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The Temptation of St. Antony is based on the story of the third-century saint who lived on an isolated mountaintop in the Egyptian desert. Saint Anthony, while living in the desert, remembers former temptations and is beset by the onslaught of philosophic doubt.
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CHAPTER 1. A Holy Saint
CHAPTER 2. The Temptation of Love and Power
CHAPTER 3. The Disciple, Hilarion
CHAPTER 4. The Fiery Trial
CHAPTER 5. All Gods, All Religions
CHAPTER 6. The Mystery of Space
CHAPTER 7. The Chimera and The Sphinx
THE TEMPTATION OF SAINT ANTHONY
by
GUSTAVE FLAUBERT
First digital edition 2018 by Maria Ruggieri
IT is in the Thebaïd, on the heights of a mountain, where a platform, shaped like a crescent, is surrounded by huge stones.
The Hermit’s cell occupies the background. It is built of mud and reeds, flat-roofed and doorless. Inside are seen a pitcher and a loaf of black bread; in the centre, on a wooden support, a large book; on the ground, here and there, bits of rush-work, a mat or two, a basket and a knife.
Some ten paces or so from the cell a tall cross is planted in the ground; and, at the other end of the platform, a gnarled old palm-tree leans over the abyss, for the side of the mountain is scarped; and at the bottom of the cliff the Nile swells, as it were, into a lake.
To right and left, the view is bounded by the enclosing rocks; but, on the side of the desert, immense undulations of a yellowish ash-colour rise, one above and one beyond the other, like the lines of a sea-coast; while, far off, beyond the sands, the mountains of the Libyan range form a wall of chalk-like whiteness faintly shaded with violet haze. In front, the sun is going down. Towards the north, the sky has a pearl-grey tint; while, at the zenith, purple clouds, like the tufts of a gigantic mane, stretch over the blue vault. These purple streaks grow browner; the patches of blue assume the paleness of mother-of-pearl. The bushes, the pebbles, the earth, now wear the hard colour of bronze, and through space floats a golden dust so fine that it is scarcely distinguishable from the vibrations of light.
Saint Antony, who has a long beard, unshorn locks, and a tunic of goatskin, is seated, cross-legged, engaged inmaking mats. No sooner has the sun disappeared than he heaves a deep sigh, and gazing towards the horizon:
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!