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From master storyteller Stewart O'Nan, a timely moral thriller of the Jewish underground resistance in Jerusalem after the Second World War. In 1945, with no homes to return to, Jewish refugees set out for Palestine in their tens of thousands. City of Secrets follows one survivor, Brand, as he tries to regain himself after losing everyone he's ever loved. Now driving a taxi provided - like his new identity - by the underground, he navigates the twisting streets of Jerusalem as well as the overlapping, sometimes deadly loyalties of the resistance. Alone, haunted by memories, he tries to become again the man he was before the war - honest, strong, capable of moral choice. He falls in love with Eva, a fellow survivor and member of his cell, reclaims his faith, and commits himself to the revolution, accepting secret missions that grow more and more dangerous even as he begins to suspect he's being used by their cell's dashing leader, Asher. By the time Brand understands the truth, it's too late, and the tragedy that ensues changes history. A noirish, deeply felt novel of intrigue and identity written in O'Nan's trademark lucent style, City of Secrets asks how both despair and faith can lead us astray, and what happens when, with the noblest intentions, we join movements beyond our control.
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This is a work of fiction. Names, characters, places and incidents are products of the author’s imagination and are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
First published in the United States by Viking, an imprint of Penguin Random House LLC
First published in Great Britain in 2016 by Allen & Unwin
Copyright © Stewart O’Nan, 2016
The moral right of Stewart O’Nan to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act of 1988. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. Every effort has been made to trace or contact all copyright holders. The publishers will be pleased to make good any omissions or rectify any mistakes brought to their attention at the earliest opportunity.
Allen & Unwin
c/o Atlantic Books
Ormond House
26–27 Boswell Street
London WC1N 3JZ
Phone: 020 7269 1610
Email: [email protected]
Web: www.allenandunwin.com/uk
A CIP catalogue record of this book is available from the British Library.
Hardback ISBN 978 1 76029 348 2
E-book ISBN 978 1 95253 370 9
Once again to Trudy
The angel of forgetfulness is a blessed creature.
—Menachem Begin
Contents
1
2
3
4
5
6
7
8
9
10
Acknowledgments
1
When the war came Brand was lucky, spared death because he was young and could fix an engine, unlike his wife Katya and his mother and father and baby sister Giggi, unlike his grandparents and aunts and uncles and cousins. A Latvian and a Jew, he was interned first by the Russians, then the Germans, then the Russians again. By chance, he lived. While he was tempted almost daily (really, nightly), he wasn’t enough of a fatalist to return the gift. The winter after the war, with no home to go back to and no graves to venerate, he signed on a Maltese freighter and landed in Jerusalem, realizing his mother’s lifelong dream. In their dining room in Riga hung a bad lithograph of the walled city like a fortress out of Beau Geste, its stone golden in the numinous desert light. At the end of the seder, his Grandfather Udelson raised his glass to it. “Next year in Jerusalem.” For Brand it was next year, without the sweetness.
Like so many refugees, he drove a taxi, provided, like his papers, by the underground. His new name was Jossi. His job was to listen—again, lucky, since as a prisoner he had years of experience. With his fair hair and grade school Hebrew, he could be trusted. The British soldiers, the blissful pilgrims, the gawking tourists all wanted to talk. They spoke to him as if he were slow, leaning in close behind his ear, shaping each syllable.
Where was he from? What did he think of the trials? How did he like living in Jerusalem?
“I like it,” the man he was pretending to be said, instead of “It’s better than the camps,” or “I like living,” or, honestly, “I don’t know.”
The city was a puzzle box built of symbols, a confusion of old and new, armored cars and donkeys in the streets, Bedouins and bankers. The Turks and Haredim, the showy Greek and Russian processions—everyone seemed to be in costume, reenacting the miraculous past. The very stones were secondhand, scavenged and fit back into place haphazardly, their Roman inscriptions inverted. It was the rainy season, and the walls were gray instead of golden, the souks teeming with rats. An east wind thrashed the poplars and olive trees, stirring up trash in cul-de-sacs, rattling windows. He’d lost too much weight during the war and couldn’t get warm. When he ran out of kerosene, his contact Asher brought him a jerry can liberated from their masters. Nightly the streetlights flickered and the power went out. His flop off the station road overlooked the Armenian cemetery where the whores took the soldiers after the bars closed, their electric torches weaving between the crypts. The rain fell on the domes and bell towers and minarets, filling the ancient cisterns beneath the Old City, fell on Mount Scopus and the Mount of Olives and the desert beyond, thunder cracking over the Dead Sea. The dankness reminded Brand of his grandmother’s root cellar. As a boy he was afraid the door at the top of the rough stairs would swing closed of its own weight, the latch catching, leaving him in darkness. Now he imagined her hiding there, dirty-cheeked, surviving on jarred beets and horseradish, but of course she couldn’t be. The house, the town, the entire country was gone.
Sometimes in the night when his dreams and the lightning wouldn’t let him sleep, he dressed and went down to his taxi, an old black Peugeot he kept buffed to a mirror-like shine, and drove through the Zion Gate checkpoint into the Old City, as if he were going to pick up a fare, to see the widow. Her name was Eva, but when Asher had recommended her, he called her The Widow as if it were a code name, and though Brand was a widower himself, he couldn’t get it out of his head. She would always be another’s, that dead love private, untouchable.
How, after everything, was he still proud? There were worse things than second best.
Eva, his new Juliet, his new Eve. From Vilna, the Jerusalem of the North, with an urbane scorn for backward Latvia. She was older than Brand by more than a decade, her eyes baggy, her jet hair threaded with gray. Before the war she’d been an actress known for her Nora and Lady Macbeth. She wished she had her clippings to show him. In the right light he could see she’d been striking once, the dark hair and sky-blue eyes, high cheekbones and generous lips, but at the corner of her mouth a deep scar had healed badly, the nerve severed so that one side drooped in an exaggerated frown, like the mask of tragedy. Like Brand, she hated the Russians and Germans equally, absolutely. She was a joke among their cell, a ruined woman, useful for one thing. When she drank, she railed against the world, calling all men pigs.
“Not you,” she said. “You’re like me.”
How? he wanted to ask, but was afraid of the answer.
When she cried after lovemaking or while they ate breakfast at her small table, he knew it was for her husband, whose name she wouldn’t say. Brand had no money, and they’d come to a loose arrangement he soon regretted. He was forbidden to mention the word love, would be banished at the first hint of romance. She was not his, merely a comrade. She taught him Hebrew and English a phrase at a time, correcting his fledgling attempts with her perfect articulation, as if training him for the stage. In return, he chauffeured her to her assignations, waiting discreetly across the street, smoking and reading the paper, trying not to think of Katya, whose memory had sustained him in the camps and through the long, starry watches at sea. After Katya, whatever happened to him was nothing. The world was not the world.
Tonight the Zion Gate was jammed, traffic backed up along the wall, the rain falling in long needles through a red fog of exhaust. The line was stopped. In the stark wash of floodlights shining down from the sandbagged ramparts, soldiers were going from car to car with dogs, opening doors, pulling people out. The police hadn’t called curfew in weeks. There must have been an action, though the radio said nothing. He tried the underground station at the far end of the dial and got a blast of static.
Ahead, a soldier with a tommy gun was frisking a gray-bearded Arab in full robes and headdress while a dog nosed about inside the car, a grave insult if the man were Moslem, dogs being unclean. It was quite possible the man was a Christian; many of them were. Brand, being a transplant, couldn’t tell them apart. He was more concerned that the dog would muddy his seats, and wished he hadn’t thrown away his paper. It was too late to turn around, and he shut off his engine to save gas.
His papers were false, as was the Peugeot’s registration, the car itself stolen from Tel Aviv, repainted and fitted with a smuggler’s false-bottomed trunk. If taken in for questioning, Brand had no defense. He’d be detained as an illegal and a thief, interrogated, then jailed or deported, but all the times he’d been stopped, all the checkpoints he’d braved, the police had never challenged him. While his documents—like his current life, he might say—were passable forgeries, his livery license, a metal badge attached to the front bumper, and much harder to come by, was real. And yet, having been arrested before—once, in Riga, sitting in his booth in his favorite coffee shop—he knew that as a Jew you were never safe.
The dog clambered out of the Arab’s car, its tongue lolling. The soldier with the gun motioned for the man to open his trunk. For a moment Brand expected someone to be in it—an assassin, perhaps—expected that person to spring out with a pistol and sprint for the darkness, only to be cut down by gunfire. There was nothing, just a spare tire and a cardboard box the soldier turned over, dumping in the mud a knot of embroidered scarves popular with the tourists. As he prodded them with the muzzle, the Arab turned his head and spat. Before he could turn back, the soldier with the dog stepped up with a baton and clubbed him across the face, knocking him to the ground.
The dog charged, snarling, fangs bared, and as the old man scrabbled backward in the dirt, for a second—was it Brand’s imagination?—he looked directly at Brand, eyes beseeching, as if Brand might save him.
Sorry, Brand thought, biting his lip as if still deciding. You shouldn’t have spit.
The Tommy hauled the dog off by its collar. A squad came running, yanked the old man to his feet and hustled him away, bleeding, his robes muddied, leaving behind the pile of scarves and a single sandal. The soldier with the gun pulled the car off the road and left it there with the trunk open.
Brand moved up, straddling the scarves, and lowered his window. The soldier with the dog paused at the front of his car and noted his badge number.
“Papers.”
Brand handed them over. The dog was panting, white froth on its tongue. In the silver light its breath was a cloud. In the camps he’d seen a guard dog shake a toddler like a doll. He’d never trust one again.
“Where are you going?” Unlike Brand’s, the Tommy’s Hebrew was flawless. It was always a shock to think a Jew could be brutal, let alone his enemy.
“The Jewish Quarter.”
“What for?”
“I’ve got a fare there.”
“What address?”
There was no reason to lie. He did anyway. “Seventeen Beersheba Street.”
The soldier handed back his papers. “Go ahead.”
“Thanks,” Brand said, then, when he was well past him, his window closed, used a new word Eva had taught him: “Wanker.”
The berm was lined with deserted cars, their doors and trunks flung open, bags and clothing scattered about the ground like trash. The Arabs must have pulled something big, because when he finally reached the gate, the police were loading a dozen of them onto a sand-colored bus with wire mesh over the windows. At the end of the line, the old man shuffled after the others with his head bent.
Inside the wall, the Armenian Quarter was dark, the iron grates of the cafes along the Street of the Martyrs locked for the night. The radio told Brand nothing, which was typical. The Mandate didn’t broadcast its losses, only the glorious magnanimity of the Empire. He’d read about it in the Post tomorrow, with the obligatory editorial condemning both the Arabs and the British, as if their own position had somehow improved.
Like the rain, the constant politicking tired Brand out, and now, as he turned into the Street of the Jews, there was nowhere to park. He circled the Hurva Synagogue, searching, all the while recalling the old man’s face. What was Brand supposed to do? His father had likely cried out the same way, and his mother. No one had saved them. On a snowy day, while Brand was tending the balky presses of a commandeered stamping plant, the Germans marched the Jews of Riga into Crow Forest and shot them. Not en masse but one by one, making each new victim lie facedown, naked, between the legs of the last, before delivering a single bullet behind the ear, the method designed not merely to break their spirit but to save space. He stopped himself from seeing Katya in the pit by squeezing the steering wheel as if he might crush it till his knuckles hurt, and cursed the old man and the soldier for making him remember. It was late and he was cold. All he wanted was to lie in Eva’s warm bed and sleep.
A block in, the streets ended. The Quarter, like most of the Old City, was cloistered, a warren of stone. He found a spot by what was supposed to be a Roman bathhouse, ducked into the nearest lane and wormed his way back through the maze of cobbled alleys and wet steps, treacherous in the dark. The only sound was the rushing of downspouts, precious runoff sluicing along the gutters, dropping through the grates to the hidden cisterns below. Some nights, navigating the shadowy labyrinth with its vaulted galleries and courtyards and bazaars, Brand felt as if he’d traveled back in time. Others, coming to her half drunk and wildly grateful to be alive, guarding the happy secret of his myopic, impossible love, he saw himself caught up in an exotic adventure. He knew they were both illusions, knew precisely why he needed them. He was no hero, no Romeo, just a fool, untouched as yet by the Angel of Forgetfulness. Now, as he walked the long arcade of the market with its shuttered stalls and through the arched gate behind Eva’s boardinghouse, the lamp in her window that signaled she was busy confirmed his true station in the world.
He would wait. It was too late for pride. He’d done it before, in worse weather. In his flat there was nothing but the dregs of a bottle of arak, and tomorrow he had to get up and drive.
Farther down, there was a dry niche beneath the awning of a tinsmith’s shop. From the shadows he could watch her door. He made for it, only to discover the flaring ember of a cigarette.
“Jossi,” a voice he knew whispered, and the moon-like face of Lipschitz materialized from the darkness—his thick specs and piggy cheeks, a wet glint of teeth. “Asher said you’d come.”
Brand liked Lipschitz well enough, but he’d be damned if he’d stand in line. “I’ll come back.”
“We tried calling your landlady.”
“It’s okay.”
Lipschitz shook his head. “It’s not that. We need your car.” He pointed toward the door with his cigarette. “The password’s ‘Hezekiah.’”
Whatever the job was, after what happened at the checkpoint, Brand thought it couldn’t be good. And it was slapdash, badly planned. Lipschitz, who could barely see, was their watchman.
When Brand knocked, the voice that asked for the password wasn’t Asher’s but that of a Frenchman. The man who opened the door was burly as a lumberjack, with bushy red eyebrows and a rusty beard and a stubby pistol he returned to his coat pocket. It was a serious breach of protocol. To protect the movement, you knew only the members of your cell. Neither mentioned it as the Frenchman led him up the stairs to the landing.
“Your taxi’s here,” the man announced, and closed the door behind Brand.
“Jossi,” Asher called from the bedroom. “Get in here.”
The lampshade had been tossed aside, and the covers. In the glare of the bare bulb, on the bed he’d hoped to share with her, Eva and Asher were holding down a shirtless man dark as an Arab. The white sheets were bright with blood—the room stank of it. The man moaned with his eyes closed, rolling his head on the pillow.
“Over here,” Asher said, tipping his chin. Silver-haired and fit, he reminded Brand of his last ship’s captain, a lover of port wine and chess. His hands were busy pressing a bloodstained towel into the man’s stomach. “Hold this.”
Asher stood, hunched so Brand could duck beneath him and take his place. The towel was wet and surprisingly warm. When Brand pressed it against the wound, the man grunted and tensed, his legs kicking.
“Keep the pressure on,” Eva said. She held another towel to the man’s shoulder while Asher went to the bureau and tore open a gauze dressing. He stripped white tape off a roll and snipped it with scissors.
Despite his dark skin, the man wore a gold Star of David on a chain and had a tattoo of a lion rampant on his biceps. Above his right eye branched a raised scar shaped like the letter yod. Probably a Sabra, born here. They were supposed to be the most ferocious, fighting for their homeland, not some bourgeois Ashkenazi pipe dream.
“Who is he?” Brand asked.
Neither of them said a word, and he realized his mistake.
Asher leaned across him, curling worms of tape hanging from his arm. He pushed Brand’s hand aside to check the wound, the lipped skin holding a dark cup of blood. The hole could only be from a gunshot, Brand thought, a large caliber from the size of it. Asher packed it with gauze, making the man arch his back, covered it with another square and taped it in place. “Tonight he’s your brother.”
“Sorry.”
“It’s all right. Just think.” Asher tapped his temple.
“Throw the towel in the washtub,” Eva said. “And run some water on it.”
The shoulder wasn’t as bad, the shot having passed through cleanly, missing the bone. Asher and Eva bent over it, working like doctor and nurse, and Brand wondered how much practice they’d had, and how the man had ended up here.
Brand was relieved, thinking they were done.
“Don’t just stand there,” Eva said. “Help us roll him over.”
When they did, Brand saw the exit wound.
Gauze wasn’t enough. Asher plugged it as best as he could with a dishcloth, crisscrossing it with long strips of tape. The man had passed out. They sat him up to tug Asher’s undershirt over his head. Already the blood was seeping through.
“Give me your sweater,” Asher said.
Brand couldn’t protest, but hesitated.
“I’ll get you another,” Asher said, and fit the man’s arms in the sleeves. It was far too big for him. “Stand him up.”
“Where are we going with him?”
“You’re taking him to the Belgian hospice. A doctor will meet you there.”
“My car’s behind the synagogue.”
“You’ll have to get it.”
Eva made to take his place, but Asher told her to go with Brand and called the Frenchman up from downstairs. Brand would bring the car around and she would run in and let the Frenchman know it was ready.
Outside, the darkness closed over them, a relief. In his niche, Lipschitz kept watch, squinting. They passed him as if he were invisible.
Brand didn’t like any of it. He was nervous just being a courier. Without his sweater he was cold, and his fingers were tacky with blood. He wished he’d stayed in bed, and blamed the rain.
In the market Eva pulled his arm around her and they walked like lovers, a transparent disguise. “I tried to call.”
“Lipschitz said.”
“Don’t be angry.”
“Why should I be angry?”
“You did well,” she said.
“I did?”
“You weren’t afraid. You helped.”
“Does this happen often?”
“It’s not the first time, if that’s what you mean.” He was quiet, and she reached up and kissed his cheek in apology. “It doesn’t happen that often.”
“I hope not.”
“When it does, we have to be ready.”
He understood, even as he flinched at the collective. Like everyone in their cell, without notice she was expected to turn her place into a safe house. He would do the same, and yet, remembering her and Asher working together and himself standing there with the towel like an idiot, he was jealous. He hadn’t been brave, he’d been terrified, just as he’d been a coward at the checkpoint with the old man. In the camps he’d learned to stand and watch. It had saved his life and made him useless. If he’d come here to change, he needed to do better.
Ahead, the alleys converged at a fountain.
“Where behind the synagogue?” Eva asked.
“By the baths.”
She knew a quicker way, taking him through the flower market, the stones littered with stalks and wilted blossoms. A gated garden led to a park full of swishing cypresses whose busy shadows hid them. At its entrance they turned right through an arch, then left down a passage lined with dustbins and came out beside the baths. He expected an armored car on patrol, its spotlight sweeping the storefronts, but the street was empty.
As he stuck the key in the lock, beyond the city walls the carillon of the YMCA chimed, striking two. He hadn’t thought it was so late.
Eva sat in back like a passenger. There was no one until they made the turn onto her street, where a pair of headlights coming the other way flashed a challenge. The lights were too low to be an armored car, maybe a battle jeep left over from El Alamein.
It was just another cab trying to get through. Brand backed up and let him by, then pulled even with the mouth of her alley.
Eva leaned in close as if to pay and kissed his ear. “Be careful.”
“You too.”
Alone, he tried the radio. Nothing but static and, faintly, American dance music from Cairo—maracas and a snaky clarinet. That old black magic has me in its spell, that old black magic that you weave so well. Sometimes they danced to the phonograph in her sitting room, moving the table aside, and again he thought he should be asleep and warm, all of this a bad dream. He checked his mirrors as if someone might be sneaking up on him. Turning off his lights would only make him more conspicuous, so he sat with his wipers flipping, wasting gas. He watched the rain dimpling the puddles. He knew every step, every cobblestone between the street and her door, could make the walk blindfolded. They should have been back by now. Maybe the man had died. They’d still need to get rid of the body. But they could do it there, they didn’t need his car for that.
A new song started, a tinkling piano and a boozy saxophone. If you were mine, I could be a ruler of kings. And if you were mine, I could do such wonderful things.
In the alley, shadows flew across the walls. From the darkness a figure emerged—Eva, with Asher and the Frenchman bulking behind, the man sagging between them like a drunk in Brand’s sweater. From habit Brand hopped out and ran around to get the door for them.
“Get back in the car,” Asher ordered, pointing.
In their rush to shove the man in, they knocked his head against the frame. He was dead weight, and they tried to prop him upright in the far corner. He toppled face-first against Brand.
“Lay him across the seat,” Asher said, then to Brand, “Pull around to the back entrance. They’ll be waiting for you.”
“What’s the word?”
“There’s no word. They’re expecting you. Go.”
This time of night the Belgian hospice was a three-minute drive, tucked behind the Muristan in the Christian Quarter. There were no checkpoints to avoid. All Brand had to do was swing up through the Armenian Quarter. He turned off the radio as if the man were any passenger and focused on the road.
Ahead, past the shadowed colonnade of St. James Cathedral, loomed David’s tower and the imposing block of the Citadel, backlit by the floodlights at the Jaffa Gate. He was a careful driver normally. Now he guided the Peugeot through the wet streets as if it were filled with explosives, slowing for every alley, rounding off each turn.
At David Street there was no white-gloved policeman on the little podium, no desert-colored jeep with a spotlight and machine gun mounted in back. Brand turned and eased by the darkened fish market. Beyond the broad piazza of the Muristan rose the Crusader bell tower of the Church of the Holy Sepulchre like a great black finger. Strange, Brand thought. Tomorrow he would take a dozen fares there and remember none of them.
Behind him the Sabra groaned, making Brand glance at the mirror. The man was sprawled across the backseat at such an angle that Brand couldn’t see his face. The man moaned again as if trying to speak.
“Almost there,” Brand said, and sped up.
The rear of the hospice was dark. As he pulled in, the doors swung open. Instead of the doctor Asher had promised, two men with bandanas over their faces like train robbers scurried down the steps.
Brand didn’t get out. Without a word to him, the men dragged his passenger out and shut the door, and Brand drove off, free again.
On his way back, as he slowed for David Street, an armored car crossed in front of him, headed for the Armenian Quarter.
“Baruch Hashem,” Brand said, signaling, and went the other way.
Asher hadn’t given him instructions on what to do after dropping the man off, but Brand had had enough for one night. He avoided the checkpoint by taking the Jaffa Gate, and then, safely beyond the walls, passing the Zion Gate, saw that traffic was still backed up.
At home, when he stepped out of the car, the ceiling light popped on. Across the backseat lay a wet swath of blood. He was lucky he hadn’t been stopped. He closed the door and went and fetched a pot of water and spent a half hour and two of his best rags scrubbing the upholstery, telling himself it was a paltry sacrifice. It was a miracle, really, how much blood the body could lose and still go on. He knelt and dug in the seams, getting it under his fingernails, but some must have seeped through and been absorbed by the stuffing. Though none of his passengers complained, for weeks, whenever it rained, Brand could smell it.
2
The man was Irgun. Overnight their handbills appeared, pasted on walls and lampposts around town, taking credit for a raid on the main police station, calling in the overbearing, didactic style of Marxist propaganda for open revolution. They were terrorists, inflicting violence directly on the British military, a tactic the Haganah, to which Brand and his cell belonged, violently opposed, since it turned world opinion against their cause. Killing British soldiers wouldn’t make Britain change its immigration policy, and the crackdowns after the Irgun’s raids made it harder for the Haganah to conduct operations. Only months ago they’d tried to wipe out the Irgun and the even more hard-line Stern Gang by collaborating with the police. Now Asher was giving the man Brand’s sweater?
“Times change,” Eva said. “We all want the same thing.”
“All they want is our guns,” Lipschitz said.
Asher saw combined operations as a way of gaining some control over the Irgun. No more freelancing. Every major action had to be approved beforehand.
“You can’t keep a wolf on a leash,” Fein said.
“You’d rather let it run wild?” Yellin asked.
Brand agreed with all of them. It was too late anyway.
The truce was followed by a lull, as if, having joined forces, the different factions couldn’t agree on what to do next. It was the holiday season, and Brand was busy shuttling tourists to Bethlehem. His fellow drivers Pincus and Scheib let him in on a little scheme. A few of them chipped in to buy cases of film from a Rumanian wholesaler and sold rolls to their passengers at a markup. Brand, seen around the garage as a humorless greenhorn, acted scandalized but came up with his stake.
“I should feel bad,” Pincus said, “corrupting an innocent like this.”
“Nu, what?” Scheib said. “He’s a grown man.”