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William Curtis (11 January 1746 in Alton, Hampshire; 7 July 1799 in Brompton) was an English botanist, apothecary and entomologist. His official botanical author code is "Curtis". Curtis was head of the Chelsea Physic Garden. He founded botanical gardens at Bermondsey, Lambeth in 1771 and Brompton in 1789. In 1787 Curtis founded the Botanical Magazine and was its editor until his death.
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Born 1955 in Berlin
Biological laboratory technician, amateur photographer and amateur entomologist
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Fig. William Curtis
(* 11 January 1746 in Alton, Hampshire; † 7 July 1799 in Brompton) was an English botanist, apothecary and entomologist. His official botanical author code is "CURTIS".
The plant genus Curtisia AIT. from the dogwood family (Cornaceae) has been named after him.
Curtis was head of the Chelsea Physic Garden. He founded botanical gardens at Bermondsey, Lambeth in 1771 and Brompton in 1789. In 1787 Curtis founded the Botanical Magazine and was its editor until his death.
Curtis's Botanical Magazine is one of the greatest scientific journals of all time. Started in 1787, the journal is still published today. It is the oldest existing journal with coloured plates, of which more than 11,000 have now been produced. The volumes are the work of many renowned botanical artists and provide an exceptional pictorial record of floral fashions and plant introductions in Britain over the last two centuries.
The first issue of the journal, which was to portray ornamental and foreign plants, appeared on 1 February 1787. A small publication in octavo format, it consisted of three hand-coloured plates with brief descriptions in letterpress. Priced at one shilling, it was an immediate success; the first issue sold over 3000 copies.
Fig. Collection of Flowers
Fig. Flower Garden Displayed
The first copper plate depicting the Persian iris was drawn by James Sowerby. Described as "highly esteemed by all flower lovers" for its "beauty, early appearance and fragrant flowers".
Plate 1 (Volume 1 von 1787) Persian iris (Iris Persica L.)
James Sowerby was born in London on 21 March 1757 and died in Lambeth (London) on 25 October 1822. Sowerby was a British naturalist, zoologist and painter. His official botanical author code is "SOWERBY".
James Sowerby Paintings by Thomas Heaphy (1816)
Sowerby was the son of the engraver John Sowerby and his wife Arabella Goodreed. In 1771, at the age of 14, he joined the studio of the marine painter Richard Wright as an apprentice. When Wright fell seriously ill, Sowerby moved to William Hodges.
On 1 December 1777, Sowerby began studying art at the Royal Academy of Arts in London, specialising in miniature painting. It was precisely these skills that caught the eye of William Curtis, who immediately engaged him as an illustrator for his Flora Londonensis. Through his collaboration with Curtis, Sowerby also made the acquaintance of the botanists Charles Louis L'Héritier de Brutelle and William Withering, for whom he later also worked.
Through his fellow student Robert de Carle in Norwich, Sowerby came into contact with natural scientists such as James Edward Smith and Dawson Turner. This meeting gave rise to English Botany, known today as "Sowerby's Botany", between 1790 and 1814.
Plate 26 (Volume 1, 1787) Variegated Stapelia(Stapelia variegata L.)
Sowerby's artistic work earned him the title of "Fellow" of the Linnean Society of London in 1793, and he was admitted as a full member just five years later. During these years, Sowerby also became friends with the natural scientist Joseph Banks.
On 25 October 1822, James Sowerby died at home in Lambeth, London, after a long illness at the age of 65. His two sons James de Carle Sowerby and George Brettingham Sowerby I continued their father's work after his death.
The plant genus Sowerbaea SM. from the asparagus family (Asparagaceae) and the Sowerby toothed whale (Mesoplodon bidens) from the beaked whale family (Ziphiidae) were named in honour of James Sowerby.
William Curtis recognised his passion for flora and fauna at an early age. However, he first did an apprenticeship as an apothecary. However, after moving from Hampshire to London in 1766 to pursue this trade, his botanical interests prevailed and he gave up his career to earn a living by teaching and writing. His first publication was a pamphlet on collecting and preserving insects. In 1773 he was appointed demonstrator of botany at the Chelsea Physical Garden. After leaving this post in 1777, he opened his own London Botanic Garden at Lambeth Marsh. He later moved the garden to Brompton.
Curtis' first major publication was Flora Londinensis. This work, begun in 1774, aimed to illustrate the plants growing in London. At that time, however, there was generally more interest in showy exotic plants than in the native 'weeds' of London. Despite its beautifully produced colour plates, it was a financial failure and was never completed. However, there was a need for a work on the many new plants from overseas that garden lovers wanted to grow at home. Curtis saw an opportunity to recoup some of the losses he had suffered and published his Botanical Magazine. He initially used the artists he had already employed for the Flora Londinensis, such as James Sowerby and William Kilburn, who could draw plant specimens from his own botanical garden.
However, the artist who dominated the early years of the magazine was Sydenham Teast Edwards. Curtis became aware of his talent and arranged for him to train as a botanical artist in London. He was only nineteen when his first plate was published in the Botanical Magazine in 1788. More than 1700 followed over the next 27 years - some posthumously - to the practical exclusion of other artists. The plates illustrated on page 9 and page 10 are an example of his work. At first Edwards drew and engraved the plates himself, but from 1792 Francis Sansom took over the engraving. A few years before his death, Edwards left the Botanical Magazine to start his own Botanical Register. The reason for this was that 12 of his plates were mistakenly attributed to Sowerby.
Red Plumeria
Perpetual Rose
Diploppus incanus
Winterling
Iris reichenbachii
Paeonia peregrine
Pleione pricei
Abies cephalonica
Amorphophallus titanium
Contents Botanical Magazine No. II 1828
Adansonia digitata
Adansonia digitata
Malva morenii
Croton castaneifolium
Oncidium papilio
Orobus sessilifolius
Neottia aphylla
Nepenthes distillatoria
Gonolobus niger
Polemonium richardsonii
Pothos macrophylla
Baeckea frutescens
Banksia marcescens
Dorstenia tubicina
Calceolaria plantaginea
Maxillaria pallidiflora
Grevillea acanthifolia
Lotus microphyllus
Penaea inbricata
Corchurus olitorius
Salpiglossis atro-purpurea
Arum campanulatum
Pitcairnia bracteata
Lycopersicon peruvianum
Gomphrena globosa
Justicia calycotricha
Bignonia colei
Blechnum longifolium
Zygopetalum rostratum
Cactus alatus
Sida globiflora
Houstonia serpyllifolia
Octomeria serratifolia
Buddleja madagascariensis
Dioscorea cinnamomifolia
Cycas circinalis
Solanum balbisii var. purpurea
Franciscea hopeana
Oxalis rosea
Encyclia viridiflora
Oenothera lindleyii
Artocarpus integrifolia
Dracaena australis
Chaetogastra lanceolata
Nicotiana glauca
Osbeckia glomerata
Malva angustifolia
Hedyotis campanuliflora
Tillandsia psittacina
Primula verticillata
Gaultheria shallon
Epidendrum fuscatum
Justicia quadangularis
Begonia papillosa
Rosa sinica
Alstroemeria ovata
Begonia dipetala
Conospermum ericifolium
Cattleya intermedia
Polygala paucifolia
Buddleja connata
Eriostemon salicifolium
Saponaria glutinosa
Imatophyllum aitoni
Sida sessiliflora
Sieversia triflora
Pultenaea pedunculata
Dodonaea attenuata
Iris lutescens
Cynara cardunculus
Sieversia peckii
Salvia pseudo-coccinea
Blumenbachia insignis
Oxalis carnosa
Desmodium nutans
Passiflora capsularis
Artocarpus incisa
Salvia involucrate
Oenothera viminea
Calceolaria arachnoidea
Didiscus caeruleus
Contents Botanical Magazine VOL. V 1849
Cereus leeanus
Cirrhopetalum nutans
Mirbelia meisneri
Scutellaria macrantha
Heterotrichum macrodon
Cirrhopetalum macraei
Exacum zeylanicum
Lisianthus pulcher
Miltonia spectabilis var. purpureoviolacea
Macleania punctata
Aerides crispum
Loasa picta
Dendrobium devonianum
Gloxinia fimbriata
Gesneria picta
Vanda tricolor
Bejaria coarctata
Maxillaria leptosepala
Curcuma cordata
Pachystigma pteleoides
Eriopsis rutidobulbon
Stifftia chrysantha
Eriostemon intermedium
Coelogyne fuliginosa
Thyrsacanthus bracteolatus
Pesomeria tetragona
Cereus reductus
Cyrtanthera catalpaefolia
Lycaste skinneri
Sobralia macrantha
Lapageria rosea
Stemonacanthus macrophyllus
Asystasia scandens
Dendrobium cambridgeanum
Zieria macrophylla
Alloplectus capitatus
Amherstia nobilis
Cyrtochilum citrinum
Mormodes lentiginosa
Epimedium pinnatum
Rhododendron formosum
Dielytra spectabilis
Lacepedea insignis
Nematanthus ionema
Gaultheria bracteata
Mitraria coccinea
Sida (Abutilon) venosa
Penstemon cyananthus
Sauromatium guttatum
Roupellia grata
Aristolochia macradenia
Cyrtantbera aurantiaca
Nymphaea ampla
Cupania cunninghamii
Metrosideros florida
Gonolobus martianus
Escallonia macrantha
Brassavola digbyana
Heliconia angustifolia
Schomburgkia tibicinus var. grandiflora
Dendrobium tortile
Rhododendron clivianum
Cychnoches barbatum
Espeletia argentea
Brachysema aphyllum
Ixora laxiflora
Begonia cinnabarina
Tabernaemontana longiflora
Clerodendron bethuneanum
Contents VOL. V 1909
Encephalartos barteri
Angadenia nitida
Eria rhynchostyloides
Clerodendron (Cyclonema) ugandense
Lonicera (Nintooa) giraldii
Alpinia bracteata
Oligobotrya henryi
Eranthemum wattii
Pinus bungeana
Sorbus (Aucuparia) vilmorini
Cycas micholitzii
Saxifraga scardica
Pseuderanthemum seticalyx
Nigella integrifolia
Rubus (batothamnus) koehneanus
Impatiens hawkeri
Microloma tenuifolium
Arbutus menziesii
Strophanthus preussii
Anthurium trinerve
Dendrobium bronckartii
Larix occidentalis
Mussaenda treutleri
Deutzia setchuenensis
Pyrus pashia, var. kumaoni
Pinus jeffreyi
Begonia (scutobegonia) modica
Sorbus cuspidata
Prunus (cerasus) japonica
Cornus macrophylla
Coelogyne venusta
Aloe rubrolutea
Rubus (eubatus) canadensis
Pyrus ringo
Mahonia arguta
Caralluma nebrownii
Cycnoches densiflorum
Erlangea tomentosa
Spiraea (Chamaedryon) henryi
Agave (Littaea) wrightii
Aphelandra tetragona
Megaclinium purpureorachis
Exostemma subcordatum
Euphorbia ledienii
Peliosanthes violacea, var. Clarkei
Cereus amecamensis
Cissus (Cyphostemma) adenopodus
Laurelia serrata
Rhododendron coombense
Bulbophyllum (Cirrhopetalum) campanulatum
Magnolia delavayi
Pieris formosa
Cotoneaster moupinensis
Cephalotaxus drupacea
Kitchingia uniflora
Parthenocissus tricuspidata
Asparagus tetragonus
Prunus (Euprunus) maritima
Opuntia imbricata
Euryops virgineus
Notes on synonyms using the example of Croton castaneifolium
Example of the taxonomy of Cactus alatus
Original printout from Curtis's Botanical Magazine
Hand coloured copper plate engraved by Swan
Editors and illustrators of Botanical Magazine
Example of an original entry from Curtis's Botanical Magazine
Royal Botanic Gardens (Kew)
Source reference
The following were helpful in putting the book together
Plate 279 (Volume 8, 1794) Red Plumeria (Plumeria rubra L.)
Plate 284 (Volume 8, 1794) Perpetual Rose(Rosa semperflorens W.M.Curtis)
The beautiful hand-coloured plates are the main attraction of the magazine. The illustrations of the first copies of the magazine are still largely bright and fresh after two hundred years.
As Curtis states in the preface to the first edition, the plates were "always drawn from the living plant and coloured as close to nature as the imperfections of the colouring permit".
Since artistic freedom was hardly possible, each artist had to draw the preparations accurately and precisely in order to create a scientifically authoritative work.
Up to volume 70, the plates were produced with copperplate engravings, with each copy coloured with watercolours. Considering that in the early years of the journal up to 3,000 copies per issue (with an average of 3 plates) were published, one can imagine that it was impossible to achieve a uniform colouring.
Different colourists achieved different results, and even the pigments used were not necessarily of the same quality.
At times, about 30 people were busy colouring the illustrations of the Botanical Magazine.
Not only was the repetitive work tedious, but low wages did not promote high standards and there were inevitable variations in care and accuracy as a result.
Incredibly, despite these problems, the magazine's plates were all hand-coloured until 1948, when a shortage of colourists forced the magazine to adopt photographic reproductions.
The choice of plants to be described was often influenced by the public's great fondness for the unusual. Initially, European plants were predominantly selected, but in the nineteenth century more and more plants were obtained by botanists from further afield. David Douglas (1799-1834), for example, collected extensively in America on behalf of the Royal Horticultural Society. He travelled across America for eleven years, sending seeds and specimens home at regular intervals. Many of his plants thrived in England and were illustrated in the Botanical Magazine. One of his finds, Diplopappus incanus (Lindl.), is illustrated on page 12; the accompanying text explains that the species is native to California, where it was discovered by David Douglas.
Plate 3383 (Volume 62, 1835): Diploppus incanus (Lindl.)