John Leech's Pictures of Life and Character E-Book

William Makepeace Thackeray

• Herausgeber: Krill Press
• Kategorie: Geisteswissenschaft
• Sprache: Englisch
• Veröffentlichungsjahr: 2016

Seitenzahl: 26

Beschreibung

William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.

Leseprobe

JOHN LEECH’S PICTURES OF LIFE AND CHARACTER

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William Makepeace Thackeray

DOSSIER PRESS

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Copyright © 2016 by William Makepeace Thackeray

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TABLE OF CONTENTS

* Reprinted from the Quarterly Review, No. 191, Dec. 1854, by permission of Mr. John Murray.

John Leech’s Pictures of Life and Character

By

William Makepeace Thackeray

John Leech’s Pictures of Life and Character

Published by Dossier Press

New York City, NY

First published circa 1863

Copyright © Dossier Press, 2015

All rights reserved

Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

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* REPRINTED FROM THE QUARTERLY REVIEW, NO. 191, DEC. 1854, BY PERMISSION OF MR. JOHN MURRAY.

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WE, WHO CAN RECALL THE consulship of Plancus, and quite respectable, old-fogyfied times, remember amongst other amusements which we had as children the pictures at which we were permitted to look. There was Boydell’s Shakspeare, black and ghastly gallery of murky Opies, glum Northcotes, straddling Fuselis! there were Lear, Oberon, Hamlet, with starting muscles, rolling eyeballs, and long pointing quivering fingers; there was little Prince Arthur (Northcote) crying, in white satin, and bidding good Hubert not put out his eyes; there was Hubert crying; there was little Rutland being run through the poor little body by bloody Clifford; there was Cardinal Beaufort (Reynolds) gnashing his teeth, and grinning and howling demoniacally on his death-bed (a picture frightful to the present day); there was Lady Hamilton (Romney) waving a torch, and dancing before a black background,—a melancholy museum indeed. Smirke’s delightful “Seven Ages” only fitfully relieved its general gloom. We did not like to inspect it unless the elders were present, and plenty of lights and company were in the room.