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Artificial intelligence (AI) undoubtedly sparks debate among teachers. Questions arise about the trajectory of this new technology: where will it take us?; how will we differentiate between student-authored work and AI-generated content?; what impact will it have on the dynamics of learning and teaching within schools? These are all crucial topics for discussion, yet AI has already become an integral part of our reality, and Gemma Clark firmly believes that embracing its potential is in our best interests. In an era defined by technological advancements, Artificial Intelligence in the Primary Classroom stands as an indispensable resource that holds the key to transforming teaching and learning. For educators burdened by bureaucratic tasks that divert precious time from actual teaching, this book offers a lifeline. It showcases how AI-powered tools can alleviate administrative burdens, enabling teachers to focus more on crafting personalised and imaginative lessons that resonate with young minds. From automating report-writing processes to facilitating content creation, the book imparts tangible methods to streamline workflows and elevate teaching quality. Other examples include: - Spelling Lessons: Save time when planning your spelling lessons by using AI to automatically generate a comprehensive list of phonemes or 'sounds suitable for teaching young children.' - Mindfulness in the Classroom: If you are interested in incorporating mindfulness games and activities to assist children in relaxation and focus, AI can provide valuable suggestions for fostering pupil (and staff) wellbeing. - PE Lessons: You don't have to be an expert in sport to teach PE. Whether it's tennis, football, rugby or running, AI can offer suggestions for activities, warm-ups and cool-downs to use in your PE lessons. - Art Lessons: AI can be an excellent resource for planning art lessons, especially when seeking suggestions to emphasize one of the eight elements, such as line, shape, form, colour, value, texture, space, and value. - Maths Lessons: As with spelling, AI can significantly reduce the time spent on creating maths questions and simplify the process of differentiation.Artificial Intelligence in the Primary Classroom is filled with practical strategies, engaging activities and useful tips and tricks that will save teachers time and energy as well as transferrable lesson plans with step-by-step instructions. Backed up by real-world examples throughout, this book empowers teachers to embrace AI as a tool in fostering enhanced learning experiences, while also reclaiming invaluable time for pedagogical creativity. Suitable for primary school teachers of all levels of experience.
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This text provides a plethora of activities and insights into how artificial intelligence can be utilised positively to support learning, reduce teacher workload, and inspire pupils in our primary classrooms.
It will be especially useful for educators who are feeling anxious about adopting artificial intelligence into their teaching, as Gemma Clark helps explain how to use AI in an accessible and purposeful way, thereby removing the fear of this new technology and instead fostering excitement and inspiration.
All primary curriculum subject areas are covered, as well as a wide range of extracurricular areas where AI can be employed, such as in outdoor learning spaces, in assemblies, and even in after-school clubs.
An inclusive approach is carefully considered in this text, with specific chapters exploring how AI can support pupil well-being, staff well-being, and learners, including those who are neurodivergent.
If you haven’t considered how AI can reduce your teacher workload, aid personalised learning, and help you to restore a more comfortable work–life balance, then this is the book for you!
Dr Poppy Gibson, Course Lead and Senior Lecturer in Primary Education, Anglia Ruskin University
Gemma’s insightful book on AI has played a crucial role in helping me overcome the initial uncertainty and confusion surrounding the topic. It has not only provided me with valuable guidance and ideas, but has also instilled in me the much-needed confidence to delve into the world of AI. Thanks to Gemma’s book, I now understand the practicality and potential impact of AI, demonstrated by my use of AI to compose this response.
Toria Bono, teacher, leader, and author of Tiny Voices Talk: Education, Engagement, Empowerment
In a landscape where education constantly evolves to meet the demands of the digital age, Gemma’s latest book stands out as a beacon of innovation and inspiration for teachers and school leaders, venturing as it does into the realm of artificial intelligence in the primary classroom. Important to state at the outset, this is not a book full of lesson plans; rather, it is an extremely helpful tool to help you start to visualise how to constructively incorporate AI into your daily teaching and planning. B
The great strength of this book is the sheer diversity of topics and issues it covers in a simple format. From how to incorporate AI into curricular areas such as literacy, maths, science and art, to how to develop schoolwide policies on mobile phone usage or implementing effective behaviour management strategies. This book is a must-use guide to bring your classroom and school in line with 21st century technology and thrive using it.
There is currently a feeling among educators and others that using AI to help in the planning of teaching is somehow cheating or challenging our professionalism. This is a viewpoint that needs to change, and this guide is an ideal tool to help make that shift in our mindset to one that embraces innovation.
As a primary teacher herself, Gemma writes with humour and a full understanding of what your day-to-day job entails, helping to provide practical tips on every page to address the challenges of teaching today. What is hugely commendable is her embedding of inclusive practice throughout the book – especially for EAL learners, neurodiverse learners, and teachers – and decolonising practices. All current and important issues.
Gemma also highlights how using AI in the classroom can be a way to model its use in a positive way for learners. AI is not going anywhere, but incorporating it into pupil research, for instance, will help learners to understand that it is not about trying to find the answers, but is about helping them to ask critical questions and delve deeper into their learning.
As Gemma states, ‘We stand at the threshold of a new technological revolution’. We therefore simply must embrace the advancements in technology and I recommend starting with this book as an excellent step forward.
Nuzhat Uthmani, Lecturer in Primary Education at the University of Stirling, Founder of Global Citizenship Education in Scotland Ltd
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To my husband, the love of my life, and my mum, who has always encouraged my education and my writing. I am forever grateful to have you both in my life.F
Artificial intelligence is not going to change the world; it’s already changing it. Right now, someone is using AI to analyse X-rays and speed up diagnoses. Someone else is using an AI chatbot to activate a credit card. Phones are being unlocked using AI algorithms. AI is being used to prevent fraud and deployed to sift through military data. Whether you’re directly aware of it or not, AI is everywhere.
All technological developments can be daunting, and shifts on the scale that we’re about to witness sometimes produce particularly acute anxieties. These fears are not unfounded, and it’s entirely possible that the introduction of AI to education – if driven by the wrong people or pursued for the wrong purposes – could be hugely damaging.
It’s not difficult to imagine a spreadsheet-worshipping bureaucrat in a council office deploying AI for the purposes of tracking and monitoring, or decreeing that all teachers must produce lessons plans aligned to an AI-generated template. Someone, somewhere, is calculating how much money they can save by having AI calculate how much money they can save. The risks are real.
Like any technology, there’s enormous potential for misuse, and the sheer scale of AI’s possibilities means that concerns over its inevitable creep into education are entirely reasonable. Teachers are, sadly, well used to being told that they just need to make things work while being given little if any support.
There will be some who think the best approach is to resist – as far and for as long as possible – the adoption of this new, immensely powerful but potentially destructive technology. That’s an entirely understandable response, but ignorance isn’t bliss, progress can’t be halted, and there’s nothing to be gained from pretending that schools can be isolated from broader societal shifts.
The tide is rising no matter what we do, and planting our feet in the same point in the sand only ends one way. If teachers – or any number of other professionals – try to ignore AI, they will, in the end, find themselves overwhelmed by it when their makeshift levees inevitably break.
But that is where books like this one might come in. For Gemma Clark, AI is not the enemy – it is a potential ally. Specifically, she believes that it might be a tool to help address the workload crisis that has been engulfing the profession for years. That is, of course, a problem that can’t be solved by teacher innovation alone, and it’s always important not to let politicians and other decision-makers off the hook. However, if we iican make machines do at least some of the bureaucratic and organisational leg-work involved in teaching, maybe that could free up teachers to spend more time doing what they want to be doing, and what we need them to be doing? Maybe if AI is applied well, teachers could get on with teaching?
This book feels like a potentially important step in that direction. Some of the suggestions, like the use of AI to generate lists of spelling words, are relatively simple; others, such as deploying this new technology to summarise lengthy documents full of government guidance, speak to more fundamental changes in behaviour. As a former English teacher, ideas like using an AI image generator to develop students’ writing skills are particularly intriguing. Crucially, all are presented with a view to freeing up teachers to spend more time on the stuff that a computer, no matter how much artificial intelligence is poured into it, cannot do.
James McEnaney, journalist and author
Artificial intelligence (AI) undoubtedly sparks debate among teachers. Questions arise about the trajectory of this new technology: where will it take us? How will we differentiate between pupil-authored work and AI-generated content? What impact will it have on the dynamics of learning and teaching within schools? Will it lead to a loss of creativity and critical thinking skills? These are all crucial topics for discussion. Yet, AI has already become part of our reality, and I firmly believe that embracing its potential is in our best interests.
I understand first hand the challenges posed by our bureaucracy-heavy profession and its demanding workload. While I may not possess an inherent aptitude for technology or the ability to effortlessly implement technological solutions, I have identified 101 ways through which AI can alleviate this burden. There is a plethora of accessible AI mobile apps and free online platforms to choose from, such as Adobe Firefly and ChatGPT; even Snapchat has added a decent AI bot to the app, My AI.
These approaches not only restore a semblance of work–life balance by streamlining routine tasks and providing simple solutions that save time, AI also enables us to redirect our focus towards the important job of nurturing young minds, targeting our energy and resources into higher impact activities, such as creating tailored learning experiences, giving children personalised feedback, and improving engagement. It can also help us to tap into our creative reserves and make full use of the resources we already have available. Beware of Americanised spelling; however, you can always ask it to use English spelling.
AI has the capacity to revolutionise the teaching profession. We don’t need to meet this paradigm shift with trepidation; rather, we should welcome it as a long-awaited remedy to our workload conundrum.
AI can streamline your spelling lesson planning process, ultimately saving you valuable time. For instance, by inputting a simple query such as, ‘Provide me with eight lengthy words containing “oi”,’ an AI bot can produce a list within seconds, which you can easily copy and paste into your materials.
You could then enter the instruction, ‘Generate eight moderately simpler words’ and, just like that, differentiation becomes an effortless task. In a matter of moments, AI can create three tailored word lists, each suited to a different level of difficulty. I typed ‘Offer me eight four-letter words with “oi”’ and the AI app provided the following graded examples:
So, what if you find yourself in a situation where you are a new teacher or at a school without a specific spelling programme, and the teachers are essentially self-navigating through the challenges (we have all been there)? Not to worry! Just turn to AI and request a list of phonemes or ‘sounds suitable for teaching young children’, and watch as the app promptly devises a comprehensive list for you.
As a teacher who is passionate about teaching writing, I have found AI to be an exciting resource. It can save considerable time in the process of differentiated planning, affording me more time to create imaginative writing prompts. For instance, if I want to dedicate time to painting eggs with gold paint to simulate the presence of a magical dragon visiting the classroom overnight, I have that flexibility because I have had to spend less time on more mundane tasks!
AI apps can be harnessed to rapidly generate useful writing resources like sentence openers and vocabulary. Typing ‘Give me 10 adjectives to describe a magic dragon’ returns:
Or, for different kinds of writing, AI can quickly give you eight persuasive sentence openers – for example:
You can even request very specific sentence openers such as ‘ly’ openers:
All of this gives you more time to spend on the fun stuff.
Using AI-generated images as a creative tool for story writing prompts can be fun for the children. For instance, you could request an image of ‘a haunted house with bats flying around’ or ‘a depiction of an enchanted forest’. This approach offers excellent opportunities to provide pupils with choices and individualisation during their writing lessons. If the children have access to tablets, the initial step of their writing task could involve generating an image of a setting on which they would like to base their writing. This exercise enables them to observe how particular words evoke distinct mental images, encouraging them to consider how language can enhance their descriptions.
This activity is not only engaging and enjoyable for children, but it also challenges them to develop a vocabulary that effectively conjures the imagery they imagine. Moreover, if the image produced doesn’t align with their vision, it can prompt them to consider how to communicate their preferences better to the AI app.
We have all encountered some amusing and/or peculiar AI-generated images, so we know this experience can be effective in sparking the children’s imagination. For instance, an image of a frog on a flying submarine might just be the catalyst for igniting a creative storytelling spark! As the teacher, you might use ICT time to get the children creating their own images or you may want to produce a specific image that fits your writing lesson objectives and display it to the whole class.
As a child with undiagnosed dyslexia, I enjoyed reading, but I detested comprehension exercises. (I now realise this was due to the considerable amount of mental effort it demanded.) As a teacher, I observe that many pupils aren’t enthusiastic about reading comprehension either. Nevertheless, it is a crucial skill and necessary for their educational advancement.
Since piquing the children’s interest constitutes a significant portion of the challenge in most classrooms, imagine the possibility of orienting reading comprehension exercises towards subjects that resonate with a class or even with individual children. Thanks to AI, this has become an effortlessly achievable reality!
I recall a pupil with whom I struggled to foster engagement unless the content was customised to revolve around his interests in dinosaurs or minibeasts. AI could have swiftly provided me with a reading passage on centipedes, complete with accompanying questions and answers. Consequently, I could have presented this child with a reading task that he would have gladly embraced, and which would have spared me from dedicating hours to locating or crafting such materials myself.
Here is an example. ‘Give me a passage about centipedes for a 7-year-old’ generates:
Centipedes are small creatures with lots and lots of legs! They are like mini superheroes in the bug world. Imagine having so many legs to walk with – it must be like wearing many pairs of shoes all at once!
These tiny creatures live in dark and damp places, like under rocks and leaves. They like to hide because they are a bit shy. When the sun goes down and it gets dark, they come out to explore and find their dinner.
Guess what they like to eat? Other bugs! Centipedes are great hunters. They use their special curved jaws to catch spiders, worms, and insects, even ants. They are like sneaky ninjas of the bug world, silently creeping up on their prey.
But don’t worry, most centipedes won’t bother humans. They are more interested in finding their bug-sized snacks. So, if you ever spot a centipede, 7remember to give them some space – they are just busy looking for their next meal!
The input, ‘Give me five comprehension questions based on the above’ suggests:
This list can be further individualised if you wish to focus on literal questions or inferential questions. It would take me less than a minute to copy and paste the above text and questions into a document, ready for my pupil who would benefit from individualised tasks.
AI has a lot of potential for poetry, whether it is creating poems to fit learning themes or generating examples of different kinds of poetry. You can be very specific.
Prompt: ‘Write a child-friendly rhyming couplet poem about a butterfly’.
In fields of flowers, oh so spry,
A butterfly flits by the sky.
Its wings a rainbow, colours bright,
Dancing in the golden light.
With grace it lands on petals fair,
Spreading magic through the air.
Fluttering, it’s a joyful sprite,
A painted wonder taking flight.
Or ‘Write a poem in Scots language about a beloved pet cat’.
Ma braw wee pet, sae dear tae me,
A furry freend, aye blythe and free.
Wi’ waggin’ tail and sparklin’ e’e,
Ye fill oor days wi’ sic glee.
Ye loup and play, a bonnie sight,
Lichtin’ up the gloomy night.
Nae maitter rain nor sun sae bricht,
Ye bring me joy wi’ a’ yer might.
Thro’ fields we wander, hand in paw,
A bond sae true, nae flaw nor flaw.
Ye understand me, nane else saw,
My loyal freend, fore’er we’ll draw.
Noo restin’ in yer cozy bed,
I stroke yer fur, a gentle tread. 9
Wi’ love that niver fadeth, spread,
My beloved pet, ye’re a treasure, bred.
And, of course, AI can help you to plan a poetry lesson – for example, ‘Plan a limerick writing lesson for 10-year-olds’:
Objective: To introduce 10-year-old pupils to the concept of limericks and guide them in creating their own limerick poems.
Duration: 1–2 class periods (adjustable based on pace)
Materials:
Whiteboard or chart paperMarker pensLimerick examples (written or printed)Lined paper or notebooks for pupilsLesson steps:
Introduction to limericks:Begin by asking pupils if they have heard of limericks before. Share that limericks are fun and silly poems with a specific rhyme and rhythm pattern.Display or share examples of limericks. Read a few aloud to the class, emphasising the rhyme scheme and rhythm.Rhyme and rhythm pattern:Discuss the AABBA rhyme scheme of a limerick, where the first, second, and fifth lines rhyme with each other, and the third and fourth lines rhyme with each other.Talk about the rhythm of a limerick, which is typically anapestic (da-da-DUM). Demonstrate the rhythm by clapping the syllables of a limerick line. 10Brainstorming ideas:Engage pupils in a brainstorming session. Ask them for ideas on different topics they could use for their limericks. Encourage creativity and silliness!Write down some of their ideas on the whiteboard or chart paper for reference.Writing limericks:Choose a topic from the brainstorming session as a class. Let’s say the topic is ‘pizza’.Together, construct a limerick using the AABBA rhyme scheme and the anapestic rhythm. Write the limerick on the board as you create it together.Explain that the limerick should have a funny or surprising twist in the last line. Encourage pupils to think of unexpected endings.Independent writing:Distribute lined paper or notebooks to pupils.Instruct pupils to choose their own topic from the brainstorming session and start crafting their limericks. Remind them to focus on rhyme, rhythm, and the twist in the last line.Sharing and feedback:Once pupils have completed their limericks, provide an opportunity for volunteers to share their poems with the class.Encourage positive feedback from peers. Discuss what makes a limerick funny and effective.Limerick gallery:Collect the limericks from the pupils and create a limerick gallery display in the classroom.Invite pupils to read each other’s limericks and appreciate the creativity and humour.Extension:
Challenge advanced pupils to create longer limerick chains, where each limerick’s last line becomes the topic for the next limerick. 11Assessment:
Assess pupils’ understanding of limericks based on their ability to adhere to the rhyme and rhythm pattern, create a twist in the last line, and produce a limerick that is entertaining and humorous.By the end of this lesson, 10-year-old pupils should have a grasp of limerick structure and be able to write their own amusing limerick poems.
I find AI to be a very useful tool for teaching poetry across a range of genres.
Cloze procedures are educational tools used to assess and enhance reading comprehension skills, particularly in the context of language learning and literacy development. The technique involves presenting a passage of text with specific words or phrases removed. The reader is required to fill in the missing words based on the context and their understanding of the text. This approach encourages readers to actively engage with the text, infer meanings, and utilise their background knowledge to complete the gaps.
Missing word cloze procedures are commonly used in primary settings and can prove valuable in reinforcing what the children are learning in other curricular areas. However, it can take a significant amount of time to locate suitable passages or create them from scratch. Once again, AI can produce these passages within seconds and allow easy customisation to match individual interests and needs.
For example, ‘Write a missing answer cloze procedure about the water cycle with answers included’ generates:
The water cycle, also known as the hydrological cycle, is the continuous process by which water moves through the Earth’s atmosphere and its surface. This cycle plays a crucial role in maintaining the Earth’s water supply and regulating its climate. The water cycle consists of several key stages:
Evaporation is the process by which water from oceans, lakes, and rivers turns into water vapour due to the heat of the sun. The sun’s energy causes the water to evaporate and rise into the ________.As the water vapour rises higher into the atmosphere, it cools down and changes back into tiny water ________. The condensation causes clouds to form.When the clouds become heavy and saturated with water droplets, the water falls back to the Earth’s surface as ________. It can be in the form of rain, snow, sleet, or hail.Some of the precipitation flows along the Earth’s surface and collects in rivers, lakes, and oceans. This is known as runoff. It ___________ the water bodies and continues the cycle. 13Some of the precipitation seeps into the ground, a process known as ________. This water can be stored in underground reservoirs called aquifers.Transpiration is the process by which plants absorb water through their roots and release water vapour through tiny ________ in their leaves. This adds water vapour to the atmosphere.The water cycle is a continuous and interconnected process that ensures the availability of water for various living organisms and natural systems on Earth.
Answers:
AtmosphereDropletsPrecipitationReplenishesInfiltrationPoresThis comprehension activity can be copied and pasted into a document in seconds, saving hours of your time.
While there is much more to poetry than acrostic poems, I am sure we all agree that these are a great activity for getting children to think about vocabulary. AI can very quickly devise differentiated examples of acrostic poems for you to show the class – for example, you could challenge some children to use the word ‘ghost’ and more advanced learners to use the word ‘Halloween’ when they write their own acrostic poems.
Prompt: ‘Write an acrostic poem for children using the word “Halloween”.’
Hats and costumes, fun to wear,
A spooky night with a chilling air.
Laughter echoes, as pumpkins gleam,
Lanterns light up this Halloween dream.
Onward we go, into the night’s embrace.
Witches and ghosts under moonlit skies.
Everyone’s dressed in their favourite guise,
Eerie tales told with a shiver and cheer,
Nights like this are filled with delight!
Prompt: ‘Write an acrostic poem for children using the word “ghost”.’
Glowing white, they softly float,
Hiding in the shadows, a spectral gloat.
On misty nights, they appear to play,
Shadowy figures, here they stay.
Transparent beings, mysterious and shy.
Most children find mysteries more fun than traditional comprehension passages, and if there are clues to solve too, then more reluctant readers are more likely to engage. Nevertheless, they are all still having to understand and think about what they have read.
Prompt: ‘Create a child-friendly mystery story about a stolen diamond. Ensure there are clues for children to work out who the thief is. Provide the thief’s name at the bottom of the story so that it can be told to the children later.’
In the magical land of Gemlandia, preparations were underway for the enchanting Gem Carnival. The crown jewel of the carnival was the dazzling Enchanted Diamond, a gem that radiated colours like a rainbow. The diamond was showcased inside a magnificent glass dome at the heart of the carnival.
Families and children flocked to the carnival, thrilled by the sight of sparkling gems. Among them were Lily and Max, two curious and clever friends. Their excitement turned into astonishment when a gasp swept through the crowd – the Enchanted Diamond had vanished!
Concern spread, and the organisers quickly summoned Detective Ruby, a wise and friendly fox known for solving the trickiest mysteries. She explained that the diamond had been stolen, and they needed to unravel the puzzle before the carnival came to an end.
Determined to help, Lily and Max joined forces with Detective Ruby. They interviewed witnesses, examined the scene, and discovered that three individuals had been near the diamond’s display: Mr Goldstone, the jeweller; Madame Amara, the illusionist; and Professor Crystal, the gem expert.
Each suspect had their own story to tell. Mr Goldstone claimed to have been polishing a gem necklace, Madame Amara was practising her magic tricks, and Professor Crystal had been presenting a lecture about rare gems.
The young detectives pooled their observations and formed a theory. Max recalled reading that diamonds have unique qualities when exposed to light. Lily thought that a thief might have used light to their advantage. 16
They revisited Madame Amara and enquired about her magic tricks. She hesitated but then admitted that during her performance, she saw a sudden gleam of light that blinded her momentarily.
Armed with this new clue, they approached the suspects again. Professor Crystal confessed to accidentally directing sunlight with his magnifying glass, but he insisted he was innocent.
Mr Goldstone admitted to briefly leaving the diamond’s case unlocked, but he denied any involvement in the theft.
Lily pieced together the facts and realised that the blinding light held the key. She gathered everyone at the carnival and explained that the light had been a clever distraction. The thief must have taken advantage of the moment and seized the diamond.
As Detective Ruby announced that they were close to solving the case, the carnival visitors applauded the young detectives. Detective Ruby thanked Lily and Max for their sharp insights.
And so, the young detectives continued to work together, gathering more clues and piecing together the puzzle of the Enchanted Diamond. Who was the thief? The answer awaits!
[The thief’s name: Mr Goldstone]
Feel free to share the thief’s name with the children, allowing them to connect the dots and celebrate their detective skills!
You can alter the mystery story in many ways by simply inputting, for example, ‘Can you make the above Halloween themed?’
In the eerie town of Hauntville, the air was filled with excitement as the annual Halloween Spectacle drew near. The main attraction of the event was the mysterious Shadowstone Diamond, a gem that shimmered like a phantom’s glow. The diamond was displayed inside a grand, spiderweb-covered glass case at the heart of the spook-tacular event.
Families and kids roamed the streets, dressed in their Halloween costumes, eagerly anticipating the array of creepy delights. Among the crowd were 17siblings Mia and Ethan, a pair of sharp and adventurous detectives. Their excitement turned to intrigue when a collective gasp echoed – the Shadowstone Diamond had vanished!
Anxiety spread, and the event organisers called upon Detective Luna, a clever and friendly black cat known for solving perplexing mysteries. She explained that the diamond had been stolen, and they had to piece together the puzzle before the Halloween Spectacle reached its chilling end.
Eager to assist, Mia and Ethan teamed up with Detective Luna. They interviewed witnesses, examined the scene, and identified three suspects who were near the diamond’s eerie display: Mr Ravenwood, the jeweller; Madame Morgana, the fortune teller; and Professor Cursedale, the gem historian.
Each suspect had a tale to share. Mr Ravenwood insisted he had been inspecting a haunted necklace, Madame Morgana was practising her mystical readings, and Professor Cursedale had been giving a talk about cursed gems.
Pooling their thoughts, the young detectives formulated a theory. Ethan recollected a story about diamonds changing colours when exposed to unique light. Mia suggested that the thief might have used a flash of light to their advantage.
They revisited Madame Morgana and enquired about her fortune-telling tricks. She hesitated, then revealed that during her performance, a sudden blinding flash of light momentarily obscured her vision.
Armed with this newfound clue, they returned to the suspects. Professor Cursedale admitted to accidentally reflecting moonlight with his magnifying glass, but he vehemently denied any involvement in the theft.
Mr Ravenwood confessed to momentarily leaving the diamond’s case unlocked, but he maintained that he had not stolen it.
Mia connected the dots and realised the significance of the blinding light. Gathering everyone at the Halloween Spectacle, she explained that the flash had been a clever trick, designed to divert attention while the thief snatched the diamond.
With Detective Luna’s assurance that they were close to solving the case, the Halloween crowd cheered for the young detectives. Detective Luna thanked Mia and Ethan for their sharp instincts. 18
The Halloween Spectacle continued, and the young detectives worked together to gather more clues, piecing together the enigma of the Shadowstone Diamond. Who was the thief? The answer is just around the corner!
[The thief’s name: Mr Ravenwood]
AI can serve as a playful and engaging tool for children to craft their own characters for writing lessons. For instance, children can request an AI image generator to produce a ‘furry blue monster’, which they can then describe in their narratives. AI can also aid them in producing descriptive settings which they can use as the basis for an imaginative story. The potential to elevate the writing experience while fostering engagement knows no bounds!
You could also input the images crafted by the children into an image-to-text converter, which would result in the generation of descriptive passages. This would not only provide the children with examples to read but also help them to explore and develop new vocabulary.
Utilising the magic of Easter bunnies, Father Christmas, or fun fictional characters can be a great hook for learning and engagement with young classes. For example, perhaps you want your class to write a persuasive letter. Wouldn’t it help if they received an exciting letter from Father Christmas to which they could craft a reply?
Prompt: ‘Write a letter from Father Christmas to a class saying that he is thinking of sending them a magic elf, but he is unsure and can the children write back telling him the reasons why they should have an elf.’
[Your Address]
[Street, City, Post Code]
[Date]
Dear [Teacher’s Name] and [Class Name],