The Miser E-Book

Moliere

• Herausgeber: DigiCat
• Kategorie: Poesie und Drama
• Sprache: Englisch

Veröffentlichungsjahr: 2022

Beschreibung

Molière's 'The Miser' is a masterful satire that delves into the themes of greed and human folly with sharp wit and comedic brilliance. Set in 17th-century France, this three-act play showcases Molière's unique ability to intertwine humorous dialogue with profound social commentary, effectively critiquing the bourgeois obsession with wealth. The character of Harpagon, an excessively miserly father, exemplifies the absurdities of avarice, revealing Molière's keen insight into the human condition while crafting a play that resonates with audiences across time and culture. The rich theatricality and farcical elements characteristic of Molière's style make 'The Miser' both entertaining and thought-provoking, showcasing the playwright's expertise in character development and dialogue. Molière, born Jean-Baptiste Poquelin in 1622, emerged as one of France's most celebrated playwrights and an influential figure in the evolution of comedic theater. His personal experiences with societal norms and the affluent bourgeoisie undoubtedly influenced his portrayal of characters like Harpagon. Molière's own struggles in the realm of theater, particularly his disdain for pretension and his advocacy for realism, shaped his comedic lens, allowing him to critique social norms while entertaining audiences. Readers looking for an insightful exploration of the follies of human nature through the lens of comedy will find 'The Miser' indispensable. Molière's timeless humor and social critique serve as a reminder of the perils of greed and the absurdity that often accompanies the human desire for wealth. This play not only guarantees laughter but also challenges readers to reflect on their own relationships with money and morality.

Leseprobe

Molière

The Miser

 

EAN 8596547251538

DigiCat, 2022 Contact: [email protected]

Table of Contents

(L'AVARE.)

MOLIÈRE

CHARLES HERON WALL

PERSONS REPRESENTED.

THE MISER.

ACT I.

SCENE I.——VALÈRE, ÉLISE.

SCENE II.——CLÉANTE, ÉLISE,

SCENE III.——HARPAGON, LA FLÈCHE.

SCENE IV.——HARPAGON (alone .)

SCENE V.——HARPAGON, ÉLISE and CLÉANTE are seen talking together at the back of the stage .

SCENE VI.——HARPAGON, ÉLISE.

SCENE VII.——VALÈRE, HARPAGON, ÉLISE.

SCENE VIII.——ÉLISE, VALÈRE.

SCENE IX——HARPAGON, ÉLISE, VALÈRE.

SCENE X.——HARPAGON, VALÈRE.

ACT II.

SCENE I.——CLÉANTE, LA FLÈCHE.

SCENE II.——HARPAGON, MR. SIMON (CLÉANTE and LA FLÈCHE at the back of the stage) .

SCENE III.——HARPAGON, CLÉANTE.

SCENE IV.——FROSINE, HARPAGON.

SCENE V.——LA FLÈCHE, FROSINE.

SCENE VI.——HARPAGON, FROSINE.

ACT III.

SCENE I.——HARPAGON, CLÉANTE, ÉLISE, VALÈRE, DAME CLAUDE (holding a broom) , MASTER JACQUES, LA MERLUCHE, BRINDAVOINE.

SCENE II.——HARPAGON, CLÉANTE, ÉLISE, VALÈRE, MASTER JACQUES, BRINDAVOINE, LA MERLUCHE.

SCENE III.——HARPAGON, CLÉANTE, ÉLISE, VALÈRE, MASTER JACQUES.

SCENE IV.——HARPAGON, CLÉANTE, VALÈRE, MASTER JACQUES.

SCENE V.——HARPAGON, VALÈRE, MASTER JACQUES.

SCENE VI.——VALÈRE, MASTER JACQUES.

SCENE VII.——MARIANNE, FROSINE, MASTER JACQUES.

SCENE VIII.——MARIANNE, FROSINE.

SCENE IX.——HARPAGON, MARIANNE, FROSINE.

SCENE X.——HARPAGON, ÉLISE, MARIANNE, FROSINE.

SCENE XI.——HARPAGON, MARIANNE, ÉLISE, CLÉANTE, VALÈRE, FROSINE, BRINDAVOINE.

SCENE XII.——HARPAGON, MARIANNE, ÉLISE, CLÉANTE, VALÈRE, FROSINE.

SCENE XIII.——HARPAGON, MARIANNE, ÉLISE, VALÈRE, FROSINE, BRINDAVOINE.

SCENE XIV.——HARPAGON, MARIANNE, ÉLISE, CLÉANTE, FROSINE, LA MERLUCHE.

SCENE XV.——HARPAGON, VALÈRE.

ACT IV.

SCENE I.——CLÉANTE, MARIANNE, ÉLISE, FROSINE.

SCENE II.——HARPAGON, MARIANNE, ÉLISE, FROSINE.

SCENE III.——HARPAGON, CLÉANTE.

SCENE IV.——HARPAGON, CLÉANTE, MASTER JACQUES.

SCENE V.——HARPAGON, CLÉANTE.

SCENE VI.——CLÉANTE, LA FLÈCHE.

SCENE VII.——HARPAGON, from the garden, rushing in without his hat, and crying —

ACT V.

SCENE I.——HARPAGON, A POLICE OFFICER.

SCENE II.——HARPAGON, THE POLICE OFFICER, MASTER JACQUES.

SCENE III.——HARPAGON, THE POLICE OFFICER, VALÈRE, MASTER JACQUES.

SCENE IV.——HARPAGON, ÉLISE, MARIANNE, VALÈRE, FROSINE, MASTER JACQUES, THE POLICE OFFICER.

SCENE V.——ANSELME, HARPAGON, ÉLISE, MARIANNE, FROSINE, VALÈRE, THE POLICE OFFICER, MASTER JACQUES.

SCENE VI.——HARPAGON, ANSELME, ÉLISE, MARIANNE, CLÉANTE, VALÈRE, FROSINE, THE POLICE OFFICER, MASTER JACQUES, LA FLÈCHE.

(L'AVARE.)

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BY

MOLIÈRE

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TRANSLATED INTO ENGLISH PROSE.

WITH A SHORT INTRODUCTION AND EXPLANATORY NOTES.

BY

CHARLES HERON WALL

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This play was acted for the first time on September 9, 1668. In it, Molière has borrowed from Plautus, and has imitated several other authors, but he far surpasses them in the treatment of his subject. The picture of the miser, in whom love of money takes the place of all natural affections, who not only withdraws from family intercourse, but considers his children as natural enemies, is finely drawn, and renders Molière's Miser altogether more dramatic and moral than those of his predecessors.

Molière acted the part of Harpagon.

PERSONS REPRESENTED.

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Harpagon, father toCléante, in love withMarianne.Cléante, Harpagon'sson, lover toMarianne.Valère, son toAnselme, and lover toÉlise.Anselme, father toValèreandMarianne.Master Simon, broker.Master Jacques, cook and coachman toHarpagon.La Flèche, valet toCléante.Brindavoine, andLa Merluche, lackeys toHarpagon.A Magistrateand hisClerk.Élise, daughter toHarpagon.Marianne, daughter toAnselme.Frosine, an intriguing woman.Mistress Claude, servant toHarpagon.

The scene is atParis, inHarpagon'shouse.

THE MISER.

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ACT I.

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SCENE I.——VALÈRE, ÉLISE.

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Val. What, dear Élise! you grow sad after having given me such dear tokens of your love; and I see you sigh in the midst of my joy! Can you regret having made me happy? and do you repent of the engagement which my love has forced from you?

Eli. No, Valère, I do not regret what I do for you; I feel carried on by too delightful a power, and I do not even wish that things should be otherwise than they are. Yet, to tell you the truth, I am very anxious about the consequences; and I greatly fear that I love you more than I should.

Val. What can you possibly fear from the affection you have shown me?

Eli. Everything; the anger of my father, the reproaches of my family, the censure of the world, and, above all, Valère, a change in your heart! I fear that cruel coldness with which your sex so often repays the too warm proofs of an innocent love.

Val. Alas! do not wrong me thus; do not judge of me by others. Think me capable of everything, Élise, except of falling short of what I owe to you. I love you too much for that; and my love will be as lasting as my life!

Eli. Ah! Valère, all men say the same thing; all men are alike in their words; their actions only show the difference that exists between them.

Val. Then why not wait for actions, if by them alone you can judge of the truthfulness of my heart? Do not suffer your anxious fears to mislead you, and to wrong me. Do not let an unjust suspicion destroy the happiness which is to me dearer than life; but give me time to show you by a thousand proofs the sincerity of my affection.

Eli. Alas! how easily do we allow ourselves to be persuaded by those we love. I believe you, Valère; I feel sure that your heart is utterly incapable of deceiving me, that your love is sincere, and that you will ever remain faithful to me. I will no longer doubt that happiness is near. If I grieve, it will only be over the difficulties of our position, and the possible censures of the world.

Val. But why even this fear?

Eli. Oh, Valère! if everybody knew you as I do, I should not have much to fear. I find in you enough to justify all I do for you; my heart knows all your merit, and feels, moreover, bound to you by deep gratitude. How can I forget that horrible moment when we met for the first time? Your generous courage in risking your own life to save mine from the fury of the waves; your tender care afterwards; your constant attentions and your ardent love, which neither time nor difficulties can lessen! For me you neglect your parents and your country; you give up your own position in life to be a servant of my father! How can I resist the influence that all this has over me? Is it not enough to justify in my eyes my engagement to you? Yet, who knows if it will be enough to justify it in the eyes of others? and how can I feel sure that my motives will be understood?

Val. You try in vain to find merit in what I have done; it is by my love alone that I trust to deserve you. As for the scruples you feel, your father himself justifies you but too much before the world; and his avarice and the distant way in which he lives with his children might authorise stranger things still. Forgive me, my dear Élise, for speaking thus of your father before you; but you know that, unfortunately, on this subject no good can be said of him. However, if I can find my parents, as I fully hope I shall, they will soon be favourable to us. I am expecting news of them with great impatience; but if none comes I will go in search of them myself.

Eli. Oh no! Valère, do not leave me, I entreat you. Try rather to ingratiate yourself in my father's favour.