Rue Barrée E-Book

Robert W. Chambers

• Herausgeber: SAMPI Books
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2024

Seitenzahl: 38

Beschreibung

In "Rue Barrée" by Robert W. Chambers, a young American artist in Paris becomes infatuated with a mysterious and aloof woman living on the same street. As he pursues her affection, he uncovers her tragic backstory and learns about the sacrifices she has made to protect her independence. The tale explores themes of love, art, and the bittersweet nature of human connection.

Leseprobe

Table of Contents

Rue Barrée

SYNOPSIS

NOTICE

I

II

III

IV

V

Rue Barrée

Robert W. Chambers

SYNOPSIS

In “Rue Barrée” by Robert W. Chambers, a young American artist in Paris becomes infatuated with a mysterious and aloof woman living on the same street. As he pursues her affection, he uncovers her tragic backstory and learns about the sacrifices she has made to protect her independence. The tale explores themes of love, art, and the bittersweet nature of human connection.

Keywords

Bohemian, yearning, independence.

NOTICE

This text is a work in the public domain and reflects the norms, values and perspectives of its time. Some readers may find parts of this content offensive or disturbing, given the evolution in social norms and in our collective understanding of issues of equality, human rights and mutual respect. We ask readers to approach this material with an understanding of the historical era in which it was written, recognizing that it may contain language, ideas or descriptions that are incompatible with today's ethical and moral standards.

Names from foreign languages will be preserved in their original form, with no translation.

I

""For let Philosopher and Doctor preach Of what they will and what they will not,—each Is but one link in an eternal chain That none can slip nor break nor over-reach." "Crimson nor yellow roses nor The savour of the mounting sea Are worth the perfume I adore That clings to thee. The languid-headed lilies tire, The changeless waters weary me; I ache with passionate desire Of thine and thee. There are but these things in the world— Thy mouth of fire, Thy breasts, thy hands, thy hair upcurled And my desire."

One morning at Julian's, a student said to Selby, "That is Foxhall Clifford," pointing with his brushes at a young man who sat before an easel, doing nothing.

Selby, shy and nervous, walked over and began: "My name is Selby,—I have just arrived in Paris, and bring a letter of introduction—" His voice was lost in the crash of a falling easel, the owner of which promptly assaulted his neighbor, and for a time the noise of battle rolled through the studios of MM. Boulanger and Lefebvre, presently subsiding into a scuffle on the stairs outside. Selby, apprehensive as to his own reception in the studio, looked at Clifford, who sat serenely watching the fight.

"It's a little noisy here," said Clifford, "but you will like the fellows when you know them." His unaffected manner delighted Selby. Then with a simplicity that won his heart, he presented him to half a dozen students of as many nationalities. Some were cordial, all were polite. Even the majestic creature who held the position of Massier, unbent enough to say: "My friend, when a man speaks French as well as you do, and is also a friend of Monsieur Clifford, he will have no trouble in this studio. You expect, of course, to fill the stove until the next new man comes?"

"Of course."

"And you don't mind chaff?"

"No," replied Selby, who hated it.

Clifford, much amused, put on his hat, saying, "You must expect lots of it at first."

Selby placed his own hat on his head and followed him to the door.

As they passed the model stand there was a furious cry of "Chapeau! Chapeau!" and a student sprang from his easel menacing Selby, who reddened but looked at Clifford.

"Take off your hat for them," said the latter, laughing.

A little embarrassed, he turned and saluted the studio.

"Et moi?" cried the model.

"You are charming," replied Selby, astonished at his own audacity, but the studio rose as one man, shouting: "He has done well! he's all right!" while the model, laughing, kissed her hand to him and cried: "À demain beau jeune homme!"

All that week Selby worked at the studio unmolested. The French students christened him "l'Enfant Prodigue," which was freely translated, "The Prodigious Infant," "The Kid," "Kid Selby," and "Kidby." But the disease soon ran its course from "Kidby" to "Kidney," and then naturally to "Tidbits," where it was arrested by Clifford's authority and ultimately relapsed to "Kid."

Wednesday came, and with it M. Boulanger. For three hours the students writhed under his biting sarcasms,—among the others Clifford, who was informed that he knew even less about a work of art than he did about the art of work. Selby was more fortunate. The professor examined his drawing in silence, looked at him sharply, and passed on with a noncommittal gesture. He presently departed arm in arm with Bouguereau, to the relief of Clifford, who was then at liberty to jam his hat on his head and depart.