant figure in the literary scene of the period, drew inspiration from his experiences in medicine and the social issues of his day. His diverse background allowed him to weave complex narratives that critique the injustices and moral dilemmas facing society. Influenced by the emerging socialist thought and the Romantic movement, Sue's works often advocate for the underprivileged and reflect a deep engagement with human suffering and hope during tumultuous times. For readers seeking a thought-provoking yet thrilling tale, "The Infant's Skull" serves as an essential addition to the canon of apocalyptic literature. Sue's masterful blend of suspense and social commentary challenges us to reflect on our values and the legacy we leave behind. This work is not only a gripping narrative but also a vital discussion of what it means to confront the end of days, making it a must-read for enthusiasts of both literary fiction and philosophical inquiry.

Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:

EPUB
Bewertungen
0,0
0
0
0
0
0
Mehr Informationen
Mehr Informationen
Legimi prüft nicht, ob Rezensionen von Nutzern stammen, die den betreffenden Titel tatsächlich gekauft oder gelesen/gehört haben. Wir entfernen aber gefälschte Rezensionen.



Eugène Sue

The Infant's Skull; Or, The End of the World. A Tale of the Millennium

Published by Good Press, 2022
EAN 4064066174590

Table of Contents

PART I.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
PART II.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
EPILOGUE.

PART I.

Table of Contents

THE CASTLE OF COMPIEGNE.

CHAPTER I.

Table of Contents

THE FOUNTAIN OF THE HINDS.

A spring of living water, known in the neighborhood by the appropriate name of the "Fountain of the Hinds," empties its trickling stream under the oaks of one of the most secret recesses of the forest of Compiegne. Stags and hinds, deers and does, bucks and she-goats come to water at the spot, leaving behind them numerous imprints of their steps on the borders of the rill, or on the sandy soil of the narrow paths that these wild animals have worn across the copse.

One early morning in the year 987, the sun being up barely an hour, a woman, plainly dressed and breathing hard with rapid walking, stepped out of one of these paths and stopped at the Fountain of the Hinds. She looked in all directions in surprise as if she expected to have been preceded by some one at the solitary rendezvous. Finding her hopes deceived, she made an impatient motion, sat down, still out of breath, on a rock near the fountain, and threw off her cape.

The woman, barely twenty years of age, had black hair, eyes and eye-brows; her complexion was brown; and cherry-red her lips. Her features were handsome, while the mobility of her inflated nostrils and the quickness of her motions betokened a violent nature. She had rested only a little while when she rose again and walked up and down with hurried steps, stopping every now and then to listen for approaching footsteps. Catching at last the sounds of a distant footfall, she thrilled with joy and ran to the encounter of him she had been expecting. He appeared. It was a man, also in plain garb and in the vigor of age, large-sized and robust, with a piercing eye and somber, wily countenance. The young woman leaped at a bound into the arms of this personage, and passionately addressed him: "Hugh, I meant to overwhelm you with reproaches; I meant to strike you; but here you are and I forget everything," and in a transport of amorous delight she added, suiting the deed to the words: "Your lips! Oh, give me your lips to kiss!"

After the exchange of a shower of kisses, and disengaging himself, not without some effort, from the embrace of the fascinated woman, Hugh said to her gravely: "We cannot indulge in love at this hour."

"At this hour, to-day, yesterday, to-morrow, everywhere and always, I love and shall continue to love you."

"Blanche, they are foolhardy people who use the word 'always,' when barely fourteen years separate us from the term assigned for the end of the world! This is a grave and a fearful matter!"

"What! Can you have given me this early morning appointment at this secreted place, whither I have come under pretext of visiting the hermitage of St. Eusebius, to talk to me about the end of the world? Hugh ... Hugh.... To me there is no end of the world but when your love ends!"

"Trifle not with sacred matters! Do you not know that in fourteen years, the first day of the year 1000, this world will cease to be and with it the people who inhabit it?"

Struck by the coldness of her lover's answers, Blanche brusquely stepped back. Her brows contracted, her nostrils dilated, her breast heaved in pain, and she darted a look at Hugh that seemed to wish to fathom the very bottom of his heart. For a few instants her gaze remained fixed upon him; she then cried in a voice trembling with rage: "You love some other woman! You love me no more!"

"Your words are senseless!"

"Heaven and earth! Am I also to be despised.... I the Queen!... Yes, you love some other woman, your own wife, perhaps; that Adelaide of Poitiers whom you promised me you would rid yourself of by a divorce!" Further utterances having expired upon her lips, the wife of King Louis the Do-nothing broke down sobbing, and with eyes that glistened with fury she shook her fists at the Count of Paris: "Hugh, if I were sure of that, I would kill both you and your wife; I would stab you both to death!"

"Blanche," said Hugh slowly and watching the effect of his words upon the face of the Queen, who, with eyes fixed upon the ground, seemed to be meditating some sinister project: "I am not merely Count of Paris and Duke of France, as my ancestors were, I am also Abbot of Saint Martin of Tours and of Saint-Germain-des-Pres, abbot not only by virtue of my cowl—but by virtue of my faith. Accordingly, I blame your incredulity on the subject of the approaching end of the world. The holiest bishops have prophesied it, and have urged the faithful to hasten to save their souls during the fourteen years that still separate them from the last judgment.... Fourteen years!... A very short period within which to gain the eternal paradise!"

"By the hell that burns in my heart, the man is delivering a sermon to me!" cried the Queen with an outburst of caustic laughter. "What are you driving at? Are you spreading a snare for me? Malediction! this man is a compound of ruse, artifice and darkness, and yet I love him! I am insane!... Oh, there must be some magic charm in this!" and biting into her handkerchief with suppressed rage, she said to him: "I shall not interrupt again, even if I should choke with anger. Proceed, Hugh the Capet! Explain yourself!"

"Blanche, the approach of the dreadful day when the world is to end makes me uneasy about my salvation. I look with fright at our double adultery, seeing we are both married." Stopping with a gesture a fresh explosion of rage on the part of the Queen, the Count of Paris added solemnly raising his hand heavenward: "I swear to God by the salvation of my soul, were you a widow, I would obtain a divorce from the Pope, and I would marry you with holy joy. But likewise do I swear to God by the salvation of my soul, I wish no longer to brave eternal punishment by continuing a criminal intercourse with a woman bound, as I am myself, by the sacrament of marriage. I wish to spend in the mortification of the flesh, in fasting, abstinence, repentance and prayer the years that still separate us from the year 1000, to the end that I may obtain from our Lord God the remission of my sins and of my adultery with you. Blanche, seek not to alter my decision. According as the caprice of your love led you, you have alternately boasted over and cursed the inflexibility of my character. Now, what I have said is said. This shall be the last day of our adulterous intercourse. Our carnal relations shall then end."