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Vincent van Gogh’s life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh’s illness. The author of the article saw the painter as “a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological.” Very little is known about Vincent’s childhood. At the age of eleven he had to leave “the human nest”, as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply “Vincent”. He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent’s work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh’s life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: “I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, ‘La tristesse durera toujours (The sadness will last forever).’”
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Seitenzahl: 65
Vincent van Gogh
© 2023, Confidential Concepts, Worldwide, USA
© 2023, Parkstone Press USA, New York
© Image-Barwww.image-bar.com
ISBN: 978-1-78160-976-7
All rights reserved. No part of this may be reproduced or adapted without the permission of the copyright holder, throughout the world.
Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification.
Contents
BIOGRAPHY
LIST OF ILLUSTRATIONS
A
A Meadow in the Mountains:Le Mas de Saint-Paul, Saint-Rémy: mid-June 1889
A Pair of Shoes, Paris: early 1887
A Pair of Shoes, Spring 1887
Agostina Segatori Sitting in the Café du Tambourin, Paris: February–March 1887
Almond Tree in Blossom, Arles: April 1888
An Old Woman from Arles, Arles: February 1888
Asnières Bridge,Paris: Summer 1887
B
Beach at Scheveningen, The Hague: August 1882
Blossoming Almond Tree, Saint-Rémy: February 1890
C
Café at Night, Arles: September 1888
Chestnut Tree in Blossom,Auvers-sur-Oise: May 1890
Cottage with Decrepit Barn and Stooping Woman, Nuenen: July 1885
Crab on its Back, Arles: January 1889
Cypress and Two Women, Saint-Rémy: February 1890
Cypresses with Two Female Figures, Saint-Rémy: June 1889
E
Enclosed Wheat Field with Peasant, Saint-Rémy: early October 1889
Evening Landscape with Rising Moon, Saint-Rémy: early July 1889
F
Field with Ploughman and Mill, Saint-Rémy: October 1889
Fishing Boats on the Beach at Saintes-Maries, Arles: end of June 1888
Flowerpot with Chives, Paris: March–April 1887
G
Green Wheat Field with Cypress, Saint-Rémy: mid-June 1889
H
Haystacks in Provence, Arles: June 1888
Haystacks on a Rainy Day, Auvers-sur-Oise: July 1890
Head of a Peasant, Nuenen: January 1885
Head of a Woman with her Hair down, Antwerp: December 1885
J
Japonaiserie: Bridge in the Rain (after Hiroshige), Paris: September–October 1887
Japonaiserie: Oiran (after Keisai Eisen), Paris: September-October 1887
L
L’Arlésienne (Madame Ginoux), Saint-Rémy: February 1890
L’Arlésienne: Madame Ginoux with Books, Arles: November 1888
La Méridienne (after Millet), Saint-Rémy: January 1890
La Mousmé, Arles: July 1888
Landscape of Auvers in the Rain, Auvers-sur-Oise: July 1890
Langlois Bridge at Arles, Arles: April 1888
Le Moulin de la Galette, Paris: March 1887
Les Alyscamps, Arles: late October 1888
Les Peiroulets Ravine, Saint-Rémy: December 1889
M
Madam Roulin Rocking the Cradle (La Berceuse), Arles: January 1889
Memory of the Garden of Eden (Women of Arles), 1888
Morning: Peasant Couple Going to Work (after Millet), Saint-Rémy: January 1890
O
Olive Grove, Saint-Rémy: mid-June 1889
Olive Trees with the Alpilles in the Background, Saint-Rémy: June 1889
P
Paul Gauguin’s Armchair, Arles: December 1888
Peasant Woman Digging, Neunen: August 1885
Peasant Woman, Seated with White Cap, Nuenen: December 1884
Pietà (after Delacroix), Saint-Rémy: September 1889
Pine Tree against a Red Sky with Setting Sun, Saint-Rémy: November 1889
Plain at Auvers with Cloudy Skies, Auvers-sur-Oise: July 1890
Pollard Willows, Arles: April 1889
Poppies and Butterflies, Saint-Rémy: April–May 1890
Portrait of a Patient in Saint-Paul Hospital, Saint-Rémy: October 1889
Portrait of Armand Roulin, Arles: November–December 1888
Portrait of Doctor Félix Rey, Arles: January 1889
Portrait of Doctor Paul Gachet, Auvers-sur-Oise: June 1890
Portrait of Eugène Boch, Arles: September 1888
Portrait of Milliet, Lieutenant under Zouaves, Arles: September 1888
Portrait of Patience Escalier, Arles: August 1888
Portrait of Père Tanguy, Paris: Autumn 1887
Portrait of Postman Joseph Roulin, Arles: early August 1888
Portrait of the Art Dealer Alexandre Reid, Paris: Spring 1887
Portrait of the Artist’s Mother, Arles: October 1888
Portrait of Woman in Blue, Antwerp: December 1885
Prisoners’ Rounds (after Gustave Doré), Saint-Rémy: February 1890
R
Road with Cypress Trees and Starry Sky, Auvers-sur-Oise: May 1890
S
Self-Portrait (Dedicated to Paul Gauguin), Arles: September 1888
Self-Portrait in Front of Easel, Paris: January–February 1888
Self-Portrait with Bandaged Ear and Pipe, Arles: January 1889
Self-Portrait with Bandaged Ear, Arles: January 1889
Self-Portrait, Arles: November–December 1888
Self-Portrait, Saint-Rémy, late August 1889
Self-Portrait, Saint-Rémy: late August 1889
Self-Portrait, Saint-Rémy: September 1889
Self-Portrait, Saint-Rémy: September 1889
Sheaves of Wheat, Auvers-sur-Oise: July 1890
Starry Night over the Rhône, Arles: September 1888
Still Life with a Basket of Vegetables, Nuenen: September 1885
Still Life with Basket of Apples(to Lucien Pissarro),Paris: Autumn 1887
Still Life with Decanter and Lemons on a Plate, Paris: Spring 1887
Still Life with Red Cabbages and Onions, Paris: Autumn 1887
Still Life: Drawing Board with Onions, Arles: January 1889
Still Life: Pink Roses in a Vase, Saint-Rémy: May 1890
Still Life: Vase with Fifteen Sunflowers, Arles: August 1888
Still Life: Vase with Twelve Sunflowers, Arles: January 1889
Street in Saintes-Maries, Arles: early June 1888
T
Thatched Cottages at Cordeville,Auvers-sur-Oise: June 1890
Thatched Cottages by a Hill, Auvers-sur-Oise: July 1890
The Bedroom, Saint-Rémy: early September 1889
The Bois de Boulogne with People Walking, Paris: Summer 1886
The Café Terrace on the Place du Forum, Arles, at Night, September 1888
The Church at Auvers-sur-Oise,Auvers-sur-Oise: June 1890
The Garden of Saint-Paul’s Hospital, Saint-Rémy: May 1889
The Good Samaritan (after Delacroix), Saint-Rémy: May 1890
The Green Vineyard, Arles: September 1888
The Mulberry Tree, Saint-Rémy: October 1889
The Old Sad Man, Saint-Rémy: April–May 1890
The Parsonage Garden at Nuenen in the Snow, Nuenen: January 1885
The Pit, the Mills at Montmartre, Paris: autumn 1888
The Poet’s Garden, Arles: September 1888
The Potato Eaters, Nuenen: April 1885
The Red Vineyard, Arles: November 1888
The Road Menders, Saint-Rémy: November 1889
The Shepherd (after Millet), Saint-Rémy: November 1889
The Sower (after Millet), Saint-Rémy: late October 1889
The Sower, Arles: November 1888
The Zouave (half-length), Arles: June 1888
Three White Cottages in Saintes-Maries, Arles: early June 1888
Trees in the Garden of Saint-Paul Hospice, Saint-Rémy: October 1889
Trees in the Garden of Saint-Paul Hospice, Saint-Rémy: October 1889
Trees with Figure in the Garden of Saint-Paul Hospital, Saint-Rémy: November 1889
Trunk of an Old Yew, Arles: 1888
Two Little Girls,Auvers-sur-Oise: June 1890
Two Poplars on a Road through the Hills, Saint-Rémy: October, 1889
V
View of the Churchat Saint-Paul-de-Mausole, Saint-Rémy: October 1889
Vincent’s Chair with his Pipe, Arles: December 1888
Vincent’s House in Arles (The Yellow House), Arles: September 1888
W
Ward in the Hospital in Arles, April 1889
Weaver, Seen from the front, Nuenen: May 1884
Wheat Field with Cypresses at Haut Galline near Eygalières, Saint-Rémy: late June 1889
Wheatfield with Crows,Auvers-sur-Oise: June 1890
Woman Sitting by a Cradle, Paris: Spring 1887
Wooden Sheds, Saint-Rémy: December 1889
Y
Young Girl Standing against a Background of Wheat,Auvers-sur-Oise: late June 1890
Oil on canvas, 57 x 43.5 cm. Private Collection, New York
1853