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The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. Moliere's masterpiece The Miser is one of the most famous French plays of all time. This Drama Classics edition is translated and introduced by Martin Sorrell, Professor of Literary Translation at the University of Exeter.
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DRAMA CLASSICS
THE MISER
by
Molière
translated and introduced by Martin Sorrell
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Title Page
Introduction
For Further Reading
Molière: Key Dates
Characters
Act One
Act Two
Act Three
Act Four
Act Five
Copyright and Performing Rights Information
Introduction
Molière (1622-1673)
Jean-Baptiste Poquelin (later known as Molière) was baptised in the St Eustache Church, Paris, on 15 January 1622, but the precise date of his birth is not known. Both his parents were in the upholstery business, enjoying considerable success and wealth. Between 1633 and 1639 Molière was educated at the Jesuit Collège de Clermont, now the Lycée Louis-le-Grand. In 1642, he was a law student in Orléans, and in the following year he renounced his succession to his father as tapissier du Roi (upholsterer-royal), preferring instead to join the newly-formed Illustre Théâtre company in Paris. In 1644, he adopted the name Molière, and this marks the beginning of his celebrated career as actor-manager-playwright. His first full-length play, The Scatterbrain, was put on in 1655.
The company at first toured the provinces, then returned to Paris in 1658 and shared the Petit-Bourbon theatre with the Italian commedia dell’arte players. Molière also received the patronage of the King’s brother, Philippe d’Orléans. 1659 saw the great success of The Pretentious Ladies. In 1661, the company was forced to move to a different theatre, the Palais-Royal. In 1662, Molière married Armande Béjart, then aged around 20. She was either the daughter or the sister of Madeleine Béjart, with whom Molière had set up the Illustre Théâtre some twenty years before. Molière’s acutely pertinent and highly successful was given later in 1662. The next year, he was granted a royal pension of 1,000 livres, and in February 1664 the King himself acted as godfather to his first child, Louis. In May of the same year, the first version of was given privately before the King, but was immediately banned for public performance.
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!