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In "The Queer Folk of Fife: Tales from the Kingdom," David Pryde eloquently navigates the rich tapestry of queer experiences set against the rugged backdrop of Fife, Scotland. This collection intertwines folklore with contemporary narratives, weaving a literary style that blends lyrical prose and biting humor. Through a series of interconnected tales, Pryde explores themes of identity, belonging, and the complexities of love, while also situating his stories within the broader context of LGBTQ+ representation in Scottish literature. His engaging narratives serve to illuminate the diverse multi-dimensionality of queer lives, challenging traditional norms and expectations. David Pryde, an acclaimed writer and LGBTQ+ advocate, draws upon his own experiences and heritage to craft these poignant stories. Born and raised in Fife, his intimate knowledge of the region informs the authenticity of the settings and characters. Pryde's literary journey has been shaped by a commitment to giving voice to marginalized communities, influenced by his own encounters with societal norms and the need for greater representation in literary spaces. Readers seeking to understand the intersection of queer identity and regional culture will find "The Queer Folk of Fife" to be a profound and engaging read. This collection not only entertains but also fosters empathy and understanding, making it essential for those interested in LGBTQ+ literature, folklore, and the vibrant social fabric of Scotland.
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INTRODUCTION.
Fifty years ago, the little burgh-town of Sandyriggs was a sleepy place. The inhabitants led, what they themselves called, "an easy-osy life." So little stir was there in the life of the small shopkeeper or tradesman, that he might be said to "vegetate." He grew and flourished where he had been born, and among his own schoolmates and his parents' cronies, who still called him by the fond familiar name of his boyhood, "Johnny," or "Jamie," or "Robby," as the case might be. His place of business was part of his home; and during the day he oscillated comfortably between the front shop and the back parlour. There was little competition, and very little anxiety about his trade. His customers were his friends, and he could rely implicitly on their support. It happened, therefore, that even in what he called his busiest time, he had many intervals of leisure during which he was at a loss what to do.
Of a similar complexion was the life of the small farmers who abounded in the neighbourhood. The farmer, or "gudeman," as he was called, toiled, it is true, in the fields by the side of his own servants; but he had little of the endless anxiety of the husbandmen of the present time. In those halcyon days of Protection, he was the especial care of the Lords and Commons of Great Britain and Ireland. They were his guardian angels. What did it matter to him though the drought burned up his turnips, and the drenching rains blackened his barley? The prices rose at once to guard him against loss. Consequently, after his day's "darg," and when he had exchanged his muddy boots for slippers, and taken his "four hours" of tea and buttered scones, he could sit down, snuff-box in hand and free from care, and take his ease by the side of the blazing kitchen fire. Thus the peasantry, like the townsfolk, had their intervals of leisure, during which they were open for any entertainment that might come before them.
Now, the important question came to be, How were these intervals of leisure to be filled up? There were no daily papers, few magazines, and few books to satisfy their craving for knowledge. Their minds were, therefore, obliged to feed upon the gossip of the country side; and so it came about that the gift of story-telling was cultivated, and that there were men and women who were recognised as the chroniclers of the district. These were the public entertainers, and were constantly called upon to use their gifts, especially for the delight of the young.
Two of these chroniclers, a couple of the name of Steedman, I chanced to know. Better samples of "auld-farrant Scotch bodies" could not be imagined. In no other habitat than a quaint burgh like Sandyriggs could they have grown up. For many years they had "gathered gear" in a grocer's "shoppie," and had then retired on a competence. They now lived in a cottage, crooked, grey, and time-worn like themselves. A favourite niece waited upon them, for they preferred, after the patriarchal fashion, to be served by their own kith and kin, and not by the frem'd. Their religion, too, was of the olden type. They were Original Seceders, would not enter an Established Church, travelled miles to attend a Dissenting Chapel, believed every iota of the Bible and the Confession of Faith, kept the Sabbath strictly, abhorred novels as "parcels o' lees," and looked upon food that had not been consecrated by a long grace as absolute poison. Yet their religion, straight-laced though it might be called, did for them what more fashionable religions sometimes fail to do for their adherents. It made them far more cheerful, and far more appreciative of the blessings of life. The snow of winter was on their head, but the warmth of summer was in their heart. A brighter, cantier, and cosier pair could not be seen. They delighted in all their surroundings: their work, their religious exercises, their pipe of tobacco, and their nightly glass of toddy. They were particularly fond of recalling the scenes and incidents of the Past, and as I was an appreciative listener, I was always a welcome guest, and in fact was invited to drop in upon them as often as I could.
As I write, the old couple are before me, one on each side of the hearth—he, in a brown suit with a cloth cap covering his grey hair, and with a most intelligent countenance—she, a tidy little body, with clean-cut features and with coloured ribbons in her cap—he, recalling with unction some bygone event—she, interpolating occasionally to add some little detail to complete the narrative—and both radiant with pleasure, as if the light of other days were warming their hearts and brightening their faces.
"What a blessing," he would say, "is a good memory—one of the most precious gifts of God."
After the fashion of old people, they often repeated the stories which they had told me on former occasions; but I did not object, as I was thus enabled to realise them more thoroughly.
Some of the scenes and incidents which I acquired in this way, I now proceed to give as truthfully and clearly as I can.
THE BREACH OF PROMISE.
After a long dearth of news, an event happened to revive the interest of the gossips of Sandyriggs. That snug, substantial villa, Townhead Lodge, which stood within a garden, large and sloping to the south, had got at last a tenant, a Mr. Callendar, whose family consisted of a wife, a son, and two daughters. And what was most interesting, there was a mystery about them all! Where they had come from, what was the source of their income, and why they kept themselves apart, no one knew.
The father drove a gig of his own and was often from home. The mother was a recluse, and rarely ventured beyond her own walls. But the one who attracted the most notice was the elder daughter, who was frequently seen in the streets of the town attended by her brother. She was a mere girl of sixteen or seventeen, but she was exceedingly beautiful. Regarding her special charms, I never could learn much, except that she had a straight and lissome figure, dark hair, clear blue eyes, and a modest and winning expression, and above all that she had a sort of glamour about her which bewitched everyone who looked at her. The family altogether seemed so distinguished, and at the same so mysterious, that the gossips of the town were all agog to know more about them. But how was this knowledge to be got? The newcomers were evidently bent on keeping themselves aloof, and having as little to do as possible with the natives. There was difficulty even in approaching them.
The one who overcame this difficulty was the late minister's sister, Miss MacGuffog, or, as she was familiarly called, "Miss Phemie." During the lifetime of her brother, who was a bachelor, she had taken a motherly interest in all the parishioners, and went out and in among them like a blood relation. After her brother's death, she kept up the practice. Uncharitable people sneered at her as a busybody; but they might have spared their sneers. They might have known that a busybody is not necessarily bad. It was not selfish curiosity, but kindly interest that was her motive. She was not a scandalmonger, but a sympathetic friend. Having a high idea of everything connected with her brother's parish, she was prepared to find good everywhere, and generally found it. As a matter of course, it had been her custom to call upon strangers in order to give them a hearty welcome. In this way she came to know all that was to be known about the Callendars; and as she held it to be selfish and unneighbourly to keep anything to herself, she freely communicated her information to the town gossips who met over afternoon tea.
The information which she had gathered was as follows:—Mr. Callendar was a partner in a firm of English merchants who did a large business all over the kingdom, and he had come to Scotland to establish a connection in Fife. Mrs. Callendar was somewhat of an invalid, and passed the most of her time in reading. The elder daughter, Phoebe, was evidently the pride of her life. "Isn't she handsome and graceful," the mother had said as she fondly watched her going out of the room, "and would she not look at home in the highest mansion in the land?" It was evident that they expected her to make a great marriage.
Meanwhile Miss Callendar's transcendent loveliness was seriously affecting the male population of the village. What was afterwards called "the Callendar fever" broke out among the bachelors, both old and young. And during their fits of delirium they behaved most absurdly. One began laboriously to train a moustache; another shaved off his beard to show the fine lines of his face; another allowed his hair to grow till it fell in ringlets on his shoulders; while gouty Major Mustard (half-pay) dyed the tuft on his chin, and, looking into his mirror, said, "Begad! I don't think that she can refuse an officer of the British Army."
But the one who had the epidemic in the most aggravated form was Charles Raeburn, the town lawyer, and the laird of the small estate of Cowslip Brae. Charles was nothing if not poetical; and his ravings about Miss Callendar took the form of quotations from his favourite bards. He compared her to Spenser's Una, to Shakespeare's Portia drawing suitors from the four quarters of the world, to Virgil's Venus descending upon earth to fascinate mankind. One day (oh, ecstasy!) she came into his office to make some inquiries for the information of her father; but (oh, horror!) he lost his head, and gave the information in such an incoherent manner that she had some difficulty in understanding him. He wished to appear to her as a man of genius; but he had conducted himself like an idiot. All that he could do after this, was to wander round her house on moonlight nights, like a silly moth (as someone said) fluttering round a wax candle, or like a forlorn planet (as he himself said) circling round a central luminary. At length, his cousin, Dr. Raeburn, thought to bring him to his senses by rating him soundly and telling him plainly that he was "carrying on like a lunatic." And, to the doctor's utter astonishment, Charles agreed with him.
"Yes," said the poor fool, "you are quite right. I am a lunatic—a monomaniac. I'm haunted by one idea, one image. It appears in my dreams. It fills my waking hours. Position, friends, relations, are dross compared with her. I would rather have her than the largest estate, than a whole county, than a continent, than a bright new planet all to myself."
But it was in the church on Sunday where the hopeless infatuation of the young men of the town was noticed. During the whole of the service, their eyes were fixed upon this young girl. Her pew was the pulpit, and she herself was both the preacher and the sermon. And one Sunday a strange phenomenon happened. The church, which was dingy and dark even at midsummer, appeared to be lighted up in some mysterious way. How came this to pass? On the previous Sunday, one of the many rivals, in order to attract the eyes of his goddess, had appeared in white waistcoat and white necktie; and all the others had lost no time in following suit.
How did Miss Callendar conduct herself under all this idolatry? Most modestly. When she appeared on the streets with her little brother by her side, she saluted everybody with a good-natured smile. She smiled on Major Mustard, and set his well-worn heart palpitating. She also smiled on Peter Samuel the mercer's apprentice, when coming into the shop unexpectedly she asked to see some gloves; and when Peter shook all over while he was showing her the gloves, and answered confusedly, she smiled still more sweetly.
"Bright as the sun her eyes all gazers strike,And like the sun they shine on all alike."
One Sunday there appeared in the church a stranger, like a being from another sphere. That he was an aristocrat was evident. He had an elegant figure, clean-cut features, and easy manners; and, as Peter Samuel remarked, "was dressed up to the nines, and looked as if he had come out of a bandbox." In fact, he was a regular London-made exquisite, "a dandy," "a swell." Nor was there any mistake about the object of his visit. All during the service his eyes were fixed on Phoebe Callendar, the village beauty. That evening, too, in the Orchard Lane he was seen walking with her. Her little brother, indeed, was there. But the exquisite, with that ease which high society gives, and which local beaux can never acquire, was looking into her face and talking, while she blushed and held down her head. In a few days she disappeared. Had she eloped? Sandyriggs was in a ferment.
At last Miss Phemie MacGuffog solved the mystery. Miss Callendar's young lover was the heir to a dukedom. Her parents, alarmed at the intimacy, and thoroughly disapproving of it, had sent her to a boarding-school in England; and she was never seen again in Sandyriggs. In a few months the family gave up their house and departed southwards.
The one who was most affected by Miss Callendar's departure was Charles Raeburn. He grew melancholy, lost his appetite and his sleep, and wandered about like a ghost. He was like the traveller, when the moon, which has lightened and beautified his path over hill and dale, suddenly goes down and leaves him to stumble on in the dark. In a short time he vanished; and when months elapsed without bringing any intelligence regarding him, his neighbours gave him up for lost.
A few years passed, and the inhabitants had almost forgotten the Callendars, when they were startled by a short paragraph in the county newspaper, to the effect that Miss Phoebe Callendar was about to bring an action for breach of promise of marriage against the Duke of——. Here was an interesting subject to talk about! A breach of promise against a duke by a former inhabitant of Sandyriggs, a girl whom they all knew! The whole district was in a flutter of excitement. When the trial came on in London, the editor of the County Chronicle employed a special correspondent to give a report of it; and when the newspaper containing the account of the trial arrived, it was devoured with breathless interest, and handed about from house to house.
After describing the appearance of the Court, and naming the famous barristers and attorneys employed on both sides, the reporter went on to say that the plaintiff, seated in a prominent place beside her legal advisers, was "the cynosure of every eye," and her exquisite beauty, and modest but melancholy expression, captivated at once not only the ordinary onlookers, but even the gentlemen of the jury themselves.
"The Attorney-General stated her case with all that romantic and touching eloquence for which he is famous. 'The plaintiff,' he said, 'was a young lady of the greatest personal attractions. When first she drew the attention of the defendant, she was living in retirement at the small town of Sandyriggs in Fife. She was a mere girl, attending to her lessons under the watchful care of her mother, and thinking of nothing but her daily duties and her innocent amusements. She was, indeed, the life of her parents' hearts, the idol of her young companions, and the delight and pride of the whole village. But this golden age was not to last long; into this innocent paradise the serpent was soon to find his way. The defendant, then the Honourable Algernon Colenutt, an Oxford student, happened to be spending his vacation at a mansion in the neighbourhood. He heard of this charming young creature—this beauty of Sandyriggs, as she was called—and he resolved to see her. It was no mere idle curiosity. He was one of those golden youths who think that everything is made for their amusement, that women especially are but toys that may be played with for a time, and then cast aside for ever.'
"'On a particular Sunday this gay Lothario attended the Sandyriggs church. His presence there was noticed by most of the congregation; and it was particularly remarked that his eyes were upon Miss Callendar during the whole service, and that, in fact, he was completely spellbound. Then in the evening he was seen talking to her in a lane near her own house. He had waylaid her, and it was then, it seems, that he gained her affections. By such a lover—young, handsome, aristocratic, elegant in dress and manners, polished in speech and adroit in flattery—was it surprising that the simple country maiden was won? Ere they parted she plighted her troth to him; and, proud of her conquest, the poor girl lost no time in making her mother her confidante.'
"'Now, Gentlemen of the Jury, you will very likely be told by my learned brother, the counsel for the defence, that Miss Callendar's parents were artful schemers, using every device to entrap an unwary nobleman. But what did they do as soon as they heard of this courtship? They immediately sent their daughter away to a boarding-school in England, and afterwards to France, to be out of the way of this aristocratic wooer. They were too sensible not to see that such a connection would be unequal, and likely to prove dangerous to the happiness of both parties. But their precautions were unavailing. The defendant was not to be denied. He contrived to find out where his beloved was, and to continue the correspondence; and after he had succeeded to the dukedom, and after the Callendars had settled down in England, at Woodhurst, about sixty miles from his ducal castle, his attentions became more assiduous. He visited her at her father's house, and sent many letters—some of which I now produce—and all of which are full of the warmest protestations and the most endearing terms of affection. At length the wedding was fixed for July, and Miss Callendar and her mother set themselves to make all the necessary preparations. Up to this time, there had not been the slightest hitch, the slightest misunderstanding, and the happiness of the young couple seemed to be assured. But ere the appointed day arrived, what was the consternation of the Callendars to read in the newspaper the announcement that the Duke of—— had been married to Miss Fortescue Devlin. At first they could not believe the statement; but after inquiry they found that it was only too true. And, Gentlemen of the Jury, I can only leave you to imagine what a disastrous effect this sudden perfidy has had on my client. Her loving heart has been broken, and her fair young life has been for ever blighted.'
"'I believe that my learned brother is to take up the bold and desperate position that these facts are not true, and that the written correspondence is a forgery. What! a young, timid, and unsophisticated girl sitting down deliberately to forge, not one letter, but a whole bundle of letters, and doing it so accurately that she has deceived those who are best acquainted with the defendant's handwriting! Why, Gentlemen, the idea is preposterous, it is inconceivable, it is wholly and absolutely ridiculous!' (Derisive laughter, which was immediately suppressed.)
"The Attorney-General then proceeded to call witnesses in order to prove his statements. The sister of the plaintiff told that she had seen the defendant several times at her father's house, and in the company of her sister, and mentioned one occasion particularly, the 20th of May, which she had good cause to remember, because it was the fair day at the neighbouring village of Woodhurst, and the defendant presented her with a sovereign as a fairing. The mother gave evidence as to the receiving of the defendant's letters, and about her daughter's letters in reply being posted. An old clergyman, who had been the defendant's tutor, swore that the handwriting of the letters was that of his former pupil. These witnesses were severely cross-examined, but their evidence on the whole remained unshaken.
"Then Mr. Ridley, the counsel for the Duke, arose. He was famous as a defender of abandoned criminals, and generally as a cunning handler of the most desperate cases. It was no uncommon thing for him to bully witnesses, and browbeat even the judge himself. Everybody, therefore, expected strong statements from him, but few were prepared for the merciless terms which he now used. Standing up, and looking round with a confident, triumphant air, he began his speech. 'The Attorney-General,' he said, 'in referring to the ground which was to be taken up for the defence, had scouted the idea of such a young and delicate creature perpetrating forgery. But my learned friend ought to know that in the history of crime there have been young girls as delicate and as refined as the plaintiff, who have been guilty of this heinous offence. I have only to refer to the cases of Elizabeth Canning and Mary Glen. In spite, therefore, of what the learned Attorney-General has said, I now assert, and am prepared to prove, that the plaintiff, guileless and modest as she looks, has perpetrated one of the most daring and elaborate forgeries in the whole of our criminal history.'
"At this assertion, uttered in a slow, distinct, and severe tone, Miss Callendar burst into tears, and was so completely overcome that she had to leave the Court. Cries of 'Shame, shame,' were hurled at the head of the counsel. But he, nothing abashed, looked round defiantly, and repeated the phrase with greater incisiveness; and went on in the same remorseless way to maintain that his client had scarcely ever seen Miss Callendar, had scarcely ever spoken to her, had scarcely ever written to her, and had certainly never made any promise of marriage. The audience glanced occasionally at the Attorney-General to see what effect this flat denial of all his assertions would have upon him; but he remained quite calm, just as if nothing unusual had been said.
"Mr. Ridley then proceeded to examine his witnesses in the same peremptory style; and ever as he drew from them some important bit of evidence, he gave a triumphant look at the jury, as much as to say, 'What do you think of that? Wasn't what I told you true?' One was made to confess that the defendant had never seen Miss Callendar since his accession to the title; another, that the letters which had been read swarmed with ridiculous errors as to matter of fact; and another, that the handwriting was totally unlike that of the defendant. These witnesses were cross-examined, but took care not to contradict themselves. At all this, Miss Callendar's partisans, of whom there were many amongst the audience, were puzzled and even confounded; but an audible whisper, 'they are all relatives, and have got up the story,' restored their confidence. It was evident, too, that the Attorney-General felt that something was wrong; because he turned round to talk with the agent. But the audience was again perplexed by what followed.
"An innkeeper from Welldon, fifty miles from Woodhurst, was put into the box. In answer to examination, he said, 'that he knew the Duke of——; that on the 20th of May, the day of Woodhurst Fair, and the day when he was said to have been at the house of the plaintiff, the Duke arrived in a post-chaise on his way to Market Bruton; that there could be no mistake about this, for here were the receipts for the post horses.' And these receipts were handed to the jury to examine.
"But the most startling bit of evidence was yet to come. A young lady entered the witness-box, kissed the Book, and was subjected to the following questioning:—(Q.) You are Miss Ironside? (A.) Yes. (Q.) You live at Woodhurst? (A.) I do. (Q.) You know the plaintiff? (A.) I do. (Q.) You remember a ball taking place at Lyndcaster? (A.) I do. (Q.) What was the date? (A.) Last year, in the month of April. (Q.) Who went with you to the ball? (A.) Miss Phoebe Callendar. (Q.) How was she dressed? (A.) In white, with one red rose in her hair. (Q.) Was there any person that she wished particularly to see at the ball? (A.) The Duke of——. (Q.) How did you know that? (A.) She told me. (Q.) Look at that letter. Do you know the handwriting? (A.) Yes. (Q.) Whose is it? (A.) Miss Callendar's. (Q.) You are sure? (A.) Quite sure. Then Mr. Ridley, turning to the jury, said he would read the letter, which was as follows:—
"'April 18.
"'My dear Lord Duke—I hope that you will excuse a stranger giving you a bit of information which may be for your advantage. You are, I understand, going to the public ball at Lyndcaster. Well, you will see there a young lady to whom you lost your heart some years ago, and who has remained constant to you ever since. She is more graceful and beautiful than ever, and fit to be the bride of a prince. You will recognise her at once, for she will be dressed in white, with a red rose stuck in her raven hair.—I am, my dear Lord Duke, your sincere well-wisher.
C'